12410 Results
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Reference number:
DR1980:0061:001-105
Description:
Architectural drawings and copies selected from two albums compiled by George Penrose Kennedy as he was a pupil and assistant to Charles Barry, architect. These albums were titled "Gothic volume" and "Italian volume". The selection includes the binding from the Gothic volume.
DR1980:0061:001-105
Description:
Architectural drawings and copies selected from two albums compiled by George Penrose Kennedy as he was a pupil and assistant to Charles Barry, architect. These albums were titled "Gothic volume" and "Italian volume". The selection includes the binding from the Gothic volume.
People:
Date:
between 1820 and 1860
between 1820 and 1860
Title:
Selected drawings from the albums compiled by George Penrose Kennedy, including drawings and designs by Charles Barry
Actions:
DR1980:0061:001-105
Description:
Architectural drawings and copies selected from two albums compiled by George Penrose Kennedy as he was a pupil and assistant to Charles Barry, architect. These albums were titled "Gothic volume" and "Italian volume". The selection includes the binding from the Gothic volume.
Selected drawings from the albums compiled by George Penrose Kennedy, including drawings and designs by Charles Barry
Actions:
DR1980:0061:001-105
Description:
Architectural drawings and copies selected from two albums compiled by George Penrose Kennedy as he was a pupil and assistant to Charles Barry, architect. These albums were titled "Gothic volume" and "Italian volume". The selection includes the binding from the Gothic volume.
Date:
between 1820 and 1860
between 1820 and 1860
People:
Form:
drawings
drawings
Actions:
Reference number:
AP082.S1.002.2
Description:
Drawings numbered HQ1.80.1-HQ1.80.6L and HQ1.81.1- HQ1.81.9.
AP082.S1.002.2
Description:
Drawings numbered HQ1.80.1-HQ1.80.6L and HQ1.81.1- HQ1.81.9.
People:
Date:
1996
1996
Title:
Drawings for the Universal Headquarters Building, Universal City, Los Angeles County, California ("HQ1" series - oversize drawings)
Actions:
AP082.S1.002.2
Description:
Drawings numbered HQ1.80.1-HQ1.80.6L and HQ1.81.1- HQ1.81.9.
Drawings for the Universal Headquarters Building, Universal City, Los Angeles County, California ("HQ1" series - oversize drawings)
Actions:
AP082.S1.002.2
Description:
Drawings numbered HQ1.80.1-HQ1.80.6L and HQ1.81.1- HQ1.81.9.
Form:
drawings
drawings
Date:
1996
1996
People:
Form:
drawings
drawings
Actions:
Reference number:
DR1997:0064:001-062
Description:
- One sketch for the graduate thesis was identified by Danforth as a drawing by Mies van der Rohe (DR1997:0064:029).
DR1997:0064:001-062
Description:
- One sketch for the graduate thesis was identified by Danforth as a drawing by Mies van der Rohe (DR1997:0064:029).
People:
Subject:
architecture, interior design, installation
architecture, interior design, installation
Date:
1938-1943
1938-1943
Title:
Portfolio of drawings for student projects, including a thesis for a museum, Department of Architecture, Illinois Institute of Technology; and copies by Danforth of sketches and drawings for buildings, installations and furniture by Mies van der Rohe
Actions:
DR1997:0064:001-062
Description:
- One sketch for the graduate thesis was identified by Danforth as a drawing by Mies van der Rohe (DR1997:0064:029).
Portfolio of drawings for student projects, including a thesis for a museum, Department of Architecture, Illinois Institute of Technology; and copies by Danforth of sketches and drawings for buildings, installations and furniture by Mies van der Rohe
Actions:
DR1997:0064:001-062
Description:
- One sketch for the graduate thesis was identified by Danforth as a drawing by Mies van der Rohe (DR1997:0064:029).
Form:
drawings
drawings
Date:
1938-1943
1938-1943
People:
Subject:
architecture, interior design, installation
architecture, interior design, installation
Form:
drawings
drawings
Actions:
Reference number:
AP154.S1.1967.PR03.001
Description:
File is composed of 2 sheets of written specifications (S1-S2) and 9 architectural drawings (A1-A9).
AP154.S1.1967.PR03.001
Description:
File is composed of 2 sheets of written specifications (S1-S2) and 9 architectural drawings (A1-A9).
People:
Date:
1967
1967
Title:
Drawings and specifications for Rapaport House, Scarsdale, N.Y.
Actions:
AP154.S1.1967.PR03.001
Description:
File is composed of 2 sheets of written specifications (S1-S2) and 9 architectural drawings (A1-A9).
Drawings and specifications for Rapaport House, Scarsdale, N.Y.
Actions:
AP154.S1.1967.PR03.001
Description:
File is composed of 2 sheets of written specifications (S1-S2) and 9 architectural drawings (A1-A9).
Form:
drawings
drawings
Date:
1967
1967
People:
Form:
drawings
drawings
Reference number:
ARCH192528
Description:
Bound set of reduced drawings: Table of Contents: Project credits Sketch design Design development Working drawings Architectural drawings Presentation drawings Index
ARCH192528
Description:
Bound set of reduced drawings: Table of Contents: Project credits Sketch design Design development Working drawings Architectural drawings Presentation drawings Index
People:
Title:
Bound set of reduced drawings, Bathroom Addition, Toronto
Actions:
ARCH192528
Description:
Bound set of reduced drawings: Table of Contents: Project credits Sketch design Design development Working drawings Architectural drawings Presentation drawings Index
Bound set of reduced drawings, Bathroom Addition, Toronto
Actions:
ARCH192528
Description:
Bound set of reduced drawings: Table of Contents: Project credits Sketch design Design development Working drawings Architectural drawings Presentation drawings Index
Form:
drawings
drawings
People:
Form:
exhibitions
exhibitions
Actions:
Description:
The exhibition Industrial Architecture: ÁbalosHerreros selected by OFFICE Kersten Geers David Van Severen presents a precise reading of the industrial approach to architecture in the work of ÁbalosHerreros, a firm that operated in Madrid from 1984 until 2008. Diverse objects are presented: CAD drawings, photographs of archival material taken by Stefano Graziani, a replica(...)
The exhibition Industrial Architecture: ÁbalosHerreros selected by OFFICE Kersten Geers David Van Severen presents a precise reading of the industrial approach to architecture in the work of ÁbalosHerreros, a firm that operated in Madrid from 1984 until 2008. Diverse objects are presented: CAD drawings, photographs of archival material taken by Stefano Graziani, a replica(...)
Location:
Octagonal gallery Keyword(s):
Kersten Geers, David Van Severen, OFFICE, KGVDS, Ábalos, Herreros, Ábalos&Herreros, out of the box
Octagonal gallery Keyword(s):
Kersten Geers, David Van Severen, OFFICE, KGVDS, Ábalos, Herreros, Ábalos&Herreros, out of the box
Date:
12 March 2015 to 17 May 2015
12 March 2015 to 17 May 2015
Title:
Industrial Architecture: Ábalos&Herreros selected by OFFICE Kersten Geers David Van Severen
Actions:
Description:
The exhibition Industrial Architecture: ÁbalosHerreros selected by OFFICE Kersten Geers David Van Severen presents a precise reading of the industrial approach to architecture in the work of ÁbalosHerreros, a firm that operated in Madrid from 1984 until 2008. Diverse objects are presented: CAD drawings, photographs of archival material taken by Stefano Graziani, a replica(...)
Industrial Architecture: Ábalos&Herreros selected by OFFICE Kersten Geers David Van Severen
Actions:
Description:
The exhibition Industrial Architecture: ÁbalosHerreros selected by OFFICE Kersten Geers David Van Severen presents a precise reading of the industrial approach to architecture in the work of ÁbalosHerreros, a firm that operated in Madrid from 1984 until 2008. Diverse objects are presented: CAD drawings, photographs of archival material taken by Stefano Graziani, a replica(...)
Form:
exhibitions
exhibitions
Date:
12 March 2015 to
17 May 2015
12 March 2015 to
17 May 2015
Location:
Octagonal gallery Keyword(s):
Kersten Geers, David Van Severen, OFFICE, KGVDS, Ábalos, Herreros, Ábalos&Herreros, out of the box
Octagonal gallery Keyword(s):
Kersten Geers, David Van Severen, OFFICE, KGVDS, Ábalos, Herreros, Ábalos&Herreros, out of the box
Form:
exhibitions
exhibitions
Actions:
Description:
Victorian medical experts insisted that houses were like bodies—that buildings could be sick—and that healthy architecture entailed a “systematic” approach to domestic sanitation, drawing from the burgeoning field of physiology. *Corpus Sanum in Domo Sano—“a healthy body in a healthy house”—explores the spatial, professional, and gender implications of the(...)
Victorian medical experts insisted that houses were like bodies—that buildings could be sick—and that healthy architecture entailed a “systematic” approach to domestic sanitation, drawing from the burgeoning field of physiology. *Corpus Sanum in Domo Sano—“a healthy body in a healthy house”—explores the spatial, professional, and gender implications of the(...)
Location:
Hall cases
Hall cases
Date:
13 November 1991 to 16 February 1992
13 November 1991 to 16 February 1992
Title:
Corpus Sanum in Domo Sano: The Architecture of the Domestic Sanitation Movement, 1870-1914
Actions:
Description:
Victorian medical experts insisted that houses were like bodies—that buildings could be sick—and that healthy architecture entailed a “systematic” approach to domestic sanitation, drawing from the burgeoning field of physiology. *Corpus Sanum in Domo Sano—“a healthy body in a healthy house”—explores the spatial, professional, and gender implications of the(...)
Corpus Sanum in Domo Sano: The Architecture of the Domestic Sanitation Movement, 1870-1914
Actions:
Description:
Victorian medical experts insisted that houses were like bodies—that buildings could be sick—and that healthy architecture entailed a “systematic” approach to domestic sanitation, drawing from the burgeoning field of physiology. *Corpus Sanum in Domo Sano—“a healthy body in a healthy house”—explores the spatial, professional, and gender implications of the(...)
Form:
exhibitions
exhibitions
Date:
13 November 1991 to
16 February 1992
13 November 1991 to
16 February 1992
Location:
Hall cases
Hall cases
Form:
photographs
photographs
Actions:
Reference number:
AP140.S2.SS1.D33.P7
Description:
views of design development and publication drawings, as well as views of freehand site plans of urban architecture, including the Royal Crescent in Bath, England
AP140.S2.SS1.D33.P7
Description:
views of design development and publication drawings, as well as views of freehand site plans of urban architecture, including the Royal Crescent in Bath, England
People:
Date:
1976
1976
Title:
Views of design development and publication drawings
Actions:
AP140.S2.SS1.D33.P7
Description:
views of design development and publication drawings, as well as views of freehand site plans of urban architecture, including the Royal Crescent in Bath, England
Views of design development and publication drawings
Actions:
AP140.S2.SS1.D33.P7
Description:
views of design development and publication drawings, as well as views of freehand site plans of urban architecture, including the Royal Crescent in Bath, England
Form:
photographs
photographs
Date:
1976
1976
People:
Form:
drawings, works of art
drawings, works of art
Actions:
Reference number:
DR1974:0002:021:001-033
Description:
- This album contains studies by Charles Rohault de Fleury of the five classical orders. The majority of the drawings are from his student years at the Ecole des Beaux-Arts (1822-1825). Others are from his student years at the Ecole Polytechnique (1820-1822), or drawings executed while he was a practicing architect (after 1825). Although the drawings are not physically organized into categories within the album, they can be divided into three groups according to their architectural sources: paradigmatic examples taken from named monuments of Greek and Roman architecture, examples taken from unnamed architectural monuments or treatises, and examples after 16th century Italian and French interpretors of the classical tradition, such as Palladio, Serlio, Vignola and Delorme. The only exception to these categories is the drawing of the "soubassement" for the pavilions of the Louvre (DR1974:0002:021:032 R/V). Most of the drawings focus on the proportions of the orders, their disposition within the portico in terms of intercolumnar spacing and number of columns, and the proper moulding and ornamentation particular to each order. This album also contains four etchings of similar subject matter by Gaitte, Stévigny, Piranesi, and an unknown early 19th century etcher.
DR1974:0002:021:001-033
Description:
- This album contains studies by Charles Rohault de Fleury of the five classical orders. The majority of the drawings are from his student years at the Ecole des Beaux-Arts (1822-1825). Others are from his student years at the Ecole Polytechnique (1820-1822), or drawings executed while he was a practicing architect (after 1825). Although the drawings are not physically organized into categories within the album, they can be divided into three groups according to their architectural sources: paradigmatic examples taken from named monuments of Greek and Roman architecture, examples taken from unnamed architectural monuments or treatises, and examples after 16th century Italian and French interpretors of the classical tradition, such as Palladio, Serlio, Vignola and Delorme. The only exception to these categories is the drawing of the "soubassement" for the pavilions of the Louvre (DR1974:0002:021:032 R/V). Most of the drawings focus on the proportions of the orders, their disposition within the portico in terms of intercolumnar spacing and number of columns, and the proper moulding and ornamentation particular to each order. This album also contains four etchings of similar subject matter by Gaitte, Stévigny, Piranesi, and an unknown early 19th century etcher.
People:
Date:
drawings executed between 1818-1832, prints executed 1776 ?-1832
drawings executed between 1818-1832, prints executed 1776 ?-1832
Title:
Album of mostly student drawings of the Orders
Actions:
DR1974:0002:021:001-033
Description:
- This album contains studies by Charles Rohault de Fleury of the five classical orders. The majority of the drawings are from his student years at the Ecole des Beaux-Arts (1822-1825). Others are from his student years at the Ecole Polytechnique (1820-1822), or drawings executed while he was a practicing architect (after 1825). Although the drawings are not physically organized into categories within the album, they can be divided into three groups according to their architectural sources: paradigmatic examples taken from named monuments of Greek and Roman architecture, examples taken from unnamed architectural monuments or treatises, and examples after 16th century Italian and French interpretors of the classical tradition, such as Palladio, Serlio, Vignola and Delorme. The only exception to these categories is the drawing of the "soubassement" for the pavilions of the Louvre (DR1974:0002:021:032 R/V). Most of the drawings focus on the proportions of the orders, their disposition within the portico in terms of intercolumnar spacing and number of columns, and the proper moulding and ornamentation particular to each order. This album also contains four etchings of similar subject matter by Gaitte, Stévigny, Piranesi, and an unknown early 19th century etcher.
Album of mostly student drawings of the Orders
Actions:
DR1974:0002:021:001-033
Description:
- This album contains studies by Charles Rohault de Fleury of the five classical orders. The majority of the drawings are from his student years at the Ecole des Beaux-Arts (1822-1825). Others are from his student years at the Ecole Polytechnique (1820-1822), or drawings executed while he was a practicing architect (after 1825). Although the drawings are not physically organized into categories within the album, they can be divided into three groups according to their architectural sources: paradigmatic examples taken from named monuments of Greek and Roman architecture, examples taken from unnamed architectural monuments or treatises, and examples after 16th century Italian and French interpretors of the classical tradition, such as Palladio, Serlio, Vignola and Delorme. The only exception to these categories is the drawing of the "soubassement" for the pavilions of the Louvre (DR1974:0002:021:032 R/V). Most of the drawings focus on the proportions of the orders, their disposition within the portico in terms of intercolumnar spacing and number of columns, and the proper moulding and ornamentation particular to each order. This album also contains four etchings of similar subject matter by Gaitte, Stévigny, Piranesi, and an unknown early 19th century etcher.
Form:
drawings, works of art
drawings, works of art
Date:
drawings executed between 1818-1832, prints executed 1776 ?-1832
drawings executed between 1818-1832, prints executed 1776 ?-1832
People:
Form:
photographs
photographs
Actions:
Reference number:
ARCH270797
ARCH270797
People:
Date:
circa 1992
circa 1992
Form:
photographs
photographs
Date:
circa 1992
circa 1992
People:
