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"Three economies of transcendence" offers a sharp critique of how transcendence underpins the symbolic, economic, and environmental crises of the modern world. Andrea Righi identifies three distinct “economies of transcendence” that sustain neoliberal systems of power. Termed the economy of rank, the economy of infinite valorization, and the phallic economy of time, these(...)
Three economies of transcendence
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"Three economies of transcendence" offers a sharp critique of how transcendence underpins the symbolic, economic, and environmental crises of the modern world. Andrea Righi identifies three distinct “economies of transcendence” that sustain neoliberal systems of power. Termed the economy of rank, the economy of infinite valorization, and the phallic economy of time, these economies perpetuate hierarchies, sacrifices, and ecological destruction. Through this framework, Righi not only diagnoses the crisis but also proposes an immanent model of economy that fosters solidarity and is expressly pro-social and ecologically responsible.
Critical Theory
Time matters
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The visibility of climate-emergency phenomena and multiplying crises results in a growing awareness of immediate and long-term repercussions of our design actions. Led by Urszula Kozminska, the project "Time matters" is a collective reflection on an open and experimental approach towards sustainability in which the idea of time is the core of investigations. It aims to(...)
Time matters
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The visibility of climate-emergency phenomena and multiplying crises results in a growing awareness of immediate and long-term repercussions of our design actions. Led by Urszula Kozminska, the project "Time matters" is a collective reflection on an open and experimental approach towards sustainability in which the idea of time is the core of investigations. It aims to showcase the power of fictional architectural narratives in stimulating new ways of mapping, designing, constructing, and communicating. Furthermore, the project promotes an architecture that evolves alongside shifting conditions and introduces its dynamics as a primary design parameter.
Green Architecture
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Godard : this way that way
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Keith Godard (b. 1940) is one of the most unusual personalities on the graphic design scene. His New York practice deals mainly with exhibition design. His poster also create sensations on a regular basis, All his work shares a striking degree of cheerfulness in form and colour, and a sense of humour that gives a hint of Godard’s British origins. Despite this, the(...)
Graphic Designers, Monographs
February 2002, Baden
Godard : this way that way
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Keith Godard (b. 1940) is one of the most unusual personalities on the graphic design scene. His New York practice deals mainly with exhibition design. His poster also create sensations on a regular basis, All his work shares a striking degree of cheerfulness in form and colour, and a sense of humour that gives a hint of Godard’s British origins. Despite this, the designer is committed to function and reduced graphics. He trust the power of the idea. This small-format book is conceived as something that will inspire designers with courage.
books
February 2002, Baden
Graphic Designers, Monographs
Rome from the ground up
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Rome is not one city but many, each with its own history unfolding from a different center: now the trading port on the Tiber; now the Forum of antiquity; the Palatine of imperial power; the Lateran Church of Christian ascendancy; the Vatican; the Quirinal palace. Beginning with the very shaping of the ground on which Rome first rose, this book conjures all these cities,(...)
Rome from the ground up
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Rome is not one city but many, each with its own history unfolding from a different center: now the trading port on the Tiber; now the Forum of antiquity; the Palatine of imperial power; the Lateran Church of Christian ascendancy; the Vatican; the Quirinal palace. Beginning with the very shaping of the ground on which Rome first rose, this book conjures all these cities, past and present, conducting the reader through time and space to the complex and shifting realities - architectural, historical, political, and social - that constitute Rome.
History until 1900, Italy
Landscape with(out) Locus
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How do we understand landscape today? How do we discuss and visualize nature? Can they be conceived and represented as something existing independently of the viewer, now that the human race has gotten into a very last corner of the world? 'Landscape with(out) Locus' interprets landscape as an ever-changing social, economic, and ecological construct. Addressing questions(...)
Landscape with(out) Locus
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How do we understand landscape today? How do we discuss and visualize nature? Can they be conceived and represented as something existing independently of the viewer, now that the human race has gotten into a very last corner of the world? 'Landscape with(out) Locus' interprets landscape as an ever-changing social, economic, and ecological construct. Addressing questions of power, identity, and natural resources, the publication follows histories of surveillance and colonialism, considering photographic (and post-photographic) images as central to the process of interacting with the world.
Landscape Theory
Ancestral future
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In response to the damage caused by centuries of colonial ravaging and the current ecological, political and social crises, the leading Indigenous thinker and activist Ailton Krenak warns against the power of corporate capitalism and its destructive impact. In a spoken language that has the mark of ancestral oral wisdom, Krenak offers a new perspective that challenges(...)
Ancestral future
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In response to the damage caused by centuries of colonial ravaging and the current ecological, political and social crises, the leading Indigenous thinker and activist Ailton Krenak warns against the power of corporate capitalism and its destructive impact. In a spoken language that has the mark of ancestral oral wisdom, Krenak offers a new perspective that challenges and disrupts some of the assumptions that underpin Western attitudes and mentalities. His work will be of great interest to anyone concerned about the climate crisis and the worsening plight of our planet.
Social
No more fossils
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In "No more fossils," Dominic Boyer tells the story of the rise of fossil civilization through successive phases of sucropolitics (plantation sugar), carbopolitics (industrial coal), and petropolitics (oily automobility and plasticity), showing what tethers us to the ecocidal trajectory of petroculture today and what it will take to overcome the forces that mire us in(...)
No more fossils
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In "No more fossils," Dominic Boyer tells the story of the rise of fossil civilization through successive phases of sucropolitics (plantation sugar), carbopolitics (industrial coal), and petropolitics (oily automobility and plasticity), showing what tethers us to the ecocidal trajectory of petroculture today and what it will take to overcome the forces that mire us in place. He also looks ahead toward the world that the rapid electrification of vehicles, buildings, and power is creating. What can we do to make electroculture more just and sustainable than the petroculture we are leaving behind?
Environment and environmental theory
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An exploration of the intimate and inextricable relationship between architecture, power, money and politics in the twentieth century. How and why have presidents, prime ministers, mayors, millionaires and bishops come to share such a fascination with architecture? From Blair to Mitterrand, from Hitler to Stalin to Saddam Hussein, architecture has become an end in itself,(...)
The edifice complex : how the rich and powerful shape the world
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An exploration of the intimate and inextricable relationship between architecture, power, money and politics in the twentieth century. How and why have presidents, prime ministers, mayors, millionaires and bishops come to share such a fascination with architecture? From Blair to Mitterrand, from Hitler to Stalin to Saddam Hussein, architecture has become an end in itself, as well as a means to an end. This is a book of genuine timeliness, throwing new light on the aspirations and the motivations of the rich and powerful across the world - and on the political nature of contemporary culture.
Architectural Theory
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As the boundaries that separate photography from other forms of artistic production are increasingly fluid, Solomon-Godeau, a pioneering feminist and politically engaged critic, argues that the relationships between photography, culture, gender, and power demand renewed attention. In her analyses of the photographic production of Cindy Sherman, Robert Mapplethorpe, Susan(...)
Photography after photography: gender, genre, history
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As the boundaries that separate photography from other forms of artistic production are increasingly fluid, Solomon-Godeau, a pioneering feminist and politically engaged critic, argues that the relationships between photography, culture, gender, and power demand renewed attention. In her analyses of the photographic production of Cindy Sherman, Robert Mapplethorpe, Susan Meiselas, Francesca Woodman, and others, Solomon-Godeau refigures the disciplinary object of photography by considering these practices through an examination of the determinations of genre and gender as these shape the relations between photographers, their images, and their viewers.
Theory of Photography
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For the French philosopher Miguel Abensour, the fictional genre of utopia has provided thinkers and artists a fertile ground to explore for the past 500 years, both as a way to imagine new emancipatory practices of shared existence and as a tyrannical imposition of power. Here, Abensour’s project is to examine the idea of utopia in two different but powerful moments in(...)
Utopia, from Tomas More to Walter Benjamin
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For the French philosopher Miguel Abensour, the fictional genre of utopia has provided thinkers and artists a fertile ground to explore for the past 500 years, both as a way to imagine new emancipatory practices of shared existence and as a tyrannical imposition of power. Here, Abensour’s project is to examine the idea of utopia in two different but powerful moments in its trajectory: first, utopia’s beginning, when Thomas More sought a path for justice through a world in transformation, and second, when utopia faced its greatest danger, the moment that Walter Benjamin called “catastrophe.”
Critical Theory