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« Couleurs et motifs dans l’art textile » propose une analyse des palettes de couleurs employées dans les papiers peints et tissus d’ameublement du XVe siècle à nos jours. Des tapisseries médiévales aux chintz indiens en passant par les broderies Renaissance, chaque textile ou papier peint, présenté par ordre chronologique, est accompagné d’une grille de couleur(...)
Couleurs et motifs dans l'art textile
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« Couleurs et motifs dans l’art textile » propose une analyse des palettes de couleurs employées dans les papiers peints et tissus d’ameublement du XVe siècle à nos jours. Des tapisseries médiévales aux chintz indiens en passant par les broderies Renaissance, chaque textile ou papier peint, présenté par ordre chronologique, est accompagné d’une grille de couleur proportionnelle très simple. Ces palettes montrent clairement les associations de couleurs qui, à travers l’histoire, ont permis de créer les splendides motifs aujourd’hui encore admirés et reproduits. Chaque échantillon est étiqueté avec sa valeur CMJN, permettant ainsi au lecteur de reproduire les différentes associations présentées.
Colour Theory and Design
Design and truth
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From the ornate cathedrals of Renaissance Europe to the much-maligned Ford Edsel of the late 1950s, all products of human design communicate much more than their mere intended functions. Design holds both psychological and moral power over us, and these forces may be manipulated, however subtly, to surprising effect. In an argument that touches upon subjects as seemingly(...)
Design and truth
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From the ornate cathedrals of Renaissance Europe to the much-maligned Ford Edsel of the late 1950s, all products of human design communicate much more than their mere intended functions. Design holds both psychological and moral power over us, and these forces may be manipulated, however subtly, to surprising effect. In an argument that touches upon subjects as seemingly unrelated as the Japanese tea ceremony, Italian mannerist painting, and Thomas Jefferson’s Monticello plantation, Grudin turns his attention to the role of design in our daily lives, focusing especially on how political and economic powers impress themselves on us through the built environment.
Design Theory
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Robert Venturi est reconnu comme l'un des grands architectes-théoriciens du XXe siècle. Vu depuis le Capitole (qui aurait tout aussi bien pu s'intituler De Michel-Ange à McDonald) rassemble dix-sept articles écrits avec son associée, Denise Scott Brown, entre 1953 et 1982, et publiés à l'origine dans des revues d'architecture. Ils y livrent leurs réflexions sur l'histoire(...)
Vu depuis le Capitol, et autres textes
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Robert Venturi est reconnu comme l'un des grands architectes-théoriciens du XXe siècle. Vu depuis le Capitole (qui aurait tout aussi bien pu s'intituler De Michel-Ange à McDonald) rassemble dix-sept articles écrits avec son associée, Denise Scott Brown, entre 1953 et 1982, et publiés à l'origine dans des revues d'architecture. Ils y livrent leurs réflexions sur l'histoire de l'architecture depuis la Renaissance et le baroque et, concernant les XIXe et XXe siècles, évoquent aussi bien l'Ecole des beaux-arts que Frank Furness, Sir Edwin Lutyens, Alvar Aalto ou l'influence de la pop culture américaine sur l'architecture.
Architectural Theory
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A reciprocal framework in architecture is a construction where a building’s weight is held not through a single post or beam, but through an interaction of mutually supportive, interwoven members. Reciprocal frameworks have been in use for hundreds of years—including in the work of such Renaissance masters as Leonardo—but, while they are still used today, they are not(...)
Reciprocal frameworks: tradition and innovation
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A reciprocal framework in architecture is a construction where a building’s weight is held not through a single post or beam, but through an interaction of mutually supportive, interwoven members. Reciprocal frameworks have been in use for hundreds of years—including in the work of such Renaissance masters as Leonardo—but, while they are still used today, they are not particularly well known. This book delves into the history and function of reciprocal frameworks, showing not only how they work but also how newly available digital tools can help architects fruitfully expand their use well beyond current applications.
Engineering Structures
Jean Nouvel: Recent Project
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A comprehensive overview of recent work by the 2008 Pritzker Prize winner, Jean Nouvel, this impressive instalment offers an in-depth and personal guide to the successes of this acclaimed French architect. Brimming with superb photos, highly detailed project drawings and explanations, it offers an inside look at the development and inspiration surrounding nineteen diverse(...)
Jean Nouvel: Recent Project
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A comprehensive overview of recent work by the 2008 Pritzker Prize winner, Jean Nouvel, this impressive instalment offers an in-depth and personal guide to the successes of this acclaimed French architect. Brimming with superb photos, highly detailed project drawings and explanations, it offers an inside look at the development and inspiration surrounding nineteen diverse works, both realised and in progress, from the past ten years and around the globe; among them, the Louvre Abu Dhabi, Brussels-Midi Station, Doha High-Rise, Hainan Atlantis, Lascaux 4, Cuartel San Martín and the Renaissance Barcelona Fira Hotel. An interview by Yoshi Futagawa completes the volume.
Architecture Monographs
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Il fut une époque, de la Renaissance au début du XXe siècle, où les architectes avaient pour mission d'ennoblir les palais, les lieux de culte et les résidences des puissants, conférant aux villes occidentales leur dimension esthétique. La modernité au XIXe siècle rompt avec ces pratiques au profit de conceptions davantage fonctionnalistes, poussées à l'extrême par Le(...)
Brève histoire de l'urbanisme
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Il fut une époque, de la Renaissance au début du XXe siècle, où les architectes avaient pour mission d'ennoblir les palais, les lieux de culte et les résidences des puissants, conférant aux villes occidentales leur dimension esthétique. La modernité au XIXe siècle rompt avec ces pratiques au profit de conceptions davantage fonctionnalistes, poussées à l'extrême par Le Corbusier. Doit-on pour autant aujourd'hui renoncer à tout idéal d'aménagement harmonieux ? Pour renouer avec le souci d'embellir, il faut bien plus admettre que tout projet d'urbanisme a une dimension sociale. Cette hypothèse est le point de départ d'une histoire de l'urbanisme européen.
Urban Theory
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In this intriguing book, E.H. Gombrich, who was one of the world’s foremost art historians, traces how cast shadows have been depicted in Western art through the centuries. Gombrich discusses the way shadows were represented—or ignored—by artists from the Renaissance to the 17th century and then describes how Romantic, Impressionist, and Surrealist artists exploited the(...)
Shadows: the depiction of cast shadows in Western art
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In this intriguing book, E.H. Gombrich, who was one of the world’s foremost art historians, traces how cast shadows have been depicted in Western art through the centuries. Gombrich discusses the way shadows were represented—or ignored—by artists from the Renaissance to the 17th century and then describes how Romantic, Impressionist, and Surrealist artists exploited the device of the cast shadow to enhance the illusion of realism or drama in their representations. First published to accompany an exhibition at the National Gallery, London, in 1995, it is reissued here with additional color illustrations and a new introduction by esteemed scholar Nicholas Penny.
Art Theory
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Preface by William McDonough: "The buildings shown in this book are more than just examples of the technological bells and whisties of green design. They are part of an evolving cultural phenomenon. They seek to replace dominion over nature with a more fulfilling relationship with the natural world. If this century is to be known for peace, prosperity, beauty, and the(...)
Big & green : toward sustainable architecture in the 21st century
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Preface by William McDonough: "The buildings shown in this book are more than just examples of the technological bells and whisties of green design. They are part of an evolving cultural phenomenon. They seek to replace dominion over nature with a more fulfilling relationship with the natural world. If this century is to be known for peace, prosperity, beauty, and the restoration of our world, kinship with nature must become one of the foundations of our cultural life. Architecture, with its profound ability to create new relationships to place, is uniquely positioned to lead such a renaissance."
Green Architecture
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L'homme dans le paysage
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Au fil de ces entretiens, Alain Corbin restitue les formes d'appréciation de l'espace, de la Renaissance à nos jours. Le paysage est, en effet, une manière de lire l'espace, de se le représenter, de le charger de significations et d'émotions. Il est une lecture indissociable de la personne qui le contemple. Il sollicite tous les sens, et se consttruit selon des systèmes(...)
L'homme dans le paysage
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Au fil de ces entretiens, Alain Corbin restitue les formes d'appréciation de l'espace, de la Renaissance à nos jours. Le paysage est, en effet, une manière de lire l'espace, de se le représenter, de le charger de significations et d'émotions. Il est une lecture indissociable de la personne qui le contemple. Il sollicite tous les sens, et se consttruit selon des systèmes de croyances, de convictions scientifiques et des codes esthétiques. De l'anxièté au désir, de l'aménagement à la conservation, ce parcours illustré dessine l'évolution des postures, des formes de représentation et de maîtrise qui nous unissent au paysage.
books
September 2001, Paris
Landscape Theory
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Standing on the property line between two apartment buildings with adjacent driveways, American photographer Thomas Locke Hobbs was reminded of a Renaissance painting, ''The Ideal City of Urbino'', where the illusion of space is achieved when receding lines that establish spatial relationships converge at a central vanishing point. It inspired his book ‘L.A. Vedute’, a(...)
Thomas Locke Hobbs: L.A Vedute
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Standing on the property line between two apartment buildings with adjacent driveways, American photographer Thomas Locke Hobbs was reminded of a Renaissance painting, ''The Ideal City of Urbino'', where the illusion of space is achieved when receding lines that establish spatial relationships converge at a central vanishing point. It inspired his book ‘L.A. Vedute’, a documentary study of domestic architecture in Los Angeles. The work presents the way shared spaces recede to a common vanishing point, largely unpopulated and deserted, akin to movie sets where the actors have disappeared. Through metaphors of alienation, Hobbs exposes a city in conflict and coexistence.
Photography monographs