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Establishing an ethics of spatial justice to lead architecture forward, Dana Cuff shows why the discipline requires critical examination—in relation to not only buildings and the capital required to realize them but privilege, power, aesthetics, and sociality. The book draws on studies of architectural projects from around the world, with instructive case studies from(...)
Architectures of spatial justice
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Establishing an ethics of spatial justice to lead architecture forward, Dana Cuff shows why the discipline requires critical examination—in relation to not only buildings and the capital required to realize them but privilege, power, aesthetics, and sociality. The book draws on studies of architectural projects from around the world, with instructive case studies from Chile, Mexico, Japan, and the United States that focus in particular on urban centers, where architecture is most directly engaged with social justice issues. Emerging from more than two decades of the author's own project-based research, the volume examines ethically driven practices that break with professional conventions to correct long-standing inequities in the built environment, uncovering architecture's limits—and its potential.
Hydroelectric sublime
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The Emosson region in the Swiss canton of Valais boasts a breathtaking Alpine landscape punctuated by a series of monumental feats in hydroelectric engineering, which include three dams and a power plant hidden in a cavern 600 meters below ground. In "Hydroelectric sublime", the photographers Beatrice Gorelli (born 1996) and Keiichi Kitayama (born 1987) set out to capture(...)
Photography by Region
September 2023
Hydroelectric sublime
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The Emosson region in the Swiss canton of Valais boasts a breathtaking Alpine landscape punctuated by a series of monumental feats in hydroelectric engineering, which include three dams and a power plant hidden in a cavern 600 meters below ground. In "Hydroelectric sublime", the photographers Beatrice Gorelli (born 1996) and Keiichi Kitayama (born 1987) set out to capture the area’s awe-inspiring terrain, and find themselves on a three-year odyssey uncovering the intricate bond between humans, energy and water. Across mountains, seasons and generations, the book peels back the layers of a landscape that exemplifies the coming together of nature and the man-made so sublimely or severely, depending on one’s point of view.
Photography by Region
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Wolfgang Laib’s concentrated installations are touching in an immediate and fundamental way, perhaps because they also address various levels of early childhood consciousness. Beeswax tunnels are redolent with an overwhelming scent of sweet honey and pollen; powdery piles of pollen are such a luminous yellow that you want to put your hands in it and play. Visitors to(...)
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January 1900, New York, Ostfildern/Ruit
Wolfgand Laib : a retrospective
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Wolfgang Laib’s concentrated installations are touching in an immediate and fundamental way, perhaps because they also address various levels of early childhood consciousness. Beeswax tunnels are redolent with an overwhelming scent of sweet honey and pollen; powdery piles of pollen are such a luminous yellow that you want to put your hands in it and play. Visitors to the installations are "opened up" to the spiritual dimension, become aware of the energetic presence of the natural materials shown, and are prepared for a spiritual and intellectual encounter with their symbolic content. This retrospective monograph features all of the key categories of Laib’s oeuvre, establishing the unique position and great auratic power of works that consistently question crucial issues.
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Working collaboratively for the past ten years, Sabine Bitter and Helmut Weber focus on the field of architecture and urbanism, exploring the conditions of urban life in relation to the distribution of power. They investigate the possibility of visually interpreting and critically commenting on urban and architectural structures in terms of their potential for extensive(...)
Urban Theory
May 2005, Vancouver, Frankfurt am Main
Sabine Bitter / Helmut Weber : Caracas, hecho en Venezuela
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Working collaboratively for the past ten years, Sabine Bitter and Helmut Weber focus on the field of architecture and urbanism, exploring the conditions of urban life in relation to the distribution of power. They investigate the possibility of visually interpreting and critically commenting on urban and architectural structures in terms of their potential for extensive social change. In "Caracas, Hecho en Venezuela" Bitter and Weber question the way in which the modernist promise of shaping the city and social space has been transformed due to shifts in urban, national, and global economies and politics. They examine how architecture, urban structures and entire territories in Caracas have been appropriated, "reterritorialized", and transformed by the people who live in them.
Urban Theory
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The ports of the Swahili coast-- Zanzibar and Mombasa among them-- have long been dynamic centers of trade where diverse peoples, ideas, and materials converge. With the arrival of photography in the mid-nineteenth century, these predominantly Muslim coastal communities cultivated and transformed the medium. "The surface of things" examines the complex maritime dynamics(...)
The surface of things: A history of photography from the Swahili Coast
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The ports of the Swahili coast-- Zanzibar and Mombasa among them-- have long been dynamic centers of trade where diverse peoples, ideas, and materials converge. With the arrival of photography in the mid-nineteenth century, these predominantly Muslim coastal communities cultivated and transformed the medium. "The surface of things" examines the complex maritime dynamics that shaped the photography of coastal Africa, exploring the pleasure and power of beautiful things and the ways people and their pictures transcended the boundaries of the colonial world. Immersing readers in the globally interconnected networks of eastern Africa’s port cities, Prita Meier demonstrates how photographs are not static images but mobile objects with remarkable shape-shifting qualities.
Photography Collections
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If there is, indeed, nothing lovelier than a tree, Connecticut-based artist Bryan Nash Gill (1961-2013) showed us why. Creating prints from cross sections of trees, Gill revealed the sublime power locked inside their arboreal rings, patterns not only of great beauty but also a year-by-year record of the life and times of the fallen or damaged logs. The artist rescued the(...)
Bryan Nash Gill: Woodcut (updated edition)
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If there is, indeed, nothing lovelier than a tree, Connecticut-based artist Bryan Nash Gill (1961-2013) showed us why. Creating prints from cross sections of trees, Gill revealed the sublime power locked inside their arboreal rings, patterns not only of great beauty but also a year-by-year record of the life and times of the fallen or damaged logs. The artist rescued the wood from the property surrounding his studio and neighboring land, extracted and prepared blocks of various species--including ash, maple, oak, spruce, and willow--and then printed them by carefully following and pressing the contours of the rings until the intricate designs transferred from tree to paper.
Fauna and flora
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Emerging in the death throes of colonial rule, the story of ''Tropical Modernism'' is one of politics and power, decolonization and defiance. Its leading proponents, British architects Jane Drew and Maxwell Fry, adapted a utopian Bauhaus-derived Modernist aesthetic to hot and humid conditions. After Independence, ''Tropical Modernism'' was championed by leaders including(...)
Tropical Modernism: Architecture and independence
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Emerging in the death throes of colonial rule, the story of ''Tropical Modernism'' is one of politics and power, decolonization and defiance. Its leading proponents, British architects Jane Drew and Maxwell Fry, adapted a utopian Bauhaus-derived Modernist aesthetic to hot and humid conditions. After Independence, ''Tropical Modernism'' was championed by leaders including Jawaharlal Nehru and Kwame Nkrumah as a symbol of freedom, progressiveness and internationalism in monumental projects such as Chandigarh in Punjab planned by Le Corbusier and Black Star Square in Accra designed by Victor Adegbite. Scrutinizing the colonial narratives surrounding ''Tropical Modernism'', and foregrounding the experience of African and Indian practitioners, this book reassesses an architectural style which has increasing relevance in today’s changing climate.
Modernism
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The devastation left in the wake of modernity and globalization is revealing a fragile and unfamiliar planet, and humanity has awakened to a new real. If the old “realist” tools of objectivism have contributed to capitalist society’s divorce from the natural world, how are artists finding new ways to make us really see—and feel—the planet? Surveying a body of(...)
Planetary realism: Art against end times
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The devastation left in the wake of modernity and globalization is revealing a fragile and unfamiliar planet, and humanity has awakened to a new real. If the old “realist” tools of objectivism have contributed to capitalist society’s divorce from the natural world, how are artists finding new ways to make us really see—and feel—the planet? Surveying a body of planet-facing art, communal practices, and activism, Josephine Berry investigates art’s power to break with capitalist realism and decarbonize the imagination. With chapters on feeling as world-making, the rupture of petroleum landscapes, artists’ urban exodus, and migration as survival, ''Planetary Realism'' delves deeply into art’s necessary reimagining of life on Earth.
Art Theory
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This new edition presents Seth's first book in it's definitive form, collecting the extensive, beautilly illustrated storyline from his popular comic book series Palookaville. Here, he vividly recounts his search for meaning in the life and work of Kalo a forgotten gagcartoonist of the 1940's and '50's, This compulsive task takes him through stacks of crumbling books and(...)
It's a good life, if you don't weaken
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This new edition presents Seth's first book in it's definitive form, collecting the extensive, beautilly illustrated storyline from his popular comic book series Palookaville. Here, he vividly recounts his search for meaning in the life and work of Kalo a forgotten gagcartoonist of the 1940's and '50's, This compulsive task takes him through stacks of crumbling books and magazines in the hope of finding, and ultimately holding onto, a piece of the past. With this remarkable novella, Seth has demonstrated to power of comics as a narrative form. The story unfolds slowly, opening windows onto haunting scenes of old factories, remote towns, and distant train routes: taking us back, on a voyage across both distance and time.
Illustration
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Is Europe a place, a space, or a temporary community of shared interests? As a political space, Europe is as conflictual as its debated constitution. It is a construct that must be continuously negotiated, and its longing for an architecture of strategic encounters parallels an increasing economical power of the private sector, while the sovereignty of European nation(...)
The violence of participation
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Is Europe a place, a space, or a temporary community of shared interests? As a political space, Europe is as conflictual as its debated constitution. It is a construct that must be continuously negotiated, and its longing for an architecture of strategic encounters parallels an increasing economical power of the private sector, while the sovereignty of European nation states attenuate. This book, edited by London-based architect and author Markus Miessen, marks an extension of the discursive space he has produced as contribution to the 2007 Lyon Biennial. He has pulled together a heterogeneous group of interlocutors to lead conversations on alternative notions of participation, the inconsistence between democratic concepts, and what it means to live in Europe today.
Architectural Theory