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Chantée par les sagas de la colonisation, mise en scène par Hollywood, pôle d'attraction pour les Européens et les Marocains, Casablanca est d'abord une collection exceptionnelle d'espaces urbains, de maisons, de jardins. Les auteurs retracent de 1900 à 1960 la renaissance d'un port presque oublié et sa métamorphose en métropole tumultueuse, façonnée par toutes les(...)
Casablanca: mythes et figures d'une aventure urbaine, nouvelle édition
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Chantée par les sagas de la colonisation, mise en scène par Hollywood, pôle d'attraction pour les Européens et les Marocains, Casablanca est d'abord une collection exceptionnelle d'espaces urbains, de maisons, de jardins. Les auteurs retracent de 1900 à 1960 la renaissance d'un port presque oublié et sa métamorphose en métropole tumultueuse, façonnée par toutes les cultures méditerranéennes. Les bâtiments significatifs de cette ville métisse sont analysés à partir des archives françaises et marocaines et présentés par des centaines de photographies inédites. Revivent ainsi les clients, les habitants et les architectes inventifs formant la trame humaine d'une scène incomprise mais essentielle de la modernité. Traduit en anglais en 2002, Casablanca a eu un impact incontestable sur les politiques patrimoniales marocaines. Des compléments et des précisions sont apportées à l'édition de 1998.
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January 1900
Arch Middle East
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In the three centuries from 1450 to 1750 painters, sculptors, and architects emerged from the medieval craft guilds of Italy to claim a new social status as creators, whose gorgeous handiwork, now called "art," expressed lofty inspiration as much as manual skill. In "The lies of the artists", Ingrid Rowland takes us into the world of these artists, and into their(...)
The lies of the artists: Essays on Italian art, 1450-1750
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In the three centuries from 1450 to 1750 painters, sculptors, and architects emerged from the medieval craft guilds of Italy to claim a new social status as creators, whose gorgeous handiwork, now called "art," expressed lofty inspiration as much as manual skill. In "The lies of the artists", Ingrid Rowland takes us into the world of these artists, and into their seemingly miraculous ways of transforming transcendent ideas into tangible works of art that challenged and redefined reality, "lies" with the power to reveal a deeper truth. As the great art patron Daniele Barbaro wrote: "bisogna aprire gli occhi," or "you have to open your eyes." And this is precisely what Rowland does in these essays, bringing her knowledge, keen perception, and singular wit to bear on the art and lives of Renaissance masters.
Art Theory
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In 1532, the Dutch painter Maarten van Heemskerck (1498–1574) traveled from Haarlem to Rome. Pencil in hand, he discovered antiquity and the Renaissance. His remarkable drawings take us on a journey through time in sixteenth-century Rome. Van Heemskerck was everywhere, from the Colosseum to the Forum Romanum to the Piazza del Campidoglio. He was one of the first artists(...)
History until 1900, Italy
August 2024
The allure of Rome: Maarten van Heemskerck draws the city, 1532
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In 1532, the Dutch painter Maarten van Heemskerck (1498–1574) traveled from Haarlem to Rome. Pencil in hand, he discovered antiquity and the Renaissance. His remarkable drawings take us on a journey through time in sixteenth-century Rome. Van Heemskerck was everywhere, from the Colosseum to the Forum Romanum to the Piazza del Campidoglio. He was one of the first artists from north of the Alps to embark on a trip to Rome purely for the sake of art. His sketches reveal his admiration for the buildings and artworks of antiquity and the contemporary art of Raphael and Michelangelo. This magnificent volume invites the reader to discover van Heemkerck’s drawing technique, Roman topography, and the social network of the sixteenth century as well as the fascinating story of the restoration of his Roman sketchbook.
History until 1900, Italy
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Pour les architectes, le traité de Vitruve, écrit au Ier siècle av. J.C., fait figure de livre saint, aussi fondateur que mystérieux. A rebours de l'exégèse sans fin dont il a fait l'objet depuis sa redécouverte à la Renaissance, André Tavares se penche ici non pas sur le contenu théorique du texte ni sur la biographie de son auteur mais sur l'histoire matérielle de ce(...)
Vitruve hors texte : Biographie d'un livre
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Pour les architectes, le traité de Vitruve, écrit au Ier siècle av. J.C., fait figure de livre saint, aussi fondateur que mystérieux. A rebours de l'exégèse sans fin dont il a fait l'objet depuis sa redécouverte à la Renaissance, André Tavares se penche ici non pas sur le contenu théorique du texte ni sur la biographie de son auteur mais sur l'histoire matérielle de ce volumen antique qui connut, depuis l'invention de l'imprimerie, d'innombrables incarnations éditoriales, du grand in-folio au livre de poche. Depuis son editio princeps à Rome en 1486, il en existe en effet près de trois cents éditions - dont plus de la moitié paraissent au XXe siècle -, partielles ou abrégées, en fac-similé ou commentées, traduites dans la plupart des langues, européennes ou non.
Architectural Theory
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Bruno Queysanne travaille avec Raymond Aron et Pierre Bourdieu à l’issu de ses études à la Sorbonne. Il est professeur d’histoire et de philosophie à l’école d’architecture de Grenoble, après avoir enseigné à l’École des Beaux-Arts, Il a notamment traduit et publié Prolégomènes à une psychologie de l’architecture d’Heinrich Wölfflin.Premier essai de réflexion sur la(...)
Prolégomènes à une psychologie de l'architecture
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Bruno Queysanne travaille avec Raymond Aron et Pierre Bourdieu à l’issu de ses études à la Sorbonne. Il est professeur d’histoire et de philosophie à l’école d’architecture de Grenoble, après avoir enseigné à l’École des Beaux-Arts, Il a notamment traduit et publié Prolégomènes à une psychologie de l’architecture d’Heinrich Wölfflin.Premier essai de réflexion sur la perception que l’on a des formes architecturales, ce texte est l’œuvre d’un tout jeune historien de l’art à qui l’on doit le très célèbre Renaissance et baroque.La psychologie de l’architecture tel que l’entend Wölfflin plonge ses racines dans les pensées de Kant et de Schopenhauer. Ce faisant, elle prend son essor, que l’on pourrait qualifier d’ailleurs de phénoménologique, anticipant à certains égards la pensée de Merleau-Ponty. En outre, il développe une approche synesthésique du monde et de l’espace.
Architectural Theory
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Jardins vus du ciel
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Jardins vus du ciel propose un fascinant voyage à travers les siècles, à la découverte des plus beaux jardins d'Europe. Sept chapitres composent ce parcours géographique et chronologique sur l'art de changer et modeler le paysage. Après une introduction sur les origines méditerranéennes et arabes du jardin, la Renaissance italienne dévoile ses jardins qui reflètent la(...)
Jardins vus du ciel
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Jardins vus du ciel propose un fascinant voyage à travers les siècles, à la découverte des plus beaux jardins d'Europe. Sept chapitres composent ce parcours géographique et chronologique sur l'art de changer et modeler le paysage. Après une introduction sur les origines méditerranéennes et arabes du jardin, la Renaissance italienne dévoile ses jardins qui reflètent la relation entre l'homme et l'espace. Viennent ensuite les jardins à la française où l'homme domine les éléments naturels en créant un modèle qui se propagera dans toute l'Europe. La nature sauvage et impétueuse trouve sa revanche dans l'esprit qui caractérise le parc anglais du XVIIIe siècle, tandis que le jardin allemand du XIXe siècle développe l'idée de cohabitation entre les grands espaces publics et les magnifiques jardins privés. Le parcours du livre se conclut au début du XXe siècle.
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September 2004, Paris
Gardens
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Mai-Thu Perret examines the relentless movement of capitalism as it absorbs and defeats what were once revolutionary forms, focusing on the aestheticization of historical avant-gardes to reflect the changing realities of utopian thinking. Her major, ongoing project "The Crystal Frontier," begun in 1999, comprises fictional diary entries and letters written by a group of(...)
Contemporary Art Monographs
October 2007, Berlin, New York
Mai-Thu Perret - Land of Crystal
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Mai-Thu Perret examines the relentless movement of capitalism as it absorbs and defeats what were once revolutionary forms, focusing on the aestheticization of historical avant-gardes to reflect the changing realities of utopian thinking. Her major, ongoing project "The Crystal Frontier," begun in 1999, comprises fictional diary entries and letters written by a group of disillusioned women exiled in the New Mexico desert, as well as myriad artworks that Perret describes as their "hypothetical products." Born in 1975 in Geneva, where she lives and works, Perret studied at Cambridge University and the Whitney Independent Study Program, New York. This comprehensive artist's book, Perret's first monograph, includes a selection of her writings and a specially designed collage of references. Perret's work has recently been seen at The Renaissance Society in Chicago.
Contemporary Art Monographs
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The labyrinth is one of the world's oldest symbols, and its meaning is often shrouded in myth and mystery or ties to religious rites. Today, this enigmatic form inspires artists to create their own interpretations in different, even unusual, ways, including by working with materials as varied as ice, snow, salt, wood, stone, glass, cement, and metal. This new collection(...)
Labyrinths and mazes: a journey through art, architecture and landscape
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The labyrinth is one of the world's oldest symbols, and its meaning is often shrouded in myth and mystery or ties to religious rites. Today, this enigmatic form inspires artists to create their own interpretations in different, even unusual, ways, including by working with materials as varied as ice, snow, salt, wood, stone, glass, cement, and metal. This new collection features both classical examples and the best contemporary projects, showcasing work by artists, landscape artists, and architects from around the world. The diverse and stunning examples include pavement labyrinths of thirteenth-century French cathedrals, a historic English turf maze, Renaissance hedge mazes, and numerous present-day projects by artists and architects, including BIG, Chris Drury, Richard Fleischner, Dan Graham, Robert Irwin, Arata Isozaki, Robert Morris, Yoko Ono, and Billie Tsien and Tod Williams.
Gardens
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Sir John Vanbrugh (1664-1726) was by turns businessman, soldier, playwright, herald and architect of some of the most important country houses of his era. In this book architectural historian Vaughan Hart draws on these diverse interests to examine afresh Vanbrugh's surviving, destroyed and unrealised buildings as well as the designs he executed in collaboration with(...)
Sir John Vanbrugh : storyteller in stone
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Sir John Vanbrugh (1664-1726) was by turns businessman, soldier, playwright, herald and architect of some of the most important country houses of his era. In this book architectural historian Vaughan Hart draws on these diverse interests to examine afresh Vanbrugh's surviving, destroyed and unrealised buildings as well as the designs he executed in collaboration with Nicholas Hawksmoor. It was the fate of Vanbrugh's buildings to be at first maligned and then misunderstood. Hart outlines the contemporary political and social events which influenced the architect and shows how his strikingly original houses, such as those as Seaton Delaval and Grimsthorpe, can be interpreted through reference to classical mythology, renaissance fortifications and medieval houses. Vaughan Hart is Professor of Architecture in the Department of Architecture and Civil Engineering at the University of Bath.
Architecture Monographs
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Urban regeneration is currently at the forefront of the political and professional agenda worldwide. There is a growing desire to identify and deliver solutions that not only define models of sustainable and identifiable urban form but also underpin a real sense of a vibrant community. The design philosophy of Urban Villages has gained significant weight in recent years(...)
Urban villages and the making of communities
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Urban regeneration is currently at the forefront of the political and professional agenda worldwide. There is a growing desire to identify and deliver solutions that not only define models of sustainable and identifiable urban form but also underpin a real sense of a vibrant community. The design philosophy of Urban Villages has gained significant weight in recent years with government policy-makers, planners, designers and developers and is becoming a popular model in achieving a successful and flexible urban renaissance. This book documents both the roots of the Urban Village movement and its application in contemporary society. A series of essays by eminent practitioners offers particular urban perspectives. A detailed compendium of successful case studies provides clear technical information. "Urban Villages" offers a professional resource, a teaching tool and learning aid.
Urban Theory