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During the summer months of 2011, the Migros Museum für Gegenwartskunst inaugurated a sculpture project on the grounds of the Froh Ussicht estate in Samstagern, Zurich. The project was inspired by Bomarzo, the famous Italian Renaissance garden populated with fantastical and monstrous sculptures and follies (i.e. buildings constructed primarily for the embellishment of a(...)
The garden of forking paths: an anthology about contemporary follies
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During the summer months of 2011, the Migros Museum für Gegenwartskunst inaugurated a sculpture project on the grounds of the Froh Ussicht estate in Samstagern, Zurich. The project was inspired by Bomarzo, the famous Italian Renaissance garden populated with fantastical and monstrous sculptures and follies (i.e. buildings constructed primarily for the embellishment of a landscape). Artists Pablo Bronstein, Liz Craft, Ida Ekblad, Geoffrey Farmer, Kerstin Kartscher, Ragnar Kjartansson, Fabian Marti, Peter Regli and Thiago Rocha Pitta all devised their own fantastical narratives in response to Bomarzo. The Garden of Forking Paths enlarges upon this innovative exhibition with reproductions of installed works, and essays by architecture and garden theorists and writers on the history of follies and the interaction between art and garden: Lars Bang Larsen, Michael Bracewell, Horst Bredekamp, Brian Dillon, Patrick Eyres, Heike Munder, Anthony Vidler and Catherine Wood.
Gardens
Trois zoos humains
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Avec crainte ou fascination pour l'Autre et l'Ailleurs, humanisme, exotisme et zoos dialoguent depuis longtemps dans l'histoire de l'Occident. Que l'animal selon Heidegger soit « pauvre en monde » ne dépare nullement la distance maintenue entre le sauvage primitif et son « inventeur » scientifique ou colonial. Mais, ainsi exploré et reconstruit, l'homme serait-il vraiment(...)
Trois zoos humains
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Avec crainte ou fascination pour l'Autre et l'Ailleurs, humanisme, exotisme et zoos dialoguent depuis longtemps dans l'histoire de l'Occident. Que l'animal selon Heidegger soit « pauvre en monde » ne dépare nullement la distance maintenue entre le sauvage primitif et son « inventeur » scientifique ou colonial. Mais, ainsi exploré et reconstruit, l'homme serait-il vraiment devenu un singe affranchi de sa cage ontologique ? Ne serait-il pas l'architecte ayant fait du monde un parc animalier presque sous contrôle ? Et si, par-delà les premières ménageries de la Renaissance, il y avait eu au moins trois autres « humanismes » du zoo : celui des zoos anthropologiques du Jardin d'Acclimatation ; celui de la condition animale d'après-guerre, si interrogatifs au regard des camps du IIIe Reich ; et celui d'un « jardin planétaire » artificiel pour animaux sauvages, Pangée 2.0 sur le thème de leur disparition et, avec eux, de la nôtre ?
Architectural Theory
Hans Hollein
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The only Austrian winner of the Pritzker Prize (1985) and president of the architecture biennale in Venice, the Viennese architect Hans Hollein (born 1934) has been a leading exponent of postmodernism in architecture. Yet his global stature as an architect has overshadowed his design work of the 1970s and 1980s and his artistic work of the 1960s and 1970s, despite past(...)
Hans Hollein
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The only Austrian winner of the Pritzker Prize (1985) and president of the architecture biennale in Venice, the Viennese architect Hans Hollein (born 1934) has been a leading exponent of postmodernism in architecture. Yet his global stature as an architect has overshadowed his design work of the 1970s and 1980s and his artistic work of the 1960s and 1970s, despite past exhibitions at The Museum of Modern Art, New York and the Centre Pompidou in Paris. This richly illustrated, comprehensive catalogue, and the exhibition it accompanies at the Neue Galerie in Graz, is the first retrospective of Hollein as a truly universal artist and a renaissance man for the digital age. It is also the first to present Hollein's oeuvre as a whole: his work as artist, designer and architect, but also as theoretician, curator, teacher and collaborator with such artists as Christo and Claes Oldenburg.
Urban design futures
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The last decade has seen the rise of urban design which has taken a central position in the new agendas for urban regeneration and renaissance. Urban design has moved from marginality to mainstream. The principles espoused by urban designers over the past 30 years are now accepted as key to a better urban environment and as we move towards greater sustainability,(...)
Urban design futures
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The last decade has seen the rise of urban design which has taken a central position in the new agendas for urban regeneration and renaissance. Urban design has moved from marginality to mainstream. The principles espoused by urban designers over the past 30 years are now accepted as key to a better urban environment and as we move towards greater sustainability, different ideas are emerging that are challenging some of the accepted urban design norms; urban design is at a watershed. Essays from an international cast of authors review progress and explore emerging ideas: should urban design reflect the future rather than recreate the past? What are the new driving forces that will shape urban living and hence urban design in the future? This book explores new concepts and points the way towards a series of urban design paradigms for the twenty-first century.
Urban Theory
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This book is about enlarging the ways designers think about design, doing so by learning more about the maturing sciences of human life-evolution, ecology, and the neurosciences-the sciences that explore how you or I actually experience the places being built for us and why we respond the ways we do. The new insights are as revolutionary in their way as the re-discovery(...)
A new look at humanism: in architecture, landscapes and urban design
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This book is about enlarging the ways designers think about design, doing so by learning more about the maturing sciences of human life-evolution, ecology, and the neurosciences-the sciences that explore how you or I actually experience the places being built for us and why we respond the ways we do. The new insights are as revolutionary in their way as the re-discovery of ancient Greece and Rome by humanists in the Renaissance. That was a time of dazzling creativity, with new ways of thinking about human nature. We're facing that kind of opportunity again. The book starts with our "Origins" as we evolved, immersed in the natural world. Then our actual experience is explored in "The mind that encounters architecture" and "The body that responds." And then "the languages of humanism" applies these ideas to design and the role of aesthetic experience.
Architectural Theory
I love Dick, v.f.
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C'est l'histoire d'une femme qui devient folle, folle amoureuse d'un homme prénommé Dick qu'elle n'a rencontré qu'une seule fois en compagnie de son mari. Pour tenter de composer avec cette obsession elle choisit d'écrire à cet homme. Par jeu ou par défi, son mari décide de lui écrire à son tour. De cette situation triangulaire insolite, Chris Kraus tire une méditation(...)
I love Dick, v.f.
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C'est l'histoire d'une femme qui devient folle, folle amoureuse d'un homme prénommé Dick qu'elle n'a rencontré qu'une seule fois en compagnie de son mari. Pour tenter de composer avec cette obsession elle choisit d'écrire à cet homme. Par jeu ou par défi, son mari décide de lui écrire à son tour. De cette situation triangulaire insolite, Chris Kraus tire une méditation subversive sur la place des femmes dans le couple et dans le monde d'aujourd'hui. Elle pousse l'exploration du désir féminin à son comble, nous entraîne dans les tréfonds d'une quête acharnée qui la conduit à traverser l'Amérique et à faire chemin seule, dans l'espoir d'une possible renaissance. C'est donc moins à une relecture des Liaisons dangereuses que de Madame Bovarg à laquelle nous invite Chris Kraus dans ce livre culte qui efface les limites entre fiction, essai et récit autobiographique pour mieux sonder les multiples visages du discours amoureux.
Critical Theory
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An ancient building method that has experienced a renaissance in recent years as people seek greener and more sustainable building materials and construction methods, rammed earth is a wall building technique that uses earth, chalk, lime and gravel as raw materials. Naturally insulating, non-combustible, and durable, they can be labor intensive to construct without(...)
Down to earth: Rammed earth architecture
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An ancient building method that has experienced a renaissance in recent years as people seek greener and more sustainable building materials and construction methods, rammed earth is a wall building technique that uses earth, chalk, lime and gravel as raw materials. Naturally insulating, non-combustible, and durable, they can be labor intensive to construct without machinery and are susceptible to water damage if not properly protected or maintained. Nevertheless, rammed earth buildings are found on almost every continent, in a range of environments from the humid, to the semi-arid and temperate – from simple single-family dwellings to large and complex multistory buildings. Alongside green building considerations, the availability of the natural components and a design suited to local climatic conditions are key factors which favor their use. "Down to earth" is a compilation of some of the most interesting recent examples of this interesting and unusual building technique.
Green Architecture
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"Once upon a time, Rome was entirely reachable by car, as if the city were a vast expanse, left openly accessible: You could park anywhere, and the squares were not mere scenery but spaces for everyday use, places to be crossed, occupied and lived in. Reaching the heart of the city was a right, a need, a natural and familiar matter, never a fault. It was a time when(...)
Architecture since 1900, Europe
June 2026
Roma vietata: Journey into the reachable city
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"Once upon a time, Rome was entirely reachable by car, as if the city were a vast expanse, left openly accessible: You could park anywhere, and the squares were not mere scenery but spaces for everyday use, places to be crossed, occupied and lived in. Reaching the heart of the city was a right, a need, a natural and familiar matter, never a fault. It was a time when modern citizens felt most at home in the historic centre, from ancient to medieval Rome, from the Renaissance polis to that of the Baroque period, from eighteenth-century Rome to that under King Umberto and right through to the twentieth century. The book traces the history of freedom of movement prior to the advent of limited traffic zones, railway rings, pedestrian areas and the utopia of the smart city. Paradoxically, this book explores the future of Rome through what has become forbidden."
Architecture since 1900, Europe
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Taking a critical look at how new urbanism has lived up to its ideals, the author asks whether new urban approaches offer a viable path to creating good communities. With examples drawn principally from North America, Europe and Japan, "Planning the good community" explores new urban approaches in a wide range of settings. It compares the movement for urban renaissance(...)
Planning the good community : new urbanism in theory and practice
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Taking a critical look at how new urbanism has lived up to its ideals, the author asks whether new urban approaches offer a viable path to creating good communities. With examples drawn principally from North America, Europe and Japan, "Planning the good community" explores new urban approaches in a wide range of settings. It compares the movement for urban renaissance in Europe with the New Urbanism of the United States and Canada, and asks whether the concerns that drive today’s planning theory – issues like power, democracy, spatial patterns and globalisation - receive adequate attention in new urban approaches. The issue of aesthetics is also raised, as the author questions whether communities must be more than just attractive in order to be good. With the benefit of twenty years’ hindsight and a world-wide perspective, this book offers the reader unparalleled insight as well as a rigorous and considered critical analysis.
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January 2006, New York
Urban Theory
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Where is the space for dreaming in the twenty-first century? Lofty thoughts, like dreams, are born and live overhead, just as they have been represented in Renaissance paintings and modern cartoons. Ceilings are often repositories of stories, events and otherwise invisible oneiric narratives. Yet environments that inspire innovative thinking are dwindling as our world(...)
Architectural Theory
August 2019
Ceilings and dreams: the architecture of levity
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Where is the space for dreaming in the twenty-first century? Lofty thoughts, like dreams, are born and live overhead, just as they have been represented in Renaissance paintings and modern cartoons. Ceilings are often repositories of stories, events and otherwise invisible oneiric narratives. Yet environments that inspire innovative thinking are dwindling as our world confronts enormous challenges, and almost all of our thinking, debating and decision-making takes place under endless ceiling grids. Quantitative research establishes that spaces with taller ceilings elicit broader, more creative thoughts. Today, ceilings are usually squat conduits of technology: they have become the blind spot of modern architecture. The twenty essays in this book look across cultures, places and ceilings over time to discover their potential to uplift the human spirit. Not just one building element among many, the ceiling is a key to unlock the architectural imagination.
Architectural Theory