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With increasing intensity, CAAD (Computer Aided Architectural Design) is determining the daily work of today's architectural offices. Computers allow complex designs to be visualised and altered with great speed and accuracy; three-dimensional models can be created with simulation and animation possibilities, and links to the World Wide Web provide access to a flow of(...)
Information architecture : basis and future of CAAD
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With increasing intensity, CAAD (Computer Aided Architectural Design) is determining the daily work of today's architectural offices. Computers allow complex designs to be visualised and altered with great speed and accuracy; three-dimensional models can be created with simulation and animation possibilities, and links to the World Wide Web provide access to a flow of information. The author develops his thesis that these aspects do not just enable the creative process to be optimised in a quantitative sense but also qualitatively. Alongside the spatial and time dimensions, the new electronic possibilities provide a fifth dimension in architecture.
small format
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In 1919 the Social Democrat city council of Vienna initiated a radical program of reforms designed to reshape the city's infrastructure along socialist lines. The centrepiece and most enduring achievement of "Red" Vienna was the construction of the Wiener (...)
The architecture of red Vienna 1919-1934
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In 1919 the Social Democrat city council of Vienna initiated a radical program of reforms designed to reshape the city's infrastructure along socialist lines. The centrepiece and most enduring achievement of "Red" Vienna was the construction of the Wiener Gemeindebauten, 400 communal housing blocks, distributed throughout the city, in which workers' dwellings were incorporated with kindergartens, libraries, medical clinics, theaters, cooperative stores, and other public facilities. The 64,000 units housed one tenth of the city's population. Throughout this socialist building campaign, however, Austria was ruled by a conservative, clerical, and antisocialist political majority. Thus the architecture of Red Vienna took shape in the midst of highly charged, and often violent, political conflict between left and right. In this book, Eve Blau looks at how that ideological conflict shaped the buildings of Red Vienna--in terms of their programme, spatial conception, language, and use--as well as how political meaning itself is manifested in architecture. She shows how the architecture of Red Vienna constructed meaning in relation to the ideological conflicts that defined Austrian politics in the interwar period--how it was shaped by the conditions of its making, and how it engaged its own codes, practices, and history to stake out a political position in relation to those conditions. Her investigation sheds light both on the complex relationship among political program, architectural practice, and urban history in interwar Vienna, and on the process by which architecture can generate a collective discourse that includes all members of society.
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December 1998, Cambridge, Mass.
Modernism
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Containing more than 100 projects, most designed within the last ten years, this book offers a snapshot of South African architecture and an insight into the various social, political and economic influences that have moulded recent work.
South Africa : a guide to recent architecture
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Containing more than 100 projects, most designed within the last ten years, this book offers a snapshot of South African architecture and an insight into the various social, political and economic influences that have moulded recent work.
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November 1998, Köln
City Guides
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"X-Urbanism" raises questions about the form of the city by examining various configurations of urban space, analyzing them in ways that blur the traditional opposition between figure and ground. This title serves as a visual lexicon of the formal(...)
X-urbanism : architecture and the American city
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"X-Urbanism" raises questions about the form of the city by examining various configurations of urban space, analyzing them in ways that blur the traditional opposition between figure and ground. This title serves as a visual lexicon of the formal properties of American urbanism--fabric, void, grid, wall--that reveal the hidden structure of the cities New York, Los Angeles, Boston, Chicago, New Haven, Des Moines, and Atlantic City. In the process, X-Urbanism confounds our expectations: it shows us the subtle order of chaotic Los Angeles, and the disruptions of New York's rigorous grid.
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February 1999, New York
Urban Theory
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Beginning with the inception of the U.S. embassy building program in 1926, and continuing through the 1996 competition for a new embassy in Berlin, "The Architecture of Diplomacy" examines a remarkable(...)
Commercial interiors, Building types
August 1998, New York
The architecture of diplomacy : building America's embassies
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Beginning with the inception of the U.S. embassy building program in 1926, and continuing through the 1996 competition for a new embassy in Berlin, "The Architecture of Diplomacy" examines a remarkable yet little-known chapter in architectural history. It focuses on the 1950s, when modernism became linked with the idea of freedom and the State Department's Office of Foreign Buildings Operations began to showcase modern architecture in its embassies. Architects could build abroad in styles never sanctioned at home, resulting in unusual and sometimes outlandish designs intended to express an "open" America overseas. Indeed, the embassy building program was part of the nation's larger effort to establish and assert its superpower status following World War II. Terrorist threats and espionage scandals also shaped the worldwide building program, and continue to affect it today. "The Architecture of Diplomacy" features the stories behind the Rio de Janiero and Havana embassies by Harrison & Abramovitz, Ralph Rapson's designs for Stockholm and Copenhagen, Gordon Bunshaft's work in Germany, Eero Saarinen's constructions in London and Oslo, and Edward Durell Stone's embassy in New Delhi. Other architects involved in the program included Arquitectonica; Pietro Belluschi; Marcel Breuer; Walter Gropius; Kallmann, McKinnell & Wood; Richard Neutra; and Skidmore, Owings & Merrill. Author Jane C. Loeffler obtained access to original correspondence, drawings, and photographs that have never been published.
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August 1998, New York
Commercial interiors, Building types
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In 1993, the artist Vito Acconci and the architect Steven Holl were invited to redesign the then existing façade of the Storefront Gallery in New York. As a response to its urban context and its function as an art space - the gallery is situated on the ground floor(...)
Acconci, Holl : storefront for art and architecture
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In 1993, the artist Vito Acconci and the architect Steven Holl were invited to redesign the then existing façade of the Storefront Gallery in New York. As a response to its urban context and its function as an art space - the gallery is situated on the ground floor of a low building on the outskirts of Soho - Acconci and Holl created a versatile façade which may be opened up in different ways according to the season or function as an optical screen separating the inner space from the street. The different functions, answering to the needs of inner and outer space and creating links and transparencies or establishing borders, serve to provide visitors with ever-changing local and spatial relations.
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January 2001, Bregenz
Museums and Universal Exhibitions
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At last available in English, this classic text was originally published in Germany in 1951 and has been continuously in print since then. Gunter Bandmann analyzes the architecture of societies in western Europe up to the twelfth century that aspired to be the heirs to the Roman empire. He examines the occurrence and recurrence of basic forms not as stylistic evolutions(...)
History until 1900, Middle Ages
January 2005, New York
Early medieval architecture as bearer of meaning
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At last available in English, this classic text was originally published in Germany in 1951 and has been continuously in print since then. Gunter Bandmann analyzes the architecture of societies in western Europe up to the twelfth century that aspired to be the heirs to the Roman empire. He examines the occurrence and recurrence of basic forms not as stylistic evolutions but as meaningful expressions of meta-material content and develops an architectural iconography of symbolic, historical, and aesthetic elements.
History until 1900, Middle Ages
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The writings of graphic designer, prolific critic, and avant-garde partisan Karel Teige (1900-1951) represent one of the great forgotten legacies of modern artistic theory. Together with Jaromír Krejcar and Josef Chocol, he founded the radical Devetsil group in 1920, an(...)
Modern architecture in Czechoslovakia and other writings
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The writings of graphic designer, prolific critic, and avant-garde partisan Karel Teige (1900-1951) represent one of the great forgotten legacies of modern artistic theory. Together with Jaromír Krejcar and Josef Chocol, he founded the radical Devetsil group in 1920, an organization committed to promoting international modernism through manifestos and polemics. After meeting Le Corbusier in Paris in 1922, Teige increasingly turned his attention to architecture. Over the next decade he crystallized his ideas on functionalist and constructivist practice through relationships with ideological allies including Adolf Behne, Theo van Doesburg, Hannes Meyer, and El Lissitzky. In "Modern Architecture in Czechoslovakia" (published in 1930), Teige both publicized the modernist efforts of his native country, and aligned them with the avant-garde efforts of the East and West. Now in English for the first time, this work is supplemented by a selection of Teige's other writings on art and architecture. An introduction by Jean-Louis Cohen traces the diverse pursuits of this multifaceted figure.
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January 2001, Los Angeles
Modernism
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In these pages, Chinese gardens unfold as cosmic diagrams, revealing a profound and ancient view of the world and of humanity's place in it. Keswick conducts us through the art and architecture, the principles and techniques of Chinese gardens, showing their long history as the background for a civilization. Updated and expanded, this third edition, with an(...)
The Chinese garden : history, art and architecture
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In these pages, Chinese gardens unfold as cosmic diagrams, revealing a profound and ancient view of the world and of humanity's place in it. Keswick conducts us through the art and architecture, the principles and techniques of Chinese gardens, showing their long history as the background for a civilization. Updated and expanded, this third edition, with an introduction by Alison Hardie, includes many new illustrations, and an updated list of gardens in China accessible to visitors.
Gardens
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Monnikenheide in Zoersel is a residential care centre for people with mental disabilities. A special place for special people, it is examined from an architectural perspective for the first time in this book. In the fifty-year building history of Monnikenheide, different architects have gone in search of new spatial possibilities, with inclusion as leitmotif. This has(...)
Living in Monnikenheide: Care, inclusion and architecture
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Monnikenheide in Zoersel is a residential care centre for people with mental disabilities. A special place for special people, it is examined from an architectural perspective for the first time in this book. In the fifty-year building history of Monnikenheide, different architects have gone in search of new spatial possibilities, with inclusion as leitmotif. This has created a unique landscape that transcends the boundaries of care architecture. Monnikenheide is a powerful architectural statement about the place of people in society who depend on care.
Commercial interiors, Building types