The human snapshot
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The Human Snapshot draws upon a conference of the same name organized by the LUMA Foundation and Center for Curatorial Studies at Bard College. The look toward art and photography stems from theorist Ariella Azoulay’s research on the seminal exhibition “The Family of Man,” first installed at the Museum of Modern Art in New York in 1955, which she frames as a lens through(...)
The human snapshot
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The Human Snapshot draws upon a conference of the same name organized by the LUMA Foundation and Center for Curatorial Studies at Bard College. The look toward art and photography stems from theorist Ariella Azoulay’s research on the seminal exhibition “The Family of Man,” first installed at the Museum of Modern Art in New York in 1955, which she frames as a lens through which to view universalism at play. These values have been under conceptual assault in recent years, yet they continue to proliferate—even through the visual arts, where humanism and universalism are customarily dismissed. The Human Snapshot takes these themes and wrestles with their application in the use of photography, the exhibition format, contemporary democracy, human rights discourse, and the power of the image at large.
Theory of Photography
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Now in a new edition with updated statistics, texts and other materials, ''Handbook of tyranny'' portrays the routine cruelties of the 21st century through a series of detailed nonfictional graphic illustrations. None of these cruelties represent extraordinary violence?they reflect day-to-day implementation of laws and regulations around the globe. Every page of the book(...)
Theo Deutinger: Handbook of tyranny
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Now in a new edition with updated statistics, texts and other materials, ''Handbook of tyranny'' portrays the routine cruelties of the 21st century through a series of detailed nonfictional graphic illustrations. None of these cruelties represent extraordinary violence?they reflect day-to-day implementation of laws and regulations around the globe. Every page of the book questions our current world of walls and fences, police tactics and prison cells, crowd control and refugee camps. The dry and factual style of storytelling through technical drawings is the graphic equivalent of bureaucratic rigidity, just as the detailed illustrations mirror the repressive efforts of global authorities. The 21st century shows a general striving for an ever-more-regulated and protected society. ''Handbook of tyranny'' gives a profound insight into the relationship between political power, territoriality and systematic cruelties.
Social
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Engaging with the question of speculation in ways that encompass the artistic, the economic, and the philosophical, with excursions into the literary and the scientific, this collection approaches the theme as a powerful logic of contemporary life whose key instantiations are art and finance. Both are premised on the power of contingency, temporality, and experimentation(...)
Speculation: Document of contemporary art
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Engaging with the question of speculation in ways that encompass the artistic, the economic, and the philosophical, with excursions into the literary and the scientific, this collection approaches the theme as a powerful logic of contemporary life whose key instantiations are art and finance. Both are premised on the power of contingency, temporality, and experimentation in the creation (and capitalization) of possible worlds. Artistic autonomy, and the self-legislation of the space of art, have often been seen as the freedom to speculate wildly on material and social possibilities. This anthology surveys material and social inventiveness from the ground up, speculating with technologies, gender, constructs of the family, and systems of logistics and coordination. An ecology of speculation is traced—one that is as broken, specific, and enthralling as the world.
Art Theory
Real Review 14
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This issue of Real Review (with accompanying foldout poster) is dedicated to Direct Perception: At one pole is a purely rational description of the cosmos. At the other, a rich cultural soup of narrative. A direct perception of reality emerges from the tension between these two extremes. Material reality is not always meaningful. Human meaning is not really true. But(...)
Real Review 14
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This issue of Real Review (with accompanying foldout poster) is dedicated to Direct Perception: At one pole is a purely rational description of the cosmos. At the other, a rich cultural soup of narrative. A direct perception of reality emerges from the tension between these two extremes. Material reality is not always meaningful. Human meaning is not really true. But as a charged exchange, we can tell stories about hardcore science in order to comprehend its truths; and we can acknowledge myth as a symbolic function, stripping their power to distort, misinform and miseducate. For exactly seven years, this magazine has tried to capture something of what it means to live today... we now understand that Real Review is a magazine recording the terminal period of capitalist modernity.
Magazines
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From the Renaissance to the present day, each generation of artists, architects, and writers has used the powerful images of ruins to project its own vision of time and human destiny. The metamorphosis of the ruin motif in art explains not only the separations but the continuities between the perception of past and present that characterize the different art movements.(...)
Ruins
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From the Renaissance to the present day, each generation of artists, architects, and writers has used the powerful images of ruins to project its own vision of time and human destiny. The metamorphosis of the ruin motif in art explains not only the separations but the continuities between the perception of past and present that characterize the different art movements. Drawing from all media of Western art including garden design, photography, and fine art, Michel Makarius explores the rich and diverse iconography of ruins from da Vinci to Van Gogh, from Botticelli to Roy Lichtenstein. Ruins is a reminder of history at a time when few art motifs still have the power to demand attention for our immense collective past - and at a moment when a reminder is sorely needed.
History until 1900, Classicism
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In the three centuries from 1450 to 1750 painters, sculptors, and architects emerged from the medieval craft guilds of Italy to claim a new social status as creators, whose gorgeous handiwork, now called "art," expressed lofty inspiration as much as manual skill. In "The lies of the artists", Ingrid Rowland takes us into the world of these artists, and into their(...)
The lies of the artists: Essays on Italian art, 1450-1750
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In the three centuries from 1450 to 1750 painters, sculptors, and architects emerged from the medieval craft guilds of Italy to claim a new social status as creators, whose gorgeous handiwork, now called "art," expressed lofty inspiration as much as manual skill. In "The lies of the artists", Ingrid Rowland takes us into the world of these artists, and into their seemingly miraculous ways of transforming transcendent ideas into tangible works of art that challenged and redefined reality, "lies" with the power to reveal a deeper truth. As the great art patron Daniele Barbaro wrote: "bisogna aprire gli occhi," or "you have to open your eyes." And this is precisely what Rowland does in these essays, bringing her knowledge, keen perception, and singular wit to bear on the art and lives of Renaissance masters.
Art Theory
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With buildings and cities being one of the primary accelerators of climate change, the tightening of urban environments is one of the mechanisms by which architects and urban planners can affect change. To date, models of urban densification and compact cities have been focused on sites of urban consumption—residential, commercial, civic and social spaces. Little thought(...)
Humans and cities
October 2024
House precinct territory: Design strategies for the productive city
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With buildings and cities being one of the primary accelerators of climate change, the tightening of urban environments is one of the mechanisms by which architects and urban planners can affect change. To date, models of urban densification and compact cities have been focused on sites of urban consumption—residential, commercial, civic and social spaces. Little thought has been given to the vast productive hinterlands around the world that support cities, through the growing of food, generation of power, production of goods and disposal of waste. Working through three scales of analysis, across three cities in the Asia Pacific Region, and deploying varying design research techniques ranging from critical observation to speculative scenario modeling, the book presents a series of projects that seek to retro-fit an existing urban environment with a productive program.
Humans and cities
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In the spheres of culture, journalism, and politics, urgent desires for better understanding are often met with offers of dialogue. But as Western societies have become increasingly polarized, such reciprocal engagement has lost some of its constructive potential. This is why ''TEXTE ZUR KUNST'' has dedicated its new issue, “Lecture,” to an investigation of the(...)
Texte zur kunst #136: Lecture
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In the spheres of culture, journalism, and politics, urgent desires for better understanding are often met with offers of dialogue. But as Western societies have become increasingly polarized, such reciprocal engagement has lost some of its constructive potential. This is why ''TEXTE ZUR KUNST'' has dedicated its new issue, “Lecture,” to an investigation of the possibilities that the monological format opens up. The contributions to the issue demonstrate how the lecture’s inherently authoritarian interpellation can be repurposed for a critique of power and for subversive ends, highlighting, in particular, the lecture performance as a potent intervention into established hierarchies and regimes of knowledge. In a practical extension of these discussions, six artists and scholars reflect on the approaches, structures, rhetorics, and methodologies of their presentations in video lectures produced for the issue.
Magazines
Phrases: Six films
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"Phrases" presents the spoken language from six films by Jean-Luc Godard: "Germany Nine Zero," "The Kids Play Russian," "JLG / JLG," "2 x 50 Years of French Cinema," "For Ever Mozart," and "In Praise of Love." Completed between 1991 and 2001, during what has been called Godard’s "years of memory," these films and videos were made alongside and in the shadow of his major(...)
Phrases: Six films
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"Phrases" presents the spoken language from six films by Jean-Luc Godard: "Germany Nine Zero," "The Kids Play Russian," "JLG / JLG," "2 x 50 Years of French Cinema," "For Ever Mozart," and "In Praise of Love." Completed between 1991 and 2001, during what has been called Godard’s "years of memory," these films and videos were made alongside and in the shadow of his major work from that time, the monumental Histoire(s) du cinema, complementing and extending its themes. Like Histoire(s), they offer meditations on, among other things, the tides of history, the fate of nations, the work of memory, the power of cinema, and the nature of love. Gathered here, in written form, they are words without images: not exactly screenplays, not exactly poetry, but something else entirely.
Art Theory
Architecture Bulletin no.3
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This edition of the Dutch architecture journal presents essays in word and image on the designed environments of today, yesterday and tomorrow. Its subjective arguments and personal reflections on the field's practice and discourse consider what is (and is not) happening and is (and is not) being said: Architecture Bulletin reflects on the field and all of its potential(...)
Architecture Bulletin no.3
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This edition of the Dutch architecture journal presents essays in word and image on the designed environments of today, yesterday and tomorrow. Its subjective arguments and personal reflections on the field's practice and discourse consider what is (and is not) happening and is (and is not) being said: Architecture Bulletin reflects on the field and all of its potential significance. This, its third issue, tackles the many manifestations of the city, the power centers in street life, the ways in which public spaces are "hacked" by subversive street artists and the ways in which public space in the average city now extends into the virtual domain. Corollary essays reflect on the impact of the hyper-reality of the shopping mall on social behavior, and on social interventions that improve the livability of architecture.
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