3262 Results
Level of archival description:
Project
Project
Reference number:
AP143.S6.D6
Description:
File documents the project Moving Arrows, Eros, and Other Errors for the 1986 Biennale, Venice, Italy. Material in this file was produced in 1985. File contains conceptual drawings, design development drawings, photographic materials, presentation models, presentation panels, publication drawings, reference drawings, and a book.
AP143.S6.D6
Description:
File documents the project Moving Arrows, Eros, and Other Errors for the 1986 Biennale, Venice, Italy. Material in this file was produced in 1985. File contains conceptual drawings, design development drawings, photographic materials, presentation models, presentation panels, publication drawings, reference drawings, and a book.
People:
Date:
1985
1985
Title:
Moving Arrows, Eros, and Other Errors, Romeo + Juliet
Actions:
AP143.S6.D6
Description:
File documents the project Moving Arrows, Eros, and Other Errors for the 1986 Biennale, Venice, Italy. Material in this file was produced in 1985. File contains conceptual drawings, design development drawings, photographic materials, presentation models, presentation panels, publication drawings, reference drawings, and a book.
Moving Arrows, Eros, and Other Errors, Romeo + Juliet
Actions:
AP143.S6.D6
Description:
File documents the project Moving Arrows, Eros, and Other Errors for the 1986 Biennale, Venice, Italy. Material in this file was produced in 1985. File contains conceptual drawings, design development drawings, photographic materials, presentation models, presentation panels, publication drawings, reference drawings, and a book.
Level of archival description:
File 6
File 6
Date:
1985
1985
People:
Level of archival description:
Project
Project
Title:
Guggenheim Venezia
Guggenheim Venezia
Actions:
Reference number:
AP142.S1.D167
Description:
File documents an unexecuted project for a cafe, bookshop, and offices for the Peggy Guggenheim Collection in Venice, Italy. Material in this file was produced in 1989 and 1990. File contains textual records, including drawings, photographs, correspondence, a proposal, a building programme, a technical report, and photocopies of views of models.
AP142.S1.D167
Description:
File documents an unexecuted project for a cafe, bookshop, and offices for the Peggy Guggenheim Collection in Venice, Italy. Material in this file was produced in 1989 and 1990. File contains textual records, including drawings, photographs, correspondence, a proposal, a building programme, a technical report, and photocopies of views of models.
People:
Date:
1989-1990
1989-1990
Title:
Guggenheim Venezia
Actions:
AP142.S1.D167
Description:
File documents an unexecuted project for a cafe, bookshop, and offices for the Peggy Guggenheim Collection in Venice, Italy. Material in this file was produced in 1989 and 1990. File contains textual records, including drawings, photographs, correspondence, a proposal, a building programme, a technical report, and photocopies of views of models.
Guggenheim Venezia
Actions:
AP142.S1.D167
Description:
File documents an unexecuted project for a cafe, bookshop, and offices for the Peggy Guggenheim Collection in Venice, Italy. Material in this file was produced in 1989 and 1990. File contains textual records, including drawings, photographs, correspondence, a proposal, a building programme, a technical report, and photocopies of views of models.
Level of archival description:
File 167
File 167
Date:
1989-1990
1989-1990
People:
Level of archival description:
Project
Project
Title:
Un dictionnaire
Un dictionnaire
Actions:
Reference number:
AP041.S1.1970.D2
Description:
UN DICTIONNAIRE consists of black and white photographs of wire-service newspaper articles selected by Charney for their depiction of “people and buildings caught in upheavals”. Charney described these images as “monuments which are created by events outside the confines of architectural institutions”, meaning that buildings and locations assume a “monumental connotation” when they become associated with a significant event. UN DICTIONNAIRE consists of 300 plates, each plate a photograph that “traces the contours of relations which affect our grasp of the significance of buildings”. UN DICTIONNAIRE was presented as an installation at Galerie Catherine & Stéphane de Beyrie in Paris in 1994 and at the Canadian Pavilion of the 7th International Architectural Exhibition in Venice in 2000 as well as at Musée d'art contemporain de Montréal in 2001-2002. The publication “Tracking images : Melvin Charney, un dictionnaire...” related to this project was also realized in collaboration the Canadian Centre for Architecture in 2000. This project series contains correspondence, notes, photographs, installations plans and exhibition space plans related for the aforementioned exhibitions in Paris, at the Venice Biennale and in Montréal. It also contains reprints of panels shown outside the Canadian Pavilion at the Venice Biennale. Source: Montréal : Musée d’art contemporain. (1979) Melvin Charney: Oeuvres 1970-1979. (p. 21-28)
AP041.S1.1970.D2
Description:
UN DICTIONNAIRE consists of black and white photographs of wire-service newspaper articles selected by Charney for their depiction of “people and buildings caught in upheavals”. Charney described these images as “monuments which are created by events outside the confines of architectural institutions”, meaning that buildings and locations assume a “monumental connotation” when they become associated with a significant event. UN DICTIONNAIRE consists of 300 plates, each plate a photograph that “traces the contours of relations which affect our grasp of the significance of buildings”. UN DICTIONNAIRE was presented as an installation at Galerie Catherine & Stéphane de Beyrie in Paris in 1994 and at the Canadian Pavilion of the 7th International Architectural Exhibition in Venice in 2000 as well as at Musée d'art contemporain de Montréal in 2001-2002. The publication “Tracking images : Melvin Charney, un dictionnaire...” related to this project was also realized in collaboration the Canadian Centre for Architecture in 2000. This project series contains correspondence, notes, photographs, installations plans and exhibition space plans related for the aforementioned exhibitions in Paris, at the Venice Biennale and in Montréal. It also contains reprints of panels shown outside the Canadian Pavilion at the Venice Biennale. Source: Montréal : Musée d’art contemporain. (1979) Melvin Charney: Oeuvres 1970-1979. (p. 21-28)
People:
Date:
1970-2001
1970-2001
Title:
Un dictionnaire
Actions:
AP041.S1.1970.D2
Description:
UN DICTIONNAIRE consists of black and white photographs of wire-service newspaper articles selected by Charney for their depiction of “people and buildings caught in upheavals”. Charney described these images as “monuments which are created by events outside the confines of architectural institutions”, meaning that buildings and locations assume a “monumental connotation” when they become associated with a significant event. UN DICTIONNAIRE consists of 300 plates, each plate a photograph that “traces the contours of relations which affect our grasp of the significance of buildings”. UN DICTIONNAIRE was presented as an installation at Galerie Catherine & Stéphane de Beyrie in Paris in 1994 and at the Canadian Pavilion of the 7th International Architectural Exhibition in Venice in 2000 as well as at Musée d'art contemporain de Montréal in 2001-2002. The publication “Tracking images : Melvin Charney, un dictionnaire...” related to this project was also realized in collaboration the Canadian Centre for Architecture in 2000. This project series contains correspondence, notes, photographs, installations plans and exhibition space plans related for the aforementioned exhibitions in Paris, at the Venice Biennale and in Montréal. It also contains reprints of panels shown outside the Canadian Pavilion at the Venice Biennale. Source: Montréal : Musée d’art contemporain. (1979) Melvin Charney: Oeuvres 1970-1979. (p. 21-28)
Un dictionnaire
Actions:
AP041.S1.1970.D2
Description:
UN DICTIONNAIRE consists of black and white photographs of wire-service newspaper articles selected by Charney for their depiction of “people and buildings caught in upheavals”. Charney described these images as “monuments which are created by events outside the confines of architectural institutions”, meaning that buildings and locations assume a “monumental connotation” when they become associated with a significant event. UN DICTIONNAIRE consists of 300 plates, each plate a photograph that “traces the contours of relations which affect our grasp of the significance of buildings”. UN DICTIONNAIRE was presented as an installation at Galerie Catherine & Stéphane de Beyrie in Paris in 1994 and at the Canadian Pavilion of the 7th International Architectural Exhibition in Venice in 2000 as well as at Musée d'art contemporain de Montréal in 2001-2002. The publication “Tracking images : Melvin Charney, un dictionnaire...” related to this project was also realized in collaboration the Canadian Centre for Architecture in 2000. This project series contains correspondence, notes, photographs, installations plans and exhibition space plans related for the aforementioned exhibitions in Paris, at the Venice Biennale and in Montréal. It also contains reprints of panels shown outside the Canadian Pavilion at the Venice Biennale. Source: Montréal : Musée d’art contemporain. (1979) Melvin Charney: Oeuvres 1970-1979. (p. 21-28)
Level of archival description:
Project
Project
Date:
1970-2001
1970-2001
People:
Level of archival description:
Project
Project
Reference number:
AP142.S1.D66
Description:
File documents an unexecuted project for the conversion of the 16th century Zitelle building into a university complex in Venice, Italy. Material in this file was produced between 1982 and 1986. File contains measured drawings, design drawings, and presentation drawings. File also contains textual records including correspondence and drawings.
AP142.S1.D66
Description:
File documents an unexecuted project for the conversion of the 16th century Zitelle building into a university complex in Venice, Italy. Material in this file was produced between 1982 and 1986. File contains measured drawings, design drawings, and presentation drawings. File also contains textual records including correspondence and drawings.
People:
Date:
1982-1986
1982-1986
Title:
Fabrica delle Zitelle alla Giudecca in Venezia
Actions:
AP142.S1.D66
Description:
File documents an unexecuted project for the conversion of the 16th century Zitelle building into a university complex in Venice, Italy. Material in this file was produced between 1982 and 1986. File contains measured drawings, design drawings, and presentation drawings. File also contains textual records including correspondence and drawings.
Fabrica delle Zitelle alla Giudecca in Venezia
Actions:
AP142.S1.D66
Description:
File documents an unexecuted project for the conversion of the 16th century Zitelle building into a university complex in Venice, Italy. Material in this file was produced between 1982 and 1986. File contains measured drawings, design drawings, and presentation drawings. File also contains textual records including correspondence and drawings.
Level of archival description:
File 66
File 66
Date:
1982-1986
1982-1986
People:
Form:
drawings
drawings
Actions:
Reference number:
DR2012:0012:046:029
Description:
Consists of plans for the installation of the work titled "Un Dictionnaire" in the Canadian Pavillion at the Venice Architecture Biennale, 2000.
DR2012:0012:046:029
Description:
Consists of plans for the installation of the work titled "Un Dictionnaire" in the Canadian Pavillion at the Venice Architecture Biennale, 2000.
People:
Date:
2000
2000
Title:
Plans for the installation of the work titled "Un Dictionnaire"
Actions:
DR2012:0012:046:029
Description:
Consists of plans for the installation of the work titled "Un Dictionnaire" in the Canadian Pavillion at the Venice Architecture Biennale, 2000.
Plans for the installation of the work titled "Un Dictionnaire"
Actions:
DR2012:0012:046:029
Description:
Consists of plans for the installation of the work titled "Un Dictionnaire" in the Canadian Pavillion at the Venice Architecture Biennale, 2000.
Form:
drawings
drawings
Date:
2000
2000
People:
Level of archival description:
Project
Project
Reference number:
AP140.S2.SS3.D13
Description:
File documents the participation of the office of James Stirling, Michael Wilford, and Associates to the British Architecture Today exhibition at the British Pavilion, Biennale di Venezia, in Venice, Italy. Material in this file was produced in 1991. File contains textual records, including schedules of materials lent to the exhibition, clippings and correspondence with Francesco Dal Co.
AP140.S2.SS3.D13
Description:
File documents the participation of the office of James Stirling, Michael Wilford, and Associates to the British Architecture Today exhibition at the British Pavilion, Biennale di Venezia, in Venice, Italy. Material in this file was produced in 1991. File contains textual records, including schedules of materials lent to the exhibition, clippings and correspondence with Francesco Dal Co.
People:
Date:
1991
1991
Title:
British Architecture Today, Biennale di Venezia
Actions:
AP140.S2.SS3.D13
Description:
File documents the participation of the office of James Stirling, Michael Wilford, and Associates to the British Architecture Today exhibition at the British Pavilion, Biennale di Venezia, in Venice, Italy. Material in this file was produced in 1991. File contains textual records, including schedules of materials lent to the exhibition, clippings and correspondence with Francesco Dal Co.
British Architecture Today, Biennale di Venezia
Actions:
AP140.S2.SS3.D13
Description:
File documents the participation of the office of James Stirling, Michael Wilford, and Associates to the British Architecture Today exhibition at the British Pavilion, Biennale di Venezia, in Venice, Italy. Material in this file was produced in 1991. File contains textual records, including schedules of materials lent to the exhibition, clippings and correspondence with Francesco Dal Co.
Level of archival description:
File 13
File 13
Date:
1991
1991
People:
Level of archival description:
Sub-series
Sub-series
Reference number:
AP207.S2.SS09
Description:
The sub-series documents the exhibition "Radicals. Architettura e design 1960-1975", curated by Pettena and presented in the Italian Pavilion at the Venice Biennale in 1996. This documentary exhibition on the Radical architecture movement in the 1960s and the 1970s, for presented the Radical movement not as "essentially conceptual contribution, as “fantastic” theories and utopian visions of the future" [1] but as "precursors of the most innovative production of the contemporary, international architectural scene." [2] The sub-series contains research material, including photocopies of articles on the Radical movement and research on previous editions of the Venice Biennale. It also contains correspondence for the planning of the exhibition, including with Hans Hollein and the Biennale administration, a draft exhibition proposal, concept development notes by Pettena, proposals for promotional material on the exhibition and press clippings. Source: [1][2] Gianni Pettena website, https://www.giannipettena.it/english/exhibitions/settings/ (last accessed 29 January 2020).
AP207.S2.SS09
Description:
The sub-series documents the exhibition "Radicals. Architettura e design 1960-1975", curated by Pettena and presented in the Italian Pavilion at the Venice Biennale in 1996. This documentary exhibition on the Radical architecture movement in the 1960s and the 1970s, for presented the Radical movement not as "essentially conceptual contribution, as “fantastic” theories and utopian visions of the future" [1] but as "precursors of the most innovative production of the contemporary, international architectural scene." [2] The sub-series contains research material, including photocopies of articles on the Radical movement and research on previous editions of the Venice Biennale. It also contains correspondence for the planning of the exhibition, including with Hans Hollein and the Biennale administration, a draft exhibition proposal, concept development notes by Pettena, proposals for promotional material on the exhibition and press clippings. Source: [1][2] Gianni Pettena website, https://www.giannipettena.it/english/exhibitions/settings/ (last accessed 29 January 2020).
People:
Date:
1992-2010
1992-2010
Title:
Radicals. Architettura e Design 1960-1975 (1992)
Actions:
AP207.S2.SS09
Description:
The sub-series documents the exhibition "Radicals. Architettura e design 1960-1975", curated by Pettena and presented in the Italian Pavilion at the Venice Biennale in 1996. This documentary exhibition on the Radical architecture movement in the 1960s and the 1970s, for presented the Radical movement not as "essentially conceptual contribution, as “fantastic” theories and utopian visions of the future" [1] but as "precursors of the most innovative production of the contemporary, international architectural scene." [2] The sub-series contains research material, including photocopies of articles on the Radical movement and research on previous editions of the Venice Biennale. It also contains correspondence for the planning of the exhibition, including with Hans Hollein and the Biennale administration, a draft exhibition proposal, concept development notes by Pettena, proposals for promotional material on the exhibition and press clippings. Source: [1][2] Gianni Pettena website, https://www.giannipettena.it/english/exhibitions/settings/ (last accessed 29 January 2020).
Radicals. Architettura e Design 1960-1975 (1992)
Actions:
AP207.S2.SS09
Description:
The sub-series documents the exhibition "Radicals. Architettura e design 1960-1975", curated by Pettena and presented in the Italian Pavilion at the Venice Biennale in 1996. This documentary exhibition on the Radical architecture movement in the 1960s and the 1970s, for presented the Radical movement not as "essentially conceptual contribution, as “fantastic” theories and utopian visions of the future" [1] but as "precursors of the most innovative production of the contemporary, international architectural scene." [2] The sub-series contains research material, including photocopies of articles on the Radical movement and research on previous editions of the Venice Biennale. It also contains correspondence for the planning of the exhibition, including with Hans Hollein and the Biennale administration, a draft exhibition proposal, concept development notes by Pettena, proposals for promotional material on the exhibition and press clippings. Source: [1][2] Gianni Pettena website, https://www.giannipettena.it/english/exhibitions/settings/ (last accessed 29 January 2020).
Level of archival description:
Subseries
Subseries
Date:
1992-2010
1992-2010
People:
Form:
textual records
textual records
Actions:
Reference number:
DR2012:0012:086:010
Description:
Assorted documents in French, including two copies of Chefs-d'oeuvre de la collection, along with reprographic copies therefrom, which references A construction in Venice.
DR2012:0012:086:010
Description:
Assorted documents in French, including two copies of Chefs-d'oeuvre de la collection, along with reprographic copies therefrom, which references A construction in Venice.
People:
Date:
1991
1991
Title:
Publication "Chefs-d'oeuvre de la collection" related to Melvin Charney and his projects
Actions:
DR2012:0012:086:010
Description:
Assorted documents in French, including two copies of Chefs-d'oeuvre de la collection, along with reprographic copies therefrom, which references A construction in Venice.
Publication "Chefs-d'oeuvre de la collection" related to Melvin Charney and his projects
Actions:
DR2012:0012:086:010
Description:
Assorted documents in French, including two copies of Chefs-d'oeuvre de la collection, along with reprographic copies therefrom, which references A construction in Venice.
Form:
textual records
textual records
Date:
1991
1991
People:
Form:
drawings
drawings
Actions:
Reference number:
AP178.S2.1988.001
Description:
This sketchbooks includes sketches of the Étienne Marcel statue at the Place de l'Hôtel de Ville. It also contains a self portrait and notes about Venice.
AP178.S2.1988.001
Description:
This sketchbooks includes sketches of the Étienne Marcel statue at the Place de l'Hôtel de Ville. It also contains a self portrait and notes about Venice.
People:
Date:
January 1988
January 1988
Title:
Sketchbook 265: Viajens - LC - Soutinho - Veneza - Penafiel - Moveis LC- Poissy
Actions:
AP178.S2.1988.001
Description:
This sketchbooks includes sketches of the Étienne Marcel statue at the Place de l'Hôtel de Ville. It also contains a self portrait and notes about Venice.
Sketchbook 265: Viajens - LC - Soutinho - Veneza - Penafiel - Moveis LC- Poissy
Actions:
AP178.S2.1988.001
Description:
This sketchbooks includes sketches of the Étienne Marcel statue at the Place de l'Hôtel de Ville. It also contains a self portrait and notes about Venice.
Form:
drawings
drawings
Date:
January 1988
January 1988
People:
Level of archival description:
Project
Project
Title:
Five Easy Pieces
Five Easy Pieces
Actions:
Reference number:
AP143.S6.D3
Description:
File documents an unexecuted project for Five Easy Pieces: Dialectical Fragments Toward the Decomposition and Reintegration of Suburbia, Peter Eisenman's submission to the "Suburban Alternatives, 11 American Projects" section of the Biennale di Venezia held in 1976 in Venice, Italy. Material in this file was probably produced in 1976. File contains design development drawings, presentation drawings, publication drawings, reference drawings, and photographic material.
AP143.S6.D3
Description:
File documents an unexecuted project for Five Easy Pieces: Dialectical Fragments Toward the Decomposition and Reintegration of Suburbia, Peter Eisenman's submission to the "Suburban Alternatives, 11 American Projects" section of the Biennale di Venezia held in 1976 in Venice, Italy. Material in this file was probably produced in 1976. File contains design development drawings, presentation drawings, publication drawings, reference drawings, and photographic material.
People:
Date:
[1976]
[1976]
Title:
Five Easy Pieces
Actions:
AP143.S6.D3
Description:
File documents an unexecuted project for Five Easy Pieces: Dialectical Fragments Toward the Decomposition and Reintegration of Suburbia, Peter Eisenman's submission to the "Suburban Alternatives, 11 American Projects" section of the Biennale di Venezia held in 1976 in Venice, Italy. Material in this file was probably produced in 1976. File contains design development drawings, presentation drawings, publication drawings, reference drawings, and photographic material.
Five Easy Pieces
Actions:
AP143.S6.D3
Description:
File documents an unexecuted project for Five Easy Pieces: Dialectical Fragments Toward the Decomposition and Reintegration of Suburbia, Peter Eisenman's submission to the "Suburban Alternatives, 11 American Projects" section of the Biennale di Venezia held in 1976 in Venice, Italy. Material in this file was probably produced in 1976. File contains design development drawings, presentation drawings, publication drawings, reference drawings, and photographic material.
Level of archival description:
File 3
File 3
Date:
[1976]
[1976]
People:
