4347 Results
Level of archival description:
Project
Project
Title:
Architecture + Nature (2011)
Architecture + Nature (2011)
Actions:
Reference number:
AP207.S1.2011.PR02
Description:
The project series documents the filmed performance "Architecture + Nature" produced by Pettena in 2011. The performance consists of the word "architecture" written in the sand slowly being erased by the movement of the waves. "The sea breaks slowly on the sandy beach... On it architecture stays. And the sea and its waves break with slow, constant, inexorable movements, like a bewitching, continual, eternal melody... And gradually architecture is dematerialized [...]." [1] The project series contains a video of the performance, a drawing, and six film stills. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/ff-architecture-nature-2011-1/ (last accessed 23 January 2020)
AP207.S1.2011.PR02
Description:
The project series documents the filmed performance "Architecture + Nature" produced by Pettena in 2011. The performance consists of the word "architecture" written in the sand slowly being erased by the movement of the waves. "The sea breaks slowly on the sandy beach... On it architecture stays. And the sea and its waves break with slow, constant, inexorable movements, like a bewitching, continual, eternal melody... And gradually architecture is dematerialized [...]." [1] The project series contains a video of the performance, a drawing, and six film stills. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/ff-architecture-nature-2011-1/ (last accessed 23 January 2020)
People:
Date:
2011-2017
2011-2017
Title:
Architecture + Nature (2011)
Actions:
AP207.S1.2011.PR02
Description:
The project series documents the filmed performance "Architecture + Nature" produced by Pettena in 2011. The performance consists of the word "architecture" written in the sand slowly being erased by the movement of the waves. "The sea breaks slowly on the sandy beach... On it architecture stays. And the sea and its waves break with slow, constant, inexorable movements, like a bewitching, continual, eternal melody... And gradually architecture is dematerialized [...]." [1] The project series contains a video of the performance, a drawing, and six film stills. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/ff-architecture-nature-2011-1/ (last accessed 23 January 2020)
Architecture + Nature (2011)
Actions:
AP207.S1.2011.PR02
Description:
The project series documents the filmed performance "Architecture + Nature" produced by Pettena in 2011. The performance consists of the word "architecture" written in the sand slowly being erased by the movement of the waves. "The sea breaks slowly on the sandy beach... On it architecture stays. And the sea and its waves break with slow, constant, inexorable movements, like a bewitching, continual, eternal melody... And gradually architecture is dematerialized [...]." [1] The project series contains a video of the performance, a drawing, and six film stills. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/ff-architecture-nature-2011-1/ (last accessed 23 January 2020)
Level of archival description:
Project
Project
Date:
2011-2017
2011-2017
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP207.S1.1986.PR01
Description:
The project series documents "Ombra", an installation presented for the first time at the Expo Arte of Galleria Speciale, in Bari, in 1986. It consists of an overcoat with flexible elements inserted in the lining of the fabric that form a structure to either create a seat for the wearer to sit on it or to stand on its own, if not worn. "So the multiplicity of roles, functions and subjects gives rise to an ambiguity, and a source of anxiety for he who, having conceived, made and “inhabited” it, perceives its more disquieting implications, those of an anomalous shadow, of another self that exists even in our absence." [1] The project series contains a sketch, photographs of the installation at the Galleria Speciale in 1986, a montage of film stills from Pettena's video explaining the installation, and digital versions of the installation film. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-armchair-1986/ (last accessed 11 December 2019).
AP207.S1.1986.PR01
Description:
The project series documents "Ombra", an installation presented for the first time at the Expo Arte of Galleria Speciale, in Bari, in 1986. It consists of an overcoat with flexible elements inserted in the lining of the fabric that form a structure to either create a seat for the wearer to sit on it or to stand on its own, if not worn. "So the multiplicity of roles, functions and subjects gives rise to an ambiguity, and a source of anxiety for he who, having conceived, made and “inhabited” it, perceives its more disquieting implications, those of an anomalous shadow, of another self that exists even in our absence." [1] The project series contains a sketch, photographs of the installation at the Galleria Speciale in 1986, a montage of film stills from Pettena's video explaining the installation, and digital versions of the installation film. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-armchair-1986/ (last accessed 11 December 2019).
People:
Date:
circa 1985-2015
circa 1985-2015
Title:
Ombra ["Shadow" Armchair] (1986)
Actions:
AP207.S1.1986.PR01
Description:
The project series documents "Ombra", an installation presented for the first time at the Expo Arte of Galleria Speciale, in Bari, in 1986. It consists of an overcoat with flexible elements inserted in the lining of the fabric that form a structure to either create a seat for the wearer to sit on it or to stand on its own, if not worn. "So the multiplicity of roles, functions and subjects gives rise to an ambiguity, and a source of anxiety for he who, having conceived, made and “inhabited” it, perceives its more disquieting implications, those of an anomalous shadow, of another self that exists even in our absence." [1] The project series contains a sketch, photographs of the installation at the Galleria Speciale in 1986, a montage of film stills from Pettena's video explaining the installation, and digital versions of the installation film. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-armchair-1986/ (last accessed 11 December 2019).
Ombra ["Shadow" Armchair] (1986)
Actions:
AP207.S1.1986.PR01
Description:
The project series documents "Ombra", an installation presented for the first time at the Expo Arte of Galleria Speciale, in Bari, in 1986. It consists of an overcoat with flexible elements inserted in the lining of the fabric that form a structure to either create a seat for the wearer to sit on it or to stand on its own, if not worn. "So the multiplicity of roles, functions and subjects gives rise to an ambiguity, and a source of anxiety for he who, having conceived, made and “inhabited” it, perceives its more disquieting implications, those of an anomalous shadow, of another self that exists even in our absence." [1] The project series contains a sketch, photographs of the installation at the Galleria Speciale in 1986, a montage of film stills from Pettena's video explaining the installation, and digital versions of the installation film. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-armchair-1986/ (last accessed 11 December 2019).
Level of archival description:
Project
Project
Date:
circa 1985-2015
circa 1985-2015
People:
Form:
drawings
drawings
![Manifesto document for Supersuperficie [Supersurface]](/img-collection/CstxN6k2G5JYoXTJqj3C24eyx6I=/500x350/485670.jpg)
Actions:
Reference number:
ARCH400367
Description:
Manifesto document declaring the need for film and new forms of representing architecture
ARCH400367
Description:
Manifesto document declaring the need for film and new forms of representing architecture
People:
Date:
1972
1972
Title:
Manifesto document for Supersuperficie [Supersurface]
Actions:
ARCH400367
Description:
Manifesto document declaring the need for film and new forms of representing architecture
Manifesto document for Supersuperficie [Supersurface]
Actions:
ARCH400367
Description:
Manifesto document declaring the need for film and new forms of representing architecture
Form:
drawings
drawings
Date:
1972
1972
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP148.S1.1971.PR03
Description:
Project series comprises what Poli entitled "Storyboard", a 54-page pitch document for a film, comprised of a typed text with drawings, including a typography, as well as sketches and collages, done mostly on copy paper (heliography). The text and drawings refer to writing as the origin of architecture, both activities of humans attempting to capture memory in recognizable shapes and classifiable categories.
AP148.S1.1971.PR03
Description:
Project series comprises what Poli entitled "Storyboard", a 54-page pitch document for a film, comprised of a typed text with drawings, including a typography, as well as sketches and collages, done mostly on copy paper (heliography). The text and drawings refer to writing as the origin of architecture, both activities of humans attempting to capture memory in recognizable shapes and classifiable categories.
People:
Date:
1971-1973
1971-1973
Title:
Architettura come Scrittura [Architecture as Writing] (1971-1973)
Actions:
AP148.S1.1971.PR03
Description:
Project series comprises what Poli entitled "Storyboard", a 54-page pitch document for a film, comprised of a typed text with drawings, including a typography, as well as sketches and collages, done mostly on copy paper (heliography). The text and drawings refer to writing as the origin of architecture, both activities of humans attempting to capture memory in recognizable shapes and classifiable categories.
Architettura come Scrittura [Architecture as Writing] (1971-1973)
Actions:
AP148.S1.1971.PR03
Description:
Project series comprises what Poli entitled "Storyboard", a 54-page pitch document for a film, comprised of a typed text with drawings, including a typography, as well as sketches and collages, done mostly on copy paper (heliography). The text and drawings refer to writing as the origin of architecture, both activities of humans attempting to capture memory in recognizable shapes and classifiable categories.
Level of archival description:
Project
Project
Date:
1971-1973
1971-1973
People:
Form:
textual records
textual records
Title:
Photocopies of a title page and stills from "Springday movie" from the publication Nummer Zwei
Photocopies of a title page and stills from "Springday movie" from the publication Nummer Zwei
Actions:
Reference number:
PHCON2002:0016:002:020
Description:
Photocopies include a title page with the text "Gordon Matta-Clark/Carmen "springday movie" 8 mm/15 min." and two pages with film stills. Film stills include images of trees and the soles of feet.
PHCON2002:0016:002:020
Description:
Photocopies include a title page with the text "Gordon Matta-Clark/Carmen "springday movie" 8 mm/15 min." and two pages with film stills. Film stills include images of trees and the soles of feet.
People:
Date:
1971
1971
Title:
Photocopies of a title page and stills from "Springday movie" from the publication Nummer Zwei
Actions:
PHCON2002:0016:002:020
Description:
Photocopies include a title page with the text "Gordon Matta-Clark/Carmen "springday movie" 8 mm/15 min." and two pages with film stills. Film stills include images of trees and the soles of feet.
Photocopies of a title page and stills from "Springday movie" from the publication Nummer Zwei
Actions:
PHCON2002:0016:002:020
Description:
Photocopies include a title page with the text "Gordon Matta-Clark/Carmen "springday movie" 8 mm/15 min." and two pages with film stills. Film stills include images of trees and the soles of feet.
Form:
textual records
textual records
Date:
1971
1971
People:
Level of archival description:
Sub-series
Sub-series
Title:
Objets personnels
Objets personnels
Reference number:
AP001.S1.SS07
Description:
Cette sous-série contient divers objets ayant appartenus à Ernest Cormier, incluant son matériel de photographie, de l'équipement de projection de films, et quelques objets personnels.
AP001.S1.SS07
Description:
Cette sous-série contient divers objets ayant appartenus à Ernest Cormier, incluant son matériel de photographie, de l'équipement de projection de films, et quelques objets personnels.
People:
Date:
non daté, 1910-1960
non daté, 1910-1960
Title:
Objets personnels
Actions:
AP001.S1.SS07
Description:
Cette sous-série contient divers objets ayant appartenus à Ernest Cormier, incluant son matériel de photographie, de l'équipement de projection de films, et quelques objets personnels.
Objets personnels
Actions:
AP001.S1.SS07
Description:
Cette sous-série contient divers objets ayant appartenus à Ernest Cormier, incluant son matériel de photographie, de l'équipement de projection de films, et quelques objets personnels.
Level of archival description:
Sous-série
Sous-série
Date:
non daté, 1910-1960
non daté, 1910-1960
People:
Form:
exhibitions
exhibitions
Title:
Everlasting
Everlasting
Actions:
Description:
A film from the CCA’s 2023-2024 Indigenous Land Restitution Research Creation Fellow, multidisciplinary Haudenosaunee artist Iako’tsi:rareh Amanda Lickers.
A film from the CCA’s 2023-2024 Indigenous Land Restitution Research Creation Fellow, multidisciplinary Haudenosaunee artist Iako’tsi:rareh Amanda Lickers.
Location:
Shaughnessy House
Shaughnessy House
Date:
25 September 2025 to 8 November 2026
25 September 2025 to 8 November 2026
Title:
Everlasting
Actions:
Description:
A film from the CCA’s 2023-2024 Indigenous Land Restitution Research Creation Fellow, multidisciplinary Haudenosaunee artist Iako’tsi:rareh Amanda Lickers.
Everlasting
Actions:
Description:
A film from the CCA’s 2023-2024 Indigenous Land Restitution Research Creation Fellow, multidisciplinary Haudenosaunee artist Iako’tsi:rareh Amanda Lickers.
Form:
exhibitions
exhibitions
Date:
25 September 2025 to
8 November 2026
25 September 2025 to
8 November 2026
Location:
Shaughnessy House
Shaughnessy House
Actions:
Reference number:
PHCON2005:0005:005:002
Description:
Includes news footage. DVD made from film by an unknown cameraman for a Chicago television station.
PHCON2005:0005:005:002
Description:
Includes news footage. DVD made from film by an unknown cameraman for a Chicago television station.
Date:
recorded 1978, transferred 2005
recorded 1978, transferred 2005
Title:
"Caribbean Orange" AKA "Circus"
Actions:
PHCON2005:0005:005:002
Description:
Includes news footage. DVD made from film by an unknown cameraman for a Chicago television station.
"Caribbean Orange" AKA "Circus"
Actions:
PHCON2005:0005:005:002
Description:
Includes news footage. DVD made from film by an unknown cameraman for a Chicago television station.
Date:
recorded 1978, transferred 2005
recorded 1978, transferred 2005
Form:
video
video
Reference number:
PHCON2005:0005:005:001
Description:
Includes news footage. Videocassette made from film by an unknown cameraman for a Chicago television station.
PHCON2005:0005:005:001
Description:
Includes news footage. Videocassette made from film by an unknown cameraman for a Chicago television station.
Date:
recorded 1978, transferred 2005
recorded 1978, transferred 2005
Title:
Video recording of Caribbean Orange aka Circus
Actions:
PHCON2005:0005:005:001
Description:
Includes news footage. Videocassette made from film by an unknown cameraman for a Chicago television station.
Video recording of Caribbean Orange aka Circus
Actions:
PHCON2005:0005:005:001
Description:
Includes news footage. Videocassette made from film by an unknown cameraman for a Chicago television station.
Form:
video
video
Date:
recorded 1978, transferred 2005
recorded 1978, transferred 2005
Form:
events
events
Description:
Join us for three screenings of Brazilian documentary films selected by Ana Alice De Morais, artistic co-director of RIDM.
Join us for three screenings of Brazilian documentary films selected by Ana Alice De Morais, artistic co-director of RIDM.
Date:
21 August 2025, and 28 August
21 August 2025, and 28 August
Title:
Cinéfaçade: Sowing and Resisting in Brazilian Topography
Actions:
Description:
Join us for three screenings of Brazilian documentary films selected by Ana Alice De Morais, artistic co-director of RIDM.
Cinéfaçade: Sowing and Resisting in Brazilian Topography
Actions:
Description:
Join us for three screenings of Brazilian documentary films selected by Ana Alice De Morais, artistic co-director of RIDM.
Form:
events
events
Date:
21 August 2025
and 28 August
21 August 2025
and 28 August
