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128 pages : illustrations (some color) ; 26 x 29 cm
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128 pages : illustrations (some color) ; 26 x 29 cm
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London : V & A Publications, [2001]
London : V & A Publications, [2001]
Title:
Benjamin Brecknell Turner : rural England through a Victorian lens / Martin Barnes ; introduction by Malcolm Daniel ; biography by Mark Haworth-Booth.
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128 pages : illustrations (some color) ; 26 x 29 cm
Benjamin Brecknell Turner : rural England through a Victorian lens / Martin Barnes ; introduction by Malcolm Daniel ; biography by Mark Haworth-Booth.
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128 pages : illustrations (some color) ; 26 x 29 cm
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books
books
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London : V & A Publications, [2001]
London : V & A Publications, [2001]
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Joseph Beuys and history
Joseph Beuys and history
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Joseph Beuys (1921–1986) was one of the most significant artists of the twentieth century—and one of the most controversial. Working in Germany in the aftermath of World War II, he explored a radically expanded concept of art through a practice that ranged from performative actions to large-scale sculptural ensembles. While some contemporaries found his claim that(...)
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Joseph Beuys (1921–1986) was one of the most significant artists of the twentieth century—and one of the most controversial. Working in Germany in the aftermath of World War II, he explored a radically expanded concept of art through a practice that ranged from performative actions to large-scale sculptural ensembles. While some contemporaries found his claim that(...)
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Joseph Beuys and history
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Joseph Beuys (1921–1986) was one of the most significant artists of the twentieth century—and one of the most controversial. Working in Germany in the aftermath of World War II, he explored a radically expanded concept of art through a practice that ranged from performative actions to large-scale sculptural ensembles. While some contemporaries found his claim that “everyone is an artist” liberating, even revolutionary, others accused him of fostering a dangerous cult of personality. In "Joseph Beuys and History", the first rigorous art historical study of the artist in English, Daniel Spaulding presents a striking new interpretation of Beuys’s work and career. By putting Beuys in the context of Germany’s postwar recovery, Spaulding shows that the artist’s superimposed biological, political, and economic metaphors offered a powerful way to think about the trajectory of human freedom, the place of art in capitalist modernity, and the possibility of an ecological aesthetics. At the same time, his oeuvre’s disquieting echoes of the Nazi past suggest that not everything could be reconciled in what Beuys called “social sculpture.”
Joseph Beuys and history
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Joseph Beuys (1921–1986) was one of the most significant artists of the twentieth century—and one of the most controversial. Working in Germany in the aftermath of World War II, he explored a radically expanded concept of art through a practice that ranged from performative actions to large-scale sculptural ensembles. While some contemporaries found his claim that “everyone is an artist” liberating, even revolutionary, others accused him of fostering a dangerous cult of personality. In "Joseph Beuys and History", the first rigorous art historical study of the artist in English, Daniel Spaulding presents a striking new interpretation of Beuys’s work and career. By putting Beuys in the context of Germany’s postwar recovery, Spaulding shows that the artist’s superimposed biological, political, and economic metaphors offered a powerful way to think about the trajectory of human freedom, the place of art in capitalist modernity, and the possibility of an ecological aesthetics. At the same time, his oeuvre’s disquieting echoes of the Nazi past suggest that not everything could be reconciled in what Beuys called “social sculpture.”
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books
books
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April 2026
April 2026
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Contemporary Art Monographs
Contemporary Art Monographs
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books
books
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$64.00
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Between the disciplines of art history and the history of science lies a growing field of inquiry into what science and art share as both image-making and knowledge-producing activities. The contributors of Picturing Science, Producing Art occupy this intermediate zone to analyze both scientific and aesthetic representations, utilizing disciplinary perspectives that range(...)
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Between the disciplines of art history and the history of science lies a growing field of inquiry into what science and art share as both image-making and knowledge-producing activities. The contributors of Picturing Science, Producing Art occupy this intermediate zone to analyze both scientific and aesthetic representations, utilizing disciplinary perspectives that range(...)
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Picturing science producing art
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Between the disciplines of art history and the history of science lies a growing field of inquiry into what science and art share as both image-making and knowledge-producing activities. The contributors of Picturing Science, Producing Art occupy this intermediate zone to analyze both scientific and aesthetic representations, utilizing disciplinary perspectives that range from art history to sociology, history and philosophy of science to gender studies, cultural history to the philosophy of mind. Organized in five sites--Styles, The Body, Seeing Wonders, Objectivity/Subjectivity, and Cultures of Vision--their topics extend from Cinquecento theories of female reproduction to the technologies of cloning, from medieval depictions of the stigmata to electrical metaphors for sex, from astronomical drawings to radioencephalography, from Phoenician griffons carved in ivory to factories cast in concrete. The internationally renowned contributors go beyond both science wars and culture wars by exploring substantive links between systems of visual representation and knowledge in science and art. Contributors include Svetlana Alpers, Jonathan Crary, Arnold Davidson, Carlo Ginzburg, Donna Haraway, Bruno Latour, and Simon Schaffer.
Picturing science producing art
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Between the disciplines of art history and the history of science lies a growing field of inquiry into what science and art share as both image-making and knowledge-producing activities. The contributors of Picturing Science, Producing Art occupy this intermediate zone to analyze both scientific and aesthetic representations, utilizing disciplinary perspectives that range from art history to sociology, history and philosophy of science to gender studies, cultural history to the philosophy of mind. Organized in five sites--Styles, The Body, Seeing Wonders, Objectivity/Subjectivity, and Cultures of Vision--their topics extend from Cinquecento theories of female reproduction to the technologies of cloning, from medieval depictions of the stigmata to electrical metaphors for sex, from astronomical drawings to radioencephalography, from Phoenician griffons carved in ivory to factories cast in concrete. The internationally renowned contributors go beyond both science wars and culture wars by exploring substantive links between systems of visual representation and knowledge in science and art. Contributors include Svetlana Alpers, Jonathan Crary, Arnold Davidson, Carlo Ginzburg, Donna Haraway, Bruno Latour, and Simon Schaffer.
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books
books
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June 1998
June 1998
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books
books
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$102.00
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Edward Burtynsky’s imagery explores the intricate link between industry and nature, combining the raw elements of mining, quarrying, shipping, oil production, and recycling into eloquent, highly expressive visions that find beauty and humanity in the most unlikely places. These images are metaphors for the dilemma of our modern existence: we are drawn by desire-the desire(...)
$102.00
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Edward Burtynsky’s imagery explores the intricate link between industry and nature, combining the raw elements of mining, quarrying, shipping, oil production, and recycling into eloquent, highly expressive visions that find beauty and humanity in the most unlikely places. These images are metaphors for the dilemma of our modern existence: we are drawn by desire-the desire(...)
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Photography monographs
Photography monographs
Publication:
January 2006, Göttingen
January 2006, Göttingen
Title:
Burtynsky - China : the photographs of Edward Burtynsky
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Edward Burtynsky’s imagery explores the intricate link between industry and nature, combining the raw elements of mining, quarrying, shipping, oil production, and recycling into eloquent, highly expressive visions that find beauty and humanity in the most unlikely places. These images are metaphors for the dilemma of our modern existence: we are drawn by desire-the desire to live well and in comfort-yet we all know that the world is suffering to meet those demands. Our dependence on nature to provide the materials for our consumption and our concern for the health of our planet sets us into uneasy contradiction and feeds the dialogue in Burtynsky’s images between attraction and repulsion, seduction and fear. Burtysnky’s latest body of work gives visual form to the industrial and urban transformation of China, a place where industrial forces are gathering on a scale that the world has never experienced before. If the earth’s resources were up to now under siege through western colonialism and technological progress, then China is on the brink of a sweeping assault on the planet’s ecosystem that is only just forming and is nowhere close to expressing its full impact.
Burtynsky - China : the photographs of Edward Burtynsky
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Edward Burtynsky’s imagery explores the intricate link between industry and nature, combining the raw elements of mining, quarrying, shipping, oil production, and recycling into eloquent, highly expressive visions that find beauty and humanity in the most unlikely places. These images are metaphors for the dilemma of our modern existence: we are drawn by desire-the desire to live well and in comfort-yet we all know that the world is suffering to meet those demands. Our dependence on nature to provide the materials for our consumption and our concern for the health of our planet sets us into uneasy contradiction and feeds the dialogue in Burtynsky’s images between attraction and repulsion, seduction and fear. Burtysnky’s latest body of work gives visual form to the industrial and urban transformation of China, a place where industrial forces are gathering on a scale that the world has never experienced before. If the earth’s resources were up to now under siege through western colonialism and technological progress, then China is on the brink of a sweeping assault on the planet’s ecosystem that is only just forming and is nowhere close to expressing its full impact.
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books
books
Publication:
January 2006, Göttingen
January 2006, Göttingen
Subject:
Photography monographs
Photography monographs
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books
books
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$34.00
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The open terrain of new media is closing fast. Market concentration, legal consolidation and tightening governmental control have effectively ended the myth of the free and open networks. In Delusive Spaces, Eric Kluitenberg takes a critical position that retains a utopian potential for emerging media cultures. The book investigates the archeology of media and machine,(...)
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The open terrain of new media is closing fast. Market concentration, legal consolidation and tightening governmental control have effectively ended the myth of the free and open networks. In Delusive Spaces, Eric Kluitenberg takes a critical position that retains a utopian potential for emerging media cultures. The book investigates the archeology of media and machine,(...)
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Delusive spaces: essays on culture, media and technology
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The open terrain of new media is closing fast. Market concentration, legal consolidation and tightening governmental control have effectively ended the myth of the free and open networks. In Delusive Spaces, Eric Kluitenberg takes a critical position that retains a utopian potential for emerging media cultures. The book investigates the archeology of media and machine, mapping the different methods and metaphors that speak about technology. Returning to the present, Kluitenberg discusses the cultural use of new media in an age of post-governmental politics. Delusive Spaces concludes with the impossibility of representation. Going beyond the obvious delusions of the 'new' and the 'free', Kluitenberg theorizes artistic practices and European cultural policies, demonstrating a provocative engagement with the utopian dimension of technology. Eric Kluitenberg is a Dutch media theorist, writer and organizer. Since the late 1980s, he has been involved in numerous international projects in the field of electronic art, media culture, and information politics. Kluitenberg heads the media program at De Balie, Centre for Culture and Politics in Amsterdam. He is the editor of the Book of Imaginary Media (NAi Publishers, 2006) and the theme issue Hybrid Space of Open, journal on art and the public domain (2007).
Delusive spaces: essays on culture, media and technology
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$34.00
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The open terrain of new media is closing fast. Market concentration, legal consolidation and tightening governmental control have effectively ended the myth of the free and open networks. In Delusive Spaces, Eric Kluitenberg takes a critical position that retains a utopian potential for emerging media cultures. The book investigates the archeology of media and machine, mapping the different methods and metaphors that speak about technology. Returning to the present, Kluitenberg discusses the cultural use of new media in an age of post-governmental politics. Delusive Spaces concludes with the impossibility of representation. Going beyond the obvious delusions of the 'new' and the 'free', Kluitenberg theorizes artistic practices and European cultural policies, demonstrating a provocative engagement with the utopian dimension of technology. Eric Kluitenberg is a Dutch media theorist, writer and organizer. Since the late 1980s, he has been involved in numerous international projects in the field of electronic art, media culture, and information politics. Kluitenberg heads the media program at De Balie, Centre for Culture and Politics in Amsterdam. He is the editor of the Book of Imaginary Media (NAi Publishers, 2006) and the theme issue Hybrid Space of Open, journal on art and the public domain (2007).
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books
books
Publication:
April 2008, Rotterdam
April 2008, Rotterdam
Subject:
Epistemology
Epistemology
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books
books
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$71.95
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One of the most profound thinkers of the modern age, Friedrich Wilhelm Nietzsche (1844-1900) has been the subject of volumes of literature that document his life and work. Until now there has been no in-depth study devoted to Nietzsche's thoughts and impact on architecture, (...)
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One of the most profound thinkers of the modern age, Friedrich Wilhelm Nietzsche (1844-1900) has been the subject of volumes of literature that document his life and work. Until now there has been no in-depth study devoted to Nietzsche's thoughts and impact on architecture, (...)
Title:
Nietzsche and an architecture of our minds
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One of the most profound thinkers of the modern age, Friedrich Wilhelm Nietzsche (1844-1900) has been the subject of volumes of literature that document his life and work. Until now there has been no in-depth study devoted to Nietzsche's thoughts and impact on architecture, specifically his far-reaching notion of an architecture commensurate with the modern mind. In the essays that comprise this book, thirteen contributors from a wide variety of disciplines (including art history, architecture and architectural theory, literature, philosophy, and city planning) assess the relationship of Nietzschean philosophy to art and architecture, elucidate frequent misunderstandings, and determine patterns of influence. The book is divided into three parts: "The Metaphors of Architecture," "Between Art, Literature, and Architecture," and "Nietzsche and the Architects." Contributors include Paolo Baldacci, the Giorgio and Isa de Chirico Foundation, Rome; Hanne Bergius, Hochschule fur Kunst und Design Burg Giebichenstein, Halle, Germany; Rolf Bothe, Kunstsammlungen zu Weimar, Germany; Claudia Brodsky Lacour, Princeton University; Tilmann Buddensieg, Humbolt-Universität Berlin; Jean-Louis Cohen, Université de Paris and Institute of Fine Arts, New York University; Karsten Harries, Yale University; Werner Hofmann, Germany; Fritz Neumeyer, Technische Universität Berlin; Léon Ploegaerts, University of Ottawa, Canada; and Anthony Vidler, University of California at Los Angeles. Edited by Alexandre Kostka and Irving Wohlfarth.
Nietzsche and an architecture of our minds
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One of the most profound thinkers of the modern age, Friedrich Wilhelm Nietzsche (1844-1900) has been the subject of volumes of literature that document his life and work. Until now there has been no in-depth study devoted to Nietzsche's thoughts and impact on architecture, specifically his far-reaching notion of an architecture commensurate with the modern mind. In the essays that comprise this book, thirteen contributors from a wide variety of disciplines (including art history, architecture and architectural theory, literature, philosophy, and city planning) assess the relationship of Nietzschean philosophy to art and architecture, elucidate frequent misunderstandings, and determine patterns of influence. The book is divided into three parts: "The Metaphors of Architecture," "Between Art, Literature, and Architecture," and "Nietzsche and the Architects." Contributors include Paolo Baldacci, the Giorgio and Isa de Chirico Foundation, Rome; Hanne Bergius, Hochschule fur Kunst und Design Burg Giebichenstein, Halle, Germany; Rolf Bothe, Kunstsammlungen zu Weimar, Germany; Claudia Brodsky Lacour, Princeton University; Tilmann Buddensieg, Humbolt-Universität Berlin; Jean-Louis Cohen, Université de Paris and Institute of Fine Arts, New York University; Karsten Harries, Yale University; Werner Hofmann, Germany; Fritz Neumeyer, Technische Universität Berlin; Léon Ploegaerts, University of Ottawa, Canada; and Anthony Vidler, University of California at Los Angeles. Edited by Alexandre Kostka and Irving Wohlfarth.
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books
books
Publication:
July 1999, Los Angeles
July 1999, Los Angeles
Subject:
Architectural Theory
Architectural Theory
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books
books
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$38.95
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In Architecture in Translation, Esra Akcan offers a way to understand the global circulation of culture that extends the notion of translation beyond language to visual fields. She shows how members of the ruling Kemalist elite in Turkey further aligned themselves with Europe by choosing German-speaking architects to oversee much of the design of modern cities. Focusing(...)
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In Architecture in Translation, Esra Akcan offers a way to understand the global circulation of culture that extends the notion of translation beyond language to visual fields. She shows how members of the ruling Kemalist elite in Turkey further aligned themselves with Europe by choosing German-speaking architects to oversee much of the design of modern cities. Focusing(...)
Title:
Architecture in translation : Germany, Turkey & the modern house
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In Architecture in Translation, Esra Akcan offers a way to understand the global circulation of culture that extends the notion of translation beyond language to visual fields. She shows how members of the ruling Kemalist elite in Turkey further aligned themselves with Europe by choosing German-speaking architects to oversee much of the design of modern cities. Focusing on the period from the 1920s through the 1950s, Akcan traces the geographical circulation of modern residential models, including the garden city—which emphasized green spaces separating low-density neighborhoods of houses surrounded by gardens—and mass housing built first for the working-class residents in industrial cities and, later, more broadly for mixed-income residents. She shows how the concept of translation—the process of change that occurs with transportation of people, ideas, technology, information, and images from one or more countries to another—allows for consideration of the sociopolitical context and agency of all parties in cultural exchanges. Moving beyond the indistinct concepts of hybrid and transculturation and avoiding passive metaphors such as import, influence, or transfer, translation offers a new approach relevant to many disciplines. Akcan advocates a commitment to a new culture of translatability from below for a truly cosmopolitan ethics in a globalizing world.
Architecture in translation : Germany, Turkey & the modern house
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In Architecture in Translation, Esra Akcan offers a way to understand the global circulation of culture that extends the notion of translation beyond language to visual fields. She shows how members of the ruling Kemalist elite in Turkey further aligned themselves with Europe by choosing German-speaking architects to oversee much of the design of modern cities. Focusing on the period from the 1920s through the 1950s, Akcan traces the geographical circulation of modern residential models, including the garden city—which emphasized green spaces separating low-density neighborhoods of houses surrounded by gardens—and mass housing built first for the working-class residents in industrial cities and, later, more broadly for mixed-income residents. She shows how the concept of translation—the process of change that occurs with transportation of people, ideas, technology, information, and images from one or more countries to another—allows for consideration of the sociopolitical context and agency of all parties in cultural exchanges. Moving beyond the indistinct concepts of hybrid and transculturation and avoiding passive metaphors such as import, influence, or transfer, translation offers a new approach relevant to many disciplines. Akcan advocates a commitment to a new culture of translatability from below for a truly cosmopolitan ethics in a globalizing world.
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books
books
Publication:
August 2012
August 2012
Subject:
Architectural Theory
Architectural Theory
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books
books
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$43.95
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This catalogue was published on the occasion of the exhibition "Down the path : the artist's garden after modernism" at the Queens Museum of Art. " This study will not perpetuate a restricted examination of the formal aspects of gardens but present a selection of divergent positions taken both from lived experience and scholarship. In this effort "Down the garden path:(...)
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This catalogue was published on the occasion of the exhibition "Down the path : the artist's garden after modernism" at the Queens Museum of Art. " This study will not perpetuate a restricted examination of the formal aspects of gardens but present a selection of divergent positions taken both from lived experience and scholarship. In this effort "Down the garden path:(...)
Subject:
Gardens
Gardens
Publication:
January 2006, Queens
January 2006, Queens
Title:
Down the garden path : the artist's garden after modernism
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This catalogue was published on the occasion of the exhibition "Down the path : the artist's garden after modernism" at the Queens Museum of Art. " This study will not perpetuate a restricted examination of the formal aspects of gardens but present a selection of divergent positions taken both from lived experience and scholarship. In this effort "Down the garden path: the artist’s garden after modernism" moves away from the narrow representation of only exhibiting garden documents, to show a broad range of materials that refer to gardens as metaphors or points of departure to understand history, politics, and our relationship to nature. There is a long and distinguished list of artists’ gardens. Presented here is a small selection chosen from the vast history, not because they are well known for several of them are imaginary and another has been all but destroyed, but because of their integrity to an uncompromising position about the world." (Valerie Smith). Participating artists : Vito Acconci, Ghada Amer, Lothar Baumgarten, Roberto Burle Marx, Tom Burr, Mel Chin, Thierry De Cordier, Mark Dion, Stan Douglas, Ian Hamilton Finlay, Dan Graham, Lonnie Graham, Paula Hayes, Jenny Holzer, Ronald Jones, Anissa Mack and Dave McKenzie, Gordon Matta-Clark, Franco Mondini-Ruiz, Isamu Noguchi, Nils Norman, Christian Philipp Müller, Ingrid Pollard, Robert Smithson, Alan Sonfist, Brian Tolle and Diana Balmori, Sergio Vega, Jan Vercruysse and Meg Webster.
Down the garden path : the artist's garden after modernism
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This catalogue was published on the occasion of the exhibition "Down the path : the artist's garden after modernism" at the Queens Museum of Art. " This study will not perpetuate a restricted examination of the formal aspects of gardens but present a selection of divergent positions taken both from lived experience and scholarship. In this effort "Down the garden path: the artist’s garden after modernism" moves away from the narrow representation of only exhibiting garden documents, to show a broad range of materials that refer to gardens as metaphors or points of departure to understand history, politics, and our relationship to nature. There is a long and distinguished list of artists’ gardens. Presented here is a small selection chosen from the vast history, not because they are well known for several of them are imaginary and another has been all but destroyed, but because of their integrity to an uncompromising position about the world." (Valerie Smith). Participating artists : Vito Acconci, Ghada Amer, Lothar Baumgarten, Roberto Burle Marx, Tom Burr, Mel Chin, Thierry De Cordier, Mark Dion, Stan Douglas, Ian Hamilton Finlay, Dan Graham, Lonnie Graham, Paula Hayes, Jenny Holzer, Ronald Jones, Anissa Mack and Dave McKenzie, Gordon Matta-Clark, Franco Mondini-Ruiz, Isamu Noguchi, Nils Norman, Christian Philipp Müller, Ingrid Pollard, Robert Smithson, Alan Sonfist, Brian Tolle and Diana Balmori, Sergio Vega, Jan Vercruysse and Meg Webster.
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books
books
Publication:
January 2006, Queens
January 2006, Queens
Subject:
Gardens
Gardens
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books
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270 pages : illustrations ; 24 cm
Description:
270 pages : illustrations ; 24 cm
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Publication:
Bruxelles (Belgique) : Éditions de l'Université de Bruxelles, [2021]
Bruxelles (Belgique) : Éditions de l'Université de Bruxelles, [2021]
Title:
Le plan libre de Le Corbusier, ou, L'architecture mise en tension / Patrick Burniat.
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270 pages : illustrations ; 24 cm
Le plan libre de Le Corbusier, ou, L'architecture mise en tension / Patrick Burniat.
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270 pages : illustrations ; 24 cm
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books
books
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Bruxelles (Belgique) : Éditions de l'Université de Bruxelles, [2021]
Bruxelles (Belgique) : Éditions de l'Université de Bruxelles, [2021]
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240 pages : illustrations, facsimiles, maps, portraits ; 32 cm
Description:
240 pages : illustrations, facsimiles, maps, portraits ; 32 cm
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Amsterdam : Valiz, [2021], ©2021
Amsterdam : Valiz, [2021], ©2021
Title:
On the necessity of gardening : an ABC of art, botany and cultivation / Laurie Cluitmans (ed.) ; with contributions by Maria Barnas, Jonny Bruce, Laurie Cluitmans, Thiëmo Heilbron, Liesbeth M. Helmus, Erik A. de Jong, René de Kam, Alhena Katsof, Jamaica Kincaid, Bart Rutten, Catriona Sandilands, Patricia de Vries ; translation: Gerard Forde, Michele Hutchison.
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240 pages : illustrations, facsimiles, maps, portraits ; 32 cm
On the necessity of gardening : an ABC of art, botany and cultivation / Laurie Cluitmans (ed.) ; with contributions by Maria Barnas, Jonny Bruce, Laurie Cluitmans, Thiëmo Heilbron, Liesbeth M. Helmus, Erik A. de Jong, René de Kam, Alhena Katsof, Jamaica Kincaid, Bart Rutten, Catriona Sandilands, Patricia de Vries ; translation: Gerard Forde, Michele Hutchison.
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240 pages : illustrations, facsimiles, maps, portraits ; 32 cm
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books
books
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Amsterdam : Valiz, [2021], ©2021
Amsterdam : Valiz, [2021], ©2021
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