In the garden of Isfahan
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An ancient Persian proverb says, ''Isfahan is half the world,'' referring to the city's influence at the crossroads of 16th century trade routes. This city in present-day Iran is still known for its paradisiacal garden landscapes and fascinating buildings, including Naghsh-e Jahan Square, a UNESCO World Heritage site. Eminent Swiss architectural photographer Werner Blaser(...)
In the garden of Isfahan
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An ancient Persian proverb says, ''Isfahan is half the world,'' referring to the city's influence at the crossroads of 16th century trade routes. This city in present-day Iran is still known for its paradisiacal garden landscapes and fascinating buildings, including Naghsh-e Jahan Square, a UNESCO World Heritage site. Eminent Swiss architectural photographer Werner Blaser has captured the beauty of Isfahan in photos that present the masterworks of Persian architecture and horticulture from the 16th to 18th centuries, Isfahan's heyday under the Persian Safavid dynasty. He paints a picture of boulevards, covered bridges, palaces, mosques and minarets.
Arch Southwest Asia & North Africa
Pleasant place: Daffodils
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Many bulbous plants have been dubbed "heralds of spring", but none is more recognisable than those carrying actual megaphones to spread the word: daffodils. Throughout history, painters, poets, and writers all over the world have been inspired by the flower’s various symbolisms. An introduction to the genus ‘Narcissus’ by Lou-Lou van Staaveren, with photographs by Elspeth(...)
Pleasant place: Daffodils
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Many bulbous plants have been dubbed "heralds of spring", but none is more recognisable than those carrying actual megaphones to spread the word: daffodils. Throughout history, painters, poets, and writers all over the world have been inspired by the flower’s various symbolisms. An introduction to the genus ‘Narcissus’ by Lou-Lou van Staaveren, with photographs by Elspeth Diederix, sets the tone for this issue. Other contributors include philosopher Christopher F. Julien, who reflects on how scent mixes with memories, and artist Tina Farifteh, who digs into her personal archive and writes about her memories of growing up in Iran, where daffodils are a symbol of hope.
Gardens
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After an issue dedicated to the persistent structures of colonial domination and racialization in western and northern European societies, The Funambulist 55 (Sep-Oct 2024) Asian Imperialisms intends to decenter Europe, and examine historical and present processes of imperial and/or colonial domination by seven arguably ethnocratic Asian states, namely, Japan, the(...)
The Funambulist n.55: Asian imperialisms
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After an issue dedicated to the persistent structures of colonial domination and racialization in western and northern European societies, The Funambulist 55 (Sep-Oct 2024) Asian Imperialisms intends to decenter Europe, and examine historical and present processes of imperial and/or colonial domination by seven arguably ethnocratic Asian states, namely, Japan, the People’s Republic of China, the Russian Federation (and the Soviet Union), India, Pakistan, Iran, and Turkey (alongside Azerbaijan). This “Asian” denomination chosen for this issue’s title follows historic examples of solidarity at this massive continental scale, the most famous one being the 1955 Afro–Asian Conference in Bandung. The cover is an artwork by Korean artist Kyungmi Shin
Magazines
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Hangar 2023
books
Hangar 2023
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One of the principal founders of the Arts and Crafts movement, William Morris was responsible for hundreds of patterns for wallpapers, fabrics, tapestries, and carpets that are iconic of the late nineteenth century and continue to resonate today. It is now widely acknowledged that his artistic production was stimulated by his deep familiarity with embroideries, woven(...)
Tulips and peacocks: William Morris and art from the Islamic world
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One of the principal founders of the Arts and Crafts movement, William Morris was responsible for hundreds of patterns for wallpapers, fabrics, tapestries, and carpets that are iconic of the late nineteenth century and continue to resonate today. It is now widely acknowledged that his artistic production was stimulated by his deep familiarity with embroideries, woven velvets, silks, carpets, and metalwork from Iran, Syria, and Turkey, which he collected throughout his lifetime. Ranging from popular nineteenth-century tourist merchandise to rare artefacts of historical significance, Morris’s collection is a testament to the interconnectedness of global artistic traditions and the enduring importance of recognising the contributions of various cultures to the evolution of his design and craftsmanship.
Design Monographs
Brick: a world history
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This architecture book follows the story of brick from 5,000 BC to its use in building today, via the vast baths and basilicas of ancient Rome, through the wonders of Gothic brick in Germany, the majestic temples of Pagan and Mughal mosques in Iran, to its modern revival. The authors have applied their expert visual and technical knowledge to more than one hundred(...)
Materials and Lighting
October 2003, London
Brick: a world history
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This architecture book follows the story of brick from 5,000 BC to its use in building today, via the vast baths and basilicas of ancient Rome, through the wonders of Gothic brick in Germany, the majestic temples of Pagan and Mughal mosques in Iran, to its modern revival. The authors have applied their expert visual and technical knowledge to more than one hundred themes, from bricks in ancient Egypt to their distinctive use by such modern masters as Louis Kahn, Alvar Aalto and Renzo Piano. Great works of engineering – viaducts, tunnels and bridges – are given prominence alongside cathedrals and country houses, temples and mosques, testifying to the versatility and importance of bricks and brickwork.
Materials and Lighting
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Part of the Architectural Papers series, The Middle East explores the architecture of a nearly paradoxical region. Both the cradle of culture, where much remains of thousands of years of human society, the Middle East is also an area of great flux in contemporary history. This volume explores this dichotomy in three sections. The first, “Beyond the View,” investigates(...)
Middle East: landscape, city, architecture
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Part of the Architectural Papers series, The Middle East explores the architecture of a nearly paradoxical region. Both the cradle of culture, where much remains of thousands of years of human society, the Middle East is also an area of great flux in contemporary history. This volume explores this dichotomy in three sections. The first, “Beyond the View,” investigates notions of the Middle Eastern architecture through a comparative study of different parts of the Arab world. “Case Studies” focuses on three exceptionally different cities—Beirut, Amman, and Doha—through an investigation of recent and future building projects. The final chapter, “Limits” looks at the architectural practices of countries that constitute the geographic, cultural, and political limits of the region: Israel, Turkey, and Iran.
Arch Southwest Asia & North Africa
books
Description:
397 pages : color illustrations, maps ; 28 cm
Orleans : HYX, 2010.
Claude Parent : L'aeuvre construite/L'oeuvre Graphique.
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397 pages : color illustrations, maps ; 28 cm
books
Orleans : HYX, 2010.
books
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288 pages ; 21 cm
Paris : Éditions du Seuil, 2016., ©2016
L'architecture à toute vitesse : 56 règles glanées autour du monde / Philippe Trétiack.
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288 pages ; 21 cm
books
Paris : Éditions du Seuil, 2016., ©2016
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This title was first published in 2003: Modernist architecture claimed to be the 'international style' but the relationship between modernism and the new dispositions of nations and nationalities which have succeeded the old European empires remains obscure. In this, the first book to examine the interactions between modern architecture, imperialism and post-imperialism,(...)
Modern architecture and the end of empire. 2nd edition
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This title was first published in 2003: Modernist architecture claimed to be the 'international style' but the relationship between modernism and the new dispositions of nations and nationalities which have succeeded the old European empires remains obscure. In this, the first book to examine the interactions between modern architecture, imperialism and post-imperialism, Mark Crinson looks at the architecture of the last years of the British Empire, and during its prolonged dissolution and aftermath. Taking a number of case studies from Britain, Ghana, Hong Kong, Iran, India and Malaysia, he investigates the ambitions of the people who commissioned the buildings, the training and role of architects, and the interaction of the architecture and its changing social and cultural contexts. This book raises questions about the nature of modernism and its roles that look far beyond empire and towards the post-imperial.
Modernism