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For too long, artists have been told that they can't have both motherhood and a successful career. In this polemical volume, critic and campaigner Hettie Judah argues that a paradigm shift is needed within the art world to take account of the needs of artist mothers (and other parents: artist fathers, parents who don't identify with the term 'mother', and parents in other(...)
How not to exclude artist mothers (and other parents)
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For too long, artists have been told that they can't have both motherhood and a successful career. In this polemical volume, critic and campaigner Hettie Judah argues that a paradigm shift is needed within the art world to take account of the needs of artist mothers (and other parents: artist fathers, parents who don't identify with the term 'mother', and parents in other sectors of the art world). Drawing on interviews with artists internationally, the book highlights some of the success stories that offer models for the future, from alternative support networks and residency models, to studio complexes with onsite childcare, and galleries with family-friendly policies. Some artists have described motherhood as providing them with renewed focus, a new direction in their work, and even inspiration for a complete change of career. Other artists choose to keep their domestic and creative lives compartmentalised. All are placed at a disadvantage by the art world as it is currently structured. This book argues that by making changes and becoming more sensitive to the needs of artist parents, the art world has much to gain.
Art Theory
À contresens
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« C’est une magnifique journée. Inspire un grand coup… Trois, deux, un… Vas-y, roule! » Une petite fille s’élance et roule sur sa planche à roulettes en toute liberté à travers sa ville. À contresens est un véritable hymne à l’émancipation et à la liberté. À l’idée que malgré nos différences, nous pouvons prendre notre envol et nous émanciper peu importe ce que les autres diront.
À contresens
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« C’est une magnifique journée. Inspire un grand coup… Trois, deux, un… Vas-y, roule! » Une petite fille s’élance et roule sur sa planche à roulettes en toute liberté à travers sa ville. À contresens est un véritable hymne à l’émancipation et à la liberté. À l’idée que malgré nos différences, nous pouvons prendre notre envol et nous émanciper peu importe ce que les autres diront.
Children's Books
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In ''Pidginization as curatorial method: Messing with languages and praxes'', renowned curator and director Bonaventure Soh Bejeng Ndikung proposes Pidgin languages as expressions of resistance to settler colonialism and pidginization as a way to approach curating (and the world), creating new spaces for encounter, knowledge, and pluralities. Deftly deploying the(...)
Pidginization as curatorial method: Messing with languages and praxes of curating
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In ''Pidginization as curatorial method: Messing with languages and praxes'', renowned curator and director Bonaventure Soh Bejeng Ndikung proposes Pidgin languages as expressions of resistance to settler colonialism and pidginization as a way to approach curating (and the world), creating new spaces for encounter, knowledge, and pluralities. Deftly deploying the thinking, writing, and rhythmic beat of musicians, philosophers, linguists, poets, and novelists, Ndikung offers a new vision for activist curatorial practice and beyond. This is the third volume of the series ''Thoughts on Curating'', edited by Steven Henry Madoff.
Museology
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From metal-clad houses to skyscrapers, aluminium’s futuristic image became increasingly prominent in American architecture during the 20th century, influencing everything from roadside diners built in the Googie style to later postmodernism. This book features a selection of American and Japanese architectural precedents built during the transitional period from modern to(...)
Ex-dreams: The alternative mid-century architecture
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From metal-clad houses to skyscrapers, aluminium’s futuristic image became increasingly prominent in American architecture during the 20th century, influencing everything from roadside diners built in the Googie style to later postmodernism. This book features a selection of American and Japanese architectural precedents built during the transitional period from modern to postmodern architecture, depicted in photographs, drawings, illustrations, and even cartoons. Deepening an understanding of these complex trends is an essay by Tomoyuki Gondo, plus interviews and discussions with various experts in the field such as Lloyd Khan, Victor Newlove, and Seng Kuan.
Modernism
Richard Misrach: Notations
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Since 2006, coinciding with his shift away from analog film to working exclusively with a digital camera, Richard Misrach has been exploring the aesthetic possibilities of the negative image. His latest body of work, debuted in this deluxe, oversize (16.75 by 13 inches), landscape-format volume, comprises dazzling, sublime photographs of landscapes and natural scenes—in(...)
Richard Misrach: Notations
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Since 2006, coinciding with his shift away from analog film to working exclusively with a digital camera, Richard Misrach has been exploring the aesthetic possibilities of the negative image. His latest body of work, debuted in this deluxe, oversize (16.75 by 13 inches), landscape-format volume, comprises dazzling, sublime photographs of landscapes and natural scenes—in negative, but using color with great dexterity and nuance. Inspired by Ansel Adams’ comparison of the photographic negative to a musical score, and John Cage’s 1969 book, "Notations," which compiles music scores as art, Misrach here envisages the photographic image as a score-like negative, teetering on abstraction, that invites a diversity of interpretations. The result is a series of immense beauty unlike any previous Misrach publication.
Current Exhibitions
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The Kanien’kéha language has been written since the 1600s, and these dictionary entries include citations from published, archival, and informal writings from the seventeenth century onwards. These citations are a legacy of the substantial documents of missionary scholars and several informal vocabulary lists written by Kanien’kéha speakers, among others. The introduction(...)
A dictionary of Kanien'kéha (Mohawk) with connections to the past
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The Kanien’kéha language has been written since the 1600s, and these dictionary entries include citations from published, archival, and informal writings from the seventeenth century onwards. These citations are a legacy of the substantial documents of missionary scholars and several informal vocabulary lists written by Kanien’kéha speakers, among others. The introduction to the dictionary provides a description of the organization and orthography of the historical works so that they can be used in the future by those studying and learning the language. "A dictionary of Kanien’kéha (Mohawk) with connections to the past" allows scholars and students to learn the meaning, composition, and etymology of words in a language known for its particularly complex word structure. The organization of the entries, according to noun and verb roots, highlights the remarkable potential and adaptability of the language to express traditional concepts, as well as innovations that have resulted from contact with other customs and languages that have become part of the contemporary culture of the Kanien’kehá:ka.
indigenous
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This book presents seven interviews with the architectural historian reflecting on the long arc of his rich and influential career in the discipline. Spanning Frampton’s early years as an architecture student at the Guildford School of Art to his nearly fifty years as a professor at Columbia University’s Graduate School of Architecture, Planning, and Preservation, the(...)
Kenneth Frampton: Conversations with Daniel Talesnik
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This book presents seven interviews with the architectural historian reflecting on the long arc of his rich and influential career in the discipline. Spanning Frampton’s early years as an architecture student at the Guildford School of Art to his nearly fifty years as a professor at Columbia University’s Graduate School of Architecture, Planning, and Preservation, the interviews trace not only the development and implications of his work but also the cultural, political, and discursive terrain surrounding it. Here Frampton outlines the formation of his seminal ideas of "critical regionalism" and "tectonic culture," and also ruminates on how he understands his own role as a writer on architecture. The book includes an essay by Mary McLeod, which takes stock of Frampton’s "criticality" and his enduring impact on architectural practice. As a whole, this volume is as much a portrait of a thinker as a record of the books, buildings, and ideas that have inspired such profound architectural thought.
Architectural Theory
Art's properties
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In this provocative new account, David Joselit shows how art from the nineteenth to the twenty-first centuries began to function as a commodity, while the qualities of the artist, nation, or period themselves became valuable properties. Joselit explores repatriation, explaining that this is not just a contemporary conflict between the Global South and Euro-American(...)
Art's properties
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In this provocative new account, David Joselit shows how art from the nineteenth to the twenty-first centuries began to function as a commodity, while the qualities of the artist, nation, or period themselves became valuable properties. Joselit explores repatriation, explaining that this is not just a contemporary conflict between the Global South and Euro-American museums, noting that the Louvre, the first modern museum, was built on looted works and faced demands for restitution and repatriation early in its history. Joselit argues that the property values of white supremacy underlie the ideology of possessive individualism animating modern art, and he considers issues of identity and proprietary authorship.
Art Theory
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This volume explores how leading architects of the twentieth century incorporated climate-mediating strategies into their designs, and shows how regional approaches to climate adaptability were essential to the development of modern architecture. Focusing on the period surrounding World War II—before fossil-fuel powered air-conditioning became widely available—Daniel(...)
Modern architecture and climate: Design before air conditioning
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This volume explores how leading architects of the twentieth century incorporated climate-mediating strategies into their designs, and shows how regional approaches to climate adaptability were essential to the development of modern architecture. Focusing on the period surrounding World War II—before fossil-fuel powered air-conditioning became widely available—Daniel Barber brings to light a vibrant and dynamic architectural discussion involving design, materials, and shading systems as means of interior climate control. He looks at projects by well-known architects such as Richard Neutra, Le Corbusier, Lúcio Costa, Mies van der Rohe, and Skidmore, Owings, and Merrill, and the work of climate-focused architects such as MMM Roberto, Olgyay and Olgyay, and Cliff May. Drawing on the editorial projects of James Marston Fitch, Elizabeth Gordon, and others, he demonstrates how images and diagrams produced by architects helped conceptualize climate knowledge, alongside the work of meteorologists, physicists, engineers, and social scientists. Barber describes how this novel type of environmental media catalyzed new ways of thinking about climate and architectural design.
Architectural Theory
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The cycle of production and consumption, artificially accelerated by advertising and marketing, has characterised our society for decades. This cycle has recently also taken hold of the architecture of the city, leading to a waste that is both economically and ecologically unacceptable. The destruction of buildings that are not actually obsolete is just as questionable as(...)
Radical normal: Propositions for the architecture of the city
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The cycle of production and consumption, artificially accelerated by advertising and marketing, has characterised our society for decades. This cycle has recently also taken hold of the architecture of the city, leading to a waste that is both economically and ecologically unacceptable. The destruction of buildings that are not actually obsolete is just as questionable as the production of extravagant architectures for which there is no real need. This book is a protest against the merciless globalisation of the city and its dissolution into faceless, inhospitable peripheries. At the same time, it puts forward alternative strategies of urban design to counteract such globalisation and dissolution. It formulates a different approach to urbanism, one which views the city not as a carnivalesque display of vanities but as a sophisticated spatial construction that lays down the conditions for a productive, sociable, serene, and happy life.
Architectural Theory