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Cartographic cinema
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Cartography and cinema are what might be called locational machinery. Maps and movies tell their viewers where they are situated, what they are doing, and, to a strong degree, who they are. In this work,scholar Tom Conley establishes the ideological power of maps in classic, contemporary, and avant-garde cinema to shape the imaginary and mediated relations we hold with(...)
Cartographic cinema
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Cartography and cinema are what might be called locational machinery. Maps and movies tell their viewers where they are situated, what they are doing, and, to a strong degree, who they are. In this work,scholar Tom Conley establishes the ideological power of maps in classic, contemporary, and avant-garde cinema to shape the imaginary and mediated relations we hold with the world. "Cartographic cinema" examines the affinities of maps and movies through comparative theory and close analysis of films from the silent era to the French New Wave to Hollywood blockbusters. In doing so, Conley reveals that most of the movies we see contain maps of various kinds and almost invariably constitute a projective apparatus similar to cartography. In addition, he demonstrates that spatial signs in film foster a critical relation with the prevailing narrative and mimetic registers of cinema. Conley convincingly argues that the very act of watching films, and cinema itself, is actually a form of cartography. Unlike its function in an atlas, a map in a movie often causes the spectator to entertain broader questions—not only about cinema but also of the nature of space and being.
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December 2006, Minneapolis, London
Architectural Theory
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For those who have ever wondered why we have trees in cities or what makes the layout of cities like Paris and Amsterdam seem so memorable, "City trees: a historical geography from the Renaissance through the nineteenth century" by Henry W. Lawrence provides a comprehensive guide to the history of trees in urban landscapes. Covering four centuries of development in the(...)
City Trees : a historical geography from the Renaissance through the nineteenth century
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For those who have ever wondered why we have trees in cities or what makes the layout of cities like Paris and Amsterdam seem so memorable, "City trees: a historical geography from the Renaissance through the nineteenth century" by Henry W. Lawrence provides a comprehensive guide to the history of trees in urban landscapes. Covering four centuries of development in the cities of Europe and America, this book shows how trees became integral to urban landscapes by looking at the historical evolution of the spaces in which they were planted and how these spaces were used. Reflecting on the impact trees have had on what many consider to be the fundamental aspects of city life — people, buildings, social and economic activity — Lawrence draws on graphic materials, written descriptions, local histories, and archival research to provide a unique look at the treeís role in urban landscape history. Primarily concerned with aesthetics, power, and national traditions, Lawrence reflects on the differing impacts city trees have had on multiple aspects of culture, from their roles as symbols and their representation of economic prosperity to the differing ways nations planted their trees, which gradually blended into an international style of urban planting.
Gardens
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From the swooping concrete vaults of the TWA Terminal at JFK Airport to the 630-foot-tall Gateway Arch in St. Louis, the iconic designs of Eero Saarinen (1910–1961) captured the aspirations and values of mid-20th-century America. Potent expressions of national power, these and other Saarinen-designed structures—including the GM Technical Center, Dulles International(...)
Architecture Monographs
November 2006, New Haven / London
Eero Saarinen : shaping the future
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From the swooping concrete vaults of the TWA Terminal at JFK Airport to the 630-foot-tall Gateway Arch in St. Louis, the iconic designs of Eero Saarinen (1910–1961) captured the aspirations and values of mid-20th-century America. Potent expressions of national power, these and other Saarinen-designed structures—including the GM Technical Center, Dulles International Airport, and John Deere headquarters—helped create the international image of the United States in the decades following World War II. Eero Saarinen: Shaping the Future offers a new and wide-ranging look at the entire scope of Saarinen’s career. This is the first book on Saarinen to incorporate significant research and materials from the newly available archives of his office, and includes the most complete portfolio of Saarinen's projects to date—a chronological survey of more than 100 built and unbuilt works, previously unpublished photographs, plans, and working drawings. Lavishly illustrated, this major study shows how Saarinen gave his structures an expressive dimension and helped introduce modern architecture to the mainstream of American practice. In his search for a richer and more varied modern architecture, Saarinen become one of the most prolific and controversial practitioners of his time.
Architecture Monographs
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This new edition of Mike Davis’s work gives an update on Los Angeles as the city hits the 21st century. No metropolis has been more loved or more hated. To its official boosters, “Los Angeles brings it all together.” To detractors, LA is a sunlit mortuary where “you can rot without feeling it.” To Mike Davis, the author of this wide-ranging work of social history, Los(...)
City of quartz : excavating the future in Los Angeles, new edition
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This new edition of Mike Davis’s work gives an update on Los Angeles as the city hits the 21st century. No metropolis has been more loved or more hated. To its official boosters, “Los Angeles brings it all together.” To detractors, LA is a sunlit mortuary where “you can rot without feeling it.” To Mike Davis, the author of this wide-ranging work of social history, Los Angeles is both utopia and dystopia, a place where the last Joshua trees are being plowed under to make room for model communities in the desert, where the rich have hired their own police to fend off street gangs, as well as armed Beirut militias. In "City of quartz", Davis reconstructs LA’s shadow history and dissects its ethereal economy. He tells us who has the power and how they hold on to it. He gives us a city of Dickensian extremes, Pynchonesque conspiracies, and a desperation straight out of Nathaniel West—a city in which we may glimpse our own future mirrored with terrifying clarity. In this new edition, Davis provides an update on the city’s current status.
Urban Theory
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Joseph Gandy’s life is in many respects the familiar saga of genius unrecognized. Upon his death he seemed to the world, and to himself, a failure. Having begun his career with high hopes, great imagination and exceptional talent, he ended it in a state of neglect and obscurity. A century and a half later Gandy is recognized as one of the most original figures of(...)
Joseph Gandy : an architectural visionary in Georgian England
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Joseph Gandy’s life is in many respects the familiar saga of genius unrecognized. Upon his death he seemed to the world, and to himself, a failure. Having begun his career with high hopes, great imagination and exceptional talent, he ended it in a state of neglect and obscurity. A century and a half later Gandy is recognized as one of the most original figures of English romanticism. Works such as "Pandemonium" or "Tomb of Merlin" have a hypnotic power that he brought to bear on Sir John Soane’s bizarre "Monk’s Parlour" at his renowned house-musuem in Lincoln’s Inn and on the lost masterpiece of Soane’s Bank of England in the City of London, buildings that we have come to see through Gandy’s eyes. Brian Lukacher, the acknowledged authority on Gandy, has now written the definitive life of this architect-artist who exemplified the cultural temper of the romantic period. It is a fresh, deeply researched biography and a critical assessment of Gandy’s work in its historical context. It is a tragic story but also an inspiring one, and a significant episode in the history of the architectural imagination and the visual arts during the nineteenth century.
Architecture Monographs
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The relationship between mankind and stone is elemental and deeply ingrained into all of us. Stone, after all, has been the primary building material for more than five thousand years of human history, and it continues to record our triumphs and failures. In this searching history of the expressive and practical use of stone, Richard Rhodes unlocks the underlying(...)
Stone: Ancient craft to modern mastery
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The relationship between mankind and stone is elemental and deeply ingrained into all of us. Stone, after all, has been the primary building material for more than five thousand years of human history, and it continues to record our triumphs and failures. In this searching history of the expressive and practical use of stone, Richard Rhodes unlocks the underlying principles of stone;s highest and best use, and he illuminates rules codified by the medieval Freemason's guild. Century after century of stone use gradually produced the closely-guarded ''Sacred Rules'' as they are collectively known, considered to be the most important and closely-kept property of the ancient stone guildsmen. Previously available only to the initiated, the rules are explained here through historical examples and photographs for the first time ever. In these times of rapid development and expansive urbanization, Rhodes implores us to explore the essential qualities of stone that emerge from the Sacred Rules, not only to rediscover the ancient and traditional knowledge that governed its use for so long, but also to find a roadmap for how future generations might thoughtfully recapture the power this material offers.
Materials and Lighting
John Lehr: The last things
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"The last things" explores the artifacts of an American archeological present. The work in this series depicts vernacular forms of architecture, signage, images, and objects that were hastily made in a rush for attention, or abandoned in place after their usefulness had expired. Lehr posits them as symptomatic symbols of the repetitive cycles of decline, rehabilitation,(...)
John Lehr: The last things
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"The last things" explores the artifacts of an American archeological present. The work in this series depicts vernacular forms of architecture, signage, images, and objects that were hastily made in a rush for attention, or abandoned in place after their usefulness had expired. Lehr posits them as symptomatic symbols of the repetitive cycles of decline, rehabilitation, violence, and mourning that are woven into the fabric of contemporary American life. These light-drenched photographs vividly describe a nation speaking through the language of capitalism. Words and images repeat and contradict throughout the work, reflecting emphatic pleas and shifting priorities. At other times, language breaks down completely, giving way to pictographic forms that are both primitive and utterly contemporary. Flaking paint morphs into JPEG vinyl printouts and LED displays, blurring the line between commercial speech and individual expression. Embedded in the work is a belief in the power and absurdity of objects that—like a body—bear the traces of collective experience. In its distilled and emphatic sequencing "The last things" reads as a prose poem and a cryptic cipher about a country at the brink of a tipping point.
Photography monographs
books
The Gothic Revival
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‘The Gothic Revival’, writes Michael Lewis, ‘is more than a fashion craze for pointed arches and pinnacles. During its years of greatest influence, it subjected every aspect of art, belief, society, and labour to intense intellectual scrutiny, using the Middle Ages as a platform from which to judge the modern world.’ It is the unique merit of "The Gothic Revival"(...)
The Gothic Revival
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‘The Gothic Revival’, writes Michael Lewis, ‘is more than a fashion craze for pointed arches and pinnacles. During its years of greatest influence, it subjected every aspect of art, belief, society, and labour to intense intellectual scrutiny, using the Middle Ages as a platform from which to judge the modern world.’ It is the unique merit of "The Gothic Revival" that it gives as much attention to the ideas that gave Gothic architecture its emotional and intellectual power as it does to its great monuments. The eighteenth century admired the Gothic for its sense of decay and melancholy; the nineteenth century first cherished its religious piety, then its superb engineering. In the course of the Revival the Gothic was attached to social movements of every sort – from political liberalism to patriotic nationalism to labour reform. Like Marxism, which also drew lessons from medieval society, the Gothic Revival seemed to offer a comprehensive response to the dislocations and traumas of the Industrial Revolution. By the early twentieth century, the Gothic Revival had outlived its ideals. In recent years, however, the climate of opinion has changed, and we are ready to understand, appreciate and learn from it.
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June 2002, London
History until 1900
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This book offers a comprehensive account of the architecture of Florence, setting the city’s buildings within the political, economic, and cultural contexts in which they were made. The rapid expansion of its banking interests and its wool and textile industries brought Florence prosperity, and it became, under Medici power, the heart of the European Renaissance, and the(...)
Florence : the city and its architecture
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This book offers a comprehensive account of the architecture of Florence, setting the city’s buildings within the political, economic, and cultural contexts in which they were made. The rapid expansion of its banking interests and its wool and textile industries brought Florence prosperity, and it became, under Medici power, the heart of the European Renaissance, and the sponsor of pivotal architectural works. Stretching from the city’s foundation by Julius Caesar in 59 BC to modern times, the text takes a thematic approach. It begins with a historical overview, then moves on to look at buildings associated with the powers of Church and State, followed by the practicalities of building and the main architectural types, ending with modern developments. Buildings covered range from the Duomo, with Brunelleschi’s cupola, and the Palazzo Pitti, to neighbourhood churches and piazzas. Landmark modernist buildings include those by architect Pier Luigi Nervi. The visual wealth of the city is reflected in specially commissioned photography, while original plans and paintings by Florentine masters emphasize the historical context. In addition to a glossary of Italian terms and biographical notes on major figures, the book includes a foldout map with a key to the buildings discussed.
books
April 2002, London / New York
History until 1900
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"Space, the city and social theory" offers a critical account of key approaches to cities and urban space within social theory and analysis. It explores the relation of the social and the spatial in the context of critical urban themes: community and anonymity; social difference and spatial divisions; politics and public space; gentrification and urban renewal; gender and(...)
Space, the city and social theory : social relations and urban forms
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"Space, the city and social theory" offers a critical account of key approaches to cities and urban space within social theory and analysis. It explores the relation of the social and the spatial in the context of critical urban themes: community and anonymity; social difference and spatial divisions; politics and public space; gentrification and urban renewal; gender and sexuality; subjectivity and space; experience and everyday practice in the city. The text adopts an international and interdisciplinary approach, drawing on a range of debates on cities and urban life. It brings together classic perspectives in urban sociology and social theory with the analysis of contemporary urban problems and issues. Rather than viewing the urban simply as a backdrop for more general social processes, the discussion looks at how social and spatial relations shape different versions of the city: as a place of social interaction and of solitude; as a site of difference and segregation; as a space of politics and power; as a landscape of economic and cultural distinction; as a realm of everyday experience and freedom. Similarly, it examines how core social categories - such as class, culture, gender, sexuality and community - are shaped and reproduced in urban contexts.
Urban Theory