1538 Results
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Title:
Jacques Rousseau fonds
Jacques Rousseau fonds
Reference number:
AP066
Synopsis:
Le Fonds Jacques Rousseau est constitué des archives professionnelles et personnelles de l'architecte. Le fonds comprend plus de 6000 dessins, 1000 documents photographiques et 4 mètre linéaire de documents textuels, relatifs aux projets d'architecture incluant des concours, à des expositions, à des dossiers personnels et professionnels, à sa formation universitaire et à ses enseignements. Les documents du fonds étaient produits entre 1963 et 1997.
AP066
Synopsis:
Le Fonds Jacques Rousseau est constitué des archives professionnelles et personnelles de l'architecte. Le fonds comprend plus de 6000 dessins, 1000 documents photographiques et 4 mètre linéaire de documents textuels, relatifs aux projets d'architecture incluant des concours, à des expositions, à des dossiers personnels et professionnels, à sa formation universitaire et à ses enseignements. Les documents du fonds étaient produits entre 1963 et 1997.
People:
Date:
1963-1997
1963-1997
Title:
Jacques Rousseau fonds
Actions:
AP066
Synopsis:
Le Fonds Jacques Rousseau est constitué des archives professionnelles et personnelles de l'architecte. Le fonds comprend plus de 6000 dessins, 1000 documents photographiques et 4 mètre linéaire de documents textuels, relatifs aux projets d'architecture incluant des concours, à des expositions, à des dossiers personnels et professionnels, à sa formation universitaire et à ses enseignements. Les documents du fonds étaient produits entre 1963 et 1997.
Jacques Rousseau fonds
Actions:
AP066
Synopsis:
Le Fonds Jacques Rousseau est constitué des archives professionnelles et personnelles de l'architecte. Le fonds comprend plus de 6000 dessins, 1000 documents photographiques et 4 mètre linéaire de documents textuels, relatifs aux projets d'architecture incluant des concours, à des expositions, à des dossiers personnels et professionnels, à sa formation universitaire et à ses enseignements. Les documents du fonds étaient produits entre 1963 et 1997.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1963-1997
1963-1997
People:
Form:
textual records
textual records
Title:
Essays by David Van Zanten rejected for publication by editorial board of Oppositions magazine
Essays by David Van Zanten rejected for publication by editorial board of Oppositions magazine
Actions:
Reference number:
ARCH153728
Description:
2 essays by David Van Zanten rejected for publication by editorial board of Oppositions magazine: Otto Kohtz, Paul Scheerbart and "Mythic" Architecture at the Turn of the Century, Romanticism, Classicism, and Compromise: Félix Duban and the Building of the École des Beaux-Arts, 1834-1840
ARCH153728
Description:
2 essays by David Van Zanten rejected for publication by editorial board of Oppositions magazine: Otto Kohtz, Paul Scheerbart and "Mythic" Architecture at the Turn of the Century, Romanticism, Classicism, and Compromise: Félix Duban and the Building of the École des Beaux-Arts, 1834-1840
People:
Date:
1975-1977
1975-1977
Title:
Essays by David Van Zanten rejected for publication by editorial board of Oppositions magazine
Actions:
ARCH153728
Description:
2 essays by David Van Zanten rejected for publication by editorial board of Oppositions magazine: Otto Kohtz, Paul Scheerbart and "Mythic" Architecture at the Turn of the Century, Romanticism, Classicism, and Compromise: Félix Duban and the Building of the École des Beaux-Arts, 1834-1840
Essays by David Van Zanten rejected for publication by editorial board of Oppositions magazine
Actions:
ARCH153728
Description:
2 essays by David Van Zanten rejected for publication by editorial board of Oppositions magazine: Otto Kohtz, Paul Scheerbart and "Mythic" Architecture at the Turn of the Century, Romanticism, Classicism, and Compromise: Félix Duban and the Building of the École des Beaux-Arts, 1834-1840
Form:
textual records
textual records
Date:
1975-1977
1975-1977
People:
Level of archival description:
Sub-series
Sub-series
Reference number:
AP197.S1.SS2
Description:
This subseries documents Frampton’s academic career as an Associate professor at the Graduate School of Architecture and Urban Planning, Princeton University (1967-1972) and as Associate professor and subsequently as Ware professor of Architecture at the Graduate School of Architecture, Planning and Preservation (GSAPP), Columbia University (1972-1977; 1974- present). While at GSAPP, Frampton simultaneously held appointments as Visiting professor at several institutions. These activities are also documented here including documents related to his appointment as Visiting professor at the Berlage Institute, Amsterdam (1990-1997), the Università della Svizzera Italiana, Mendrisio (1998-2003), and École polytechnique fédérale de Lausanne, Switerland (1995). This subseries is made up of textual documentation consisting of course readers, application booklets, university handbooks, correspondence, student works, course syllabi, drafts of slides for lectures, draft lectures and notes, drafts for graduation speeches, take home exams, transcripts of lectures, event posters, and various photographs of student projects/models.
AP197.S1.SS2
Description:
This subseries documents Frampton’s academic career as an Associate professor at the Graduate School of Architecture and Urban Planning, Princeton University (1967-1972) and as Associate professor and subsequently as Ware professor of Architecture at the Graduate School of Architecture, Planning and Preservation (GSAPP), Columbia University (1972-1977; 1974- present). While at GSAPP, Frampton simultaneously held appointments as Visiting professor at several institutions. These activities are also documented here including documents related to his appointment as Visiting professor at the Berlage Institute, Amsterdam (1990-1997), the Università della Svizzera Italiana, Mendrisio (1998-2003), and École polytechnique fédérale de Lausanne, Switerland (1995). This subseries is made up of textual documentation consisting of course readers, application booklets, university handbooks, correspondence, student works, course syllabi, drafts of slides for lectures, draft lectures and notes, drafts for graduation speeches, take home exams, transcripts of lectures, event posters, and various photographs of student projects/models.
People:
Date:
1965-2015
1965-2015
Title:
Princeton University, Columbia University, and other academic affiliations
Actions:
AP197.S1.SS2
Description:
This subseries documents Frampton’s academic career as an Associate professor at the Graduate School of Architecture and Urban Planning, Princeton University (1967-1972) and as Associate professor and subsequently as Ware professor of Architecture at the Graduate School of Architecture, Planning and Preservation (GSAPP), Columbia University (1972-1977; 1974- present). While at GSAPP, Frampton simultaneously held appointments as Visiting professor at several institutions. These activities are also documented here including documents related to his appointment as Visiting professor at the Berlage Institute, Amsterdam (1990-1997), the Università della Svizzera Italiana, Mendrisio (1998-2003), and École polytechnique fédérale de Lausanne, Switerland (1995). This subseries is made up of textual documentation consisting of course readers, application booklets, university handbooks, correspondence, student works, course syllabi, drafts of slides for lectures, draft lectures and notes, drafts for graduation speeches, take home exams, transcripts of lectures, event posters, and various photographs of student projects/models.
Princeton University, Columbia University, and other academic affiliations
Actions:
AP197.S1.SS2
Description:
This subseries documents Frampton’s academic career as an Associate professor at the Graduate School of Architecture and Urban Planning, Princeton University (1967-1972) and as Associate professor and subsequently as Ware professor of Architecture at the Graduate School of Architecture, Planning and Preservation (GSAPP), Columbia University (1972-1977; 1974- present). While at GSAPP, Frampton simultaneously held appointments as Visiting professor at several institutions. These activities are also documented here including documents related to his appointment as Visiting professor at the Berlage Institute, Amsterdam (1990-1997), the Università della Svizzera Italiana, Mendrisio (1998-2003), and École polytechnique fédérale de Lausanne, Switerland (1995). This subseries is made up of textual documentation consisting of course readers, application booklets, university handbooks, correspondence, student works, course syllabi, drafts of slides for lectures, draft lectures and notes, drafts for graduation speeches, take home exams, transcripts of lectures, event posters, and various photographs of student projects/models.
Level of archival description:
Subseries
Subseries
Date:
1965-2015
1965-2015
People:
Form:
research
research
Title:
Visiting Scholars 2011
Visiting Scholars 2011
Actions:
Description:
Pedro Ignacio Alonso, Pontificia Universidad Católica de Chile, Santiago, Chile Topic: The Soviet I-464 Building System in Cuba and Chile, 1963-1973 Gaia Caramellino, Politecnico di Torino, Turin, Italy Topic: Architecture for Public Housing in the United States, 1930s-1940s Penelope Dean, University of Illinois, Chicago, United States Topic: Choice by Design,(...)
Pedro Ignacio Alonso, Pontificia Universidad Católica de Chile, Santiago, Chile Topic: The Soviet I-464 Building System in Cuba and Chile, 1963-1973 Gaia Caramellino, Politecnico di Torino, Turin, Italy Topic: Architecture for Public Housing in the United States, 1930s-1940s Penelope Dean, University of Illinois, Chicago, United States Topic: Choice by Design,(...)
Date:
April 2011 to October 2011
April 2011 to October 2011
Title:
Visiting Scholars 2011
Actions:
Description:
Pedro Ignacio Alonso, Pontificia Universidad Católica de Chile, Santiago, Chile Topic: The Soviet I-464 Building System in Cuba and Chile, 1963-1973 Gaia Caramellino, Politecnico di Torino, Turin, Italy Topic: Architecture for Public Housing in the United States, 1930s-1940s Penelope Dean, University of Illinois, Chicago, United States Topic: Choice by Design,(...)
Visiting Scholars 2011
Actions:
Description:
Pedro Ignacio Alonso, Pontificia Universidad Católica de Chile, Santiago, Chile Topic: The Soviet I-464 Building System in Cuba and Chile, 1963-1973 Gaia Caramellino, Politecnico di Torino, Turin, Italy Topic: Architecture for Public Housing in the United States, 1930s-1940s Penelope Dean, University of Illinois, Chicago, United States Topic: Choice by Design,(...)
Form:
research
research
Date:
April 2011 to
October 2011
April 2011 to
October 2011
Form:
events
events
Title:
Devices of Design
Devices of Design
Actions:
Description:
A collaboration between the CCA and the Daniel Langlois Foundation for Art, Science, and Technology, Devices of Design was initiated in response to the increasingly widespread use of digital media and software technologies in architectural design and construction. A colloquium and a subsequent roundtable discussion address both the consequences that this shift implies for(...)
A collaboration between the CCA and the Daniel Langlois Foundation for Art, Science, and Technology, Devices of Design was initiated in response to the increasingly widespread use of digital media and software technologies in architectural design and construction. A colloquium and a subsequent roundtable discussion address both the consequences that this shift implies for(...)
Location:
Paul-Desmarais Theatre
Paul-Desmarais Theatre
Date:
18 November 2004 to 19 November 2004
18 November 2004 to 19 November 2004
Title:
Devices of Design
Actions:
Description:
A collaboration between the CCA and the Daniel Langlois Foundation for Art, Science, and Technology, Devices of Design was initiated in response to the increasingly widespread use of digital media and software technologies in architectural design and construction. A colloquium and a subsequent roundtable discussion address both the consequences that this shift implies for(...)
Devices of Design
Actions:
Description:
A collaboration between the CCA and the Daniel Langlois Foundation for Art, Science, and Technology, Devices of Design was initiated in response to the increasingly widespread use of digital media and software technologies in architectural design and construction. A colloquium and a subsequent roundtable discussion address both the consequences that this shift implies for(...)
Form:
events
events
Date:
18 November 2004 to
19 November 2004
18 November 2004 to
19 November 2004
Location:
Paul-Desmarais Theatre
Paul-Desmarais Theatre
Level of archival description:
Sub-series
Sub-series
Title:
Miscellanea
Miscellanea
Reference number:
CI001.S2.D6
Description:
The portfolio 'Oeuvre de C. Rohault de Fleury', published in 1884 (DR1974:0002:029), is introduced by a succinct 'Notice Biographique', the author of which remains unknown. It provides valuable information on his family background and a narrative description of his major works (including unexecuted projects), illustrated by the accompanying unbound prints. The commentary is particulary informative concerning Charles Rohault de Fleury's work at the Muséum national d'histoire naturelle, the 1859 opera house project for the Théâtre Imperiale de l'Opera, and his innovative use of iron (reinforced) floors and roof trusses in both his public and domestic projects. Another copy of this portfolio is located in the CCA library. Album DR1974:0002:026:001-038 (1854-1858) contains drawings of architectural ornament by Charles and/or Georges Rohault de Fleury. Some of the drawing are possibly studies of ornament for Charles' architectural projects of the 1850's such as Hôtel Soltykoff, although others appear to be typical student drawings of classical architecture and ornament executed by Georges. Included are twelve drawings of architectural ornament and sculpture submitted by Georges to a newly introduced 'dessin' Prix d'emulation at the École des beaux-arts (see series CI001.S1: Architetural Education).
CI001.S2.D6
Description:
The portfolio 'Oeuvre de C. Rohault de Fleury', published in 1884 (DR1974:0002:029), is introduced by a succinct 'Notice Biographique', the author of which remains unknown. It provides valuable information on his family background and a narrative description of his major works (including unexecuted projects), illustrated by the accompanying unbound prints. The commentary is particulary informative concerning Charles Rohault de Fleury's work at the Muséum national d'histoire naturelle, the 1859 opera house project for the Théâtre Imperiale de l'Opera, and his innovative use of iron (reinforced) floors and roof trusses in both his public and domestic projects. Another copy of this portfolio is located in the CCA library. Album DR1974:0002:026:001-038 (1854-1858) contains drawings of architectural ornament by Charles and/or Georges Rohault de Fleury. Some of the drawing are possibly studies of ornament for Charles' architectural projects of the 1850's such as Hôtel Soltykoff, although others appear to be typical student drawings of classical architecture and ornament executed by Georges. Included are twelve drawings of architectural ornament and sculpture submitted by Georges to a newly introduced 'dessin' Prix d'emulation at the École des beaux-arts (see series CI001.S1: Architetural Education).
People:
Date:
[ca. 1825-1884]
[ca. 1825-1884]
Title:
Miscellanea
CI001.S2.D6
Description:
The portfolio 'Oeuvre de C. Rohault de Fleury', published in 1884 (DR1974:0002:029), is introduced by a succinct 'Notice Biographique', the author of which remains unknown. It provides valuable information on his family background and a narrative description of his major works (including unexecuted projects), illustrated by the accompanying unbound prints. The commentary is particulary informative concerning Charles Rohault de Fleury's work at the Muséum national d'histoire naturelle, the 1859 opera house project for the Théâtre Imperiale de l'Opera, and his innovative use of iron (reinforced) floors and roof trusses in both his public and domestic projects. Another copy of this portfolio is located in the CCA library. Album DR1974:0002:026:001-038 (1854-1858) contains drawings of architectural ornament by Charles and/or Georges Rohault de Fleury. Some of the drawing are possibly studies of ornament for Charles' architectural projects of the 1850's such as Hôtel Soltykoff, although others appear to be typical student drawings of classical architecture and ornament executed by Georges. Included are twelve drawings of architectural ornament and sculpture submitted by Georges to a newly introduced 'dessin' Prix d'emulation at the École des beaux-arts (see series CI001.S1: Architetural Education).
Miscellanea
CI001.S2.D6
Description:
The portfolio 'Oeuvre de C. Rohault de Fleury', published in 1884 (DR1974:0002:029), is introduced by a succinct 'Notice Biographique', the author of which remains unknown. It provides valuable information on his family background and a narrative description of his major works (including unexecuted projects), illustrated by the accompanying unbound prints. The commentary is particulary informative concerning Charles Rohault de Fleury's work at the Muséum national d'histoire naturelle, the 1859 opera house project for the Théâtre Imperiale de l'Opera, and his innovative use of iron (reinforced) floors and roof trusses in both his public and domestic projects. Another copy of this portfolio is located in the CCA library. Album DR1974:0002:026:001-038 (1854-1858) contains drawings of architectural ornament by Charles and/or Georges Rohault de Fleury. Some of the drawing are possibly studies of ornament for Charles' architectural projects of the 1850's such as Hôtel Soltykoff, although others appear to be typical student drawings of classical architecture and ornament executed by Georges. Included are twelve drawings of architectural ornament and sculpture submitted by Georges to a newly introduced 'dessin' Prix d'emulation at the École des beaux-arts (see series CI001.S1: Architetural Education).
Level of archival description:
File 6
File 6
Date:
[ca. 1825-1884]
[ca. 1825-1884]
People:
Form:
research
research
Title:
Visiting Scholars 2014
Visiting Scholars 2014
Actions:
Description:
Caroline Dionne, École Polytechnique Fédérale de Lausanne – EPFL, Lausanne, Switzerland Topic: In Architectural Terms: Social Space in Seventeenth-Century Lexicography and Encyclopaedism Federica Doglio, Politecnico di Torino, Turin, Italy Topic: The Heritage of Team X: the Architecture of Education between Europe and North America Hannah Feldman, Northwestern(...)
Caroline Dionne, École Polytechnique Fédérale de Lausanne – EPFL, Lausanne, Switzerland Topic: In Architectural Terms: Social Space in Seventeenth-Century Lexicography and Encyclopaedism Federica Doglio, Politecnico di Torino, Turin, Italy Topic: The Heritage of Team X: the Architecture of Education between Europe and North America Hannah Feldman, Northwestern(...)
Date:
May 2014 to September 2014
May 2014 to September 2014
Title:
Visiting Scholars 2014
Actions:
Description:
Caroline Dionne, École Polytechnique Fédérale de Lausanne – EPFL, Lausanne, Switzerland Topic: In Architectural Terms: Social Space in Seventeenth-Century Lexicography and Encyclopaedism Federica Doglio, Politecnico di Torino, Turin, Italy Topic: The Heritage of Team X: the Architecture of Education between Europe and North America Hannah Feldman, Northwestern(...)
Visiting Scholars 2014
Actions:
Description:
Caroline Dionne, École Polytechnique Fédérale de Lausanne – EPFL, Lausanne, Switzerland Topic: In Architectural Terms: Social Space in Seventeenth-Century Lexicography and Encyclopaedism Federica Doglio, Politecnico di Torino, Turin, Italy Topic: The Heritage of Team X: the Architecture of Education between Europe and North America Hannah Feldman, Northwestern(...)
Form:
research
research
Date:
May 2014 to
September 2014
May 2014 to
September 2014
Form:
drawings
Quantity:
3 portfolio(s)
drawings
Quantity:
3 portfolio(s)
Actions:
Reference number:
DR1974:0002:031:001-055
Description:
- The three portfolios of this group are entitled: Figures et Statues (DR1974:0002:031:001 - DR1974:0002:031:024), Architecture Antique Mélanges (DR1974:0002:031:025 - DR1974:0002:031:043), and Architecture Moderne Mélanges (DR1974:0002:031:044 - DR1974:0002:031:055). -- Portfolio Figures et Statues comprises primarily drawings of classical figures and architectural sculpture from both antique and 19th century sources. Few of the sources of these drawings are clearly identified, with the exception of Genie de la Liberté from the Colonne de Juillet (DR1974:0002:031:016:003). There are a number of drawings of sculpture from the 16th century tomb monument of Maximillian I in Innsbruck (DR1974:0002:031:017 - DR1974:0002:031:023:001-003). -- Portfolio Architecture Antique Mélanges comprises mostly architectural drawings from buildings or monuments in Pisa, Rome, Tivoli, Naples, Florence, Viterbo, and Nice. Also included are a reconstruction of Pliny the Younger's Villa Laurentine (DR1974:0002:031:043), an orthographic drawing of the L'arc des orfèvres (DR1974:0002:031:032:001-002), and an interior perspective of an imaginary church, perhaps inspired by Pugin (DR1974:0002:031:027). -- Portfolio Architecture Moderne Mélanges comprises drawings which represent the classical tradition of 19th century French and English architecture (Bergdoll, p. 2). The French subjects include the Palais de justice, Amiens (DR1974:0002:031:044:002), the Louvois fountain by Visconti, (DR1974:0002:031:049:002), the Arc du Carrousel (DR1974:0002:031:053:001), and the Vendome column (DR1974:0002:031:053:002). English architecture is represented by Charles Robert Cockerell's Hanover Chapel, Regent Street, London (DR1974:0002:031:054:001), and late Georgian\early Regency houses (DR1974:0002:031:045:001-002 and DR1974:0002:031:046:001-002). The drawings related to Amiens Cathedral (DR1974:0002:031:044:001-002) and the Cloaca Maxima (DR1974:0002:031:052:002) are notable exceptions to the contemporary contents of the folder.
DR1974:0002:031:001-055
Description:
- The three portfolios of this group are entitled: Figures et Statues (DR1974:0002:031:001 - DR1974:0002:031:024), Architecture Antique Mélanges (DR1974:0002:031:025 - DR1974:0002:031:043), and Architecture Moderne Mélanges (DR1974:0002:031:044 - DR1974:0002:031:055). -- Portfolio Figures et Statues comprises primarily drawings of classical figures and architectural sculpture from both antique and 19th century sources. Few of the sources of these drawings are clearly identified, with the exception of Genie de la Liberté from the Colonne de Juillet (DR1974:0002:031:016:003). There are a number of drawings of sculpture from the 16th century tomb monument of Maximillian I in Innsbruck (DR1974:0002:031:017 - DR1974:0002:031:023:001-003). -- Portfolio Architecture Antique Mélanges comprises mostly architectural drawings from buildings or monuments in Pisa, Rome, Tivoli, Naples, Florence, Viterbo, and Nice. Also included are a reconstruction of Pliny the Younger's Villa Laurentine (DR1974:0002:031:043), an orthographic drawing of the L'arc des orfèvres (DR1974:0002:031:032:001-002), and an interior perspective of an imaginary church, perhaps inspired by Pugin (DR1974:0002:031:027). -- Portfolio Architecture Moderne Mélanges comprises drawings which represent the classical tradition of 19th century French and English architecture (Bergdoll, p. 2). The French subjects include the Palais de justice, Amiens (DR1974:0002:031:044:002), the Louvois fountain by Visconti, (DR1974:0002:031:049:002), the Arc du Carrousel (DR1974:0002:031:053:001), and the Vendome column (DR1974:0002:031:053:002). English architecture is represented by Charles Robert Cockerell's Hanover Chapel, Regent Street, London (DR1974:0002:031:054:001), and late Georgian\early Regency houses (DR1974:0002:031:045:001-002 and DR1974:0002:031:046:001-002). The drawings related to Amiens Cathedral (DR1974:0002:031:044:001-002) and the Cloaca Maxima (DR1974:0002:031:052:002) are notable exceptions to the contemporary contents of the folder.
People:
Subject:
architecture, interior design, painting, sculpture
architecture, interior design, painting, sculpture
Date:
between 1800 and 1868
between 1800 and 1868
Title:
Three portfolios of drawings of classical figures, statues from the sepulchral monument of Maximilian I, Innsbruck, and ancient and modern buildings
Actions:
DR1974:0002:031:001-055
Description:
- The three portfolios of this group are entitled: Figures et Statues (DR1974:0002:031:001 - DR1974:0002:031:024), Architecture Antique Mélanges (DR1974:0002:031:025 - DR1974:0002:031:043), and Architecture Moderne Mélanges (DR1974:0002:031:044 - DR1974:0002:031:055). -- Portfolio Figures et Statues comprises primarily drawings of classical figures and architectural sculpture from both antique and 19th century sources. Few of the sources of these drawings are clearly identified, with the exception of Genie de la Liberté from the Colonne de Juillet (DR1974:0002:031:016:003). There are a number of drawings of sculpture from the 16th century tomb monument of Maximillian I in Innsbruck (DR1974:0002:031:017 - DR1974:0002:031:023:001-003). -- Portfolio Architecture Antique Mélanges comprises mostly architectural drawings from buildings or monuments in Pisa, Rome, Tivoli, Naples, Florence, Viterbo, and Nice. Also included are a reconstruction of Pliny the Younger's Villa Laurentine (DR1974:0002:031:043), an orthographic drawing of the L'arc des orfèvres (DR1974:0002:031:032:001-002), and an interior perspective of an imaginary church, perhaps inspired by Pugin (DR1974:0002:031:027). -- Portfolio Architecture Moderne Mélanges comprises drawings which represent the classical tradition of 19th century French and English architecture (Bergdoll, p. 2). The French subjects include the Palais de justice, Amiens (DR1974:0002:031:044:002), the Louvois fountain by Visconti, (DR1974:0002:031:049:002), the Arc du Carrousel (DR1974:0002:031:053:001), and the Vendome column (DR1974:0002:031:053:002). English architecture is represented by Charles Robert Cockerell's Hanover Chapel, Regent Street, London (DR1974:0002:031:054:001), and late Georgian\early Regency houses (DR1974:0002:031:045:001-002 and DR1974:0002:031:046:001-002). The drawings related to Amiens Cathedral (DR1974:0002:031:044:001-002) and the Cloaca Maxima (DR1974:0002:031:052:002) are notable exceptions to the contemporary contents of the folder.
Three portfolios of drawings of classical figures, statues from the sepulchral monument of Maximilian I, Innsbruck, and ancient and modern buildings
Actions:
DR1974:0002:031:001-055
Description:
- The three portfolios of this group are entitled: Figures et Statues (DR1974:0002:031:001 - DR1974:0002:031:024), Architecture Antique Mélanges (DR1974:0002:031:025 - DR1974:0002:031:043), and Architecture Moderne Mélanges (DR1974:0002:031:044 - DR1974:0002:031:055). -- Portfolio Figures et Statues comprises primarily drawings of classical figures and architectural sculpture from both antique and 19th century sources. Few of the sources of these drawings are clearly identified, with the exception of Genie de la Liberté from the Colonne de Juillet (DR1974:0002:031:016:003). There are a number of drawings of sculpture from the 16th century tomb monument of Maximillian I in Innsbruck (DR1974:0002:031:017 - DR1974:0002:031:023:001-003). -- Portfolio Architecture Antique Mélanges comprises mostly architectural drawings from buildings or monuments in Pisa, Rome, Tivoli, Naples, Florence, Viterbo, and Nice. Also included are a reconstruction of Pliny the Younger's Villa Laurentine (DR1974:0002:031:043), an orthographic drawing of the L'arc des orfèvres (DR1974:0002:031:032:001-002), and an interior perspective of an imaginary church, perhaps inspired by Pugin (DR1974:0002:031:027). -- Portfolio Architecture Moderne Mélanges comprises drawings which represent the classical tradition of 19th century French and English architecture (Bergdoll, p. 2). The French subjects include the Palais de justice, Amiens (DR1974:0002:031:044:002), the Louvois fountain by Visconti, (DR1974:0002:031:049:002), the Arc du Carrousel (DR1974:0002:031:053:001), and the Vendome column (DR1974:0002:031:053:002). English architecture is represented by Charles Robert Cockerell's Hanover Chapel, Regent Street, London (DR1974:0002:031:054:001), and late Georgian\early Regency houses (DR1974:0002:031:045:001-002 and DR1974:0002:031:046:001-002). The drawings related to Amiens Cathedral (DR1974:0002:031:044:001-002) and the Cloaca Maxima (DR1974:0002:031:052:002) are notable exceptions to the contemporary contents of the folder.
Form:
drawings
Quantity:
3 portfolio(s)
drawings
Quantity:
3 portfolio(s)
Date:
between 1800 and 1868
between 1800 and 1868
People:
Subject:
architecture, interior design, painting, sculpture
architecture, interior design, painting, sculpture
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Title:
Pierre Jeanneret fonds
Pierre Jeanneret fonds
Reference number:
AP156
Synopsis:
Le Fonds Pierre Jeanneret documente la pratique professionnelle et la vie personnelle de l'architect Pierre Jeanneret de ses études et ses projets professionels en Europe à ses projets architecturaux à Chandigarh, en Inde. Les documents du Fonds consistent en des photographies, des dessins et des documents textuels relatifs à plus de 100 projets, principalement son travail pour le projet de la nouvelle ville de Chandigarh, en Inde, en 1951 à 1965. *** The Pierre Jeanneret fonds documents the professional practice and the personal life of architect Pierre Jeanneret from student and professional work in Europe to architectural projects in Chandigarh, India. The documents in the fonds consist of photographs, drawings and textual records relating to over 100 projects, predominantly his work for the project of the new city of Chandigarh, in India, in 1951 to 1965.
AP156
Synopsis:
Le Fonds Pierre Jeanneret documente la pratique professionnelle et la vie personnelle de l'architect Pierre Jeanneret de ses études et ses projets professionels en Europe à ses projets architecturaux à Chandigarh, en Inde. Les documents du Fonds consistent en des photographies, des dessins et des documents textuels relatifs à plus de 100 projets, principalement son travail pour le projet de la nouvelle ville de Chandigarh, en Inde, en 1951 à 1965. *** The Pierre Jeanneret fonds documents the professional practice and the personal life of architect Pierre Jeanneret from student and professional work in Europe to architectural projects in Chandigarh, India. The documents in the fonds consist of photographs, drawings and textual records relating to over 100 projects, predominantly his work for the project of the new city of Chandigarh, in India, in 1951 to 1965.
People:
Date:
1870s-2011
1870s-2011
Title:
Pierre Jeanneret fonds
Actions:
AP156
Synopsis:
Le Fonds Pierre Jeanneret documente la pratique professionnelle et la vie personnelle de l'architect Pierre Jeanneret de ses études et ses projets professionels en Europe à ses projets architecturaux à Chandigarh, en Inde. Les documents du Fonds consistent en des photographies, des dessins et des documents textuels relatifs à plus de 100 projets, principalement son travail pour le projet de la nouvelle ville de Chandigarh, en Inde, en 1951 à 1965. *** The Pierre Jeanneret fonds documents the professional practice and the personal life of architect Pierre Jeanneret from student and professional work in Europe to architectural projects in Chandigarh, India. The documents in the fonds consist of photographs, drawings and textual records relating to over 100 projects, predominantly his work for the project of the new city of Chandigarh, in India, in 1951 to 1965.
Pierre Jeanneret fonds
Actions:
AP156
Synopsis:
Le Fonds Pierre Jeanneret documente la pratique professionnelle et la vie personnelle de l'architect Pierre Jeanneret de ses études et ses projets professionels en Europe à ses projets architecturaux à Chandigarh, en Inde. Les documents du Fonds consistent en des photographies, des dessins et des documents textuels relatifs à plus de 100 projets, principalement son travail pour le projet de la nouvelle ville de Chandigarh, en Inde, en 1951 à 1965. *** The Pierre Jeanneret fonds documents the professional practice and the personal life of architect Pierre Jeanneret from student and professional work in Europe to architectural projects in Chandigarh, India. The documents in the fonds consist of photographs, drawings and textual records relating to over 100 projects, predominantly his work for the project of the new city of Chandigarh, in India, in 1951 to 1965.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1870s-2011
1870s-2011
People:
Level of archival description:
Series
Series
Title:
George Rohault de Fleury
George Rohault de Fleury
Reference number:
CI001.S3
Description:
The CCA's Rohault de Fleury collection includes two of Georges' historical and archeological studies of medieval Italian architecture: 'Les Monuments de Pise au Moyen', 1866 (DR1974:028:001:066) and 'La Toscane au Moyen Age Lettres sur L' Architecture Civile et Militaire en 1400' 2 vols.,1874 (DR1974:0002:039 and DR1974:0002:040). 'Monuments de Pise au Moyen Age' is an atlas consisting solely of 66 prints of Pisan architecture, sculpture, and painting. The section on architecture is the largest, and is divided into three sections for the Lombard, Roman, and Gothic periods. The accompanying text, and an identical atlas of prints, is located in the CCA library. 'La Toscane au Moyen Age Lettres...' is a history of Tuscan civil and military architecture to 1400. The text is in the form of a fictitious correspondence between Raimond du Temple, a famous architect of the Louvre under Charles V, and his son Charles who is traveling through Tuscany. The text is accompanied by photomechanical illustrations, mostly sketches of scenes from bas-reliefs and manuscripts, and a few of built structures. The CCA library has two sets of a related publication entitled 'La Toscane au Moyen Age architecture civile et militaire' 2 vols. These earlier and larger publications are probably the source for some of the text and plates of 'La Toscane au Moyen Age Lettres...'. The introductory remarks, to 'La Toscane au Moyen Age Lettres..' and to the text (CCA library) of the 'Monuments de Pise au Moyen Age' are particularly informative as they provide an insight into Georges Rohault de Fleury's interpretation of historical periods of artistic renewal, decline, and decadence, and their didactic relationship to contemporary architectural and religious concerns.
CI001.S3
Description:
The CCA's Rohault de Fleury collection includes two of Georges' historical and archeological studies of medieval Italian architecture: 'Les Monuments de Pise au Moyen', 1866 (DR1974:028:001:066) and 'La Toscane au Moyen Age Lettres sur L' Architecture Civile et Militaire en 1400' 2 vols.,1874 (DR1974:0002:039 and DR1974:0002:040). 'Monuments de Pise au Moyen Age' is an atlas consisting solely of 66 prints of Pisan architecture, sculpture, and painting. The section on architecture is the largest, and is divided into three sections for the Lombard, Roman, and Gothic periods. The accompanying text, and an identical atlas of prints, is located in the CCA library. 'La Toscane au Moyen Age Lettres...' is a history of Tuscan civil and military architecture to 1400. The text is in the form of a fictitious correspondence between Raimond du Temple, a famous architect of the Louvre under Charles V, and his son Charles who is traveling through Tuscany. The text is accompanied by photomechanical illustrations, mostly sketches of scenes from bas-reliefs and manuscripts, and a few of built structures. The CCA library has two sets of a related publication entitled 'La Toscane au Moyen Age architecture civile et militaire' 2 vols. These earlier and larger publications are probably the source for some of the text and plates of 'La Toscane au Moyen Age Lettres...'. The introductory remarks, to 'La Toscane au Moyen Age Lettres..' and to the text (CCA library) of the 'Monuments de Pise au Moyen Age' are particularly informative as they provide an insight into Georges Rohault de Fleury's interpretation of historical periods of artistic renewal, decline, and decadence, and their didactic relationship to contemporary architectural and religious concerns.
People:
Date:
1866, 1874
1866, 1874
Title:
George Rohault de Fleury
CI001.S3
Description:
The CCA's Rohault de Fleury collection includes two of Georges' historical and archeological studies of medieval Italian architecture: 'Les Monuments de Pise au Moyen', 1866 (DR1974:028:001:066) and 'La Toscane au Moyen Age Lettres sur L' Architecture Civile et Militaire en 1400' 2 vols.,1874 (DR1974:0002:039 and DR1974:0002:040). 'Monuments de Pise au Moyen Age' is an atlas consisting solely of 66 prints of Pisan architecture, sculpture, and painting. The section on architecture is the largest, and is divided into three sections for the Lombard, Roman, and Gothic periods. The accompanying text, and an identical atlas of prints, is located in the CCA library. 'La Toscane au Moyen Age Lettres...' is a history of Tuscan civil and military architecture to 1400. The text is in the form of a fictitious correspondence between Raimond du Temple, a famous architect of the Louvre under Charles V, and his son Charles who is traveling through Tuscany. The text is accompanied by photomechanical illustrations, mostly sketches of scenes from bas-reliefs and manuscripts, and a few of built structures. The CCA library has two sets of a related publication entitled 'La Toscane au Moyen Age architecture civile et militaire' 2 vols. These earlier and larger publications are probably the source for some of the text and plates of 'La Toscane au Moyen Age Lettres...'. The introductory remarks, to 'La Toscane au Moyen Age Lettres..' and to the text (CCA library) of the 'Monuments de Pise au Moyen Age' are particularly informative as they provide an insight into Georges Rohault de Fleury's interpretation of historical periods of artistic renewal, decline, and decadence, and their didactic relationship to contemporary architectural and religious concerns.
George Rohault de Fleury
CI001.S3
Description:
The CCA's Rohault de Fleury collection includes two of Georges' historical and archeological studies of medieval Italian architecture: 'Les Monuments de Pise au Moyen', 1866 (DR1974:028:001:066) and 'La Toscane au Moyen Age Lettres sur L' Architecture Civile et Militaire en 1400' 2 vols.,1874 (DR1974:0002:039 and DR1974:0002:040). 'Monuments de Pise au Moyen Age' is an atlas consisting solely of 66 prints of Pisan architecture, sculpture, and painting. The section on architecture is the largest, and is divided into three sections for the Lombard, Roman, and Gothic periods. The accompanying text, and an identical atlas of prints, is located in the CCA library. 'La Toscane au Moyen Age Lettres...' is a history of Tuscan civil and military architecture to 1400. The text is in the form of a fictitious correspondence between Raimond du Temple, a famous architect of the Louvre under Charles V, and his son Charles who is traveling through Tuscany. The text is accompanied by photomechanical illustrations, mostly sketches of scenes from bas-reliefs and manuscripts, and a few of built structures. The CCA library has two sets of a related publication entitled 'La Toscane au Moyen Age architecture civile et militaire' 2 vols. These earlier and larger publications are probably the source for some of the text and plates of 'La Toscane au Moyen Age Lettres...'. The introductory remarks, to 'La Toscane au Moyen Age Lettres..' and to the text (CCA library) of the 'Monuments de Pise au Moyen Age' are particularly informative as they provide an insight into Georges Rohault de Fleury's interpretation of historical periods of artistic renewal, decline, and decadence, and their didactic relationship to contemporary architectural and religious concerns.
Level of archival description:
Series 3
Series 3
Date:
1866, 1874
1866, 1874
People:
