PH2007:0012:003
Description:
From the CCA photographic commission "Scales". Les photographies de la série "Scales" font partie d'une commande accordée par le Centre Canadien d'Architecture.
2003
Partial view of the Mori Building's model of Tokyo, Japan
Actions:
PH2007:0012:003
Description:
From the CCA photographic commission "Scales". Les photographies de la série "Scales" font partie d'une commande accordée par le Centre Canadien d'Architecture.
PH2007:0012:002
Description:
From the CCA photographic commission "Scales". Les photographies de la série "Scales" font partie d'une commande accordée par le Centre Canadien d'Architecture.
2003
Partial view of the Mori Building's model of Tokyo, Japan
Actions:
PH2007:0012:002
Description:
From the CCA photographic commission "Scales". Les photographies de la série "Scales" font partie d'une commande accordée par le Centre Canadien d'Architecture.
PH2007:0012:004
Description:
From the CCA photographic commission "Scales". Les photographies de la série "Scales" font partie d'une commande accordée par le Centre Canadien d'Architecture.
2003
Partial view of the Mori Building's model of Tokyo, Japan
Actions:
PH2007:0012:004
Description:
From the CCA photographic commission "Scales". Les photographies de la série "Scales" font partie d'une commande accordée par le Centre Canadien d'Architecture.
PH2007:0012:005
Description:
From the CCA photographic commission "Scales". Les photographies de la série "Scales" font partie d'une commande accordée par le Centre Canadien d'Architecture.
2003
Partial view of the Mori Building's model of Tokyo, Japan
Actions:
PH2007:0012:005
Description:
From the CCA photographic commission "Scales". Les photographies de la série "Scales" font partie d'une commande accordée par le Centre Canadien d'Architecture.
Architects’ Books
This exhibition presents three phases in the history of the architect’s book: the mid-sixteenth century, when architects first proved themselves in the field; the late-nineteenth to early-twentieth centuries, when architects turned to book design as a serious complement to their professional career; and contemporary times, when architectural firms, in league with their(...)
Octagonal gallery
24 June 2004 to 26 September 2004
Architects’ Books
Actions:
Description:
This exhibition presents three phases in the history of the architect’s book: the mid-sixteenth century, when architects first proved themselves in the field; the late-nineteenth to early-twentieth centuries, when architects turned to book design as a serious complement to their professional career; and contemporary times, when architectural firms, in league with their(...)
Octagonal gallery
textual records, photographs
AP178.S1.2002.PR06.SS1.176
Description:
Original file title: VMPS - Águas e Turismo, S A, Parque de Pedras Salgadas, Reabilitação das Fontes
2008
Programs, specifications, drawings and site photos for water springs, Parque de Pedras Salgadas, Hotel Avelames, Spa e Casa de Chá, Pedras Salgadas (folder 1 of 2)
Actions:
AP178.S1.2002.PR06.SS1.176
Description:
Original file title: VMPS - Águas e Turismo, S A, Parque de Pedras Salgadas, Reabilitação das Fontes
textual records, photographs
2008
textual records
Technique des travaux
ARCH258542
Description:
Un cahier de notes dite « Technique des travaux » avec listes des technique des travaux que Cormier a font par chaque année (1924 à 1960).
1924-1961
Technique des travaux
Actions:
ARCH258542
Description:
Un cahier de notes dite « Technique des travaux » avec listes des technique des travaux que Cormier a font par chaque année (1924 à 1960).
textual records
1924-1961
Project
AP164.S1.1992.D3
Description:
The project series documents a commercial and civic centre in Majadahonda, Madrid, Spain, for the account of the Asociacion de empresarios de Madrid oeste (ADEMO). The firm identified this project as number 77. Abalos & Herreros worked with Daniel Díaz Font, Javier Fresneda, Javier Peña, TDM y asociados and Abarrategui, arquitectura urbanismo. Documenting this project are conceptual and presentation drawings, collages, presentation documents and photographic materials.
circa 1992
Centro cívico y comercial, Majadahonda, Madrid, Spain (1992)
Actions:
AP164.S1.1992.D3
Description:
The project series documents a commercial and civic centre in Majadahonda, Madrid, Spain, for the account of the Asociacion de empresarios de Madrid oeste (ADEMO). The firm identified this project as number 77. Abalos & Herreros worked with Daniel Díaz Font, Javier Fresneda, Javier Peña, TDM y asociados and Abarrategui, arquitectura urbanismo. Documenting this project are conceptual and presentation drawings, collages, presentation documents and photographic materials.
Project
circa 1992
DR1987:0619 R/V
Description:
- A section of this plan for the baptismal font for Wayfarers' Chapel, Palos Verdes, California, is traced through on the verso.
architecture, interior design
1 November 1963
Wayfarers' Chapel, Palos Verdes, California: Plan, elevation and section for the baptismal font, with details for its stainless steel bowl and specifications for the waterproofing and water circulation system
Actions:
DR1987:0619 R/V
Description:
- A section of this plan for the baptismal font for Wayfarers' Chapel, Palos Verdes, California, is traced through on the verso.
architecture, interior design
New towns created by private enterprise in the early years of the twentieth century bear witness to the confluence of economic, social, and political forces at work in shaping urban forms. Built quickly and expensively, these towns thoroughly planned to sustain industrial profits, relying on social control to ensure the hegemony of the ruling class. This exhibition traces(...)
Main galleries
6 March 1996 to 26 May 1996
Power and Planning: Industrial Towns in Québec, 1890-1950
Actions:
Description:
New towns created by private enterprise in the early years of the twentieth century bear witness to the confluence of economic, social, and political forces at work in shaping urban forms. Built quickly and expensively, these towns thoroughly planned to sustain industrial profits, relying on social control to ensure the hegemony of the ruling class. This exhibition traces(...)
Main galleries