books
Home in the city : urban Aboriginal housing and living conditions / edited by Alan B. Anderson.
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xiv, 441 pages, 16 unnumbered pages of plates : illustrations ; 24 cm
Toronto : University of Toronto Press, [2013]
Home in the city : urban Aboriginal housing and living conditions / edited by Alan B. Anderson.
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Description:
xiv, 441 pages, 16 unnumbered pages of plates : illustrations ; 24 cm
books
Toronto : University of Toronto Press, [2013]
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"Modern architecture: The basics" examines technological, stylistic, socio-political, and cultural changes that have transformed the history of architecture since the late 18th century. Broad definitions of modernity and postmodernity introduce the book, which comprises 24 short thematic chapters looking at the concepts behind the development of modern and postmodern(...)
Modern architecture: The basics
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"Modern architecture: The basics" examines technological, stylistic, socio-political, and cultural changes that have transformed the history of architecture since the late 18th century. Broad definitions of modernity and postmodernity introduce the book, which comprises 24 short thematic chapters looking at the concepts behind the development of modern and postmodern architecture. These include major historical movements, key figures, and evolving building typologies. There is also an emphasis on the changing city during the 19th and 20th centuries. Approaches to representation and its impacts on architecture are studied, along with the changing global role of architecture as cultural expression. The book introduces new topics, including gender, race, postcolonialism, and indigeneity.
Modernism
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This collection of urban studies research and interpretation crosses the country from Quebec to B.C., comparing trends and perspectives over the past decade and across and beyond disciplines. Core questions of research, policy and practice facing Montreal and Vancouver—those featuring housing and transportation, in particular—are featured in terms of new and innovative(...)
Crossing paths, crossing perspectives: Urban studies in British Columbia and Quebec
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This collection of urban studies research and interpretation crosses the country from Quebec to B.C., comparing trends and perspectives over the past decade and across and beyond disciplines. Core questions of research, policy and practice facing Montreal and Vancouver—those featuring housing and transportation, in particular—are featured in terms of new and innovative directions. Emerging questions—about urban indigeneity, food systems, climate action—are broached in challenging ways. The twenty authors whose original work is compiled here demonstrate the scope for continued, critical, comparative conversation across francophone and anglophone divides. The book offers a significant resource for understanding the intersecting field and practice of urban studies in Quebec and in B.C. and for spurring its further evolution
Urban Theory
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After his untimely death at age forty-seven in 2011, Metchewais left behind a wholly original and expansive body of photographic and mixed-media work. At the center of his practice is an extensive Polaroid archive, which addresses a range of themes—including the artist’s body, performative self-portraiture, language, landscapes, and everyday subjects—and served as the(...)
Kimowan Metchewais: A kind of prayer
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After his untimely death at age forty-seven in 2011, Metchewais left behind a wholly original and expansive body of photographic and mixed-media work. At the center of his practice is an extensive Polaroid archive, which addresses a range of themes—including the artist’s body, performative self-portraiture, language, landscapes, and everyday subjects—and served as the source material for works in other media, such as painting and collage. Metchewais’s exquisitely layered works offer a poetic meditation on his connection to home and land, while challenging conventional narratives and representations of Indigeneity. Metchewais was a contemporary artist of stunning originality, and until now, his work has been woefully understudied and underexposed. This volume is a comprehensive overview that showcases this essential artist’s astonishing vision.
Photography monographs
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Welcome to the 59th issue of ''The Funambulist'' (May-June 2025), dedicated to Black Indigeneities. The association of these two terms will certainly appear obvious to many, while it might surprise others, depending on readers’ personal and regional imaginaries. The issue examines the Indigeneity-Blackness nexus in Melanesia —in Fiji (Mara Mahoney and Ratu Ropate Rakuita(...)
The Funambulist 59: Black indigeneities
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Welcome to the 59th issue of ''The Funambulist'' (May-June 2025), dedicated to Black Indigeneities. The association of these two terms will certainly appear obvious to many, while it might surprise others, depending on readers’ personal and regional imaginaries. The issue examines the Indigeneity-Blackness nexus in Melanesia —in Fiji (Mara Mahoney and Ratu Ropate Rakuita Wailutu Kama) and beyond, in Aotearoa New Zealand (Nathan Rew and Makanaka Tuwe)—in several regions of the African Continent—South Africa (Zoé Samudzi and Mpho Matheolane/Nolan Oswald Dennis), Nubia (Menna Agha), Eritrea (Semhar Haile), and the Gabonese forests (Maya Mihindou)—in the Caribbean—Guiana (Karl Joseph and Marc-Alexandre Tareau) and Haiti (Tessa Mars)—as well as in the diaspora. The cover artwork by Tessa Mars.
Magazines
Cabinet 64: The Nose
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Cabinet issue 64, with a special section on “The Nose,” includes Christopher Turner on Smell-O-Vision, Aromarama and other failed technologies for making cinema into an olfactory event; Jennifer Greenberg on how European colonialists characterized the relationship between race and nose shape; Anthony Harley on the political history of rhinoplasty in the US; and Thiago(...)
Cabinet 64: The Nose
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Cabinet issue 64, with a special section on “The Nose,” includes Christopher Turner on Smell-O-Vision, Aromarama and other failed technologies for making cinema into an olfactory event; Jennifer Greenberg on how European colonialists characterized the relationship between race and nose shape; Anthony Harley on the political history of rhinoplasty in the US; and Thiago Carvalho on the new scientific work on the relationship between smell, immunity and mating among animals. Elsewhere in the issue: Adam Bobbette on Indonesian men who train young birds to sing the songs of extinct birds; Indiana Seresin on the way a mythic Native American indigeneity has been used by children at American summer camps; Ara Merjian on the Situationists’ uses of Giorgio de Chirico’s early paintings, and more.
Magazines
$42.99
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''On Active Grounds'' considers the themes of agency and time through the burgeoning, interdisciplinary field of the environmental humanities. Fourteen essays and a photo album cover topics such as environmental practices and history, temporal literacy, graphic novels, ecocinema, ecomusicology, animal studies, Indigeneity, wolf reintroduction, environmental history, green(...)
Environment and environmental theory
April 2019
On active grounds: agency and time in the environmental humanities
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''On Active Grounds'' considers the themes of agency and time through the burgeoning, interdisciplinary field of the environmental humanities. Fourteen essays and a photo album cover topics such as environmental practices and history, temporal literacy, graphic novels, ecocinema, ecomusicology, animal studies, Indigeneity, wolf reintroduction, environmental history, green conservatism, and social-ecological systems change. The book also speaks to the growing concern regarding environmental issues in the aftermath of the 2015 Paris Climate Conference (COP21) and the election of Donald Trump in the United States. This collection is organized as a written and visual appeal to issues such as time (how much is left?) and agency (who is active? what can be done? what does and does not work?). It describes problems and suggests solutions.
Environment and environmental theory
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This special issue of Radical History Review historicizes and reconsiders the flaneur - the city stroller - as the iconic bystander to the spectacle of urban life and change, drawing perspectives from urban and public history, museum studies, geography, and sociology. One article analyzes Australian frontier towns, where notions of indigeneity are commodified for white(...)
Radical history review fall 2012: walkers, voyeurs, and the politics of urban space
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This special issue of Radical History Review historicizes and reconsiders the flaneur - the city stroller - as the iconic bystander to the spectacle of urban life and change, drawing perspectives from urban and public history, museum studies, geography, and sociology. One article analyzes Australian frontier towns, where notions of indigeneity are commodified for white consumers while Aborigines themselves are unwelcome. Another examines the funereal flanerie of protestors in Guatemala who stage scenes of public mourning to engage the radical power of dead bodies in public spaces. Flanerie and drifting are explored as pedagogical tools to draw students out of the controlled settings of college campuses. Contributors to this issue examine the physical experience of city walking - determined by architecture, street signs, traffic lights, and each walker's differently abled body - alongside the subtler class, racial, and historical markers that define who in city spaces is imagined to be respectable and who is dangerous.
Public Space
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The book uses saturation as an organizing concept, in part to suggest that current paradigms cannot encompass the complex realities of race. Saturation provides avenues to situate race as it relates to perception, science, aesthetics, the corporeal, and the sonic. In color theory, saturation is understood in terms of the degree to which a color differs from whiteness. In(...)
Saturation: Race, art, and the circulation of value
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The book uses saturation as an organizing concept, in part to suggest that current paradigms cannot encompass the complex realities of race. Saturation provides avenues to situate race as it relates to perception, science, aesthetics, the corporeal, and the sonic. In color theory, saturation is understood in terms of the degree to which a color differs from whiteness. In science, saturation points describe not only the moment in which race exceeds legibility, but also how diversity operates for institutions. Contributors consider how racialization, globalization, and the production and consumption of art converge in the art market, engaging such topics as racial capitalism, the aesthetics of colonialism, and disability cultures. They examine methods for theorizing race and representation, including “aboutness,” which interprets artworks by racialized subjects as being “about” race; modes of unruly, decolonized, and queer visual practices that resist disciplinary boundaries; and a model by which to think with and alongside blackness and indigeneity.
Art Theory
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During the last five decades we have witnessed an increase in activity among artists identifying themselves as Sami, the only recognised indigenous people of Scandinavia. At the same time, art and duodji (traditional Sami art and craft) have been organized and institutionalized, not least by the Sami artists themselves. ''Sami art and aesthetics'' discusses and highlights(...)
Sami art and aesthetics: Contemporary perspectives
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$105.00
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During the last five decades we have witnessed an increase in activity among artists identifying themselves as Sami, the only recognised indigenous people of Scandinavia. At the same time, art and duodji (traditional Sami art and craft) have been organized and institutionalized, not least by the Sami artists themselves. ''Sami art and aesthetics'' discusses and highlights these developments and places them in historical and contemporary contexts for an international audience. At stake are complex, changing terms regarding the creative and the political agencies. The question is not how indigeneity, identity, people, art, duodji, and aesthetics correspond to conventional Western ideas, rather it is how they interact with the Sami and their neighbouring cultures and societies. The volume is written by some of the foremost art historians and literary scholars in Sami art, craft, architecture, culture, and indigenous studies. Artists presented include Johan Turi, Ivar Jaks, Outi Pieski, Folke Fjellstrom, Katarina Pirak Sikku, Geir Tore Holm, and Silje Figenschou Thoresen.
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