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Description:
The greystone buildings standing in Montreal today are essential tools for understanding the city. A deep study of their material history from the late 17th century to the early 20th demonstrates how geology, topography, politics, ethnicity, culture, as well as changes in economy and technology, have shaped the city through the centuries. Conceived as a photographic(...)
The greystone buildings standing in Montreal today are essential tools for understanding the city. A deep study of their material history from the late 17th century to the early 20th demonstrates how geology, topography, politics, ethnicity, culture, as well as changes in economy and technology, have shaped the city through the centuries. Conceived as a photographic(...)
Location:
Octagonal gallery Keyword(s):
Greystone, Phyllis Lambert, Montréal, photography, Richard Pare
Octagonal gallery Keyword(s):
Greystone, Phyllis Lambert, Montréal, photography, Richard Pare
Date:
13 October 2017 to 4 March 2018
13 October 2017 to 4 March 2018
Title:
Greystone: Tools for Understanding the City
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Description:
The greystone buildings standing in Montreal today are essential tools for understanding the city. A deep study of their material history from the late 17th century to the early 20th demonstrates how geology, topography, politics, ethnicity, culture, as well as changes in economy and technology, have shaped the city through the centuries. Conceived as a photographic(...)
Greystone: Tools for Understanding the City
Actions:
Description:
The greystone buildings standing in Montreal today are essential tools for understanding the city. A deep study of their material history from the late 17th century to the early 20th demonstrates how geology, topography, politics, ethnicity, culture, as well as changes in economy and technology, have shaped the city through the centuries. Conceived as a photographic(...)
Location:
Octagonal gallery Keyword(s):
Greystone, Phyllis Lambert, Montréal, photography, Richard Pare
Octagonal gallery Keyword(s):
Greystone, Phyllis Lambert, Montréal, photography, Richard Pare
Form:
textual records
Quantity:
12 file
textual records
Quantity:
12 file
Title:
Drafts of articles
Drafts of articles
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Reference number:
ARCH241912
Description:
Dear Reader #13 Andrew Benjamin - drafts Saint-Amand - drafts of Pierre Saint-Amand's review of Allen S. Weiss's Mirrors of Infinity: The Franch Formal Garden and 17th-Century Metaphysics (1995) Farès el-Dahdah - drafts of Letter from Abu Dhabi Ole Bouman - drafts Galiano / Davidson - drafts of article by Luis-Fernandez-Galiano and Cynthia Davidson Kwinter FFE 13 - drafts of article by Sanford Kwinter Teyssot - drafts and translations of article by Georges Teyssot Tate Interview - transcript of Richard Burdett and Nicholas Serota interviewed by Cynthia Davidson Keller - drafts of Ed Keller's review of Shusaku Arakawa and Madeline Gins' Architecture: Sites of Reversible Destiny (1995) Herzog Interview - transcript of Jacques Herzog interviewed by Cynthia Davidson Tate Project Descriptions
ARCH241912
Description:
Dear Reader #13 Andrew Benjamin - drafts Saint-Amand - drafts of Pierre Saint-Amand's review of Allen S. Weiss's Mirrors of Infinity: The Franch Formal Garden and 17th-Century Metaphysics (1995) Farès el-Dahdah - drafts of Letter from Abu Dhabi Ole Bouman - drafts Galiano / Davidson - drafts of article by Luis-Fernandez-Galiano and Cynthia Davidson Kwinter FFE 13 - drafts of article by Sanford Kwinter Teyssot - drafts and translations of article by Georges Teyssot Tate Interview - transcript of Richard Burdett and Nicholas Serota interviewed by Cynthia Davidson Keller - drafts of Ed Keller's review of Shusaku Arakawa and Madeline Gins' Architecture: Sites of Reversible Destiny (1995) Herzog Interview - transcript of Jacques Herzog interviewed by Cynthia Davidson Tate Project Descriptions
Title:
Drafts of articles
Actions:
ARCH241912
Description:
Dear Reader #13 Andrew Benjamin - drafts Saint-Amand - drafts of Pierre Saint-Amand's review of Allen S. Weiss's Mirrors of Infinity: The Franch Formal Garden and 17th-Century Metaphysics (1995) Farès el-Dahdah - drafts of Letter from Abu Dhabi Ole Bouman - drafts Galiano / Davidson - drafts of article by Luis-Fernandez-Galiano and Cynthia Davidson Kwinter FFE 13 - drafts of article by Sanford Kwinter Teyssot - drafts and translations of article by Georges Teyssot Tate Interview - transcript of Richard Burdett and Nicholas Serota interviewed by Cynthia Davidson Keller - drafts of Ed Keller's review of Shusaku Arakawa and Madeline Gins' Architecture: Sites of Reversible Destiny (1995) Herzog Interview - transcript of Jacques Herzog interviewed by Cynthia Davidson Tate Project Descriptions
Drafts of articles
Actions:
ARCH241912
Description:
Dear Reader #13 Andrew Benjamin - drafts Saint-Amand - drafts of Pierre Saint-Amand's review of Allen S. Weiss's Mirrors of Infinity: The Franch Formal Garden and 17th-Century Metaphysics (1995) Farès el-Dahdah - drafts of Letter from Abu Dhabi Ole Bouman - drafts Galiano / Davidson - drafts of article by Luis-Fernandez-Galiano and Cynthia Davidson Kwinter FFE 13 - drafts of article by Sanford Kwinter Teyssot - drafts and translations of article by Georges Teyssot Tate Interview - transcript of Richard Burdett and Nicholas Serota interviewed by Cynthia Davidson Keller - drafts of Ed Keller's review of Shusaku Arakawa and Madeline Gins' Architecture: Sites of Reversible Destiny (1995) Herzog Interview - transcript of Jacques Herzog interviewed by Cynthia Davidson Tate Project Descriptions
Form:
textual records
Quantity:
12 file
textual records
Quantity:
12 file
Date:
1995
1995
Level of archival description:
Sub-series
Sub-series
Reference number:
CI001.S1.D3
Description:
The urban and public architecture of Hubert Rohault de Fleury is insightful concerning both the stylistic directions of utilitarian architecture in France and the structure and role of the government architectural services (1) in the Empire and the Restoration. The drawings in the CCA collection depict built and unbuilt projects undertaken in the context of Hubert's positions in the government architectural services as well as private commissions. Hubert's principal official positions related to three branches of the French government: the Préfecture de la police, the Conseil général des hospices and the Conseil des Bâtiments Civils, a "division" of the Ministère de l'interieur. Hubert's work for the Préfecture de la police (which was also responsible for the gendarmerie and the sapeurs-pompiers barracks) is represented in the CCA collection by projects for four gendarmerie barracks (1821-1830) and alterations to the Préfecture de la Police (1833 ?) and nearby prison in Paris (1819)(DR1974:0002:016:001-070 / DR1974:0002:011:001-089 and DR1974:0002: 015:001-070). The drawings in these albums emphasize the planning (or re-arrangement) of the interior spaces. The album for the Préfecture de la police also includes record drawings for prisons in England and France as background material for Hubert's work and/or related to reports for the Conseil des Bâtiments Civils, which had an active role in the design of prisons throughout France during the early years of the nineteenth century (2). Although the CCA collection has no drawings directly related to Hubert's position as the architecte des hospices (3), drawings and prints are included for his earlier ideal hospitals (ca. 1810) (DR1974:0002:008:001-077). These projects continue the late 17th and 18th century tradition of monumental geometrically laid-out ideal hospitals. This album also contains prints and drawings of medical buildings by other architects (probably reference material), and drawings of Hubert's unexecuted proposal for the re-development of the École de médecine (Paris) and the surrounding buildings and urban spaces. Hubert was the architecte de l'École de medicine (4); a position that probably related to his work for the Ministère d'Interieur, which would have been responsible for this building. In general, Hubert's role and responsibilities within the Ministère de l'interieur and the associated Conseil de Bâtiment Civils (especially prior to his appointment to the position of inspecteur gènèral in 1830) are the least clear of his government positions. In addition to the École de medicine album, two other albums contain projects relating to the Ministère de l'Interieur: two proposals for Place Louis XV commissioned by the Ministre de l'interieur, Duc Decazes in 1821 (DR1974:0002:037:001-031), and drawings for the conversion or renovation of several Parisian hôtel particuliers (probably between 1810 and ca. 1820) including those used by the Ministère de l'interieur, Ministère de la Guerre and the Ministère des affaires étrangères (DR1974:0002;011:001-089). On other government commission of significance is represented in the CCA collection. In 1819, Hubert Rohault de Fleury in collaboration with Etienne Hyppolite Godde was commissioned to direct the restoration of the Thermes de Julien located under the Hôtel de Cluny. The CCA collection includes several letters and drawings, and a report related to this commission (DR1974:0002 :037:001-031). Hubert's private urban projects, mostly commissioned by private entrepreneurs or societies, were concerned with the expansion of the infrastructure of Paris and the surrounding communities as well as, to some extent, larger issues of urban development. One album contains projects dating from between 1819 and 1836 related horses - an essential part of 19th century urban life (5): a stud-farm (Haras de Madrid, Bois de Boulogne), an auction house and an infirmary (Clos St. Charles, Clos d'équarrissage, fôret de Bondy) and three slaughterhouses (Plaine de Grenelle, an unnamed project and La Villete (6))(DR1974:0002:014:001-104). These album also includes developmental studies for a new quartier of Paris - Nouveau Quartier Poissonière (the site of today's 10e arrondissement). A second album (ca. 1825) includes designs for a "maison de blanchisseur", an "entrepot de vins" with adjacent "guingette" and designs for structures at Parc de Clichy - a reservoir, a washhouse and a manège (DR1974:0002:009:001-079) (7). The drawings in these albums are particularly informative regarding the materials, structures and mechanical systems utilized. As with most of his government commissions, for these buildings, Hubert adopted a sparse architectural syntax of pared-down classical motifs and regimented plans grounded in the ideas of Durand and commonly used in utilitarian buildings during the 19th century. (1) These are discussed in some detail in Chapter 2 of David Van Zanten, 'Building Paris' (Cambridge: Cambridge University Press, 1994). (2) Van Zanten, 'Building Paris', 51-52. (3) The Cabinet des Estampes at the Musée Carnavalet in Paris has drawings related to Hubert's work for the Conseil général des hospices. (4) Evidence of this position is based on inscriptions on drawings in album, DR1974:0002:008:001-77. (5) Bergdoll, 4. (6) The La Villete slaughterhouse was designed by Charles Rohault de Fleury. (7) The source(s) of these commissions is unknown.
CI001.S1.D3
Description:
The urban and public architecture of Hubert Rohault de Fleury is insightful concerning both the stylistic directions of utilitarian architecture in France and the structure and role of the government architectural services (1) in the Empire and the Restoration. The drawings in the CCA collection depict built and unbuilt projects undertaken in the context of Hubert's positions in the government architectural services as well as private commissions. Hubert's principal official positions related to three branches of the French government: the Préfecture de la police, the Conseil général des hospices and the Conseil des Bâtiments Civils, a "division" of the Ministère de l'interieur. Hubert's work for the Préfecture de la police (which was also responsible for the gendarmerie and the sapeurs-pompiers barracks) is represented in the CCA collection by projects for four gendarmerie barracks (1821-1830) and alterations to the Préfecture de la Police (1833 ?) and nearby prison in Paris (1819)(DR1974:0002:016:001-070 / DR1974:0002:011:001-089 and DR1974:0002: 015:001-070). The drawings in these albums emphasize the planning (or re-arrangement) of the interior spaces. The album for the Préfecture de la police also includes record drawings for prisons in England and France as background material for Hubert's work and/or related to reports for the Conseil des Bâtiments Civils, which had an active role in the design of prisons throughout France during the early years of the nineteenth century (2). Although the CCA collection has no drawings directly related to Hubert's position as the architecte des hospices (3), drawings and prints are included for his earlier ideal hospitals (ca. 1810) (DR1974:0002:008:001-077). These projects continue the late 17th and 18th century tradition of monumental geometrically laid-out ideal hospitals. This album also contains prints and drawings of medical buildings by other architects (probably reference material), and drawings of Hubert's unexecuted proposal for the re-development of the École de médecine (Paris) and the surrounding buildings and urban spaces. Hubert was the architecte de l'École de medicine (4); a position that probably related to his work for the Ministère d'Interieur, which would have been responsible for this building. In general, Hubert's role and responsibilities within the Ministère de l'interieur and the associated Conseil de Bâtiment Civils (especially prior to his appointment to the position of inspecteur gènèral in 1830) are the least clear of his government positions. In addition to the École de medicine album, two other albums contain projects relating to the Ministère de l'Interieur: two proposals for Place Louis XV commissioned by the Ministre de l'interieur, Duc Decazes in 1821 (DR1974:0002:037:001-031), and drawings for the conversion or renovation of several Parisian hôtel particuliers (probably between 1810 and ca. 1820) including those used by the Ministère de l'interieur, Ministère de la Guerre and the Ministère des affaires étrangères (DR1974:0002;011:001-089). On other government commission of significance is represented in the CCA collection. In 1819, Hubert Rohault de Fleury in collaboration with Etienne Hyppolite Godde was commissioned to direct the restoration of the Thermes de Julien located under the Hôtel de Cluny. The CCA collection includes several letters and drawings, and a report related to this commission (DR1974:0002 :037:001-031). Hubert's private urban projects, mostly commissioned by private entrepreneurs or societies, were concerned with the expansion of the infrastructure of Paris and the surrounding communities as well as, to some extent, larger issues of urban development. One album contains projects dating from between 1819 and 1836 related horses - an essential part of 19th century urban life (5): a stud-farm (Haras de Madrid, Bois de Boulogne), an auction house and an infirmary (Clos St. Charles, Clos d'équarrissage, fôret de Bondy) and three slaughterhouses (Plaine de Grenelle, an unnamed project and La Villete (6))(DR1974:0002:014:001-104). These album also includes developmental studies for a new quartier of Paris - Nouveau Quartier Poissonière (the site of today's 10e arrondissement). A second album (ca. 1825) includes designs for a "maison de blanchisseur", an "entrepot de vins" with adjacent "guingette" and designs for structures at Parc de Clichy - a reservoir, a washhouse and a manège (DR1974:0002:009:001-079) (7). The drawings in these albums are particularly informative regarding the materials, structures and mechanical systems utilized. As with most of his government commissions, for these buildings, Hubert adopted a sparse architectural syntax of pared-down classical motifs and regimented plans grounded in the ideas of Durand and commonly used in utilitarian buildings during the 19th century. (1) These are discussed in some detail in Chapter 2 of David Van Zanten, 'Building Paris' (Cambridge: Cambridge University Press, 1994). (2) Van Zanten, 'Building Paris', 51-52. (3) The Cabinet des Estampes at the Musée Carnavalet in Paris has drawings related to Hubert's work for the Conseil général des hospices. (4) Evidence of this position is based on inscriptions on drawings in album, DR1974:0002:008:001-77. (5) Bergdoll, 4. (6) The La Villete slaughterhouse was designed by Charles Rohault de Fleury. (7) The source(s) of these commissions is unknown.
Title:
Public and Urban architecture
CI001.S1.D3
Description:
The urban and public architecture of Hubert Rohault de Fleury is insightful concerning both the stylistic directions of utilitarian architecture in France and the structure and role of the government architectural services (1) in the Empire and the Restoration. The drawings in the CCA collection depict built and unbuilt projects undertaken in the context of Hubert's positions in the government architectural services as well as private commissions. Hubert's principal official positions related to three branches of the French government: the Préfecture de la police, the Conseil général des hospices and the Conseil des Bâtiments Civils, a "division" of the Ministère de l'interieur. Hubert's work for the Préfecture de la police (which was also responsible for the gendarmerie and the sapeurs-pompiers barracks) is represented in the CCA collection by projects for four gendarmerie barracks (1821-1830) and alterations to the Préfecture de la Police (1833 ?) and nearby prison in Paris (1819)(DR1974:0002:016:001-070 / DR1974:0002:011:001-089 and DR1974:0002: 015:001-070). The drawings in these albums emphasize the planning (or re-arrangement) of the interior spaces. The album for the Préfecture de la police also includes record drawings for prisons in England and France as background material for Hubert's work and/or related to reports for the Conseil des Bâtiments Civils, which had an active role in the design of prisons throughout France during the early years of the nineteenth century (2). Although the CCA collection has no drawings directly related to Hubert's position as the architecte des hospices (3), drawings and prints are included for his earlier ideal hospitals (ca. 1810) (DR1974:0002:008:001-077). These projects continue the late 17th and 18th century tradition of monumental geometrically laid-out ideal hospitals. This album also contains prints and drawings of medical buildings by other architects (probably reference material), and drawings of Hubert's unexecuted proposal for the re-development of the École de médecine (Paris) and the surrounding buildings and urban spaces. Hubert was the architecte de l'École de medicine (4); a position that probably related to his work for the Ministère d'Interieur, which would have been responsible for this building. In general, Hubert's role and responsibilities within the Ministère de l'interieur and the associated Conseil de Bâtiment Civils (especially prior to his appointment to the position of inspecteur gènèral in 1830) are the least clear of his government positions. In addition to the École de medicine album, two other albums contain projects relating to the Ministère de l'Interieur: two proposals for Place Louis XV commissioned by the Ministre de l'interieur, Duc Decazes in 1821 (DR1974:0002:037:001-031), and drawings for the conversion or renovation of several Parisian hôtel particuliers (probably between 1810 and ca. 1820) including those used by the Ministère de l'interieur, Ministère de la Guerre and the Ministère des affaires étrangères (DR1974:0002;011:001-089). On other government commission of significance is represented in the CCA collection. In 1819, Hubert Rohault de Fleury in collaboration with Etienne Hyppolite Godde was commissioned to direct the restoration of the Thermes de Julien located under the Hôtel de Cluny. The CCA collection includes several letters and drawings, and a report related to this commission (DR1974:0002 :037:001-031). Hubert's private urban projects, mostly commissioned by private entrepreneurs or societies, were concerned with the expansion of the infrastructure of Paris and the surrounding communities as well as, to some extent, larger issues of urban development. One album contains projects dating from between 1819 and 1836 related horses - an essential part of 19th century urban life (5): a stud-farm (Haras de Madrid, Bois de Boulogne), an auction house and an infirmary (Clos St. Charles, Clos d'équarrissage, fôret de Bondy) and three slaughterhouses (Plaine de Grenelle, an unnamed project and La Villete (6))(DR1974:0002:014:001-104). These album also includes developmental studies for a new quartier of Paris - Nouveau Quartier Poissonière (the site of today's 10e arrondissement). A second album (ca. 1825) includes designs for a "maison de blanchisseur", an "entrepot de vins" with adjacent "guingette" and designs for structures at Parc de Clichy - a reservoir, a washhouse and a manège (DR1974:0002:009:001-079) (7). The drawings in these albums are particularly informative regarding the materials, structures and mechanical systems utilized. As with most of his government commissions, for these buildings, Hubert adopted a sparse architectural syntax of pared-down classical motifs and regimented plans grounded in the ideas of Durand and commonly used in utilitarian buildings during the 19th century. (1) These are discussed in some detail in Chapter 2 of David Van Zanten, 'Building Paris' (Cambridge: Cambridge University Press, 1994). (2) Van Zanten, 'Building Paris', 51-52. (3) The Cabinet des Estampes at the Musée Carnavalet in Paris has drawings related to Hubert's work for the Conseil général des hospices. (4) Evidence of this position is based on inscriptions on drawings in album, DR1974:0002:008:001-77. (5) Bergdoll, 4. (6) The La Villete slaughterhouse was designed by Charles Rohault de Fleury. (7) The source(s) of these commissions is unknown.
Public and Urban architecture
CI001.S1.D3
Description:
The urban and public architecture of Hubert Rohault de Fleury is insightful concerning both the stylistic directions of utilitarian architecture in France and the structure and role of the government architectural services (1) in the Empire and the Restoration. The drawings in the CCA collection depict built and unbuilt projects undertaken in the context of Hubert's positions in the government architectural services as well as private commissions. Hubert's principal official positions related to three branches of the French government: the Préfecture de la police, the Conseil général des hospices and the Conseil des Bâtiments Civils, a "division" of the Ministère de l'interieur. Hubert's work for the Préfecture de la police (which was also responsible for the gendarmerie and the sapeurs-pompiers barracks) is represented in the CCA collection by projects for four gendarmerie barracks (1821-1830) and alterations to the Préfecture de la Police (1833 ?) and nearby prison in Paris (1819)(DR1974:0002:016:001-070 / DR1974:0002:011:001-089 and DR1974:0002: 015:001-070). The drawings in these albums emphasize the planning (or re-arrangement) of the interior spaces. The album for the Préfecture de la police also includes record drawings for prisons in England and France as background material for Hubert's work and/or related to reports for the Conseil des Bâtiments Civils, which had an active role in the design of prisons throughout France during the early years of the nineteenth century (2). Although the CCA collection has no drawings directly related to Hubert's position as the architecte des hospices (3), drawings and prints are included for his earlier ideal hospitals (ca. 1810) (DR1974:0002:008:001-077). These projects continue the late 17th and 18th century tradition of monumental geometrically laid-out ideal hospitals. This album also contains prints and drawings of medical buildings by other architects (probably reference material), and drawings of Hubert's unexecuted proposal for the re-development of the École de médecine (Paris) and the surrounding buildings and urban spaces. Hubert was the architecte de l'École de medicine (4); a position that probably related to his work for the Ministère d'Interieur, which would have been responsible for this building. In general, Hubert's role and responsibilities within the Ministère de l'interieur and the associated Conseil de Bâtiment Civils (especially prior to his appointment to the position of inspecteur gènèral in 1830) are the least clear of his government positions. In addition to the École de medicine album, two other albums contain projects relating to the Ministère de l'Interieur: two proposals for Place Louis XV commissioned by the Ministre de l'interieur, Duc Decazes in 1821 (DR1974:0002:037:001-031), and drawings for the conversion or renovation of several Parisian hôtel particuliers (probably between 1810 and ca. 1820) including those used by the Ministère de l'interieur, Ministère de la Guerre and the Ministère des affaires étrangères (DR1974:0002;011:001-089). On other government commission of significance is represented in the CCA collection. In 1819, Hubert Rohault de Fleury in collaboration with Etienne Hyppolite Godde was commissioned to direct the restoration of the Thermes de Julien located under the Hôtel de Cluny. The CCA collection includes several letters and drawings, and a report related to this commission (DR1974:0002 :037:001-031). Hubert's private urban projects, mostly commissioned by private entrepreneurs or societies, were concerned with the expansion of the infrastructure of Paris and the surrounding communities as well as, to some extent, larger issues of urban development. One album contains projects dating from between 1819 and 1836 related horses - an essential part of 19th century urban life (5): a stud-farm (Haras de Madrid, Bois de Boulogne), an auction house and an infirmary (Clos St. Charles, Clos d'équarrissage, fôret de Bondy) and three slaughterhouses (Plaine de Grenelle, an unnamed project and La Villete (6))(DR1974:0002:014:001-104). These album also includes developmental studies for a new quartier of Paris - Nouveau Quartier Poissonière (the site of today's 10e arrondissement). A second album (ca. 1825) includes designs for a "maison de blanchisseur", an "entrepot de vins" with adjacent "guingette" and designs for structures at Parc de Clichy - a reservoir, a washhouse and a manège (DR1974:0002:009:001-079) (7). The drawings in these albums are particularly informative regarding the materials, structures and mechanical systems utilized. As with most of his government commissions, for these buildings, Hubert adopted a sparse architectural syntax of pared-down classical motifs and regimented plans grounded in the ideas of Durand and commonly used in utilitarian buildings during the 19th century. (1) These are discussed in some detail in Chapter 2 of David Van Zanten, 'Building Paris' (Cambridge: Cambridge University Press, 1994). (2) Van Zanten, 'Building Paris', 51-52. (3) The Cabinet des Estampes at the Musée Carnavalet in Paris has drawings related to Hubert's work for the Conseil général des hospices. (4) Evidence of this position is based on inscriptions on drawings in album, DR1974:0002:008:001-77. (5) Bergdoll, 4. (6) The La Villete slaughterhouse was designed by Charles Rohault de Fleury. (7) The source(s) of these commissions is unknown.
Level of archival description:
File 3
File 3
Date:
1754-1875
1754-1875
Form:
photographs
photographs
Actions:
Reference number:
PH1982:0284:001-023
Description:
Portfolio containing 23 photographs showing views of buildings and monuments in the German town of Hildesheim in Lower Saxony. Some of the buildings depicted date back from the 15th, 16th and 17th centuries. Churches (St. Michael's church, St. Andrew's evangelical Church, St. Godehard's Church, Church of the Holy Cross), the Emperor's House, the Butcher's Guild Hall, a baptismal font, houses, hospital, hotels and the market place of the town, are the main subjects composing this portfolio : Knochenhauer - Amthaus; Zwei Häuser am Markt; Altdeutsches Haus, Osterstrasse; Rathhaus; Altdeutsches Haus, Dammstrasse, Altdeutsches Haus (Wiener Hof.); Roland-Hospital, Eckemeckerstrasse; Haus mit Medaillonbildern römisher Kaiser; Häuser am Andreas - Platz; Mittelalterliches Haus am Andreas-Platz mit der Durchfahrt; Taufbecken in Dom; Dom, Inneres mit Kronleuchter; Dom mit 1000 jähr, Rosenstock, Alte Ansicht; Domfriedhof mit Annenkapelle; Bernwards -Säule; Godehardi-Kirche, Mittelschiff; Godehardi-Kirche, Aeusseres; Michaelis-Kirche; Mittelschiff; Kreuzgang der Michaelis-Kirche;; Renaissance-Haus Neustädter Markt; Andreas-Kirche; Altdeutsches Haus, Hoherweg (Kniep).
PH1982:0284:001-023
Description:
Portfolio containing 23 photographs showing views of buildings and monuments in the German town of Hildesheim in Lower Saxony. Some of the buildings depicted date back from the 15th, 16th and 17th centuries. Churches (St. Michael's church, St. Andrew's evangelical Church, St. Godehard's Church, Church of the Holy Cross), the Emperor's House, the Butcher's Guild Hall, a baptismal font, houses, hospital, hotels and the market place of the town, are the main subjects composing this portfolio : Knochenhauer - Amthaus; Zwei Häuser am Markt; Altdeutsches Haus, Osterstrasse; Rathhaus; Altdeutsches Haus, Dammstrasse, Altdeutsches Haus (Wiener Hof.); Roland-Hospital, Eckemeckerstrasse; Haus mit Medaillonbildern römisher Kaiser; Häuser am Andreas - Platz; Mittelalterliches Haus am Andreas-Platz mit der Durchfahrt; Taufbecken in Dom; Dom, Inneres mit Kronleuchter; Dom mit 1000 jähr, Rosenstock, Alte Ansicht; Domfriedhof mit Annenkapelle; Bernwards -Säule; Godehardi-Kirche, Mittelschiff; Godehardi-Kirche, Aeusseres; Michaelis-Kirche; Mittelschiff; Kreuzgang der Michaelis-Kirche;; Renaissance-Haus Neustädter Markt; Andreas-Kirche; Altdeutsches Haus, Hoherweg (Kniep).
Title:
Album von Hildesheim Ansichtenund Kunstwerke
Actions:
PH1982:0284:001-023
Description:
Portfolio containing 23 photographs showing views of buildings and monuments in the German town of Hildesheim in Lower Saxony. Some of the buildings depicted date back from the 15th, 16th and 17th centuries. Churches (St. Michael's church, St. Andrew's evangelical Church, St. Godehard's Church, Church of the Holy Cross), the Emperor's House, the Butcher's Guild Hall, a baptismal font, houses, hospital, hotels and the market place of the town, are the main subjects composing this portfolio : Knochenhauer - Amthaus; Zwei Häuser am Markt; Altdeutsches Haus, Osterstrasse; Rathhaus; Altdeutsches Haus, Dammstrasse, Altdeutsches Haus (Wiener Hof.); Roland-Hospital, Eckemeckerstrasse; Haus mit Medaillonbildern römisher Kaiser; Häuser am Andreas - Platz; Mittelalterliches Haus am Andreas-Platz mit der Durchfahrt; Taufbecken in Dom; Dom, Inneres mit Kronleuchter; Dom mit 1000 jähr, Rosenstock, Alte Ansicht; Domfriedhof mit Annenkapelle; Bernwards -Säule; Godehardi-Kirche, Mittelschiff; Godehardi-Kirche, Aeusseres; Michaelis-Kirche; Mittelschiff; Kreuzgang der Michaelis-Kirche;; Renaissance-Haus Neustädter Markt; Andreas-Kirche; Altdeutsches Haus, Hoherweg (Kniep).
Album von Hildesheim Ansichtenund Kunstwerke
Actions:
PH1982:0284:001-023
Description:
Portfolio containing 23 photographs showing views of buildings and monuments in the German town of Hildesheim in Lower Saxony. Some of the buildings depicted date back from the 15th, 16th and 17th centuries. Churches (St. Michael's church, St. Andrew's evangelical Church, St. Godehard's Church, Church of the Holy Cross), the Emperor's House, the Butcher's Guild Hall, a baptismal font, houses, hospital, hotels and the market place of the town, are the main subjects composing this portfolio : Knochenhauer - Amthaus; Zwei Häuser am Markt; Altdeutsches Haus, Osterstrasse; Rathhaus; Altdeutsches Haus, Dammstrasse, Altdeutsches Haus (Wiener Hof.); Roland-Hospital, Eckemeckerstrasse; Haus mit Medaillonbildern römisher Kaiser; Häuser am Andreas - Platz; Mittelalterliches Haus am Andreas-Platz mit der Durchfahrt; Taufbecken in Dom; Dom, Inneres mit Kronleuchter; Dom mit 1000 jähr, Rosenstock, Alte Ansicht; Domfriedhof mit Annenkapelle; Bernwards -Säule; Godehardi-Kirche, Mittelschiff; Godehardi-Kirche, Aeusseres; Michaelis-Kirche; Mittelschiff; Kreuzgang der Michaelis-Kirche;; Renaissance-Haus Neustädter Markt; Andreas-Kirche; Altdeutsches Haus, Hoherweg (Kniep).
Form:
photographs
photographs
Date:
ca. 1885-1899
ca. 1885-1899
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Reference number:
CP138
Synopsis:
The Gordon Matta-Clark collection documents the personal and professional activities of Gordon Matta-Clark through his correspondence, texts, library, artwork and films, created predominantly between 1969 and 1978. Additionally the collection contains correspondence and photographs collected by Anne Alpert, Matta-Clark's mother, and documentation on his work collected by his widow Jane Crawford following his death.
CP138
Synopsis:
The Gordon Matta-Clark collection documents the personal and professional activities of Gordon Matta-Clark through his correspondence, texts, library, artwork and films, created predominantly between 1969 and 1978. Additionally the collection contains correspondence and photographs collected by Anne Alpert, Matta-Clark's mother, and documentation on his work collected by his widow Jane Crawford following his death.
Title:
Gordon Matta-Clark collection
Actions:
CP138
Synopsis:
The Gordon Matta-Clark collection documents the personal and professional activities of Gordon Matta-Clark through his correspondence, texts, library, artwork and films, created predominantly between 1969 and 1978. Additionally the collection contains correspondence and photographs collected by Anne Alpert, Matta-Clark's mother, and documentation on his work collected by his widow Jane Crawford following his death.
Gordon Matta-Clark collection
Actions:
CP138
Synopsis:
The Gordon Matta-Clark collection documents the personal and professional activities of Gordon Matta-Clark through his correspondence, texts, library, artwork and films, created predominantly between 1969 and 1978. Additionally the collection contains correspondence and photographs collected by Anne Alpert, Matta-Clark's mother, and documentation on his work collected by his widow Jane Crawford following his death.
Form:
archives
Level of archival description:
Collection
archives
Level of archival description:
Collection
Date:
1914-2008
1914-2008
Form:
books
books
Actions:
Holdings:
Description:
140 p. : ill. (some col.) ; 19 x 20 cm.
Description:
140 p. : ill. (some col.) ; 19 x 20 cm.
Author:
Subject:
- Prints, Dutch Exhibitions.,
- Drawing, Dutch Exhibitions.,
- Landscapes in art Exhibitions.,
- Art, Modern 17th-18th centuries Netherlands.,
- Prints Netherlands 17th century Exhibitions.,
- Drawing Netherlands 17th century Exhibitions.,
- Paysages dans l'art Expositions.,
- Estampe Pays-Bas 17e siècle Expositions.,
- Dessin Pays-Bas 17e siècle Expositions.,
- Dessin néerlandais Expositions.,
- Art, Modern,
- Drawing,
- Drawing, Dutch,
- Landscapes in art,
- Prints,
- Prints, Dutch,
- Netherlands,
- Exhibition catalogs.
(See more)
Publication:
[Auckland : Auckland City Art Gallery], 1974.
[Auckland : Auckland City Art Gallery], 1974.
Title:
17th century pastoral Holland / master prints & drawings from the Rijksmuseum with landscapes from the Metropolitan Museum and the National Gallery of Victoria.
Actions:
Holdings:
Description:
140 p. : ill. (some col.) ; 19 x 20 cm.
17th century pastoral Holland / master prints & drawings from the Rijksmuseum with landscapes from the Metropolitan Museum and the National Gallery of Victoria.
Actions:
Holdings:
Description:
140 p. : ill. (some col.) ; 19 x 20 cm.
Form:
books
books
Publication:
[Auckland : Auckland City Art Gallery], 1974.
[Auckland : Auckland City Art Gallery], 1974.
Subject:
- Prints, Dutch Exhibitions.,
- Drawing, Dutch Exhibitions.,
- Landscapes in art Exhibitions.,
- Art, Modern 17th-18th centuries Netherlands.,
- Prints Netherlands 17th century Exhibitions.,
- Drawing Netherlands 17th century Exhibitions.,
- Paysages dans l'art Expositions.,
- Estampe Pays-Bas 17e siècle Expositions.,
- Dessin Pays-Bas 17e siècle Expositions.,
- Dessin néerlandais Expositions.,
- Art, Modern,
- Drawing,
- Drawing, Dutch,
- Landscapes in art,
- Prints,
- Prints, Dutch,
- Netherlands,
- Exhibition catalogs.
(See more)
Form:
books
books
Actions:
Holdings:
Description:
181 pages illustrations, plates (some color) 24 cm
Description:
181 pages illustrations, plates (some color) 24 cm
Subject:
- Church architecture Armenia.,
- Decoration and ornament, Architectural Armenia.,
- Architecture chrétienne Arménie.,
- Décoration et ornement architecturaux Arménie.,
- Church architecture,
- Decoration and ornament, Architectural,
- Architektur,
- Architecture, Armenian.,
- Decoration and ornament Armenia.,
- Armenia,
- Armenien,
- Architecture Armenia History.,
- Bildband.
(See more)
Publication:
Paris, Editions A. Morancé, 1968.
Paris, Editions A. Morancé, 1968.
Title:
Armenian architecture, 4th to 17th century. Translated by Geoffrey Capner.
Actions:
Holdings:
Description:
181 pages illustrations, plates (some color) 24 cm
Armenian architecture, 4th to 17th century. Translated by Geoffrey Capner.
Actions:
Holdings:
Description:
181 pages illustrations, plates (some color) 24 cm
Form:
books
books
Publication:
Paris, Editions A. Morancé, 1968.
Paris, Editions A. Morancé, 1968.
Subject:
- Church architecture Armenia.,
- Decoration and ornament, Architectural Armenia.,
- Architecture chrétienne Arménie.,
- Décoration et ornement architecturaux Arménie.,
- Church architecture,
- Decoration and ornament, Architectural,
- Architektur,
- Architecture, Armenian.,
- Decoration and ornament Armenia.,
- Armenia,
- Armenien,
- Architecture Armenia History.,
- Bildband.
(See more)
Form:
books
books
Actions:
Holdings:
Description:
xxiv, 96 pages : illustrations, portraits ; 25 cm
Description:
xxiv, 96 pages : illustrations, portraits ; 25 cm
Title:
Artists in 17th century Rome : a loan exhibition to save Gosfield Hall for the nation as a residential nursing home ... 1 June-16 July 1955.
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Holdings:
Description:
xxiv, 96 pages : illustrations, portraits ; 25 cm
Artists in 17th century Rome : a loan exhibition to save Gosfield Hall for the nation as a residential nursing home ... 1 June-16 July 1955.
Actions:
Holdings:
Description:
xxiv, 96 pages : illustrations, portraits ; 25 cm
Form:
books
books
Publication:
London, [1955]
London, [1955]
Form:
books
books
Actions:
Holdings:
Description:
xv, 563 pages : illustrations (some color) ; 24 x 27 cm
Description:
xv, 563 pages : illustrations (some color) ; 24 x 27 cm
Author:
Subject:
- Landscape painting, Dutch 17th century Exhibitions.,
- Landscape painting Netherlands 17th century Exhibitions.,
- Landscape painting 17th century Netherlands Exhibitions.,
- Peinture de paysages flamande Expositions.,
- Peinture de paysages Pays-Bas 17e siècle Expositions.,
- Peinture de paysages néerlandaise 17e siècle Expositions.,
- Landscape painting,
- Landscape painting, Dutch,
- Ausstellung,
- Landschaftsmalerei,
- Landschapschilderkunst.,
- Paysage Dans l'art Catalogues d'exposition.,
- Peinture de paysages Pays-Bas 17e siècle Catalogues d'exposition.,
- Paysage,
- 17e siècle,
- Peinture néerlandaise,
- Netherlands,
- Landscapes,
- Paintings,
- Exhibition catalogues,
- exhibition catalogs.,
- Exhibition catalogs,
- Ausstellungskatalog Amsterdam 1987-1988,
- Ausstellungskatalog Philadelphia (Pa.) 1988,
- Ausstellungskatalog Boston (MA) 1988,
- Ausstellungskatalog Amsterdam 1988,
- Ausstellungskatalog Amsterdam 1987,
- Ausstellungskatalog Boston, Mass. 1988,
- Ausstellungskatalog Philadelphia, Pa. 1988,
- [Catalogues d'exposition],
- Catalogues d'exposition.
(See more)
Publication:
Boston : Museum of Fine Arts, 1987.
Boston : Museum of Fine Arts, 1987.
Title:
Masters of 17th-century Dutch landscape painting / Peter C. Sutton, with contributions by Albert Blankert [and others] ; this exhibition was organized by Peter C. Sutton and P.J.J. van Thiel.
Actions:
Holdings:
Description:
xv, 563 pages : illustrations (some color) ; 24 x 27 cm
Masters of 17th-century Dutch landscape painting / Peter C. Sutton, with contributions by Albert Blankert [and others] ; this exhibition was organized by Peter C. Sutton and P.J.J. van Thiel.
Actions:
Holdings:
Description:
xv, 563 pages : illustrations (some color) ; 24 x 27 cm
Form:
books
books
Publication:
Boston : Museum of Fine Arts, 1987.
Boston : Museum of Fine Arts, 1987.
Subject:
- Landscape painting, Dutch 17th century Exhibitions.,
- Landscape painting Netherlands 17th century Exhibitions.,
- Landscape painting 17th century Netherlands Exhibitions.,
- Peinture de paysages flamande Expositions.,
- Peinture de paysages Pays-Bas 17e siècle Expositions.,
- Peinture de paysages néerlandaise 17e siècle Expositions.,
- Landscape painting,
- Landscape painting, Dutch,
- Ausstellung,
- Landschaftsmalerei,
- Landschapschilderkunst.,
- Paysage Dans l'art Catalogues d'exposition.,
- Peinture de paysages Pays-Bas 17e siècle Catalogues d'exposition.,
- Paysage,
- 17e siècle,
- Peinture néerlandaise,
- Netherlands,
- Landscapes,
- Paintings,
- Exhibition catalogues,
- exhibition catalogs.,
- Exhibition catalogs,
- Ausstellungskatalog Amsterdam 1987-1988,
- Ausstellungskatalog Philadelphia (Pa.) 1988,
- Ausstellungskatalog Boston (MA) 1988,
- Ausstellungskatalog Amsterdam 1988,
- Ausstellungskatalog Amsterdam 1987,
- Ausstellungskatalog Boston, Mass. 1988,
- Ausstellungskatalog Philadelphia, Pa. 1988,
- [Catalogues d'exposition],
- Catalogues d'exposition.
(See more)
Form:
books
books
Actions:
Holdings:
Description:
589 pages ; 24 cm.
Description:
589 pages ; 24 cm.
Subject:
- Early printed books Italy 17th century Bibliography Union lists.,
- Early printed books England Cambridge 17th century Bibliography Union lists.,
- Italian imprints England Cambridge Union lists.,
- Union catalogs England Cambridge.,
- Literature italian.,
- Books italian.,
- Livres anciens Italie 17e siècle Bibliographie Catalogues collectifs.,
- Livres anciens Angleterre Cambridge 17e siècle Bibliographie Catalogues collectifs.,
- Catalogues collectifs Angleterre Cambridge.,
- Early printed books.,
- Italian imprints.,
- Union catalogs.,
- Italiaanse boeken.,
- Italian imprints 17th century Union lists.,
- Early printed books 17th century Union lists.,
- Livres anciens Grande-Bretagne Cambridge (GB) 17e siècle Bibliographie.,
- Catalogues collectifs Grande-Bretagne Cambridge (GB),
- Livres anciens Grande-Bretagne Cambridge (GB) Bibliographie Catalogues collectifs.,
- Imprimés italiens Grande-Bretagne Cambridge (GB),
- Imprimés Italie 17e siècle Bibliographie Catalogues collectifs.,
- Italy Imprints Union lists.,
- England Cambridge.,
- Italy.,
- Catalogs.,
- Bibliographies.,
- Library catalogues.
(See more)
Publication:
[Firenze] : L.S. Olschki, 1997.
[Firenze] : L.S. Olschki, 1997.
Title:
Italian 17th-century books in Cambridge libraries : a short-title catalogue / Roberto L. Bruni, D. Wyn Evans.
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Holdings:
Description:
589 pages ; 24 cm.
Italian 17th-century books in Cambridge libraries : a short-title catalogue / Roberto L. Bruni, D. Wyn Evans.
Actions:
Holdings:
Description:
589 pages ; 24 cm.
Form:
books
books
Publication:
[Firenze] : L.S. Olschki, 1997.
[Firenze] : L.S. Olschki, 1997.
Subject:
- Early printed books Italy 17th century Bibliography Union lists.,
- Early printed books England Cambridge 17th century Bibliography Union lists.,
- Italian imprints England Cambridge Union lists.,
- Union catalogs England Cambridge.,
- Literature italian.,
- Books italian.,
- Livres anciens Italie 17e siècle Bibliographie Catalogues collectifs.,
- Livres anciens Angleterre Cambridge 17e siècle Bibliographie Catalogues collectifs.,
- Catalogues collectifs Angleterre Cambridge.,
- Early printed books.,
- Italian imprints.,
- Union catalogs.,
- Italiaanse boeken.,
- Italian imprints 17th century Union lists.,
- Early printed books 17th century Union lists.,
- Livres anciens Grande-Bretagne Cambridge (GB) 17e siècle Bibliographie.,
- Catalogues collectifs Grande-Bretagne Cambridge (GB),
- Livres anciens Grande-Bretagne Cambridge (GB) Bibliographie Catalogues collectifs.,
- Imprimés italiens Grande-Bretagne Cambridge (GB),
- Imprimés Italie 17e siècle Bibliographie Catalogues collectifs.,
- Italy Imprints Union lists.,
- England Cambridge.,
- Italy.,
- Catalogs.,
- Bibliographies.,
- Library catalogues.
(See more)