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''Southern Exposure: The overlooked architecture of Chicago's South Side'' is the first book devoted to the South Side's rich and unfairly ignored architectural heritage. With lively, insightful text and colour photographs by noted Chicago architecture expert Lee Bey, this book documents the remarkable and largely unsung architecture of the South Side. The book features(...)
Southern exposure: the overlooked architecture of Chicago's South Side
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''Southern Exposure: The overlooked architecture of Chicago's South Side'' is the first book devoted to the South Side's rich and unfairly ignored architectural heritage. With lively, insightful text and colour photographs by noted Chicago architecture expert Lee Bey, this book documents the remarkable and largely unsung architecture of the South Side. The book features an array of landmarks-from a Space Age dry cleaners to a nineteenth-century lagoon that meanders down the middle of a working-class neighborhood street-that are largely absent from arts discourse, in no small part because they sit in a predominantly African American and Latino section of town that's better known as a place of disinvestment, abandonment, and violence.
Urban Theory
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In the late 1960s the world was faced with impending disaster: the height of the Cold War, the end of oil and the decline of great cities throughout the world. Out of this crisis came a new generation that hoped to build a better future, influenced by visions of geodesic domes, walking cities and a meaningful connection with nature. In this work of cultural history,(...)
Last futures: natures, technology and the end of architecture
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In the late 1960s the world was faced with impending disaster: the height of the Cold War, the end of oil and the decline of great cities throughout the world. Out of this crisis came a new generation that hoped to build a better future, influenced by visions of geodesic domes, walking cities and a meaningful connection with nature. In this work of cultural history, architect Douglas Murphy traces the lost archeology of the present day through the works of thinkers and designers such as Buckminster Fuller, the ecological pioneer Stewart Brand, the Archigram architects who envisioned the Plug-In City in the ’60s, as well as co-operatives in Vienna, communes in the Californian desert and protesters on the streets of Paris. In this mind-bending account of the last avant-garde, we see not just the source of our current problems but also some powerful alternative futures.
Architecture ecologies
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The theme of "modernity" was the launching pad of architecture in the 20th century, to the point of completely revolutionizing our way of life but producing, in its development, absolutizations and misunderstandings, so as to disperse the main values linked to the profound desire to improve everyone’s life. Against the theses that during the 20th century linked the(...)
Twentieth-century architecture and modernity: our past, our present
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The theme of "modernity" was the launching pad of architecture in the 20th century, to the point of completely revolutionizing our way of life but producing, in its development, absolutizations and misunderstandings, so as to disperse the main values linked to the profound desire to improve everyone’s life. Against the theses that during the 20th century linked the destinies of "modernity" to the theories of the Modern Movement, hoping for them to be overcome, the book deals with the theme of a continuity with the present by recovering those "open visions" that characterized "modernity" at the end of the 19th century.
Modernism
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The Gothic cathedrals of the middle ages are among the world's greatest architectural achievements. Looking up at the soaring vaulted ceiling of a gothic church, it is impossible not to marvel at the seemingly unending design variations of these transcendent structures. Photographer David Stephenson continues his exploration of the architecturally sublime by focusing his(...)
Heavenly vaults, from Romanesque to Gothic in european architecture
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The Gothic cathedrals of the middle ages are among the world's greatest architectural achievements. Looking up at the soaring vaulted ceiling of a gothic church, it is impossible not to marvel at the seemingly unending design variations of these transcendent structures. Photographer David Stephenson continues his exploration of the architecturally sublime by focusing his camera on the amazing vaulted ceilings of the medieval churches, cathedrals, and basilicas of Europe. Stephenson presents more than eighty romanesque and gothic vaults in kaleidoscopic photographs that reveal their complex geometrical structures, decorative detailing, and ornamental painting in ways they have never before been seen.
History until 1900, Middle Ages
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This publication documents the travelling exhibition of the Corneils' work which opened as part of the 40th anniversary celebrations of the Carleton School of Architecture in October 2008. The work is drawn from the Corneil archive at the Canadian Architectural Archives at the University of Calgary, supplemented by practice documents.
Architecture e+c: works of elin+carmen corneil 1958-2008
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This publication documents the travelling exhibition of the Corneils' work which opened as part of the 40th anniversary celebrations of the Carleton School of Architecture in October 2008. The work is drawn from the Corneil archive at the Canadian Architectural Archives at the University of Calgary, supplemented by practice documents.
Canadian Architects
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The recent collaboration between Gian Piero Frassinelli – founder of the Florentine collective Superstudio – and 2A+P/A an architectural practice based in Rome – relaunched a long-established, yet generally overlooked, debate on the relationship between architecture and anthropology. Moving away from a historical or scientific perspective to embrace the point of view of(...)
Savage architecture: Gian Piero Frassinelli, Superstudio, 2A + P/A
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The recent collaboration between Gian Piero Frassinelli – founder of the Florentine collective Superstudio – and 2A+P/A an architectural practice based in Rome – relaunched a long-established, yet generally overlooked, debate on the relationship between architecture and anthropology. Moving away from a historical or scientific perspective to embrace the point of view of the project, the exhibition Savage Architecture genealogically reconstructs the ethos of such collaboration in four episodes. The outcome is a journey through the imaginative potential of the anthropological gaze in constructing both meaning and a method for the architectural project as an alternative to the dominant belief in the economic and technological reasons.
Current Exhibitions
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To photograph avant-garde architecture is its own particular art, requiring careful attention to geometry, composition, lighting, and the ineluctable feel of a created space. In his famous photographs of modern architectural marvels, Marcel Chassot doesn’t merely capture a building’s appearance; he transports us to the space, recreating both its ambience and its grandeur.(...)
Marcel Chassot: architecture and photography. Amazement as visual culture
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To photograph avant-garde architecture is its own particular art, requiring careful attention to geometry, composition, lighting, and the ineluctable feel of a created space. In his famous photographs of modern architectural marvels, Marcel Chassot doesn’t merely capture a building’s appearance; he transports us to the space, recreating both its ambience and its grandeur. This volume assembles buildings designed by the giants of modern architecture—from Frank Gehry’s surrealist twists and stacks to Zaha Hadid’s formal speed and fluidity, from Beijing National Stadium to the Sony Center in Berlin and the World Trade Center Transportation Hub in New York—offering a wealth of scenes from international contemporary architecture. Wolfgang Meisenheimer sheds light on the fundamental principles of Chassot’s photographic worldview and distinguishes between three layers of thought in which the work is rooted: the Euclidean orders, echoes of the modern philosophy of the lived body, and the legacy of Cubism from the beginnings of modern painting. With its felicitous interplay of brilliant architectural photography, exquisite design, and thoughtfully researched essays, this book is a total work of art.
Photography monographs
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Traversing a varied and enchanting landscape with forays into the fields of geography, art, architecture, design, cartography and film, Giuliana Bruno's ''Atlas of Emotion'', winner of the 2004 Kraszna-Krausz award for ''the world's best book on the moving image,'' is a highly original endeavor to map a cultural history of spatio-visual arts. In an evocative montage of(...)
Atlas of emotion: journeys in art, architecture, and film
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Traversing a varied and enchanting landscape with forays into the fields of geography, art, architecture, design, cartography and film, Giuliana Bruno's ''Atlas of Emotion'', winner of the 2004 Kraszna-Krausz award for ''the world's best book on the moving image,'' is a highly original endeavor to map a cultural history of spatio-visual arts. In an evocative montage of words and pictures she emphasizes that ''sight" and "site" but also ''motion" and "emotion'' are irrevocably connected. In so doing, she touches on the art of Gerhard Richter and Annette Messagem: the film-making of Peter Greenaway and Michaelangelo Antonioni; the origins of the movie palace and its precursors, and on her own journeys to her native Naples. Visually luscious and daring in conception, Bruno opens new vistas and understandings at every turn.
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Flat Out 3 (Fall 2018) plots an escape from the incessant demands and feedback loops of the present, calling forward alternative futures via flat-earth conspiracy theories, productive working relationships, Bertolt Brecht's fascination with Chicago, and punching bags.
Flat Out 3 : claims on architecture from an unlikely cast
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Flat Out 3 (Fall 2018) plots an escape from the incessant demands and feedback loops of the present, calling forward alternative futures via flat-earth conspiracy theories, productive working relationships, Bertolt Brecht's fascination with Chicago, and punching bags.
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This title was first published in 2003: Modernist architecture claimed to be the 'international style' but the relationship between modernism and the new dispositions of nations and nationalities which have succeeded the old European empires remains obscure. In this, the first book to examine the interactions between modern architecture, imperialism and post-imperialism,(...)
Modern architecture and the end of empire. 2nd edition
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This title was first published in 2003: Modernist architecture claimed to be the 'international style' but the relationship between modernism and the new dispositions of nations and nationalities which have succeeded the old European empires remains obscure. In this, the first book to examine the interactions between modern architecture, imperialism and post-imperialism, Mark Crinson looks at the architecture of the last years of the British Empire, and during its prolonged dissolution and aftermath. Taking a number of case studies from Britain, Ghana, Hong Kong, Iran, India and Malaysia, he investigates the ambitions of the people who commissioned the buildings, the training and role of architects, and the interaction of the architecture and its changing social and cultural contexts. This book raises questions about the nature of modernism and its roles that look far beyond empire and towards the post-imperial.
Modernism