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Homelessness is one of the most pressing social challenges of our time, and is closely linked to issues of urban design and architecture. Homeless people are part of urban society and depend on accessible public spaces and urban infrastructure. Yet, in cities around the world, local governments use policies and urban planning to ward off street people, aiming at making(...)
The roofless truth: planning and architecture for homelessness
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Homelessness is one of the most pressing social challenges of our time, and is closely linked to issues of urban design and architecture. Homeless people are part of urban society and depend on accessible public spaces and urban infrastructure. Yet, in cities around the world, local governments use policies and urban planning to ward off street people, aiming at making them invisible in the cityscape and deliberately impeding certain forms of stay. Urban design always reflects power structures—it can exclude or open up avenues for participation. ''The Roofless Truth'' brings together contributions by international researchers and practitioners from the fields of architecture, urban development and design, sociology, ethnology, social work, and education. It offers academic analyses and essays, field reports, and student proposals for interventions in public space, and features award-winning projects and initiatives in Canada, Germany, Iran, Switzerland, and the US. The book highlights how public spaces should be designed to offer protection, dignity, and opportunities for homeless people, and to facilitate encounters and interaction. The featured examples impressively demonstrate that even the smallest spatial decision can determine inclusion or exclusion. ''The Roofless Truth'' paints a multifaceted picture of planning and design as a social practice beyond representation and prestige.
Humans and cities
Montreal moods
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Millions of people love Montreal with a passion. It has a beauty of its own that sets it apart from the other great cities of the world. Over the years, Montreal has never ceased to change or grow in beauty. In this volume, Georges-Hébert Germain paints an arresting portrait of this fascinating metropolis. In this precise, colourful writing style, he describes, with(...)
Architecture de Montréal
September 2006, Québec
Montreal moods
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Millions of people love Montreal with a passion. It has a beauty of its own that sets it apart from the other great cities of the world. Over the years, Montreal has never ceased to change or grow in beauty. In this volume, Georges-Hébert Germain paints an arresting portrait of this fascinating metropolis. In this precise, colourful writing style, he describes, with remarkable evocatory power, the charm and seductiveness of Montreal. Linda Turgeon's photographs and Rose Élise Cialdella's captions portray the multiple facets-history, architecture, cultural life and human dimension-of this great city. Experience the special moods that permeate it. You will be captivated by the visual treasure trove scattered throughout Montreal. You will almost smell the scents wafting through the city's parks. You will imagine you can hear the hubbub of this teeming metropolis and its cosmopolitan population. The cultural and historical face of Montréal, the principal city of French America, has been shaped by the torment and fantasies of a people besieged but outspoken in their demands. This volume is a reminder that Montreal is a setting for gems occasionaly unbeknownst to even its own inhabitants. Discover them here and let yourself be bewitched by this city lovingly stretched out on its island.
Architecture de Montréal
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With "Atacama", Jamey Stillings again shares his distinctive aerial perspective to examine dramatic large-scale renewable energy projects, the visual dynamic of enormous mining operations and the stark beauty of the Atacama Desert, so often scarred by human activity. Chile produces a third of the world’s copper and has the largest known lithium reserves, and we utilize(...)
Jamey Stillings: Atacama, renewable energy and mining in the high desert of Chile
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With "Atacama", Jamey Stillings again shares his distinctive aerial perspective to examine dramatic large-scale renewable energy projects, the visual dynamic of enormous mining operations and the stark beauty of the Atacama Desert, so often scarred by human activity. Chile produces a third of the world’s copper and has the largest known lithium reserves, and we utilize these resources daily in our cars, computers and smartphones. The country’s mining industry has traditionally been dependent on imported coal, diesel and natural gas for its energy. Yet the Atacama Desert has excellent solar and wind potential: new renewable energy projects there now supply significant electricity to the northern grid, transmit power to population centers in the south, and are reducing mining’s dependence on fossil fuel. Stillings’ aesthetic interest in the human-altered landscape and concerns for environmental sustainability are principal pillars of his work. His photography elicits a critical dialogue about meeting our needs and desires while seeking equilibrium between nature and human activity. "Atacama," the latest chapter in his ongoing project "Changing perspectives," shows how photography can concurrently be a source of inspiration, motivation and information, and reminds us that a carbon-constrained future is crucial to a responsible approach to life on earth.
Photography monographs
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The Politics of Public Space is a quarterly publication of transcripts that speak directly to the city and the way we read it. The second volume addresses the effects of COVID-19, including the sudden changes in the way we interact and view our public spaces. It contains excerpts from Myria Georgiou, Saskia Sassen, Jack Self, Brooke Holmes, Ian Strange and Alfredo(...)
Politics of Public Space, Volume 2
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The Politics of Public Space is a quarterly publication of transcripts that speak directly to the city and the way we read it. The second volume addresses the effects of COVID-19, including the sudden changes in the way we interact and view our public spaces. It contains excerpts from Myria Georgiou, Saskia Sassen, Jack Self, Brooke Holmes, Ian Strange and Alfredo Brillembourg. This publication curates a series of global perspectives as we all come to terms with a new way of life due to the virus. Myria Georgiou observes the emergence of digital solidarity groups throughout the UK as inequalities and vulnerabilities are foregrounded. World-renowned sociologist Saskia Sassen reveals the pervasiveness of power as the fragility of our global connectedness is further disclosed. The true publicness of our cities is revealed in Jack Self’s account of protest and opposition to the political structures. Brooke Holmes depicts an interconnectedness between the health of the city and it’s citizens traced back to antiquity. Australian artist Ian Strange unpacks his understanding of the home as he recounts a decade of practice into the subject. And Venezuelan architect Alfredo Brillembourg calls to arms the architecture profession to deal directly with issues of injustice within the built environment.
Urban Theory
Energy and civilization
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Energy is the only universal currency; it is necessary for getting anything done. The conversion of energy on Earth ranges from terra-forming forces of plate tectonics to cumulative erosive effects of raindrops. Life on Earth depends on the photosynthetic conversion of solar energy into plant biomass. Humans have come to rely on many more energy flows—ranging from fossil(...)
Energy and civilization
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Energy is the only universal currency; it is necessary for getting anything done. The conversion of energy on Earth ranges from terra-forming forces of plate tectonics to cumulative erosive effects of raindrops. Life on Earth depends on the photosynthetic conversion of solar energy into plant biomass. Humans have come to rely on many more energy flows—ranging from fossil fuels to photovoltaic generation of electricity—for their civilized existence. In this monumental history, Vaclav Smil provides a comprehensive account of how energy has shaped society, from pre-agricultural foraging societies through today’s fossil fuel–driven civilization. Humans are the only species that can systematically harness energies outside their bodies, using the power of their intellect and an enormous variety of artifacts—from the simplest tools to internal combustion engines and nuclear reactors. The epochal transition to fossil fuels affected everything: agriculture, industry, transportation, weapons, communication, economics, urbanization, quality of life, politics, and the environment. Smil describes humanity’s energy eras in panoramic and interdisciplinary fashion, offering readers a magisterial overview. This book is an extensively updated and expanded version of Smil’s "Energy in world history" (1994). Smil has incorporated an enormous amount of new material, reflecting the dramatic developments in energy studies over the last two decades and his own research over that time.
Environment and environmental theory
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Irish-born designer Eileen Gray (1878-1976) is widely known today as a pioneer of both Art Deco and Modernism. In a career spanning nearly 80 years she produced innovative designs for furniture, lighting, carpets, interiors and architecture. Much less well known is that throughout her life as a designer and an architect she never stopped producing small paintings and(...)
Eileen Gray: the private painter
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Irish-born designer Eileen Gray (1878-1976) is widely known today as a pioneer of both Art Deco and Modernism. In a career spanning nearly 80 years she produced innovative designs for furniture, lighting, carpets, interiors and architecture. Much less well known is that throughout her life as a designer and an architect she never stopped producing small paintings and drawings. This book is the first to focus on Eileen Gray's important but essentially private work as a painter. Eileen Gray considered herself a designer and an architect, not a painter: she viewed her work as a painter with great modesty, treating it as a private occupation and a vehicle for artistic expression during periods when she could not design furniture. Much of her artwork has disappeared, either lost in the Second World War or destroyed by the artist herself. But a body of works on paper, produced between the 1920s and the 1950s, has survived: elegant, geometric drawings and gouaches of muted tonality and subtle power. This book, which reproduces unseen material from the Eileen Gray archive and draws on Gray's correspondence with her niece Prunella Clough on the nature of painting, will be a revelation to her many followers and admirers.
Design Monographs
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At the turn of the twentieth century, Swedish artist Hilma af Klint (1862–1944) created a body of work that left visible reality behind, exploring the radical possibilities of abstraction years before Vasily Kandinsky, Kazimir Malevich, or Piet Mondrian. Many consider her the first trained artist to create abstract paintings. With Hilma af Klint: Notes and Methods, we get(...)
Contemporary Art Monographs
October 2018
Hilma Af Klint: notes and methods
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At the turn of the twentieth century, Swedish artist Hilma af Klint (1862–1944) created a body of work that left visible reality behind, exploring the radical possibilities of abstraction years before Vasily Kandinsky, Kazimir Malevich, or Piet Mondrian. Many consider her the first trained artist to create abstract paintings. With Hilma af Klint: Notes and Methods, we get to experience the arc of af Klint’s artistic investigation in her own words. Between 1906 and 1915, purportedly guided by a higher power, af Klint created 193 individual works that, in both scale and scope of imagery, are like no other art created at that time. Botanically inspired images and mystical symbols, diagrams, words, and geometric series, all form part of af Klint’s abstract language. These abstract techniques would not be seen again until years later. Notes and Methods presents facsimile reproductions of a wide array of af Klint’s early notebooks accompanied by the first English translation of af Klint’s extensive writings. It contains the rarely seen “Blue Notebooks,” hand-painted and annotated catalogues af Klint created of her most famous series “Paintings for the Temple,” and a dictionary compiled by af Klint of the words and letters found in her work.
Contemporary Art Monographs
Architecture and dystopia
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As a response to the profound crisis of Western culture the emerged in the 1960s, radical artists from Italy, Austria, England and Japan called into question the foundations of modernist utopias. They transmuted the difficulties of capitalism into a repertory of startling images that revealed the disturbing realities of consumer society, even in those places still(...)
Architecture and dystopia
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As a response to the profound crisis of Western culture the emerged in the 1960s, radical artists from Italy, Austria, England and Japan called into question the foundations of modernist utopias. They transmuted the difficulties of capitalism into a repertory of startling images that revealed the disturbing realities of consumer society, even in those places still resistant to the penetration of modern architecture, such as Superstudio and Archizoom’s Florence. Their model, though exhausted in the space of experimentation, went on to inspire a generation of architects, from the High Tech movement to Rem Koolhaas.. In the light of these examples, how to define a unified 'dystopian' method of design, i.e. a common ground for an architecture that, by its very nature, seems to resist systematization? Are the most recognizable architectural expressions of this theoretical framework — characterized by brazen displays of technology and structures of overwhelming scale — merely isolated cases, albeit of particular iconic power? Or do they belong to a wider landscape of antirational architectural projects? And to what extent are these disturbing expressions premised on the utopian tradition or, better yet, the conceptual model of 'negative thought'? The goal of this book is to respond to such questions, thus initiating an open dialogue about the legitimacy of this critical category.
Architectural Theory
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The ethics of building
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Mario Botta's villas, schools, banks, office and administrative buildings, museums and churches are structures of extraordinary visual power. How do they come into being? What are the foundations and constants in Botta's design process? What are the (...)
The ethics of building
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Mario Botta's villas, schools, banks, office and administrative buildings, museums and churches are structures of extraordinary visual power. How do they come into being? What are the foundations and constants in Botta's design process? What are the convictions behind them and the experiences derived from thirty years of creative work? This book answers these questions in three chapters, revolving around the themes of city, architecture and design. To Botta, the most primary and important task of the house is to protect and comfort; it is the place where the individual can find himself. Consequently, Botta describes the city as the "house» of a community, a house which should permit the most varied of interactions. The design in either of these two realms should never disregard the other. The architect must not forget that one of his essential tasks is to enrich the city that all too often threatens to deteriorate into an agglomerate. Architecture that deserves its name is "pensieri costruiti»: constructed ideas; it therefore does not limit itself to the functional and the pragmatic, but holds a beacon pointing to what already exists. When it comes to his furniture designs, Botta is fascinated by the tension between unchanging function and the persistent search for new aesthetic interpretation.
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October 1997, Basel
Architecture Monographs
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The author, Gerhard Mack, explores the architecture of each individual museum in detail, and highlights current tendencies in museum building in his seminal essay "Time Rediscovered". This is complemented by an introduction by Harald Szeemann, who(...)
Art museums into the 21st century
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The author, Gerhard Mack, explores the architecture of each individual museum in detail, and highlights current tendencies in museum building in his seminal essay "Time Rediscovered". This is complemented by an introduction by Harald Szeemann, who as curator of the Kunsthaus in Zürich, was appointed director for Fine Arts at the Biennale in Venice this year. The museums examined in this book are Kunsthaus in Bregenz, the Museum of the Beyeler Fondation near Basel, the Guggenheim Museum in Bilbao, the Getty Center in Los Angeles and the Moderna und Arkitektur Museet in Stockholm all opening within a year of one another. The Tate Gallery of Modern Art which is being built by Herzog & de Meuron in a former power station on the Thames in London is to be completed in May 1999. Conversations with the architects Frank O. Gehry, Jacques Herzog, Richard Meier, Rafael Moneo, Jean Nouvel, Renzo Piano and Peter Zumthor reveal the wide spectrum of design concerns in contemporary museum design and building. In the Pavilion at the Beyeler Fondation, the interaction of nature, light and the presentation of art is an impressive experience. Jean Nouvel perceives the museum as a public place, bringing the various areas of 'urban chaos' into contact with each other. A total of eight projects are presented.
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January 1900, Basel
Museums and Universal Exhibitions