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This book consists of two parts. Within each chapter, the left-hand page shows the work of an artist and the right-hand page that of an architect. This device of presenting the work in pairs has been contrived to emphasize the remarkable degree of correspondence between art and architecture and to highlight the common conceptual and physical qualities of(...)
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Summary:
This book consists of two parts. Within each chapter, the left-hand page shows the work of an artist and the right-hand page that of an architect. This device of presenting the work in pairs has been contrived to emphasize the remarkable degree of correspondence between art and architecture and to highlight the common conceptual and physical qualities of(...)
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Art and architecture : new affinities
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This book consists of two parts. Within each chapter, the left-hand page shows the work of an artist and the right-hand page that of an architect. This device of presenting the work in pairs has been contrived to emphasize the remarkable degree of correspondence between art and architecture and to highlight the common conceptual and physical qualities of the projects. Throughout, designers, landscape architects and lighting engineers are included in the architectural category, as their working structures, contractually defined to provide a quantifiable design service to the client, are alike. The works are assembled according to their design concept and arranged in eight sections, which identify the most important characteristics of each project. 'Barometer' focuses on the connection of the work to its natural environment, and 'Passage' investigates the relationship of space perception to physical movement. 'Reflection' looks at the suggestive power of the double image, and 'Light' compiles examples of the material quality of luminous matter. The manipulation of our habitual point of view is the subject of the chapter called 'Observation', while 'Excavation', as the title suggests, deals with the exploration of negative space. The 'Sound' chapter reviews the pervasive presence of resonant structures, and 'Memory' is dedicated to the physicality of our recollections.
Art and architecture : new affinities
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This book consists of two parts. Within each chapter, the left-hand page shows the work of an artist and the right-hand page that of an architect. This device of presenting the work in pairs has been contrived to emphasize the remarkable degree of correspondence between art and architecture and to highlight the common conceptual and physical qualities of the projects. Throughout, designers, landscape architects and lighting engineers are included in the architectural category, as their working structures, contractually defined to provide a quantifiable design service to the client, are alike. The works are assembled according to their design concept and arranged in eight sections, which identify the most important characteristics of each project. 'Barometer' focuses on the connection of the work to its natural environment, and 'Passage' investigates the relationship of space perception to physical movement. 'Reflection' looks at the suggestive power of the double image, and 'Light' compiles examples of the material quality of luminous matter. The manipulation of our habitual point of view is the subject of the chapter called 'Observation', while 'Excavation', as the title suggests, deals with the exploration of negative space. The 'Sound' chapter reviews the pervasive presence of resonant structures, and 'Memory' is dedicated to the physicality of our recollections.
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books
books
Publication:
November 1999, Barcelona
November 1999, Barcelona
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Architectural Theory
Architectural Theory
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books
books
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$27.95
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This book will be a resource for all who believe in the importance of art in the wider educational realm. Framing the recent "educational turn" in the arts within a broad historical and social context, this anthology raises fundamental questions about how and what should be taught in an era of distributive rather than media-based practices. Among the many sources and(...)
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This book will be a resource for all who believe in the importance of art in the wider educational realm. Framing the recent "educational turn" in the arts within a broad historical and social context, this anthology raises fundamental questions about how and what should be taught in an era of distributive rather than media-based practices. Among the many sources and(...)
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Education
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This book will be a resource for all who believe in the importance of art in the wider educational realm. Framing the recent "educational turn" in the arts within a broad historical and social context, this anthology raises fundamental questions about how and what should be taught in an era of distributive rather than media-based practices. Among the many sources and arguments traced here is second-wave feminism, which questioned dominant notions of personal and institutional freedom as enacted through art teaching and practice. Similarly, education-based responses by the art community to the catastrophes of World War II and postcolonial conflict critically inform contemporary art confronting the interrelationships of education, power, market capitalism, and--as Michael Hardt and Antonio Negri describe it--the global condition of war. These writings by artists, philosophers, educators, poets, and activists center on three recurring and interrelated themes: the notion of "indiscipline" in theories and practices that challenge boundaries of all kinds; the present and future role of the art school; and the turn to pedagogy as medium in a diverse range of recent projects. Other writings address such issues as instrumentalism and control, liberation and equality, the production and the politics of culture, and the roots of research-based practice and experimental participatory works.
Education
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This book will be a resource for all who believe in the importance of art in the wider educational realm. Framing the recent "educational turn" in the arts within a broad historical and social context, this anthology raises fundamental questions about how and what should be taught in an era of distributive rather than media-based practices. Among the many sources and arguments traced here is second-wave feminism, which questioned dominant notions of personal and institutional freedom as enacted through art teaching and practice. Similarly, education-based responses by the art community to the catastrophes of World War II and postcolonial conflict critically inform contemporary art confronting the interrelationships of education, power, market capitalism, and--as Michael Hardt and Antonio Negri describe it--the global condition of war. These writings by artists, philosophers, educators, poets, and activists center on three recurring and interrelated themes: the notion of "indiscipline" in theories and practices that challenge boundaries of all kinds; the present and future role of the art school; and the turn to pedagogy as medium in a diverse range of recent projects. Other writings address such issues as instrumentalism and control, liberation and equality, the production and the politics of culture, and the roots of research-based practice and experimental participatory works.
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books
books
Publication:
September 2011
September 2011
Subject:
Art Theory
Art Theory
Form:
books
books
Title:
In praise of copying
In praise of copying
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$29.95
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This book is devoted to a deceptively simple but original argument: that copying is an essential part of being human, that the ability to copy is worthy of celebration, and that, without recognizing how integral copying is to being human, we cannot understand ourselves or the world we live in. In spite of the laws, stigmas, and anxieties attached to it, the word(...)
$29.95
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Summary:
This book is devoted to a deceptively simple but original argument: that copying is an essential part of being human, that the ability to copy is worthy of celebration, and that, without recognizing how integral copying is to being human, we cannot understand ourselves or the world we live in. In spite of the laws, stigmas, and anxieties attached to it, the word(...)
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In praise of copying
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$29.95
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This book is devoted to a deceptively simple but original argument: that copying is an essential part of being human, that the ability to copy is worthy of celebration, and that, without recognizing how integral copying is to being human, we cannot understand ourselves or the world we live in. In spite of the laws, stigmas, and anxieties attached to it, the word “copying” permeates contemporary culture, shaping discourse on issues from hip hop to digitization to gender reassignment, and is particularly crucial in legal debates concerning intellectual property and copyright. Yet as a philosophical concept, copying remains poorly understood. Working comparatively across cultures and times, Marcus Boon undertakes an examination of what this word means—historically, culturally, philosophically—and why it fills us with fear and fascination. He argues that the dominant legal-political structures that define copying today obscure much broader processes of imitation that have constituted human communities for ages and continue to shape various subcultures today. Drawing on contemporary art, music and film, the history of aesthetics, critical theory, and Buddhist philosophy and practice, In Praise of Copying seeks to show how and why copying works, what the sources of its power are, and the political stakes of renegotiating the way we value copying in the age of globalization.
In praise of copying
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$29.95
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Summary:
This book is devoted to a deceptively simple but original argument: that copying is an essential part of being human, that the ability to copy is worthy of celebration, and that, without recognizing how integral copying is to being human, we cannot understand ourselves or the world we live in. In spite of the laws, stigmas, and anxieties attached to it, the word “copying” permeates contemporary culture, shaping discourse on issues from hip hop to digitization to gender reassignment, and is particularly crucial in legal debates concerning intellectual property and copyright. Yet as a philosophical concept, copying remains poorly understood. Working comparatively across cultures and times, Marcus Boon undertakes an examination of what this word means—historically, culturally, philosophically—and why it fills us with fear and fascination. He argues that the dominant legal-political structures that define copying today obscure much broader processes of imitation that have constituted human communities for ages and continue to shape various subcultures today. Drawing on contemporary art, music and film, the history of aesthetics, critical theory, and Buddhist philosophy and practice, In Praise of Copying seeks to show how and why copying works, what the sources of its power are, and the political stakes of renegotiating the way we value copying in the age of globalization.
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books
books
Publication:
October 2010
October 2010
Subject:
Critical Theory
Critical Theory
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books
books
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$9.95
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Ce catalogue d'exposition, qui comprend un texte du commisaire, Laurier Lacroix, et un projet d'artiste d'Irene F. Whittome, examine les rapports multiples qui existent entre l'art et l'architecure. À partir d'une sélection de pièces tirées des collections du CCA et de nouvelles installations qu'elle a conçues spécialement pour les espaces du musée,(...)
$9.95
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Ce catalogue d'exposition, qui comprend un texte du commisaire, Laurier Lacroix, et un projet d'artiste d'Irene F. Whittome, examine les rapports multiples qui existent entre l'art et l'architecure. À partir d'une sélection de pièces tirées des collections du CCA et de nouvelles installations qu'elle a conçues spécialement pour les espaces du musée,(...)
Title:
Embarquement pour Katsura : Irene F. Whittome au CCA / Departure for Katsura : Irene F. Whittome at the CCA
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Ce catalogue d'exposition, qui comprend un texte du commisaire, Laurier Lacroix, et un projet d'artiste d'Irene F. Whittome, examine les rapports multiples qui existent entre l'art et l'architecure. À partir d'une sélection de pièces tirées des collections du CCA et de nouvelles installations qu'elle a conçues spécialement pour les espaces du musée, Whittome cherche à en révéler le pouvoir d'évocation et l'intensité contemplative. Laurier Lacroix présente la genèse de l'exposition et propose des interprétations poétiques de oeuvres et des installations. Le projet d'artiste créé pour la publication est constitué de l'impression en braille de 14 haikus de poète japonais Basho. With a text by guest curator Laurier Lacroix, and an aritst’s project by Irene F. Whittome, this exhibition catalogue examines the multifaceted relationships between art and architecture. Through a selection of works drawn from the CCA collections and new works Whittome has created specifically for the spaces of the CCA, the artist has sought to bring out the evocative and contemplative power of each. The text by Laurier Lacroix describes the genesis of the exhibition and offers a series of poetic interpretations of the works. The artist’s project created for the publication consists of 14 haiku by the Japanese poet Basho printed in braille.
Embarquement pour Katsura : Irene F. Whittome au CCA / Departure for Katsura : Irene F. Whittome at the CCA
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$9.95
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Summary:
Ce catalogue d'exposition, qui comprend un texte du commisaire, Laurier Lacroix, et un projet d'artiste d'Irene F. Whittome, examine les rapports multiples qui existent entre l'art et l'architecure. À partir d'une sélection de pièces tirées des collections du CCA et de nouvelles installations qu'elle a conçues spécialement pour les espaces du musée, Whittome cherche à en révéler le pouvoir d'évocation et l'intensité contemplative. Laurier Lacroix présente la genèse de l'exposition et propose des interprétations poétiques de oeuvres et des installations. Le projet d'artiste créé pour la publication est constitué de l'impression en braille de 14 haikus de poète japonais Basho. With a text by guest curator Laurier Lacroix, and an aritst’s project by Irene F. Whittome, this exhibition catalogue examines the multifaceted relationships between art and architecture. Through a selection of works drawn from the CCA collections and new works Whittome has created specifically for the spaces of the CCA, the artist has sought to bring out the evocative and contemplative power of each. The text by Laurier Lacroix describes the genesis of the exhibition and offers a series of poetic interpretations of the works. The artist’s project created for the publication consists of 14 haiku by the Japanese poet Basho printed in braille.
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books
books
Publication:
November 1998, Montréal
November 1998, Montréal
Subject:
CCA Publications
CCA Publications
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books
books
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$31.95
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On the premise that words have the power to make worlds, each essay in this book follows a word as it travels around the globe and across time. Scholars from five disciplines address thirteen societies to highlight the social and political life of words in Asia, Europe, and the Middle East, from the mid-nineteenth century to the present. The approach is consciously(...)
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Summary:
On the premise that words have the power to make worlds, each essay in this book follows a word as it travels around the globe and across time. Scholars from five disciplines address thirteen societies to highlight the social and political life of words in Asia, Europe, and the Middle East, from the mid-nineteenth century to the present. The approach is consciously(...)
Subject:
Architectural Theory
Architectural Theory
Publication:
December 2009
December 2009
Title:
Words in motion: toward a global lexicon
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On the premise that words have the power to make worlds, each essay in this book follows a word as it travels around the globe and across time. Scholars from five disciplines address thirteen societies to highlight the social and political life of words in Asia, Europe, and the Middle East, from the mid-nineteenth century to the present. The approach is consciously experimental, in that rigorously tracking a specific word in specific settings frequently leads in unexpected directions and alters conventional depictions of global modernity. Such words as security in Brazil, responsibility in Japan, community in Thailand, and hijb in France changed the societies in which they moved even as they were changed by them. Some words threatened to launch wars, as injury did in imperial Britain's relations with China in the nineteenth century. Others, such as secularism, worked in silence to agitate for political change in twentieth-century Morocco. Words imposed or imported from outside could be transformed by those who wielded them to oppose the very powers that introduced them, as happened in Turkey, Indonesia, and the Philippines. Taken together, this selection of fourteen words reveals commonality as well as distinctiveness in modern societies, making the world look different from the interdisciplinary and transnational perspective of "words in motion."
Words in motion: toward a global lexicon
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$31.95
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Summary:
On the premise that words have the power to make worlds, each essay in this book follows a word as it travels around the globe and across time. Scholars from five disciplines address thirteen societies to highlight the social and political life of words in Asia, Europe, and the Middle East, from the mid-nineteenth century to the present. The approach is consciously experimental, in that rigorously tracking a specific word in specific settings frequently leads in unexpected directions and alters conventional depictions of global modernity. Such words as security in Brazil, responsibility in Japan, community in Thailand, and hijb in France changed the societies in which they moved even as they were changed by them. Some words threatened to launch wars, as injury did in imperial Britain's relations with China in the nineteenth century. Others, such as secularism, worked in silence to agitate for political change in twentieth-century Morocco. Words imposed or imported from outside could be transformed by those who wielded them to oppose the very powers that introduced them, as happened in Turkey, Indonesia, and the Philippines. Taken together, this selection of fourteen words reveals commonality as well as distinctiveness in modern societies, making the world look different from the interdisciplinary and transnational perspective of "words in motion."
Form:
books
books
Publication:
December 2009
December 2009
Subject:
Architectural Theory
Architectural Theory
Form:
books
books
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$32.95
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Summary:
How did a First World urban population come to imagine itself as part of a global anti-colonial movement? This book tackles this and other paradoxes created by the surprising power and influence of Third World decolonization on political activism in 1960s Montreal. In a brilliant history of a turbulent time and place, Mills pulls back the curtain on the decade's(...)
$32.95
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Summary:
How did a First World urban population come to imagine itself as part of a global anti-colonial movement? This book tackles this and other paradoxes created by the surprising power and influence of Third World decolonization on political activism in 1960s Montreal. In a brilliant history of a turbulent time and place, Mills pulls back the curtain on the decade's(...)
Title:
The empire within: postcolonial thought and political activism in Sixties Montréal
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How did a First World urban population come to imagine itself as part of a global anti-colonial movement? This book tackles this and other paradoxes created by the surprising power and influence of Third World decolonization on political activism in 1960s Montreal. In a brilliant history of a turbulent time and place, Mills pulls back the curtain on the decade's activists and intellectuals, showing their engagement both with each other and with people from around the world. He demonstrates how activists of different backgrounds and with different political aims drew on ideas of decolonization to rethink the meanings attached to the politics of sex, race, and class and to imagine themselves as part of a broad transnational movement of anti-colonial and anti-imperialist resistance. The temporary unity forged around ideas of decolonization came undone in the 1970s, however, as many were forced to come to terms with the contradictions and ambiguities of applying ideas of decolonization in Quebec. From linguistic debates to labour unions, and from the political activities of citizens in the city's poorest neighbourhoods to its Caribbean intellectuals, this publication is a political tour of Montreal that reconsiders the meaning and legacy of the city's dissident traditions. It is also a fascinating chapter in the history of postcolonial thought.
The empire within: postcolonial thought and political activism in Sixties Montréal
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$32.95
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Summary:
How did a First World urban population come to imagine itself as part of a global anti-colonial movement? This book tackles this and other paradoxes created by the surprising power and influence of Third World decolonization on political activism in 1960s Montreal. In a brilliant history of a turbulent time and place, Mills pulls back the curtain on the decade's activists and intellectuals, showing their engagement both with each other and with people from around the world. He demonstrates how activists of different backgrounds and with different political aims drew on ideas of decolonization to rethink the meanings attached to the politics of sex, race, and class and to imagine themselves as part of a broad transnational movement of anti-colonial and anti-imperialist resistance. The temporary unity forged around ideas of decolonization came undone in the 1970s, however, as many were forced to come to terms with the contradictions and ambiguities of applying ideas of decolonization in Quebec. From linguistic debates to labour unions, and from the political activities of citizens in the city's poorest neighbourhoods to its Caribbean intellectuals, this publication is a political tour of Montreal that reconsiders the meaning and legacy of the city's dissident traditions. It is also a fascinating chapter in the history of postcolonial thought.
Form:
books
books
Publication:
August 2010
August 2010
Subject:
Architecture de Montréal
Architecture de Montréal
Form:
books
books
Title:
In praise of copying
In praise of copying
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$24.95
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Summary:
This book is devoted to a deceptively simple but original argument : that copying is an essential part of being human, that the ability to copy is worthy of celebration, and that, without recognizing how integral copying is to being human, we cannot understand ourselves or the world we live in. In spite of the laws, stigmas, and anxieties attached to it, the word(...)
$24.95
(available to order)
Summary:
This book is devoted to a deceptively simple but original argument : that copying is an essential part of being human, that the ability to copy is worthy of celebration, and that, without recognizing how integral copying is to being human, we cannot understand ourselves or the world we live in. In spite of the laws, stigmas, and anxieties attached to it, the word(...)
Title:
In praise of copying
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$24.95
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Summary:
This book is devoted to a deceptively simple but original argument : that copying is an essential part of being human, that the ability to copy is worthy of celebration, and that, without recognizing how integral copying is to being human, we cannot understand ourselves or the world we live in. In spite of the laws, stigmas, and anxieties attached to it, the word “copying” permeates contemporary culture, shaping discourse on issues from hip hop to digitization to gender reassignment, and is particularly crucial in legal debates concerning intellectual property and copyright. Yet as a philosophical concept, copying remains poorly understood. Working comparatively across cultures and times, Marcus Boon undertakes an examination of what this word means — historically, culturally, philosophically — and why it fills us with fear and fascination. He argues that the dominant legal-political structures that define copying today obscure much broader processes of imitation that have constituted human communities for ages and continue to shape various subcultures today. Drawing on contemporary art, music and film, the history of aesthetics, critical theory, and Buddhist philosophy and practice, In Praise of Copying seeks to show how and why copying works, what the sources of its power are, and the political stakes of renegotiating the way we value copying in the age of globalization.
In praise of copying
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Price:
$24.95
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Summary:
This book is devoted to a deceptively simple but original argument : that copying is an essential part of being human, that the ability to copy is worthy of celebration, and that, without recognizing how integral copying is to being human, we cannot understand ourselves or the world we live in. In spite of the laws, stigmas, and anxieties attached to it, the word “copying” permeates contemporary culture, shaping discourse on issues from hip hop to digitization to gender reassignment, and is particularly crucial in legal debates concerning intellectual property and copyright. Yet as a philosophical concept, copying remains poorly understood. Working comparatively across cultures and times, Marcus Boon undertakes an examination of what this word means — historically, culturally, philosophically — and why it fills us with fear and fascination. He argues that the dominant legal-political structures that define copying today obscure much broader processes of imitation that have constituted human communities for ages and continue to shape various subcultures today. Drawing on contemporary art, music and film, the history of aesthetics, critical theory, and Buddhist philosophy and practice, In Praise of Copying seeks to show how and why copying works, what the sources of its power are, and the political stakes of renegotiating the way we value copying in the age of globalization.
Form:
books
books
Publication:
March 2013
March 2013
Subject:
Critical Theory
Critical Theory
Form:
books
books
Price:
$47.50
(available to order)
Summary:
In times where global matters such as the climate, currencies and places of residence become increasingly volatile, the urban public space we live in is an area where power, identity and belonging are negotiated. Cities have always been melting pots of history, society, art and politics, which is why the way a city is shaped tells us a lot about the people who live in it.(...)
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In times where global matters such as the climate, currencies and places of residence become increasingly volatile, the urban public space we live in is an area where power, identity and belonging are negotiated. Cities have always been melting pots of history, society, art and politics, which is why the way a city is shaped tells us a lot about the people who live in it.(...)
Title:
Ethics of the urban: the city and the spaces of the political
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$47.50
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In times where global matters such as the climate, currencies and places of residence become increasingly volatile, the urban public space we live in is an area where power, identity and belonging are negotiated. Cities have always been melting pots of history, society, art and politics, which is why the way a city is shaped tells us a lot about the people who live in it. With contributors from a variety of fields, Ethics of the Urban discusses these urban spaces of the political. "How do we move about the city?", "How does memory of the past inspire the future of cities?" and "What makes a city a home?" are only some of the many questions that Ethics of the Urban addresses. The publication gathers experts from history, sociology, art, political theory, planning, law and design to emphasize the complexity of the meaning that urban space has today. Urban spaces are on one hand political spaces, since buildings, streets and people moving around all mirror political decisions in one way or another. On the other hand, the urban space is also a designed space, conceptualized, planned and sometimes gentrified. Complimented by stunning photography, Ethics of the Urban is a vibrant intellectual journey straight into the bone marrow of every contemporary city around the globe.
Ethics of the urban: the city and the spaces of the political
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$47.50
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Summary:
In times where global matters such as the climate, currencies and places of residence become increasingly volatile, the urban public space we live in is an area where power, identity and belonging are negotiated. Cities have always been melting pots of history, society, art and politics, which is why the way a city is shaped tells us a lot about the people who live in it. With contributors from a variety of fields, Ethics of the Urban discusses these urban spaces of the political. "How do we move about the city?", "How does memory of the past inspire the future of cities?" and "What makes a city a home?" are only some of the many questions that Ethics of the Urban addresses. The publication gathers experts from history, sociology, art, political theory, planning, law and design to emphasize the complexity of the meaning that urban space has today. Urban spaces are on one hand political spaces, since buildings, streets and people moving around all mirror political decisions in one way or another. On the other hand, the urban space is also a designed space, conceptualized, planned and sometimes gentrified. Complimented by stunning photography, Ethics of the Urban is a vibrant intellectual journey straight into the bone marrow of every contemporary city around the globe.
Form:
books
books
Publication:
March 2017
March 2017
Subject:
Urban Theory
Urban Theory
Form:
books
books
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Subject:
Publication:
European Center for Constitutional and Human Rights Akademie der Künste 2019
European Center for Constitutional and Human Rights Akademie der Künste 2019
Form:
books
books
Publication:
European Center for Constitutional and Human Rights Akademie der Künste 2019
European Center for Constitutional and Human Rights Akademie der Künste 2019
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Form:
books
books
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$39.95
(available to order)
Summary:
"Out of the ordinary" is a detailed account of current work by Pollard Thomas Edwards architects (PTEa), accompanied by an overview of the career of this prominent practice. Innovators in both design and business strategies, PTEa have been pioneers of urban property development since they were established in the 1970s, and their radical methodologies continue to(...)
$39.95
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Summary:
"Out of the ordinary" is a detailed account of current work by Pollard Thomas Edwards architects (PTEa), accompanied by an overview of the career of this prominent practice. Innovators in both design and business strategies, PTEa have been pioneers of urban property development since they were established in the 1970s, and their radical methodologies continue to(...)
Title:
Out of the ordinary : Pollard Thomas Edwards architects
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$39.95
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"Out of the ordinary" is a detailed account of current work by Pollard Thomas Edwards architects (PTEa), accompanied by an overview of the career of this prominent practice. Innovators in both design and business strategies, PTEa have been pioneers of urban property development since they were established in the 1970s, and their radical methodologies continue to influence contemporary architecture, even as they continue to evolve. PTEa's innovations have now become absorbed into standard urban design practice; this book shows how they continue to build upon their own radical approach in their most recent projects, including the development at City Road Basin, which houses their own offices among new mixed-use buildings and public gardens. PTEa's work, in its emphasis upon context and the accommodation of the new within the old, is doubly 'out of the ordinary'; by emerging from and working within 'ordinary', existing structures, they are a truly extraordinary practice.
Out of the ordinary : Pollard Thomas Edwards architects
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$39.95
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Summary:
"Out of the ordinary" is a detailed account of current work by Pollard Thomas Edwards architects (PTEa), accompanied by an overview of the career of this prominent practice. Innovators in both design and business strategies, PTEa have been pioneers of urban property development since they were established in the 1970s, and their radical methodologies continue to influence contemporary architecture, even as they continue to evolve. PTEa's innovations have now become absorbed into standard urban design practice; this book shows how they continue to build upon their own radical approach in their most recent projects, including the development at City Road Basin, which houses their own offices among new mixed-use buildings and public gardens. PTEa's work, in its emphasis upon context and the accommodation of the new within the old, is doubly 'out of the ordinary'; by emerging from and working within 'ordinary', existing structures, they are a truly extraordinary practice.
Form:
books
books
Publication:
September 2005, London
September 2005, London
Subject:
Architecture Monographs
Architecture Monographs
