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"Out of the ordinary" is a detailed account of current work by Pollard Thomas Edwards architects (PTEa), accompanied by an overview of the career of this prominent practice. Innovators in both design and business strategies, PTEa have been pioneers of urban property development since they were established in the 1970s, and their radical methodologies continue to(...)
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"Out of the ordinary" is a detailed account of current work by Pollard Thomas Edwards architects (PTEa), accompanied by an overview of the career of this prominent practice. Innovators in both design and business strategies, PTEa have been pioneers of urban property development since they were established in the 1970s, and their radical methodologies continue to(...)
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Out of the ordinary : Pollard Thomas Edwards architects
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"Out of the ordinary" is a detailed account of current work by Pollard Thomas Edwards architects (PTEa), accompanied by an overview of the career of this prominent practice. Innovators in both design and business strategies, PTEa have been pioneers of urban property development since they were established in the 1970s, and their radical methodologies continue to influence contemporary architecture, even as they continue to evolve. PTEa's innovations have now become absorbed into standard urban design practice; this book shows how they continue to build upon their own radical approach in their most recent projects, including the development at City Road Basin, which houses their own offices among new mixed-use buildings and public gardens. PTEa's work, in its emphasis upon context and the accommodation of the new within the old, is doubly 'out of the ordinary'; by emerging from and working within 'ordinary', existing structures, they are a truly extraordinary practice.
Out of the ordinary : Pollard Thomas Edwards architects
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"Out of the ordinary" is a detailed account of current work by Pollard Thomas Edwards architects (PTEa), accompanied by an overview of the career of this prominent practice. Innovators in both design and business strategies, PTEa have been pioneers of urban property development since they were established in the 1970s, and their radical methodologies continue to influence contemporary architecture, even as they continue to evolve. PTEa's innovations have now become absorbed into standard urban design practice; this book shows how they continue to build upon their own radical approach in their most recent projects, including the development at City Road Basin, which houses their own offices among new mixed-use buildings and public gardens. PTEa's work, in its emphasis upon context and the accommodation of the new within the old, is doubly 'out of the ordinary'; by emerging from and working within 'ordinary', existing structures, they are a truly extraordinary practice.
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books
books
Publication:
September 2005, London
September 2005, London
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Architecture Monographs
Architecture Monographs
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Description:
286 pages : color illustrations ; 25 cm
Description:
286 pages : color illustrations ; 25 cm
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Leipzig : Spector Books, 2025., [New York] : ARTBOOK/D.A.P.
Leipzig : Spector Books, 2025., [New York] : ARTBOOK/D.A.P.
Title:
The lure of the image / edited by Marco De Mutiis, Gwendolyn Fässler, Doris Gassert, Alessandra Nappo.
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286 pages : color illustrations ; 25 cm
The lure of the image / edited by Marco De Mutiis, Gwendolyn Fässler, Doris Gassert, Alessandra Nappo.
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286 pages : color illustrations ; 25 cm
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books
books
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Leipzig : Spector Books, 2025., [New York] : ARTBOOK/D.A.P.
Leipzig : Spector Books, 2025., [New York] : ARTBOOK/D.A.P.
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audio
audio
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Conflict of Interest.
Conflict of Interest.
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1 online resource.
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[Place of publication not identified] : Momus, 2018.
[Place of publication not identified] : Momus, 2018.
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audio
audio
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[Place of publication not identified] : Momus, 2018.
[Place of publication not identified] : Momus, 2018.
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books
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1 online resource.
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[Place of publication not identified] : Wilfried Lentz Rotterdam, 2011.
[Place of publication not identified] : Wilfried Lentz Rotterdam, 2011.
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books
books
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[Place of publication not identified] : Wilfried Lentz Rotterdam, 2011.
[Place of publication not identified] : Wilfried Lentz Rotterdam, 2011.
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books
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Hatje Cantz 2012
Hatje Cantz 2012
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books
books
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Hatje Cantz 2012
Hatje Cantz 2012
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$78.00
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For centuries, the cardinals, popes, and rulers of Italy have devoted themselves to creating vast villa gardens that represent their wealth and power, provide a calm refuge from city life, and showcase lavish plantings and rare flowers. Here, in over two hundred photographs — taken during the Edwardian era when these historic gardens were at their peak — twenty-two of(...)
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For centuries, the cardinals, popes, and rulers of Italy have devoted themselves to creating vast villa gardens that represent their wealth and power, provide a calm refuge from city life, and showcase lavish plantings and rare flowers. Here, in over two hundred photographs — taken during the Edwardian era when these historic gardens were at their peak — twenty-two of(...)
Title:
Italian gardens : romantic splendor in the Edwardian age
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For centuries, the cardinals, popes, and rulers of Italy have devoted themselves to creating vast villa gardens that represent their wealth and power, provide a calm refuge from city life, and showcase lavish plantings and rare flowers. Here, in over two hundred photographs — taken during the Edwardian era when these historic gardens were at their peak — twenty-two of central Italy's most ornate and spectacular palace gardens are presented. This publication reveals the vanished magnificence of the aristocracy's landscapes in images from the archives of Britain's Country Life magazine. Classic photographs display patterned grottoes, elaborate terraces, sophisticated fountains, antique statuary, and sun-dappled arbors to provide an important record of these gardens at a nostalgic moment in time, before the two World Wars provoked irrevocable changes in Italy's political and economic climate and many gardens fell into neglect. Discussing the history and design of each garden, author Helena Attlee brings to life the personalities responsible for such extravagant creations as the Alley of a Hundred Fountains at the Villa d'Este in Tivoli, the swirling parterres de broderie of Villa Doria Pamphili in Rome, the broad terraces and majestic staircases of the Vatican Gardens, the frescoed loggia of the Villa Medici in Fiesole, and the border of innumerable citrus trees circling the Isolotto in Florence's famous Boboli Gardens.
Italian gardens : romantic splendor in the Edwardian age
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For centuries, the cardinals, popes, and rulers of Italy have devoted themselves to creating vast villa gardens that represent their wealth and power, provide a calm refuge from city life, and showcase lavish plantings and rare flowers. Here, in over two hundred photographs — taken during the Edwardian era when these historic gardens were at their peak — twenty-two of central Italy's most ornate and spectacular palace gardens are presented. This publication reveals the vanished magnificence of the aristocracy's landscapes in images from the archives of Britain's Country Life magazine. Classic photographs display patterned grottoes, elaborate terraces, sophisticated fountains, antique statuary, and sun-dappled arbors to provide an important record of these gardens at a nostalgic moment in time, before the two World Wars provoked irrevocable changes in Italy's political and economic climate and many gardens fell into neglect. Discussing the history and design of each garden, author Helena Attlee brings to life the personalities responsible for such extravagant creations as the Alley of a Hundred Fountains at the Villa d'Este in Tivoli, the swirling parterres de broderie of Villa Doria Pamphili in Rome, the broad terraces and majestic staircases of the Vatican Gardens, the frescoed loggia of the Villa Medici in Fiesole, and the border of innumerable citrus trees circling the Isolotto in Florence's famous Boboli Gardens.
Form:
books
books
Publication:
August 2009
August 2009
Subject:
Gardens
Gardens
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books
books
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$60.95
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Summary:
Mussolini’s bold claims upon the monuments and rhetoric of ancient Rome have been the subject of a number of recent books. D. Medina Lasansky shows us a much less familiar side of the cultural politics of Italian Fascism, tracing its wide-ranging efforts to adapt the nation’s medieval and Renaissance heritage to satisfy the regime’s programs of national regeneration.(...)
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Mussolini’s bold claims upon the monuments and rhetoric of ancient Rome have been the subject of a number of recent books. D. Medina Lasansky shows us a much less familiar side of the cultural politics of Italian Fascism, tracing its wide-ranging efforts to adapt the nation’s medieval and Renaissance heritage to satisfy the regime’s programs of national regeneration.(...)
Title:
The Renaissance perfected: architecture, spectacle, and tourism in Fascist Italy
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Mussolini’s bold claims upon the monuments and rhetoric of ancient Rome have been the subject of a number of recent books. D. Medina Lasansky shows us a much less familiar side of the cultural politics of Italian Fascism, tracing its wide-ranging efforts to adapt the nation’s medieval and Renaissance heritage to satisfy the regime’s programs of national regeneration. Anyone acquainted with the beauties of Tuscany will be surprised to learn that architects, planners, and administrators working within Fascist programs fabricated much of what today’s tourists admire as authentic. Public squares, town halls, palaces, gardens, and civic rituals (including the famed palio of Siena) were all "restored" to suit a vision of the past shaped by Fascist notions of virile power, social order, and national achievement in the arts. Ultimately, Lasansky forces readers to question long-standing assumptions about the Renaissance even as she expands the parameters of what constitutes Fascist culture.The arguments in The Renaissance Perfected are based in fresh archival evidence and a rich collection of illustrations, many reproduced for the first time, ranging from photographs and architectural drawings to tourist posters and film stills. Lasansky’s groundbreaking book will be essential reading for students of medieval, Renaissance, and twentieth-century Italy as well as all those concerned with visual culture, architectural preservation, heritage studies, and tourism studies.
The Renaissance perfected: architecture, spectacle, and tourism in Fascist Italy
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$60.95
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Summary:
Mussolini’s bold claims upon the monuments and rhetoric of ancient Rome have been the subject of a number of recent books. D. Medina Lasansky shows us a much less familiar side of the cultural politics of Italian Fascism, tracing its wide-ranging efforts to adapt the nation’s medieval and Renaissance heritage to satisfy the regime’s programs of national regeneration. Anyone acquainted with the beauties of Tuscany will be surprised to learn that architects, planners, and administrators working within Fascist programs fabricated much of what today’s tourists admire as authentic. Public squares, town halls, palaces, gardens, and civic rituals (including the famed palio of Siena) were all "restored" to suit a vision of the past shaped by Fascist notions of virile power, social order, and national achievement in the arts. Ultimately, Lasansky forces readers to question long-standing assumptions about the Renaissance even as she expands the parameters of what constitutes Fascist culture.The arguments in The Renaissance Perfected are based in fresh archival evidence and a rich collection of illustrations, many reproduced for the first time, ranging from photographs and architectural drawings to tourist posters and film stills. Lasansky’s groundbreaking book will be essential reading for students of medieval, Renaissance, and twentieth-century Italy as well as all those concerned with visual culture, architectural preservation, heritage studies, and tourism studies.
Form:
books
books
Publication:
May 2009
May 2009
Subject:
Architectural Theory
Architectural Theory
Form:
books
books
Price:
$49.95
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Summary:
''Cloud-to-ground'' is the scientific term for lightning that strikes directly into the ground. Cloud-to-ground, published in conjunction with the Israeli pavilion at the 18th International Architecture Exhibition of the Venice Biennale, investigates the shifts in political power structure that result from the wide-spread use of cloud technology: the storage, processing,(...)
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''Cloud-to-ground'' is the scientific term for lightning that strikes directly into the ground. Cloud-to-ground, published in conjunction with the Israeli pavilion at the 18th International Architecture Exhibition of the Venice Biennale, investigates the shifts in political power structure that result from the wide-spread use of cloud technology: the storage, processing,(...)
Title:
Cloud-to-ground.Israel pavillion, Venice Architecture Biennale
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''Cloud-to-ground'' is the scientific term for lightning that strikes directly into the ground. Cloud-to-ground, published in conjunction with the Israeli pavilion at the 18th International Architecture Exhibition of the Venice Biennale, investigates the shifts in political power structure that result from the wide-spread use of cloud technology: the storage, processing, and analysis of inconceivable amounts of data in computer “clouds.” The focus is on major infrastructure projects currently underway in Israel and the Middle East region. These include Nimbus, a major cloud project pursued by the Israeli government for which Google and Amazon are building new powerful data centers, and the Blue Raman fiber-optic cable across the Negev Desert, also laid by Google, which will bypass Egypt on its way from India to Europe and at the same time revive the ancient trade routes that passed through this country. ''Cloud-to-ground'' also documents the decommissioning and demolition of countless telephone exchanges in Israel’s cities that have become obsolete. It thus brings to attention the physical nature of these largely ignored “black box” structures and connects them to the history of the Middle East and recent developments in global communication technology. Essays by prominent Israeli scholars are complemented by numerous photographs, sketches, and archival documents, as well as a newly compiled index of 140 telephone exchanges in Israel.
Cloud-to-ground.Israel pavillion, Venice Architecture Biennale
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$49.95
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Summary:
''Cloud-to-ground'' is the scientific term for lightning that strikes directly into the ground. Cloud-to-ground, published in conjunction with the Israeli pavilion at the 18th International Architecture Exhibition of the Venice Biennale, investigates the shifts in political power structure that result from the wide-spread use of cloud technology: the storage, processing, and analysis of inconceivable amounts of data in computer “clouds.” The focus is on major infrastructure projects currently underway in Israel and the Middle East region. These include Nimbus, a major cloud project pursued by the Israeli government for which Google and Amazon are building new powerful data centers, and the Blue Raman fiber-optic cable across the Negev Desert, also laid by Google, which will bypass Egypt on its way from India to Europe and at the same time revive the ancient trade routes that passed through this country. ''Cloud-to-ground'' also documents the decommissioning and demolition of countless telephone exchanges in Israel’s cities that have become obsolete. It thus brings to attention the physical nature of these largely ignored “black box” structures and connects them to the history of the Middle East and recent developments in global communication technology. Essays by prominent Israeli scholars are complemented by numerous photographs, sketches, and archival documents, as well as a newly compiled index of 140 telephone exchanges in Israel.
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books
books
Publication:
September 2023
September 2023
Subject:
Biennial
Biennial
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books
books
Title:
The birth of graffiti
The birth of graffiti
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The now global phenomenon of graffiti was first captured in New York by a professional photographer in early 1973. The result was Jon Naar's The Faith of Graffiti, the first and most celebrated book about this controversial new art form. Now the forty or so photographs in that book and more than one hundred additional never-before-published pictures from that landmark(...)
$32.00
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Summary:
The now global phenomenon of graffiti was first captured in New York by a professional photographer in early 1973. The result was Jon Naar's The Faith of Graffiti, the first and most celebrated book about this controversial new art form. Now the forty or so photographs in that book and more than one hundred additional never-before-published pictures from that landmark(...)
Publication:
June 2007, Munich
June 2007, Munich
Title:
The birth of graffiti
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$32.00
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Summary:
The now global phenomenon of graffiti was first captured in New York by a professional photographer in early 1973. The result was Jon Naar's The Faith of Graffiti, the first and most celebrated book about this controversial new art form. Now the forty or so photographs in that book and more than one hundred additional never-before-published pictures from that landmark body of work are brought together in a book destined to become a classic in its own right. Presented full-frame, at high resolution, and with meticulous attention to the original color, this book brings to life the gritty, exciting New York of the early 1970s and the raw visual power of early graffiti. While today graffiti is an accepted reality of city life--by turns condemned and embraced--these early photographs recall a time when subway cars and tenement walls seemed to explode overnight into bursts of color and energy. In most cases these ephemeral works survive only in Naar's masterful photographs. Sacha Jenkins, an authority on graffiti's history, puts these photographs in a broad historical context of an emerging youth culture that now reaches into every corner of art, fashion, and entertainment. At once nostalgic and inspirational, The Birth of Graffiti opens the way to a deeper appreciation of graffiti's historical and artistic significance.
The birth of graffiti
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$32.00
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Summary:
The now global phenomenon of graffiti was first captured in New York by a professional photographer in early 1973. The result was Jon Naar's The Faith of Graffiti, the first and most celebrated book about this controversial new art form. Now the forty or so photographs in that book and more than one hundred additional never-before-published pictures from that landmark body of work are brought together in a book destined to become a classic in its own right. Presented full-frame, at high resolution, and with meticulous attention to the original color, this book brings to life the gritty, exciting New York of the early 1970s and the raw visual power of early graffiti. While today graffiti is an accepted reality of city life--by turns condemned and embraced--these early photographs recall a time when subway cars and tenement walls seemed to explode overnight into bursts of color and energy. In most cases these ephemeral works survive only in Naar's masterful photographs. Sacha Jenkins, an authority on graffiti's history, puts these photographs in a broad historical context of an emerging youth culture that now reaches into every corner of art, fashion, and entertainment. At once nostalgic and inspirational, The Birth of Graffiti opens the way to a deeper appreciation of graffiti's historical and artistic significance.
Form:
books
books
Publication:
June 2007, Munich
June 2007, Munich
Form:
books
books
Price:
$63.95
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Summary:
This book investigates the state of panoptic art at a time when issues of security and civil liberties are on many people’s minds. Traditional imaging and tracking systems have given way to infinitely more powerful “dataveillance” technologies, as an evolving arsenal of surrogate eyes and ears in our society shifts its focus from military to domestic space. Taking as its(...)
$63.95
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Summary:
This book investigates the state of panoptic art at a time when issues of security and civil liberties are on many people’s minds. Traditional imaging and tracking systems have given way to infinitely more powerful “dataveillance” technologies, as an evolving arsenal of surrogate eyes and ears in our society shifts its focus from military to domestic space. Taking as its(...)
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Publication:
March 2002, Karlsruhe, Germany / Cambridge, Massachusett
March 2002, Karlsruhe, Germany / Cambridge, Massachusett
Title:
CTRL (space) : rhetorics of surveillance from Bentham to big brother
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This book investigates the state of panoptic art at a time when issues of security and civil liberties are on many people’s minds. Traditional imaging and tracking systems have given way to infinitely more powerful “dataveillance” technologies, as an evolving arsenal of surrogate eyes and ears in our society shifts its focus from military to domestic space. Taking as its point of departure an architectural drawing by Jeremy Bentham that became the model for an entire social regime, CTRL [SPACE] looks at the shifting relationships between design and power, imaging and oppression, from the eighteenth to the twenty-first centuries. From the photographs taken with hidden cameras by Walker Evans and Paul Strand in the early twentieth century to the appropriation of military satellite technology by Marko Peljhan a hundred years later, the works of a wide range of artists have explored the dynamics of watching and being watched. The artists whose panoptical preoccupations are featured include, among others, Sophie Calle, Diller + Scofidio, Dan Graham, Pierre Huyghe, Michael Klier, Rem Koolhaas, Bruce Nauman, Yoko Ono, Thomas Ruff, Julia Scher, Andy Warhol, and Peter Weibel. This book, along with the exhibition it accompanies, is the first state-of-the-art survey of panopticism--in digital culture, architecture, television, video, cinema, painting, photography, conceptual art, installation work, robotics, and satellite imaging.
CTRL (space) : rhetorics of surveillance from Bentham to big brother
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$63.95
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Summary:
This book investigates the state of panoptic art at a time when issues of security and civil liberties are on many people’s minds. Traditional imaging and tracking systems have given way to infinitely more powerful “dataveillance” technologies, as an evolving arsenal of surrogate eyes and ears in our society shifts its focus from military to domestic space. Taking as its point of departure an architectural drawing by Jeremy Bentham that became the model for an entire social regime, CTRL [SPACE] looks at the shifting relationships between design and power, imaging and oppression, from the eighteenth to the twenty-first centuries. From the photographs taken with hidden cameras by Walker Evans and Paul Strand in the early twentieth century to the appropriation of military satellite technology by Marko Peljhan a hundred years later, the works of a wide range of artists have explored the dynamics of watching and being watched. The artists whose panoptical preoccupations are featured include, among others, Sophie Calle, Diller + Scofidio, Dan Graham, Pierre Huyghe, Michael Klier, Rem Koolhaas, Bruce Nauman, Yoko Ono, Thomas Ruff, Julia Scher, Andy Warhol, and Peter Weibel. This book, along with the exhibition it accompanies, is the first state-of-the-art survey of panopticism--in digital culture, architecture, television, video, cinema, painting, photography, conceptual art, installation work, robotics, and satellite imaging.
Form:
books
books
Publication:
March 2002, Karlsruhe, Germany / Cambridge, Massachusett
March 2002, Karlsruhe, Germany / Cambridge, Massachusett
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
