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$175.00
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This double-volume publication presents nearly 200 show-stopping brand and corporate fair presentations, scales ranging from small to large, with photography accompanied by commentary including company profiles as well as information about the designers. The scope of projects depicted from cover to cover reveal the increasing importance of fair stand design today and how(...)
$175.00
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Summary:
This double-volume publication presents nearly 200 show-stopping brand and corporate fair presentations, scales ranging from small to large, with photography accompanied by commentary including company profiles as well as information about the designers. The scope of projects depicted from cover to cover reveal the increasing importance of fair stand design today and how(...)
Subject:
Museums and Universal Exhibitions
Museums and Universal Exhibitions
Publication:
January 2009, Berlin, Amsterdam
January 2009, Berlin, Amsterdam
Title:
Grand stand 2 : design for trafe fair stands
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$175.00
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This double-volume publication presents nearly 200 show-stopping brand and corporate fair presentations, scales ranging from small to large, with photography accompanied by commentary including company profiles as well as information about the designers. The scope of projects depicted from cover to cover reveal the increasing importance of fair stand design today and how designers play an essential role in visualizing the identity of brands into corporate presentations.
Grand stand 2 : design for trafe fair stands
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$175.00
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This double-volume publication presents nearly 200 show-stopping brand and corporate fair presentations, scales ranging from small to large, with photography accompanied by commentary including company profiles as well as information about the designers. The scope of projects depicted from cover to cover reveal the increasing importance of fair stand design today and how designers play an essential role in visualizing the identity of brands into corporate presentations.
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books
books
Publication:
January 2009, Berlin, Amsterdam
January 2009, Berlin, Amsterdam
Subject:
Museums and Universal Exhibitions
Museums and Universal Exhibitions
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books
books
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$37.95
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This publication celebrates the third anniversary of School of Architecture at the Vienna University of Applied Arts. 99+ is a collection of selected projects by students in the classes of Zaha Hadid, Greg Lynn and Wolf D. Prix between 2004-08. Along with their design studios, the three star architects Zaha Hadid, Greg Lynn and Wolf D. Prix give students the opportunity(...)
$37.95
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This publication celebrates the third anniversary of School of Architecture at the Vienna University of Applied Arts. 99+ is a collection of selected projects by students in the classes of Zaha Hadid, Greg Lynn and Wolf D. Prix between 2004-08. Along with their design studios, the three star architects Zaha Hadid, Greg Lynn and Wolf D. Prix give students the opportunity(...)
Title:
99+ IOA Studios. Hadid, Lynn, Prix, Selected Student Works 2004–8. Design = Thinking
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This publication celebrates the third anniversary of School of Architecture at the Vienna University of Applied Arts. 99+ is a collection of selected projects by students in the classes of Zaha Hadid, Greg Lynn and Wolf D. Prix between 2004-08. Along with their design studios, the three star architects Zaha Hadid, Greg Lynn and Wolf D. Prix give students the opportunity of exploring the manifold cross-border possibilities the parameters of architecture offer.
99+ IOA Studios. Hadid, Lynn, Prix, Selected Student Works 2004–8. Design = Thinking
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$37.95
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This publication celebrates the third anniversary of School of Architecture at the Vienna University of Applied Arts. 99+ is a collection of selected projects by students in the classes of Zaha Hadid, Greg Lynn and Wolf D. Prix between 2004-08. Along with their design studios, the three star architects Zaha Hadid, Greg Lynn and Wolf D. Prix give students the opportunity of exploring the manifold cross-border possibilities the parameters of architecture offer.
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books
books
Publication:
February 2009
February 2009
Subject:
Museums and Universal Exhibitions
Museums and Universal Exhibitions
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books
books
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$72.95
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The Museum of Finnish Architecture is one of the world¹s oldest museums specializing in architecture. In honour of its five decades, the museum published a special anniversary book. The section on the history of the museum is by Eija Rauske, with appendices listing exhibitions, publications, personnel and governing bodies. The anniversary essay by Juhani Pallasmaa is(...)
$72.95
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The Museum of Finnish Architecture is one of the world¹s oldest museums specializing in architecture. In honour of its five decades, the museum published a special anniversary book. The section on the history of the museum is by Eija Rauske, with appendices listing exhibitions, publications, personnel and governing bodies. The anniversary essay by Juhani Pallasmaa is(...)
Subject:
Museums and Universal Exhibitions
Museums and Universal Exhibitions
Publication:
October 2006, Helsinki
October 2006, Helsinki
Title:
Museum of Finnish architecture 1956-2006
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The Museum of Finnish Architecture is one of the world¹s oldest museums specializing in architecture. In honour of its five decades, the museum published a special anniversary book. The section on the history of the museum is by Eija Rauske, with appendices listing exhibitions, publications, personnel and governing bodies. The anniversary essay by Juhani Pallasmaa is entitled "The Reality and Ideals of Architecture". Other contributors of articles for the book are Severi Blomstedt, Timo Tuomi and Timo Keinänen. The article by Petra Ceferin discusses the origins of the "Finland Brand" and the role of the museum in this process. Edited by Kristiina Paatero, graphic design by Jouni Kaipia and Jussi Salmivuori. Text in Finnish, Swedish and English.
Museum of Finnish architecture 1956-2006
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Summary:
The Museum of Finnish Architecture is one of the world¹s oldest museums specializing in architecture. In honour of its five decades, the museum published a special anniversary book. The section on the history of the museum is by Eija Rauske, with appendices listing exhibitions, publications, personnel and governing bodies. The anniversary essay by Juhani Pallasmaa is entitled "The Reality and Ideals of Architecture". Other contributors of articles for the book are Severi Blomstedt, Timo Tuomi and Timo Keinänen. The article by Petra Ceferin discusses the origins of the "Finland Brand" and the role of the museum in this process. Edited by Kristiina Paatero, graphic design by Jouni Kaipia and Jussi Salmivuori. Text in Finnish, Swedish and English.
Form:
books
books
Publication:
October 2006, Helsinki
October 2006, Helsinki
Subject:
Museums and Universal Exhibitions
Museums and Universal Exhibitions
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books
books
Title:
The making of V East
The making of V East
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$55.00
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"The making of V East" embodies the V's mission to make art, design, and creativity available to everyone. It is a sourcebook of creativity that will inspire the artists and designers of today and tomorrow. The site in East London encompasses V East Storehouse (now opened to great acclaim) and V East Museum. Together, they are an open-access repository for over half a(...)
$55.00
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"The making of V East" embodies the V's mission to make art, design, and creativity available to everyone. It is a sourcebook of creativity that will inspire the artists and designers of today and tomorrow. The site in East London encompasses V East Storehouse (now opened to great acclaim) and V East Museum. Together, they are an open-access repository for over half a(...)
Title:
The making of V East
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$55.00
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"The making of V East" embodies the V's mission to make art, design, and creativity available to everyone. It is a sourcebook of creativity that will inspire the artists and designers of today and tomorrow. The site in East London encompasses V East Storehouse (now opened to great acclaim) and V East Museum. Together, they are an open-access repository for over half a million works that span every creative discipline, and a new museum that celebrates making and creativity's power to bring change by spotlighting the people and ideas that shape global culture right now. If that weren't enough, it holds the David Bowie archive. "The making of V East" sets out the ambitions of this landmark development. Celebrating the buildings' home in the creative crucible of East London, and showcasing the story of the two locations, it is a truly collaborative project at a local and global scale. The book brings together a multitude of contributions, from curators, project managers, educators, artists and others—with reflections on the future of museums from directors, architects, and curators across the world.
The making of V East
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$55.00
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Summary:
"The making of V East" embodies the V's mission to make art, design, and creativity available to everyone. It is a sourcebook of creativity that will inspire the artists and designers of today and tomorrow. The site in East London encompasses V East Storehouse (now opened to great acclaim) and V East Museum. Together, they are an open-access repository for over half a million works that span every creative discipline, and a new museum that celebrates making and creativity's power to bring change by spotlighting the people and ideas that shape global culture right now. If that weren't enough, it holds the David Bowie archive. "The making of V East" sets out the ambitions of this landmark development. Celebrating the buildings' home in the creative crucible of East London, and showcasing the story of the two locations, it is a truly collaborative project at a local and global scale. The book brings together a multitude of contributions, from curators, project managers, educators, artists and others—with reflections on the future of museums from directors, architects, and curators across the world.
Form:
books
books
Publication:
May 2026
May 2026
Subject:
Museums and Universal Exhibitions
Museums and Universal Exhibitions
Form:
books
books
Title:
Ghostscape
Ghostscape
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$19.95
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Cet ouvrage est le catalogue de l’exposition Villa Savoyehantée qui a lieu du 20 novembre au 22 décembre 2004 à la Villa Savoye. Pendant l’hiver 2003, durant un mois, l’architecte Philippe Rahm et seize étudiants de l’atelier de Jean-Luc Vilmouth, artiste et enseignant à l’École nationale supérieure des beaux-arts, vont « hanter la modernité de la Villa Savoye de Le(...)
$19.95
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Summary:
Cet ouvrage est le catalogue de l’exposition Villa Savoyehantée qui a lieu du 20 novembre au 22 décembre 2004 à la Villa Savoye. Pendant l’hiver 2003, durant un mois, l’architecte Philippe Rahm et seize étudiants de l’atelier de Jean-Luc Vilmouth, artiste et enseignant à l’École nationale supérieure des beaux-arts, vont « hanter la modernité de la Villa Savoye de Le(...)
Title:
Ghostscape
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$19.95
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Cet ouvrage est le catalogue de l’exposition Villa Savoyehantée qui a lieu du 20 novembre au 22 décembre 2004 à la Villa Savoye. Pendant l’hiver 2003, durant un mois, l’architecte Philippe Rahm et seize étudiants de l’atelier de Jean-Luc Vilmouth, artiste et enseignant à l’École nationale supérieure des beaux-arts, vont « hanter la modernité de la Villa Savoye de Le Corbusier, en visiter les dimensions cachées, les zones d’ombres, sa part invisible.Chercher des fantômes dans la transparence du verre, révéler l’occulte dans les surfaces lisses et légères, l’ineffable dans l’architecture blanche et lumineuse d’un siècle moderne déjà passé. Il existe une contemporanéité des fantômes. » Ce catalogue présente les travaux des étudiants, en « dialogue » avec le récit de cette expérience commune. Il raconte également l’histoire de la Villa Savoye de Le Corbusier, manifeste de la modernité architecturale et classée monument historique en 1965, et propose un regard différent sur cette « pure création de l’esprit», comme l’appelait Le Corbusier lui-même.
Ghostscape
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$19.95
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Summary:
Cet ouvrage est le catalogue de l’exposition Villa Savoyehantée qui a lieu du 20 novembre au 22 décembre 2004 à la Villa Savoye. Pendant l’hiver 2003, durant un mois, l’architecte Philippe Rahm et seize étudiants de l’atelier de Jean-Luc Vilmouth, artiste et enseignant à l’École nationale supérieure des beaux-arts, vont « hanter la modernité de la Villa Savoye de Le Corbusier, en visiter les dimensions cachées, les zones d’ombres, sa part invisible.Chercher des fantômes dans la transparence du verre, révéler l’occulte dans les surfaces lisses et légères, l’ineffable dans l’architecture blanche et lumineuse d’un siècle moderne déjà passé. Il existe une contemporanéité des fantômes. » Ce catalogue présente les travaux des étudiants, en « dialogue » avec le récit de cette expérience commune. Il raconte également l’histoire de la Villa Savoye de Le Corbusier, manifeste de la modernité architecturale et classée monument historique en 1965, et propose un regard différent sur cette « pure création de l’esprit», comme l’appelait Le Corbusier lui-même.
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books
books
Publication:
August 2005, Paris
August 2005, Paris
Subject:
Museums and Universal Exhibitions
Museums and Universal Exhibitions
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books
books
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$82.50
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Summary:
In this examination of installation design as an aesthetic medium and cultural practice, Staniszewski offers the first history of exhibitions at the most powerful and influential modern art museum--The Museum of Modern Art in New York. (...)
$82.50
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Summary:
In this examination of installation design as an aesthetic medium and cultural practice, Staniszewski offers the first history of exhibitions at the most powerful and influential modern art museum--The Museum of Modern Art in New York. (...)
Subject:
Museums and Universal Exhibitions
Museums and Universal Exhibitions
Publication:
December 1998, Cambridge, Mass.
December 1998, Cambridge, Mass.
Title:
Power of display : a history of the exhibition installations at the museum of modern art
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In this examination of installation design as an aesthetic medium and cultural practice, Staniszewski offers the first history of exhibitions at the most powerful and influential modern art museum--The Museum of Modern Art in New York. Focusing on over two hundred photographs of the visually rich but overlooked history of exhibitions, Staniszewski documents and deciphers an essential chapter of twentieth-century art and culture and provides a historical and theoretical framework for a primary area of contemporary aesthetic practice--installation-based art. Among the artists, designers, architects, and curators whose installations the author features are Dennis Adams, Alfred H. Barr, Jr., Herbert Bayer, René d'Harnoncourt, Ray and Charles Eames, Hans Haacke, David Hammons, Philip Johnson, Frederick Kiesler, Barbara Kruger, Louise Lawler, El Lissitzky, Adrian Piper, Lilly Reich, William Rubin, Paul Rudolph, Edward Steichen, Giuseppe Terragni, and Kirk Varnedoe.
Power of display : a history of the exhibition installations at the museum of modern art
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$82.50
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Summary:
In this examination of installation design as an aesthetic medium and cultural practice, Staniszewski offers the first history of exhibitions at the most powerful and influential modern art museum--The Museum of Modern Art in New York. Focusing on over two hundred photographs of the visually rich but overlooked history of exhibitions, Staniszewski documents and deciphers an essential chapter of twentieth-century art and culture and provides a historical and theoretical framework for a primary area of contemporary aesthetic practice--installation-based art. Among the artists, designers, architects, and curators whose installations the author features are Dennis Adams, Alfred H. Barr, Jr., Herbert Bayer, René d'Harnoncourt, Ray and Charles Eames, Hans Haacke, David Hammons, Philip Johnson, Frederick Kiesler, Barbara Kruger, Louise Lawler, El Lissitzky, Adrian Piper, Lilly Reich, William Rubin, Paul Rudolph, Edward Steichen, Giuseppe Terragni, and Kirk Varnedoe.
Form:
books
books
Publication:
December 1998, Cambridge, Mass.
December 1998, Cambridge, Mass.
Subject:
Museums and Universal Exhibitions
Museums and Universal Exhibitions
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books
books
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$77.00
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Summary:
This book illuminates the history of a century of the artists' association known as the Vienna Secession and traces the evolution of a temple of art into a major exhibition centre.
$77.00
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Summary:
This book illuminates the history of a century of the artists' association known as the Vienna Secession and traces the evolution of a temple of art into a major exhibition centre.
Subject:
Museums and Universal Exhibitions
Museums and Universal Exhibitions
Publication:
April 1998, Stuttgart
April 1998, Stuttgart
Title:
The Vienna Secession : from temple of art to exhibition hall
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Summary:
This book illuminates the history of a century of the artists' association known as the Vienna Secession and traces the evolution of a temple of art into a major exhibition centre.
The Vienna Secession : from temple of art to exhibition hall
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$77.00
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Summary:
This book illuminates the history of a century of the artists' association known as the Vienna Secession and traces the evolution of a temple of art into a major exhibition centre.
Form:
books
books
Publication:
April 1998, Stuttgart
April 1998, Stuttgart
Subject:
Museums and Universal Exhibitions
Museums and Universal Exhibitions
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books
books
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$25.50
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In 1993, the artist Vito Acconci and the architect Steven Holl were invited to redesign the then existing façade of the Storefront Gallery in New York. As a response to its urban context and its function as an art space - the gallery is situated on the ground floor(...)
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In 1993, the artist Vito Acconci and the architect Steven Holl were invited to redesign the then existing façade of the Storefront Gallery in New York. As a response to its urban context and its function as an art space - the gallery is situated on the ground floor(...)
Title:
Acconci, Holl : storefront for art and architecture
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In 1993, the artist Vito Acconci and the architect Steven Holl were invited to redesign the then existing façade of the Storefront Gallery in New York. As a response to its urban context and its function as an art space - the gallery is situated on the ground floor of a low building on the outskirts of Soho - Acconci and Holl created a versatile façade which may be opened up in different ways according to the season or function as an optical screen separating the inner space from the street. The different functions, answering to the needs of inner and outer space and creating links and transparencies or establishing borders, serve to provide visitors with ever-changing local and spatial relations.
Acconci, Holl : storefront for art and architecture
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$25.50
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Summary:
In 1993, the artist Vito Acconci and the architect Steven Holl were invited to redesign the then existing façade of the Storefront Gallery in New York. As a response to its urban context and its function as an art space - the gallery is situated on the ground floor of a low building on the outskirts of Soho - Acconci and Holl created a versatile façade which may be opened up in different ways according to the season or function as an optical screen separating the inner space from the street. The different functions, answering to the needs of inner and outer space and creating links and transparencies or establishing borders, serve to provide visitors with ever-changing local and spatial relations.
Form:
books
books
Publication:
January 2001, Bregenz
January 2001, Bregenz
Subject:
Museums and Universal Exhibitions
Museums and Universal Exhibitions
Form:
books
books
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$75.00
(available to order)
Summary:
The grand exhibitions of the Victorian and Edwardian eras are the lens through which Peter Hoffenberg examines the economic, cultural, and social forces that helped define Britain and the British Empire. He focuses on major exhibitions in England, Australia, and India between the Great Exhibition of 1851 and the Festival of Empire sixty years later, taking special(...)
$75.00
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Summary:
The grand exhibitions of the Victorian and Edwardian eras are the lens through which Peter Hoffenberg examines the economic, cultural, and social forces that helped define Britain and the British Empire. He focuses on major exhibitions in England, Australia, and India between the Great Exhibition of 1851 and the Festival of Empire sixty years later, taking special(...)
Subject:
Museums and Universal Exhibitions
Museums and Universal Exhibitions
Publication:
January 1900, Berkeley
January 1900, Berkeley
Title:
An empire on display : English, Indian, and Australian exhibitions from the Crystal Palace to the Great War
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$75.00
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The grand exhibitions of the Victorian and Edwardian eras are the lens through which Peter Hoffenberg examines the economic, cultural, and social forces that helped define Britain and the British Empire. He focuses on major exhibitions in England, Australia, and India between the Great Exhibition of 1851 and the Festival of Empire sixty years later, taking special interest in the interactive nature of the exhibition experience, the long-term consequences for the participants and host societies, and the ways in which such popular gatherings revealed dissent as well as celebration. Hoffenberg shows how exhibitions shaped culture and society within and across borders in the transnational working of the British Empire. The exhibitions were central to establishing and developing a participatory imperial world, and each polity in that world provided distinctive information, visitors, and exhibits. Among the displays were commercial goods, working machines, and ethnographic scenes. Exhibits were intended to promote external commonwealth and internal nationalism. The imperial overlay did not erase significant differences but explained and used them in economic and cultural terms. The exhibitions in cities such as London, Sydney, and Calcutta were living and active public inventories of the Empire and its national political communities. The process of building and consuming such inventories persists today in the cultural bureaucracies, museums, and festivals of modern nation-states, the appeal to tradition and social order, and the actions of transnational bodies.
An empire on display : English, Indian, and Australian exhibitions from the Crystal Palace to the Great War
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Price:
$75.00
(available to order)
Summary:
The grand exhibitions of the Victorian and Edwardian eras are the lens through which Peter Hoffenberg examines the economic, cultural, and social forces that helped define Britain and the British Empire. He focuses on major exhibitions in England, Australia, and India between the Great Exhibition of 1851 and the Festival of Empire sixty years later, taking special interest in the interactive nature of the exhibition experience, the long-term consequences for the participants and host societies, and the ways in which such popular gatherings revealed dissent as well as celebration. Hoffenberg shows how exhibitions shaped culture and society within and across borders in the transnational working of the British Empire. The exhibitions were central to establishing and developing a participatory imperial world, and each polity in that world provided distinctive information, visitors, and exhibits. Among the displays were commercial goods, working machines, and ethnographic scenes. Exhibits were intended to promote external commonwealth and internal nationalism. The imperial overlay did not erase significant differences but explained and used them in economic and cultural terms. The exhibitions in cities such as London, Sydney, and Calcutta were living and active public inventories of the Empire and its national political communities. The process of building and consuming such inventories persists today in the cultural bureaucracies, museums, and festivals of modern nation-states, the appeal to tradition and social order, and the actions of transnational bodies.
Form:
books
books
Publication:
January 1900, Berkeley
January 1900, Berkeley
Subject:
Museums and Universal Exhibitions
Museums and Universal Exhibitions
Form:
books
books
Price:
$74.95
(available to order)
Summary:
Focusing on the Oxford University Museum, the Edinburgh Museum of Science and Art, and the Natural History Museum of London, Yanni explores how such institutions reflected varying, often contradictory concepts of nature -- from the handiwork of God to a resource to be exploited. She(...)
$74.95
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Summary:
Focusing on the Oxford University Museum, the Edinburgh Museum of Science and Art, and the Natural History Museum of London, Yanni explores how such institutions reflected varying, often contradictory concepts of nature -- from the handiwork of God to a resource to be exploited. She(...)
Title:
Nature's museums : Victorian science & the architecture of display
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$74.95
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Focusing on the Oxford University Museum, the Edinburgh Museum of Science and Art, and the Natural History Museum of London, Yanni explores how such institutions reflected varying, often contradictory concepts of nature -- from the handiwork of God to a resource to be exploited. She explains how the rise of museums accompanied and influenced the transformation of science from a "gentleman's hobby" to a paying profession. And she shows how the buildings themselves remain invaluable guides to the Victorians' ambiguous perception of the natural world. Through careful social and historical accounts of the buildings, their displays, and their reception, Yanni's work deepens our understanding of the emerging power of museums in Darwin's century.
Nature's museums : Victorian science & the architecture of display
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$74.95
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Summary:
Focusing on the Oxford University Museum, the Edinburgh Museum of Science and Art, and the Natural History Museum of London, Yanni explores how such institutions reflected varying, often contradictory concepts of nature -- from the handiwork of God to a resource to be exploited. She explains how the rise of museums accompanied and influenced the transformation of science from a "gentleman's hobby" to a paying profession. And she shows how the buildings themselves remain invaluable guides to the Victorians' ambiguous perception of the natural world. Through careful social and historical accounts of the buildings, their displays, and their reception, Yanni's work deepens our understanding of the emerging power of museums in Darwin's century.
Form:
books
books
Publication:
March 2000, Baltimore
March 2000, Baltimore
Subject:
Museums and Universal Exhibitions
Museums and Universal Exhibitions
