12643 Results
Form:
drawings
drawings
Reference number:
ARCH256641
Description:
2 files - "Personal hand sketches" and "Arthur's sketches" - identified and unidentified drawings mostly photocopies and some originals; Mont Royal Tower (diazotype plan and elevation), Russel House (plan), Roy Thompson Hall (plans, elevation), Canadian Chancery (plans, section, elevation), Abu Nuwas University (plan, elevations), 60 Wall Street (perspcetive sketches and photo of model), Trump Tower, Kamokogamara project (plans, area calculations), unidentified hotel, Napp Laboratories (perspectives and plans), California Plaza office tower (base perspectives, plans), correspondence and note from Barbara Shapiro; curatorial proposal and C.V. from Diana Archambald
ARCH256641
Description:
2 files - "Personal hand sketches" and "Arthur's sketches" - identified and unidentified drawings mostly photocopies and some originals; Mont Royal Tower (diazotype plan and elevation), Russel House (plan), Roy Thompson Hall (plans, elevation), Canadian Chancery (plans, section, elevation), Abu Nuwas University (plan, elevations), 60 Wall Street (perspcetive sketches and photo of model), Trump Tower, Kamokogamara project (plans, area calculations), unidentified hotel, Napp Laboratories (perspectives and plans), California Plaza office tower (base perspectives, plans), correspondence and note from Barbara Shapiro; curatorial proposal and C.V. from Diana Archambald
People:
Title:
"Personal hand sketches" and "Arthur's sketches"
Actions:
ARCH256641
Description:
2 files - "Personal hand sketches" and "Arthur's sketches" - identified and unidentified drawings mostly photocopies and some originals; Mont Royal Tower (diazotype plan and elevation), Russel House (plan), Roy Thompson Hall (plans, elevation), Canadian Chancery (plans, section, elevation), Abu Nuwas University (plan, elevations), 60 Wall Street (perspcetive sketches and photo of model), Trump Tower, Kamokogamara project (plans, area calculations), unidentified hotel, Napp Laboratories (perspectives and plans), California Plaza office tower (base perspectives, plans), correspondence and note from Barbara Shapiro; curatorial proposal and C.V. from Diana Archambald
"Personal hand sketches" and "Arthur's sketches"
Actions:
ARCH256641
Description:
2 files - "Personal hand sketches" and "Arthur's sketches" - identified and unidentified drawings mostly photocopies and some originals; Mont Royal Tower (diazotype plan and elevation), Russel House (plan), Roy Thompson Hall (plans, elevation), Canadian Chancery (plans, section, elevation), Abu Nuwas University (plan, elevations), 60 Wall Street (perspcetive sketches and photo of model), Trump Tower, Kamokogamara project (plans, area calculations), unidentified hotel, Napp Laboratories (perspectives and plans), California Plaza office tower (base perspectives, plans), correspondence and note from Barbara Shapiro; curatorial proposal and C.V. from Diana Archambald
Form:
drawings
drawings
People:
Level of archival description:
Project
Project
Title:
Carbon Tower (2001)
Carbon Tower (2001)
Reference number:
AP174.S1.2001.D1
Description:
This project file documents an unbuilt design by Testa & Weiser for Carbon Tower (2001), a forty-storey building made almost entirely of carbon fibre. The project was developed in parallel with scripting software designed while Peter Testa and Devyn Weiser co-directed the Emergent Design Group at MIT. "The tower consists of an interdependent set of parts: floor plates hang from a diagrid structure of bundled fibres reinforced by two double-helix covered ramps, which are run in and out of the structure and are themselves made of strands woven at a finer scale. A thin composite skin—glass would be too heavy—wraps the tower’s parts together. A collaboration with Arup in 2002 allowed Testa & Weiser to simplify the scheme even further, by moving all core elements, from elevators to structural supports, to the tower’s perimeter. To take full advantage of the flexibility and energy efficiency of composite materials, Testa & Weiser also imagined that the carbon fibre structures would be formed on site through a process called pultrusion."[1] The file contains a large number of digital files documenting the conceptual and design development of the project; consultation with Arup Consulting Engineers, New York; research on composite materials; fabrication of 3D printed physical models by 3D Systems and Windform; and exhibition of the project at several museums and galleries, including the Museum of Contemporary Art, Los Angeles and the Cooper-Hewitt Smithsonian Design Museum, New York. Also contained in the file are 56 paper drawings (including some sketches done on top of printed computer-aided designs) and two 3D printed physical models produced by 3D Systems. Sources: [1] Canadian Centre for Architecture. Archaeology of the Digital 12: Testa & Weiser, Carbon Tower, ed. Greg Lynn (2015), ISBN 978-1-927071-25-0.
AP174.S1.2001.D1
Description:
This project file documents an unbuilt design by Testa & Weiser for Carbon Tower (2001), a forty-storey building made almost entirely of carbon fibre. The project was developed in parallel with scripting software designed while Peter Testa and Devyn Weiser co-directed the Emergent Design Group at MIT. "The tower consists of an interdependent set of parts: floor plates hang from a diagrid structure of bundled fibres reinforced by two double-helix covered ramps, which are run in and out of the structure and are themselves made of strands woven at a finer scale. A thin composite skin—glass would be too heavy—wraps the tower’s parts together. A collaboration with Arup in 2002 allowed Testa & Weiser to simplify the scheme even further, by moving all core elements, from elevators to structural supports, to the tower’s perimeter. To take full advantage of the flexibility and energy efficiency of composite materials, Testa & Weiser also imagined that the carbon fibre structures would be formed on site through a process called pultrusion."[1] The file contains a large number of digital files documenting the conceptual and design development of the project; consultation with Arup Consulting Engineers, New York; research on composite materials; fabrication of 3D printed physical models by 3D Systems and Windform; and exhibition of the project at several museums and galleries, including the Museum of Contemporary Art, Los Angeles and the Cooper-Hewitt Smithsonian Design Museum, New York. Also contained in the file are 56 paper drawings (including some sketches done on top of printed computer-aided designs) and two 3D printed physical models produced by 3D Systems. Sources: [1] Canadian Centre for Architecture. Archaeology of the Digital 12: Testa & Weiser, Carbon Tower, ed. Greg Lynn (2015), ISBN 978-1-927071-25-0.
People:
Date:
2002-2014
2002-2014
Title:
Carbon Tower (2001)
Actions:
AP174.S1.2001.D1
Description:
This project file documents an unbuilt design by Testa & Weiser for Carbon Tower (2001), a forty-storey building made almost entirely of carbon fibre. The project was developed in parallel with scripting software designed while Peter Testa and Devyn Weiser co-directed the Emergent Design Group at MIT. "The tower consists of an interdependent set of parts: floor plates hang from a diagrid structure of bundled fibres reinforced by two double-helix covered ramps, which are run in and out of the structure and are themselves made of strands woven at a finer scale. A thin composite skin—glass would be too heavy—wraps the tower’s parts together. A collaboration with Arup in 2002 allowed Testa & Weiser to simplify the scheme even further, by moving all core elements, from elevators to structural supports, to the tower’s perimeter. To take full advantage of the flexibility and energy efficiency of composite materials, Testa & Weiser also imagined that the carbon fibre structures would be formed on site through a process called pultrusion."[1] The file contains a large number of digital files documenting the conceptual and design development of the project; consultation with Arup Consulting Engineers, New York; research on composite materials; fabrication of 3D printed physical models by 3D Systems and Windform; and exhibition of the project at several museums and galleries, including the Museum of Contemporary Art, Los Angeles and the Cooper-Hewitt Smithsonian Design Museum, New York. Also contained in the file are 56 paper drawings (including some sketches done on top of printed computer-aided designs) and two 3D printed physical models produced by 3D Systems. Sources: [1] Canadian Centre for Architecture. Archaeology of the Digital 12: Testa & Weiser, Carbon Tower, ed. Greg Lynn (2015), ISBN 978-1-927071-25-0.
Carbon Tower (2001)
Actions:
AP174.S1.2001.D1
Description:
This project file documents an unbuilt design by Testa & Weiser for Carbon Tower (2001), a forty-storey building made almost entirely of carbon fibre. The project was developed in parallel with scripting software designed while Peter Testa and Devyn Weiser co-directed the Emergent Design Group at MIT. "The tower consists of an interdependent set of parts: floor plates hang from a diagrid structure of bundled fibres reinforced by two double-helix covered ramps, which are run in and out of the structure and are themselves made of strands woven at a finer scale. A thin composite skin—glass would be too heavy—wraps the tower’s parts together. A collaboration with Arup in 2002 allowed Testa & Weiser to simplify the scheme even further, by moving all core elements, from elevators to structural supports, to the tower’s perimeter. To take full advantage of the flexibility and energy efficiency of composite materials, Testa & Weiser also imagined that the carbon fibre structures would be formed on site through a process called pultrusion."[1] The file contains a large number of digital files documenting the conceptual and design development of the project; consultation with Arup Consulting Engineers, New York; research on composite materials; fabrication of 3D printed physical models by 3D Systems and Windform; and exhibition of the project at several museums and galleries, including the Museum of Contemporary Art, Los Angeles and the Cooper-Hewitt Smithsonian Design Museum, New York. Also contained in the file are 56 paper drawings (including some sketches done on top of printed computer-aided designs) and two 3D printed physical models produced by 3D Systems. Sources: [1] Canadian Centre for Architecture. Archaeology of the Digital 12: Testa & Weiser, Carbon Tower, ed. Greg Lynn (2015), ISBN 978-1-927071-25-0.
Level of archival description:
Project
Project
Date:
2002-2014
2002-2014
People:
Level of archival description:
Project
Project
Reference number:
AP178.S1.1989.PR04
Description:
This project series documents the Centro Meteorológico da Villa Olimpica in Barcelona, Spain. While the records were held in the office’s archives this project was assigned the number 65/80. The office assigned the date 1989-1992 for this project. The project was located on the Paseo Maritimo in the center of the Olympic village of Barcelona. It was built for the meteorologists for the Olympic games. It was also used by the reporters of the Barcelona summer Olympic games of 1992. The six-story building was 33 metres in diameter and 4,000 square meters. The building had a cylindrical shape made of reinforced concrete. The project was built and was a collaboration with Joan Falgueras. Documenting this project are sketches, studies, working drawings, structural drawings, and photographs. Textual materials include project documentation, correspondence, and technical specifications. Photographic materials document the models, aerial views and construction progress.
AP178.S1.1989.PR04
Description:
This project series documents the Centro Meteorológico da Villa Olimpica in Barcelona, Spain. While the records were held in the office’s archives this project was assigned the number 65/80. The office assigned the date 1989-1992 for this project. The project was located on the Paseo Maritimo in the center of the Olympic village of Barcelona. It was built for the meteorologists for the Olympic games. It was also used by the reporters of the Barcelona summer Olympic games of 1992. The six-story building was 33 metres in diameter and 4,000 square meters. The building had a cylindrical shape made of reinforced concrete. The project was built and was a collaboration with Joan Falgueras. Documenting this project are sketches, studies, working drawings, structural drawings, and photographs. Textual materials include project documentation, correspondence, and technical specifications. Photographic materials document the models, aerial views and construction progress.
People:
Date:
1983-2012
1983-2012
Title:
Centro Meteorológico da Villa Olimpica [Olympic Village Meteorological Centre and MOPU delegation headquarters], Barcelona, Spain (1989-1992)
Actions:
AP178.S1.1989.PR04
Description:
This project series documents the Centro Meteorológico da Villa Olimpica in Barcelona, Spain. While the records were held in the office’s archives this project was assigned the number 65/80. The office assigned the date 1989-1992 for this project. The project was located on the Paseo Maritimo in the center of the Olympic village of Barcelona. It was built for the meteorologists for the Olympic games. It was also used by the reporters of the Barcelona summer Olympic games of 1992. The six-story building was 33 metres in diameter and 4,000 square meters. The building had a cylindrical shape made of reinforced concrete. The project was built and was a collaboration with Joan Falgueras. Documenting this project are sketches, studies, working drawings, structural drawings, and photographs. Textual materials include project documentation, correspondence, and technical specifications. Photographic materials document the models, aerial views and construction progress.
Centro Meteorológico da Villa Olimpica [Olympic Village Meteorological Centre and MOPU delegation headquarters], Barcelona, Spain (1989-1992)
Actions:
AP178.S1.1989.PR04
Description:
This project series documents the Centro Meteorológico da Villa Olimpica in Barcelona, Spain. While the records were held in the office’s archives this project was assigned the number 65/80. The office assigned the date 1989-1992 for this project. The project was located on the Paseo Maritimo in the center of the Olympic village of Barcelona. It was built for the meteorologists for the Olympic games. It was also used by the reporters of the Barcelona summer Olympic games of 1992. The six-story building was 33 metres in diameter and 4,000 square meters. The building had a cylindrical shape made of reinforced concrete. The project was built and was a collaboration with Joan Falgueras. Documenting this project are sketches, studies, working drawings, structural drawings, and photographs. Textual materials include project documentation, correspondence, and technical specifications. Photographic materials document the models, aerial views and construction progress.
Level of archival description:
Project
Project
Date:
1983-2012
1983-2012
People:
Level of archival description:
Series
Series
Actions:
Reference number:
AP193.S2
Description:
Series 2, I’ve heard about and Hypnosis chamber, 2004-2006, relates to the conception of the urban structure “I’ve heard about”. The records contain algorithmically-generated images, renderings, pictures of models and exhibitions. There are also photographs of the contour crafting process, 3D models and animated renderings illustrating the construction process of the structure. The project is a conceptual, unbuilt project that is meant to be a habitable organism, an adaptive landscape in a constant state of evolution. By means of transitory scenarios in which the operational mode is entropy and uncertainty, it develops open algorithms based on growth scripts permeable not only to human expressions, but also to the most discrete data such as the chemical emissions (for example due to stress or anxiety) of those who inhabit it. The chemical information is harvested through nanoreceptors feeding the VIAB machine with information. This biostructure becomes the visible part of human contingencies and their negotiation in real time. The structure is conceptualized to be in constant construction through the VIAB machine which is also a constituent of the structure itself. It secretes fiber cement, shaping the landscape where it is located and through which it moves. It generates the reticular structure using a process modelled on contour crafting. The VIAB machine was developed with Robotics Research Lab of the University of Southern California and takes its name from the terms viability and variability. R&Sie(n) considers that due to its mode of emergence “I’ve heard about” fabrication is not subjugated to any political power. Hypnosis chamber is a component of “I’ve heard about”. It consists of an indoor chamber, which was realized as a full-scale sample constructed through automated machinery. The chamber is situated as a part of the whole urban structure presented by “I’ve heard about,” and its goal is to immerse the audience into the project, into a fictional environment only reachable by hypnosis. In this context, hypnosis is a way to help citizens escape from their social condition and experience the new condition of citizenship imagined in “I’ve heard about”, where democracy is re-evaluated as a process of self-determination. Both parts of the projects were shown in contemporary art museums. First at Musée d’art de la ville de Paris in Paris (2005), the Hypnotic chamber is permanently on view at Towada Art Center in Towanda, Japan. AP193.S4 contains a video orienting the project into François Roche theoretical stance, research as speculation, that can be summarize as the use of technological tools to take a critical and political position through esthetic in order to open new lines of thoughts. AP193.S4 contains an updated version of the VIAB machine
AP193.S2
Description:
Series 2, I’ve heard about and Hypnosis chamber, 2004-2006, relates to the conception of the urban structure “I’ve heard about”. The records contain algorithmically-generated images, renderings, pictures of models and exhibitions. There are also photographs of the contour crafting process, 3D models and animated renderings illustrating the construction process of the structure. The project is a conceptual, unbuilt project that is meant to be a habitable organism, an adaptive landscape in a constant state of evolution. By means of transitory scenarios in which the operational mode is entropy and uncertainty, it develops open algorithms based on growth scripts permeable not only to human expressions, but also to the most discrete data such as the chemical emissions (for example due to stress or anxiety) of those who inhabit it. The chemical information is harvested through nanoreceptors feeding the VIAB machine with information. This biostructure becomes the visible part of human contingencies and their negotiation in real time. The structure is conceptualized to be in constant construction through the VIAB machine which is also a constituent of the structure itself. It secretes fiber cement, shaping the landscape where it is located and through which it moves. It generates the reticular structure using a process modelled on contour crafting. The VIAB machine was developed with Robotics Research Lab of the University of Southern California and takes its name from the terms viability and variability. R&Sie(n) considers that due to its mode of emergence “I’ve heard about” fabrication is not subjugated to any political power. Hypnosis chamber is a component of “I’ve heard about”. It consists of an indoor chamber, which was realized as a full-scale sample constructed through automated machinery. The chamber is situated as a part of the whole urban structure presented by “I’ve heard about,” and its goal is to immerse the audience into the project, into a fictional environment only reachable by hypnosis. In this context, hypnosis is a way to help citizens escape from their social condition and experience the new condition of citizenship imagined in “I’ve heard about”, where democracy is re-evaluated as a process of self-determination. Both parts of the projects were shown in contemporary art museums. First at Musée d’art de la ville de Paris in Paris (2005), the Hypnotic chamber is permanently on view at Towada Art Center in Towanda, Japan. AP193.S4 contains a video orienting the project into François Roche theoretical stance, research as speculation, that can be summarize as the use of technological tools to take a critical and political position through esthetic in order to open new lines of thoughts. AP193.S4 contains an updated version of the VIAB machine
People:
Date:
2004-2006
2004-2006
Title:
I’ve heard about and Hypnosis chamber
Actions:
AP193.S2
Description:
Series 2, I’ve heard about and Hypnosis chamber, 2004-2006, relates to the conception of the urban structure “I’ve heard about”. The records contain algorithmically-generated images, renderings, pictures of models and exhibitions. There are also photographs of the contour crafting process, 3D models and animated renderings illustrating the construction process of the structure. The project is a conceptual, unbuilt project that is meant to be a habitable organism, an adaptive landscape in a constant state of evolution. By means of transitory scenarios in which the operational mode is entropy and uncertainty, it develops open algorithms based on growth scripts permeable not only to human expressions, but also to the most discrete data such as the chemical emissions (for example due to stress or anxiety) of those who inhabit it. The chemical information is harvested through nanoreceptors feeding the VIAB machine with information. This biostructure becomes the visible part of human contingencies and their negotiation in real time. The structure is conceptualized to be in constant construction through the VIAB machine which is also a constituent of the structure itself. It secretes fiber cement, shaping the landscape where it is located and through which it moves. It generates the reticular structure using a process modelled on contour crafting. The VIAB machine was developed with Robotics Research Lab of the University of Southern California and takes its name from the terms viability and variability. R&Sie(n) considers that due to its mode of emergence “I’ve heard about” fabrication is not subjugated to any political power. Hypnosis chamber is a component of “I’ve heard about”. It consists of an indoor chamber, which was realized as a full-scale sample constructed through automated machinery. The chamber is situated as a part of the whole urban structure presented by “I’ve heard about,” and its goal is to immerse the audience into the project, into a fictional environment only reachable by hypnosis. In this context, hypnosis is a way to help citizens escape from their social condition and experience the new condition of citizenship imagined in “I’ve heard about”, where democracy is re-evaluated as a process of self-determination. Both parts of the projects were shown in contemporary art museums. First at Musée d’art de la ville de Paris in Paris (2005), the Hypnotic chamber is permanently on view at Towada Art Center in Towanda, Japan. AP193.S4 contains a video orienting the project into François Roche theoretical stance, research as speculation, that can be summarize as the use of technological tools to take a critical and political position through esthetic in order to open new lines of thoughts. AP193.S4 contains an updated version of the VIAB machine
I’ve heard about and Hypnosis chamber
Actions:
AP193.S2
Description:
Series 2, I’ve heard about and Hypnosis chamber, 2004-2006, relates to the conception of the urban structure “I’ve heard about”. The records contain algorithmically-generated images, renderings, pictures of models and exhibitions. There are also photographs of the contour crafting process, 3D models and animated renderings illustrating the construction process of the structure. The project is a conceptual, unbuilt project that is meant to be a habitable organism, an adaptive landscape in a constant state of evolution. By means of transitory scenarios in which the operational mode is entropy and uncertainty, it develops open algorithms based on growth scripts permeable not only to human expressions, but also to the most discrete data such as the chemical emissions (for example due to stress or anxiety) of those who inhabit it. The chemical information is harvested through nanoreceptors feeding the VIAB machine with information. This biostructure becomes the visible part of human contingencies and their negotiation in real time. The structure is conceptualized to be in constant construction through the VIAB machine which is also a constituent of the structure itself. It secretes fiber cement, shaping the landscape where it is located and through which it moves. It generates the reticular structure using a process modelled on contour crafting. The VIAB machine was developed with Robotics Research Lab of the University of Southern California and takes its name from the terms viability and variability. R&Sie(n) considers that due to its mode of emergence “I’ve heard about” fabrication is not subjugated to any political power. Hypnosis chamber is a component of “I’ve heard about”. It consists of an indoor chamber, which was realized as a full-scale sample constructed through automated machinery. The chamber is situated as a part of the whole urban structure presented by “I’ve heard about,” and its goal is to immerse the audience into the project, into a fictional environment only reachable by hypnosis. In this context, hypnosis is a way to help citizens escape from their social condition and experience the new condition of citizenship imagined in “I’ve heard about”, where democracy is re-evaluated as a process of self-determination. Both parts of the projects were shown in contemporary art museums. First at Musée d’art de la ville de Paris in Paris (2005), the Hypnotic chamber is permanently on view at Towada Art Center in Towanda, Japan. AP193.S4 contains a video orienting the project into François Roche theoretical stance, research as speculation, that can be summarize as the use of technological tools to take a critical and political position through esthetic in order to open new lines of thoughts. AP193.S4 contains an updated version of the VIAB machine
Level of archival description:
Series
Series
Date:
2004-2006
2004-2006
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP164.S1.2005.D1
Description:
The project series documents the renovation of the Télévision Suisse Romande (TSR) tower in Geneva, Switzerland. There were two competition finalists: Abalos & Herreros received the second phase of the project which was not realised. The firm identified this project as number 197. "The project approaches the two presented problems in a single way: the image change of the existing complex and the extension of the floor area at the roof top. […] [A] single type of curtain wall has been developed with windows of reasonable shape and format which curve at the top floor to take advantage of the maximum volume allowed by local building laws, generating an image of the building which is completely different than the actual one. The use of silk printed glass in the whole building, with motives from plants, creates an impression from the interior to be situated in a garden. At the same time the exterior appearance underlines the building’s singularity at the pedestrian level. […] The created extension of the building has a trae [sic] singular shape which one day could host a possible showroom or multifunctional rooms or as executive floor.” (ARCH270975) Abalos & Herreros worked with Blaise Sahy. Documenting the project are conceptual, design development, presentation and working drawings, digital, graphic, presentation and reference materials, correspondence, notes, and a model.
AP164.S1.2005.D1
Description:
The project series documents the renovation of the Télévision Suisse Romande (TSR) tower in Geneva, Switzerland. There were two competition finalists: Abalos & Herreros received the second phase of the project which was not realised. The firm identified this project as number 197. "The project approaches the two presented problems in a single way: the image change of the existing complex and the extension of the floor area at the roof top. […] [A] single type of curtain wall has been developed with windows of reasonable shape and format which curve at the top floor to take advantage of the maximum volume allowed by local building laws, generating an image of the building which is completely different than the actual one. The use of silk printed glass in the whole building, with motives from plants, creates an impression from the interior to be situated in a garden. At the same time the exterior appearance underlines the building’s singularity at the pedestrian level. […] The created extension of the building has a trae [sic] singular shape which one day could host a possible showroom or multifunctional rooms or as executive floor.” (ARCH270975) Abalos & Herreros worked with Blaise Sahy. Documenting the project are conceptual, design development, presentation and working drawings, digital, graphic, presentation and reference materials, correspondence, notes, and a model.
People:
Date:
1967-1973, 1996-2005, predominant 2004-2005
1967-1973, 1996-2005, predominant 2004-2005
Title:
Tour TSR, Geneva, Switzerland (2005)
Actions:
AP164.S1.2005.D1
Description:
The project series documents the renovation of the Télévision Suisse Romande (TSR) tower in Geneva, Switzerland. There were two competition finalists: Abalos & Herreros received the second phase of the project which was not realised. The firm identified this project as number 197. "The project approaches the two presented problems in a single way: the image change of the existing complex and the extension of the floor area at the roof top. […] [A] single type of curtain wall has been developed with windows of reasonable shape and format which curve at the top floor to take advantage of the maximum volume allowed by local building laws, generating an image of the building which is completely different than the actual one. The use of silk printed glass in the whole building, with motives from plants, creates an impression from the interior to be situated in a garden. At the same time the exterior appearance underlines the building’s singularity at the pedestrian level. […] The created extension of the building has a trae [sic] singular shape which one day could host a possible showroom or multifunctional rooms or as executive floor.” (ARCH270975) Abalos & Herreros worked with Blaise Sahy. Documenting the project are conceptual, design development, presentation and working drawings, digital, graphic, presentation and reference materials, correspondence, notes, and a model.
Tour TSR, Geneva, Switzerland (2005)
Actions:
AP164.S1.2005.D1
Description:
The project series documents the renovation of the Télévision Suisse Romande (TSR) tower in Geneva, Switzerland. There were two competition finalists: Abalos & Herreros received the second phase of the project which was not realised. The firm identified this project as number 197. "The project approaches the two presented problems in a single way: the image change of the existing complex and the extension of the floor area at the roof top. […] [A] single type of curtain wall has been developed with windows of reasonable shape and format which curve at the top floor to take advantage of the maximum volume allowed by local building laws, generating an image of the building which is completely different than the actual one. The use of silk printed glass in the whole building, with motives from plants, creates an impression from the interior to be situated in a garden. At the same time the exterior appearance underlines the building’s singularity at the pedestrian level. […] The created extension of the building has a trae [sic] singular shape which one day could host a possible showroom or multifunctional rooms or as executive floor.” (ARCH270975) Abalos & Herreros worked with Blaise Sahy. Documenting the project are conceptual, design development, presentation and working drawings, digital, graphic, presentation and reference materials, correspondence, notes, and a model.
Level of archival description:
Project
Project
Date:
1967-1973, 1996-2005, predominant 2004-2005
1967-1973, 1996-2005, predominant 2004-2005
People:
Level of archival description:
Project
Project
Reference number:
AP166.S1.1990.PR2
Description:
This file documents the executed project for the Prospecta Toyama '92 Observatory Tower in Imizu, Toyama, Japan. Like the Galaxy Toyama Gymnasium, this project was designed in conjunction with the 1st Japan Expo Toyama in 1992. The 30 x 32 x 32 metre structure, built at the top of a 61,2 metre hill, serves as a platform to observe the surrounding landscape. The centre court is designed and equipped for the creation of a performance with sound, light and fog. The file is chiefly composed of design development and presentation drawings but includes some conceptual drawings and material related to theme development. There are also site plans and information about the 1st Japan Expo Toyama 1992. There is a small amount of correspondence in the form of facsimile transmissions. Working drawings include a set of structural drawings. Presentation material includes a model and bound copies and drafts of proposals. There are some digital prints of computer-generated perspectives, one in the form of a presentation panel. There is also some documentation for the development of the name and logo for the structure. A small album contains photographs of the built work. There is some promotional material for the tower and for the park in which it is situated. There are also clippings from published documents. Material in this file was produced between 1990 and 1993. .
AP166.S1.1990.PR2
Description:
This file documents the executed project for the Prospecta Toyama '92 Observatory Tower in Imizu, Toyama, Japan. Like the Galaxy Toyama Gymnasium, this project was designed in conjunction with the 1st Japan Expo Toyama in 1992. The 30 x 32 x 32 metre structure, built at the top of a 61,2 metre hill, serves as a platform to observe the surrounding landscape. The centre court is designed and equipped for the creation of a performance with sound, light and fog. The file is chiefly composed of design development and presentation drawings but includes some conceptual drawings and material related to theme development. There are also site plans and information about the 1st Japan Expo Toyama 1992. There is a small amount of correspondence in the form of facsimile transmissions. Working drawings include a set of structural drawings. Presentation material includes a model and bound copies and drafts of proposals. There are some digital prints of computer-generated perspectives, one in the form of a presentation panel. There is also some documentation for the development of the name and logo for the structure. A small album contains photographs of the built work. There is some promotional material for the tower and for the park in which it is situated. There are also clippings from published documents. Material in this file was produced between 1990 and 1993. .
People:
Date:
1990-1993
1990-1993
Title:
Prospecta Toyama '92 Observatory Tower, Imizu, Japan (1990-1993)
Actions:
AP166.S1.1990.PR2
Description:
This file documents the executed project for the Prospecta Toyama '92 Observatory Tower in Imizu, Toyama, Japan. Like the Galaxy Toyama Gymnasium, this project was designed in conjunction with the 1st Japan Expo Toyama in 1992. The 30 x 32 x 32 metre structure, built at the top of a 61,2 metre hill, serves as a platform to observe the surrounding landscape. The centre court is designed and equipped for the creation of a performance with sound, light and fog. The file is chiefly composed of design development and presentation drawings but includes some conceptual drawings and material related to theme development. There are also site plans and information about the 1st Japan Expo Toyama 1992. There is a small amount of correspondence in the form of facsimile transmissions. Working drawings include a set of structural drawings. Presentation material includes a model and bound copies and drafts of proposals. There are some digital prints of computer-generated perspectives, one in the form of a presentation panel. There is also some documentation for the development of the name and logo for the structure. A small album contains photographs of the built work. There is some promotional material for the tower and for the park in which it is situated. There are also clippings from published documents. Material in this file was produced between 1990 and 1993. .
Prospecta Toyama '92 Observatory Tower, Imizu, Japan (1990-1993)
Actions:
AP166.S1.1990.PR2
Description:
This file documents the executed project for the Prospecta Toyama '92 Observatory Tower in Imizu, Toyama, Japan. Like the Galaxy Toyama Gymnasium, this project was designed in conjunction with the 1st Japan Expo Toyama in 1992. The 30 x 32 x 32 metre structure, built at the top of a 61,2 metre hill, serves as a platform to observe the surrounding landscape. The centre court is designed and equipped for the creation of a performance with sound, light and fog. The file is chiefly composed of design development and presentation drawings but includes some conceptual drawings and material related to theme development. There are also site plans and information about the 1st Japan Expo Toyama 1992. There is a small amount of correspondence in the form of facsimile transmissions. Working drawings include a set of structural drawings. Presentation material includes a model and bound copies and drafts of proposals. There are some digital prints of computer-generated perspectives, one in the form of a presentation panel. There is also some documentation for the development of the name and logo for the structure. A small album contains photographs of the built work. There is some promotional material for the tower and for the park in which it is situated. There are also clippings from published documents. Material in this file was produced between 1990 and 1993. .
Level of archival description:
project
project
Date:
1990-1993
1990-1993
People:
Level of archival description:
Project
Project
Title:
McAppy
McAppy
Reference number:
AP144.S2.D89
Description:
File documents a design programme undertaken for construction company, Sir Robert McAlpine & Sons Ltd., in London, England. The aim was to increase the efficiency of production and improve labour relations by producing enclosures, equipment, material, and information systems that would improve safety, on-site communication, and job satisfaction. Cedric Price's office produced 2 report volumes, a Portable Enclosures Programme (PEP) and used at least one construction site, at Angel Court, as a test site for the proposals. Diagrams and flow charts show preliminary planning and programming design decisions and show the relationship between present and future factors. A flow chart illustrates the scope of the program. Charts and diagrams map the relative time scale of parts of the programme over various development phases. An axonometric and cutaway drawing show the interior construction of a pedestrian walkway. Data showing both the projected and real results of a site test application of McAppy planning and equipment from 1974 to 1975 was collected and presented as a broadside. A large number of original drawings are included within the textual records. Material in this file was produced between 1955 and 1987. Zisman, Bowyer & Partners provided consultation services. File contains design development drawings, model, photographic materials, presentation drawings, and textual records.
AP144.S2.D89
Description:
File documents a design programme undertaken for construction company, Sir Robert McAlpine & Sons Ltd., in London, England. The aim was to increase the efficiency of production and improve labour relations by producing enclosures, equipment, material, and information systems that would improve safety, on-site communication, and job satisfaction. Cedric Price's office produced 2 report volumes, a Portable Enclosures Programme (PEP) and used at least one construction site, at Angel Court, as a test site for the proposals. Diagrams and flow charts show preliminary planning and programming design decisions and show the relationship between present and future factors. A flow chart illustrates the scope of the program. Charts and diagrams map the relative time scale of parts of the programme over various development phases. An axonometric and cutaway drawing show the interior construction of a pedestrian walkway. Data showing both the projected and real results of a site test application of McAppy planning and equipment from 1974 to 1975 was collected and presented as a broadside. A large number of original drawings are included within the textual records. Material in this file was produced between 1955 and 1987. Zisman, Bowyer & Partners provided consultation services. File contains design development drawings, model, photographic materials, presentation drawings, and textual records.
People:
Date:
1955-1987, predominant 1973-1976
1955-1987, predominant 1973-1976
Title:
McAppy
Actions:
AP144.S2.D89
Description:
File documents a design programme undertaken for construction company, Sir Robert McAlpine & Sons Ltd., in London, England. The aim was to increase the efficiency of production and improve labour relations by producing enclosures, equipment, material, and information systems that would improve safety, on-site communication, and job satisfaction. Cedric Price's office produced 2 report volumes, a Portable Enclosures Programme (PEP) and used at least one construction site, at Angel Court, as a test site for the proposals. Diagrams and flow charts show preliminary planning and programming design decisions and show the relationship between present and future factors. A flow chart illustrates the scope of the program. Charts and diagrams map the relative time scale of parts of the programme over various development phases. An axonometric and cutaway drawing show the interior construction of a pedestrian walkway. Data showing both the projected and real results of a site test application of McAppy planning and equipment from 1974 to 1975 was collected and presented as a broadside. A large number of original drawings are included within the textual records. Material in this file was produced between 1955 and 1987. Zisman, Bowyer & Partners provided consultation services. File contains design development drawings, model, photographic materials, presentation drawings, and textual records.
McAppy
Actions:
AP144.S2.D89
Description:
File documents a design programme undertaken for construction company, Sir Robert McAlpine & Sons Ltd., in London, England. The aim was to increase the efficiency of production and improve labour relations by producing enclosures, equipment, material, and information systems that would improve safety, on-site communication, and job satisfaction. Cedric Price's office produced 2 report volumes, a Portable Enclosures Programme (PEP) and used at least one construction site, at Angel Court, as a test site for the proposals. Diagrams and flow charts show preliminary planning and programming design decisions and show the relationship between present and future factors. A flow chart illustrates the scope of the program. Charts and diagrams map the relative time scale of parts of the programme over various development phases. An axonometric and cutaway drawing show the interior construction of a pedestrian walkway. Data showing both the projected and real results of a site test application of McAppy planning and equipment from 1974 to 1975 was collected and presented as a broadside. A large number of original drawings are included within the textual records. Material in this file was produced between 1955 and 1987. Zisman, Bowyer & Partners provided consultation services. File contains design development drawings, model, photographic materials, presentation drawings, and textual records.
Level of archival description:
File 89
File 89
Date:
1955-1987, predominant 1973-1976
1955-1987, predominant 1973-1976
People:
Level of archival description:
Project
Project
Title:
Westpen
Westpen
Reference number:
AP144.S2.D101
Description:
File documents an unexecuted project for Westpen, an animal enclosure for the property at West Green House at Hartley Wintney, in Hampshire, England, and also the location for the project Greenbird (AP144.S2.D96). The pen can be adapted for several uses and its pivoting and sliding gates can be removed when not used for livestock, to be converted into a sculptured landscape for picnicking and leisure activities. Conceptual drawings include diagrammatic sketches which show the movement of animals through the pen for collecting, weighing, cleaning, and shearing. Sketches show pivoting rails, and preliminary plans are annotated with individual gate dimensions. Design development and working drawings illustrate the development of the pen components: 8 ft swing slide and cattle gates; 3 ft sheep gates; a sheep dip and footbath area; a sheep drafting and guillotine gate; and feed bins. Plans and details show the concrete apron and pre-formed gate sockets. Reprographic copies made from a consultant's drawings show the configuration of gates and hurdles. Some material in this file was published in Price-Works II' (London: Architectural Press, 1984), 72, 79. Material in this file was produced between 1977 and 1979. File contains conceptual drawings, design development drawings, model, photographic materials and textual records.
AP144.S2.D101
Description:
File documents an unexecuted project for Westpen, an animal enclosure for the property at West Green House at Hartley Wintney, in Hampshire, England, and also the location for the project Greenbird (AP144.S2.D96). The pen can be adapted for several uses and its pivoting and sliding gates can be removed when not used for livestock, to be converted into a sculptured landscape for picnicking and leisure activities. Conceptual drawings include diagrammatic sketches which show the movement of animals through the pen for collecting, weighing, cleaning, and shearing. Sketches show pivoting rails, and preliminary plans are annotated with individual gate dimensions. Design development and working drawings illustrate the development of the pen components: 8 ft swing slide and cattle gates; 3 ft sheep gates; a sheep dip and footbath area; a sheep drafting and guillotine gate; and feed bins. Plans and details show the concrete apron and pre-formed gate sockets. Reprographic copies made from a consultant's drawings show the configuration of gates and hurdles. Some material in this file was published in Price-Works II' (London: Architectural Press, 1984), 72, 79. Material in this file was produced between 1977 and 1979. File contains conceptual drawings, design development drawings, model, photographic materials and textual records.
People:
Date:
1977-1979
1977-1979
Title:
Westpen
Actions:
AP144.S2.D101
Description:
File documents an unexecuted project for Westpen, an animal enclosure for the property at West Green House at Hartley Wintney, in Hampshire, England, and also the location for the project Greenbird (AP144.S2.D96). The pen can be adapted for several uses and its pivoting and sliding gates can be removed when not used for livestock, to be converted into a sculptured landscape for picnicking and leisure activities. Conceptual drawings include diagrammatic sketches which show the movement of animals through the pen for collecting, weighing, cleaning, and shearing. Sketches show pivoting rails, and preliminary plans are annotated with individual gate dimensions. Design development and working drawings illustrate the development of the pen components: 8 ft swing slide and cattle gates; 3 ft sheep gates; a sheep dip and footbath area; a sheep drafting and guillotine gate; and feed bins. Plans and details show the concrete apron and pre-formed gate sockets. Reprographic copies made from a consultant's drawings show the configuration of gates and hurdles. Some material in this file was published in Price-Works II' (London: Architectural Press, 1984), 72, 79. Material in this file was produced between 1977 and 1979. File contains conceptual drawings, design development drawings, model, photographic materials and textual records.
Westpen
Actions:
AP144.S2.D101
Description:
File documents an unexecuted project for Westpen, an animal enclosure for the property at West Green House at Hartley Wintney, in Hampshire, England, and also the location for the project Greenbird (AP144.S2.D96). The pen can be adapted for several uses and its pivoting and sliding gates can be removed when not used for livestock, to be converted into a sculptured landscape for picnicking and leisure activities. Conceptual drawings include diagrammatic sketches which show the movement of animals through the pen for collecting, weighing, cleaning, and shearing. Sketches show pivoting rails, and preliminary plans are annotated with individual gate dimensions. Design development and working drawings illustrate the development of the pen components: 8 ft swing slide and cattle gates; 3 ft sheep gates; a sheep dip and footbath area; a sheep drafting and guillotine gate; and feed bins. Plans and details show the concrete apron and pre-formed gate sockets. Reprographic copies made from a consultant's drawings show the configuration of gates and hurdles. Some material in this file was published in Price-Works II' (London: Architectural Press, 1984), 72, 79. Material in this file was produced between 1977 and 1979. File contains conceptual drawings, design development drawings, model, photographic materials and textual records.
Level of archival description:
File 101
File 101
Date:
1977-1979
1977-1979
People:
Form:
textual records, photographs
textual records, photographs
Actions:
Reference number:
AP178.S1.2000.PR08.034
Description:
Original file title: Art Center College of Design This file includes a master plan, copyright application, and contact sheets of models and drawings.
AP178.S1.2000.PR08.034
Description:
Original file title: Art Center College of Design This file includes a master plan, copyright application, and contact sheets of models and drawings.
People:
Date:
2002
2002
Title:
Project documentation, Art Center College of Design (Ampliação), Pasedena
Actions:
AP178.S1.2000.PR08.034
Description:
Original file title: Art Center College of Design This file includes a master plan, copyright application, and contact sheets of models and drawings.
Project documentation, Art Center College of Design (Ampliação), Pasedena
Actions:
AP178.S1.2000.PR08.034
Description:
Original file title: Art Center College of Design This file includes a master plan, copyright application, and contact sheets of models and drawings.
Form:
textual records, photographs
textual records, photographs
Date:
2002
2002
People:
Form:
born digital
Quantity:
21 file
born digital
Quantity:
21 file
Actions:
Reference number:
ARCH242963
Description:
Dear Reader, Apter Front Matter Apter Program / Well Opener - texts by John Rajchman, Jürgen Braun, 7 slides Eric Alliez Allen Weiss Sanford Kwinter Elizabeth Grosz Paul Virilio John Rajchman Erik Oger - text and computer diskette Gilles Deleuze Gilles Châtelet Herzog & de Meuron - texts, 18 slides, strips of negatives Zaera-Polo, Alejandro - texts and 32 colour photos Peter Eisenman - texts, 32 colour photos, 18 negatives of final model Ito, Toyo - texts and 23 colour photos Nouvel, Jean Libeskind, Daniel Philosopher's Discussion Jury Discussion The Nelsons - Wes Jones (illustrations)
ARCH242963
Description:
Dear Reader, Apter Front Matter Apter Program / Well Opener - texts by John Rajchman, Jürgen Braun, 7 slides Eric Alliez Allen Weiss Sanford Kwinter Elizabeth Grosz Paul Virilio John Rajchman Erik Oger - text and computer diskette Gilles Deleuze Gilles Châtelet Herzog & de Meuron - texts, 18 slides, strips of negatives Zaera-Polo, Alejandro - texts and 32 colour photos Peter Eisenman - texts, 32 colour photos, 18 negatives of final model Ito, Toyo - texts and 23 colour photos Nouvel, Jean Libeskind, Daniel Philosopher's Discussion Jury Discussion The Nelsons - Wes Jones (illustrations)
People:
Date:
1996-1997
1996-1997
Title:
Dear Reader, Apter Front Matter
Actions:
ARCH242963
Description:
Dear Reader, Apter Front Matter Apter Program / Well Opener - texts by John Rajchman, Jürgen Braun, 7 slides Eric Alliez Allen Weiss Sanford Kwinter Elizabeth Grosz Paul Virilio John Rajchman Erik Oger - text and computer diskette Gilles Deleuze Gilles Châtelet Herzog & de Meuron - texts, 18 slides, strips of negatives Zaera-Polo, Alejandro - texts and 32 colour photos Peter Eisenman - texts, 32 colour photos, 18 negatives of final model Ito, Toyo - texts and 23 colour photos Nouvel, Jean Libeskind, Daniel Philosopher's Discussion Jury Discussion The Nelsons - Wes Jones (illustrations)
Dear Reader, Apter Front Matter
Actions:
ARCH242963
Description:
Dear Reader, Apter Front Matter Apter Program / Well Opener - texts by John Rajchman, Jürgen Braun, 7 slides Eric Alliez Allen Weiss Sanford Kwinter Elizabeth Grosz Paul Virilio John Rajchman Erik Oger - text and computer diskette Gilles Deleuze Gilles Châtelet Herzog & de Meuron - texts, 18 slides, strips of negatives Zaera-Polo, Alejandro - texts and 32 colour photos Peter Eisenman - texts, 32 colour photos, 18 negatives of final model Ito, Toyo - texts and 23 colour photos Nouvel, Jean Libeskind, Daniel Philosopher's Discussion Jury Discussion The Nelsons - Wes Jones (illustrations)
Form:
born digital
Quantity:
21 file
born digital
Quantity:
21 file
Date:
1996-1997
1996-1997
People:
