61574 Results
Form:
events
events
Title:
Maristella Casciato: Introducing Pierre Jeanneret—architect, designer, educator—in Chandigarh
Maristella Casciato: Introducing Pierre Jeanneret—architect, designer, educator—in Chandigarh
Actions:
Description:
On 18 November, Maristella Casciato, CCA Senior Mellon Fellow and Professor of Architectural History, School of Architecture “Aldo Rossi” at Cesena, University of Bologna, speaks on the pivotal contribution of Pierre Jeanneret to the construction of Chandigarh, India. The lesser-known cousin of the famous Le Corbusier, this seminar presents “another” view of Pierre Jeanneret.
On 18 November, Maristella Casciato, CCA Senior Mellon Fellow and Professor of Architectural History, School of Architecture “Aldo Rossi” at Cesena, University of Bologna, speaks on the pivotal contribution of Pierre Jeanneret to the construction of Chandigarh, India. The lesser-known cousin of the famous Le Corbusier, this seminar presents “another” view of Pierre Jeanneret.
Location:
Paul Desmarais Theatre
Presented in English Keyword(s):
Maristella Casciato, Pierre Jeanneret
Paul Desmarais Theatre
Presented in English Keyword(s):
Maristella Casciato, Pierre Jeanneret
Date:
18 November 2010 , 6PM
18 November 2010 , 6PM
Title:
Maristella Casciato: Introducing Pierre Jeanneret—architect, designer, educator—in Chandigarh
Actions:
Description:
On 18 November, Maristella Casciato, CCA Senior Mellon Fellow and Professor of Architectural History, School of Architecture “Aldo Rossi” at Cesena, University of Bologna, speaks on the pivotal contribution of Pierre Jeanneret to the construction of Chandigarh, India. The lesser-known cousin of the famous Le Corbusier, this seminar presents “another” view of Pierre Jeanneret.
Maristella Casciato: Introducing Pierre Jeanneret—architect, designer, educator—in Chandigarh
Actions:
Description:
On 18 November, Maristella Casciato, CCA Senior Mellon Fellow and Professor of Architectural History, School of Architecture “Aldo Rossi” at Cesena, University of Bologna, speaks on the pivotal contribution of Pierre Jeanneret to the construction of Chandigarh, India. The lesser-known cousin of the famous Le Corbusier, this seminar presents “another” view of Pierre Jeanneret.
Form:
events
events
Date:
18 November 2010
6PM
18 November 2010
6PM
Location:
Paul Desmarais Theatre
Presented in English Keyword(s):
Maristella Casciato, Pierre Jeanneret
Paul Desmarais Theatre
Presented in English Keyword(s):
Maristella Casciato, Pierre Jeanneret
Form:
events
events
Actions:
Description:
The Toolkit for Today seminar is a constitutive part of the CCA Doctoral Students Program. We invite scholars to open up their toolboxes, share methodological challenges and approaches, and discuss the key concepts they work with on contemporary issues in architecture and related disciplines. In 2016, the Toolkit for Today focuses on “Keywords for the Environment,”(...)
The Toolkit for Today seminar is a constitutive part of the CCA Doctoral Students Program. We invite scholars to open up their toolboxes, share methodological challenges and approaches, and discuss the key concepts they work with on contemporary issues in architecture and related disciplines. In 2016, the Toolkit for Today focuses on “Keywords for the Environment,”(...)
Date:
27 June 2016 to 30 June 2016
27 June 2016 to 30 June 2016
Title:
Toolkit for Today: Keywords for the Environment
Actions:
Description:
The Toolkit for Today seminar is a constitutive part of the CCA Doctoral Students Program. We invite scholars to open up their toolboxes, share methodological challenges and approaches, and discuss the key concepts they work with on contemporary issues in architecture and related disciplines. In 2016, the Toolkit for Today focuses on “Keywords for the Environment,”(...)
Toolkit for Today: Keywords for the Environment
Actions:
Description:
The Toolkit for Today seminar is a constitutive part of the CCA Doctoral Students Program. We invite scholars to open up their toolboxes, share methodological challenges and approaches, and discuss the key concepts they work with on contemporary issues in architecture and related disciplines. In 2016, the Toolkit for Today focuses on “Keywords for the Environment,”(...)
Form:
events
events
Date:
27 June 2016 to
30 June 2016
27 June 2016 to
30 June 2016
Form:
exhibitions
exhibitions
Actions:
Description:
Dissections brings together several works by Vancouver-based artist Geoffrey Smedley and reflects on many disciplines such as the history of science, geometry, philosophy, and architecture. The exhibition takes the form of a cabinet theatre in the mode of the absurd, staging the mythic figure of Descartes’ Clown, a neurotic and insecure robot that dissects himself with(...)
Dissections brings together several works by Vancouver-based artist Geoffrey Smedley and reflects on many disciplines such as the history of science, geometry, philosophy, and architecture. The exhibition takes the form of a cabinet theatre in the mode of the absurd, staging the mythic figure of Descartes’ Clown, a neurotic and insecure robot that dissects himself with(...)
Location:
Octagonal gallery
Octagonal gallery
Date:
6 June 2013 to 11 August 2013
6 June 2013 to 11 August 2013
Title:
Dissections: Geoffrey Smedley
Actions:
Description:
Dissections brings together several works by Vancouver-based artist Geoffrey Smedley and reflects on many disciplines such as the history of science, geometry, philosophy, and architecture. The exhibition takes the form of a cabinet theatre in the mode of the absurd, staging the mythic figure of Descartes’ Clown, a neurotic and insecure robot that dissects himself with(...)
Dissections: Geoffrey Smedley
Actions:
Description:
Dissections brings together several works by Vancouver-based artist Geoffrey Smedley and reflects on many disciplines such as the history of science, geometry, philosophy, and architecture. The exhibition takes the form of a cabinet theatre in the mode of the absurd, staging the mythic figure of Descartes’ Clown, a neurotic and insecure robot that dissects himself with(...)
Form:
exhibitions
exhibitions
Date:
6 June 2013 to
11 August 2013
6 June 2013 to
11 August 2013
Location:
Octagonal gallery
Octagonal gallery
Form:
events
events
Actions:
Description:
Philip Ursprung, guest curator of the 2002 CCA exhibition Herzog de Meuron: Archaeology of the Mind, discusses the Swiss architects’ collaborative relationship with artists. The lecture is part a series exploring the boundary between art and architecture, presented in conjunction with the exhibition. Philip Ursprung is Professor of the History of Modern and Contemporary(...)
Philip Ursprung, guest curator of the 2002 CCA exhibition Herzog de Meuron: Archaeology of the Mind, discusses the Swiss architects’ collaborative relationship with artists. The lecture is part a series exploring the boundary between art and architecture, presented in conjunction with the exhibition. Philip Ursprung is Professor of the History of Modern and Contemporary(...)
Date:
17 October 2002
17 October 2002
Title:
Philip Ursprung: Close Encounters: Herzog & de Meuron en collaboration avec des artistes
Actions:
Description:
Philip Ursprung, guest curator of the 2002 CCA exhibition Herzog de Meuron: Archaeology of the Mind, discusses the Swiss architects’ collaborative relationship with artists. The lecture is part a series exploring the boundary between art and architecture, presented in conjunction with the exhibition. Philip Ursprung is Professor of the History of Modern and Contemporary(...)
Philip Ursprung: Close Encounters: Herzog & de Meuron en collaboration avec des artistes
Actions:
Description:
Philip Ursprung, guest curator of the 2002 CCA exhibition Herzog de Meuron: Archaeology of the Mind, discusses the Swiss architects’ collaborative relationship with artists. The lecture is part a series exploring the boundary between art and architecture, presented in conjunction with the exhibition. Philip Ursprung is Professor of the History of Modern and Contemporary(...)
Form:
events
events
Date:
17 October 2002
17 October 2002
Form:
exhibitions
exhibitions
Title:
Civic Visions, World's Fairs
Civic Visions, World's Fairs
Actions:
Description:
The dazzling energies of world’s fairs are well known —millions of visitors, encyclopaedic displays of goods and ideas, fantastic settings of pavilions and exhibition halls—but the sites that gather the exposition experience into a spatial unity are often overlooked. Civic Visions, World’s Fairs looks at the contribution of site planning to the history of international(...)
The dazzling energies of world’s fairs are well known —millions of visitors, encyclopaedic displays of goods and ideas, fantastic settings of pavilions and exhibition halls—but the sites that gather the exposition experience into a spatial unity are often overlooked. Civic Visions, World’s Fairs looks at the contribution of site planning to the history of international(...)
Location:
Hall cases
Hall cases
Date:
17 March 1993 to 1 August 1993
17 March 1993 to 1 August 1993
Title:
Civic Visions, World's Fairs
Actions:
Description:
The dazzling energies of world’s fairs are well known —millions of visitors, encyclopaedic displays of goods and ideas, fantastic settings of pavilions and exhibition halls—but the sites that gather the exposition experience into a spatial unity are often overlooked. Civic Visions, World’s Fairs looks at the contribution of site planning to the history of international(...)
Civic Visions, World's Fairs
Actions:
Description:
The dazzling energies of world’s fairs are well known —millions of visitors, encyclopaedic displays of goods and ideas, fantastic settings of pavilions and exhibition halls—but the sites that gather the exposition experience into a spatial unity are often overlooked. Civic Visions, World’s Fairs looks at the contribution of site planning to the history of international(...)
Form:
exhibitions
exhibitions
Date:
17 March 1993 to
1 August 1993
17 March 1993 to
1 August 1993
Location:
Hall cases
Hall cases
Form:
textual records
textual records
Actions:
Reference number:
AP197.S3.011
Description:
The box is comprised of correspondence for the years of 2002-2014, organized in chronological order. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Throughout this period, Frampton corresponded with various universities, architects, professors, publishers, and editors of various publications such as: Alvaro Siza; Mario Botta; Glenn Murcutt; Angelo Bucci; Kengo Kuma; Charles Correa; Rafael Moneo; Raj Rewal; Harry Wolf; Tadao Ando; and David Chipperfield. Correspondence relates to Frampton participation/involvement in: writing Richard Meier and Steven Holl essays for Electa Architecture and the Labor, Work and Architecture publication; in the Chinese translation of Studies in Tectonic Culture; in the International Committee for Documentation and Conservation of Buildings, Sites and Neighbourhoods of the Modern Movement’s (do.co,mo.mo) "The Challenge of the Modern Movement;" lecturing at the Bard Graduate Center; providing the keynote address at the Architectural Association of Ireland Symposium; acting as a jury member for the Museum of the History of Polish Jews.
AP197.S3.011
Description:
The box is comprised of correspondence for the years of 2002-2014, organized in chronological order. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Throughout this period, Frampton corresponded with various universities, architects, professors, publishers, and editors of various publications such as: Alvaro Siza; Mario Botta; Glenn Murcutt; Angelo Bucci; Kengo Kuma; Charles Correa; Rafael Moneo; Raj Rewal; Harry Wolf; Tadao Ando; and David Chipperfield. Correspondence relates to Frampton participation/involvement in: writing Richard Meier and Steven Holl essays for Electa Architecture and the Labor, Work and Architecture publication; in the Chinese translation of Studies in Tectonic Culture; in the International Committee for Documentation and Conservation of Buildings, Sites and Neighbourhoods of the Modern Movement’s (do.co,mo.mo) "The Challenge of the Modern Movement;" lecturing at the Bard Graduate Center; providing the keynote address at the Architectural Association of Ireland Symposium; acting as a jury member for the Museum of the History of Polish Jews.
People:
Date:
2002-2014
2002-2014
Title:
Personal and professional correspondence from 2002-2014
Actions:
AP197.S3.011
Description:
The box is comprised of correspondence for the years of 2002-2014, organized in chronological order. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Throughout this period, Frampton corresponded with various universities, architects, professors, publishers, and editors of various publications such as: Alvaro Siza; Mario Botta; Glenn Murcutt; Angelo Bucci; Kengo Kuma; Charles Correa; Rafael Moneo; Raj Rewal; Harry Wolf; Tadao Ando; and David Chipperfield. Correspondence relates to Frampton participation/involvement in: writing Richard Meier and Steven Holl essays for Electa Architecture and the Labor, Work and Architecture publication; in the Chinese translation of Studies in Tectonic Culture; in the International Committee for Documentation and Conservation of Buildings, Sites and Neighbourhoods of the Modern Movement’s (do.co,mo.mo) "The Challenge of the Modern Movement;" lecturing at the Bard Graduate Center; providing the keynote address at the Architectural Association of Ireland Symposium; acting as a jury member for the Museum of the History of Polish Jews.
Personal and professional correspondence from 2002-2014
Actions:
AP197.S3.011
Description:
The box is comprised of correspondence for the years of 2002-2014, organized in chronological order. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Throughout this period, Frampton corresponded with various universities, architects, professors, publishers, and editors of various publications such as: Alvaro Siza; Mario Botta; Glenn Murcutt; Angelo Bucci; Kengo Kuma; Charles Correa; Rafael Moneo; Raj Rewal; Harry Wolf; Tadao Ando; and David Chipperfield. Correspondence relates to Frampton participation/involvement in: writing Richard Meier and Steven Holl essays for Electa Architecture and the Labor, Work and Architecture publication; in the Chinese translation of Studies in Tectonic Culture; in the International Committee for Documentation and Conservation of Buildings, Sites and Neighbourhoods of the Modern Movement’s (do.co,mo.mo) "The Challenge of the Modern Movement;" lecturing at the Bard Graduate Center; providing the keynote address at the Architectural Association of Ireland Symposium; acting as a jury member for the Museum of the History of Polish Jews.
Form:
textual records
textual records
Date:
2002-2014
2002-2014
People:
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Title:
Anyone Corporation fonds
Anyone Corporation fonds
Reference number:
AP116
Synopsis:
The Anyone Corporation fonds is composed primarily of textual and photographic records which document the activities of the Anyone Corporation over the course of its planned ten year life span from 1990 to 2001. The non-profit, New York City based organization, was founded by Peter Eisenman, Cynthia Davidson, Arata Isozaki, and Ignasi de Solà-Morales Rubio in order to stimulate a fruitful dialogue between architecture and general culture at the dawn of the new millennium. To this end, ANY (acronym for Architecture New York) organised ten international conferences and numerous public seminars, as well as publishing conference journals, a series of architecture related books, and ANY, a theory driven bi-monthly magazine.
AP116
Synopsis:
The Anyone Corporation fonds is composed primarily of textual and photographic records which document the activities of the Anyone Corporation over the course of its planned ten year life span from 1990 to 2001. The non-profit, New York City based organization, was founded by Peter Eisenman, Cynthia Davidson, Arata Isozaki, and Ignasi de Solà-Morales Rubio in order to stimulate a fruitful dialogue between architecture and general culture at the dawn of the new millennium. To this end, ANY (acronym for Architecture New York) organised ten international conferences and numerous public seminars, as well as publishing conference journals, a series of architecture related books, and ANY, a theory driven bi-monthly magazine.
People:
Date:
1990-2001
1990-2001
Title:
Anyone Corporation fonds
Actions:
AP116
Synopsis:
The Anyone Corporation fonds is composed primarily of textual and photographic records which document the activities of the Anyone Corporation over the course of its planned ten year life span from 1990 to 2001. The non-profit, New York City based organization, was founded by Peter Eisenman, Cynthia Davidson, Arata Isozaki, and Ignasi de Solà-Morales Rubio in order to stimulate a fruitful dialogue between architecture and general culture at the dawn of the new millennium. To this end, ANY (acronym for Architecture New York) organised ten international conferences and numerous public seminars, as well as publishing conference journals, a series of architecture related books, and ANY, a theory driven bi-monthly magazine.
Anyone Corporation fonds
Actions:
AP116
Synopsis:
The Anyone Corporation fonds is composed primarily of textual and photographic records which document the activities of the Anyone Corporation over the course of its planned ten year life span from 1990 to 2001. The non-profit, New York City based organization, was founded by Peter Eisenman, Cynthia Davidson, Arata Isozaki, and Ignasi de Solà-Morales Rubio in order to stimulate a fruitful dialogue between architecture and general culture at the dawn of the new millennium. To this end, ANY (acronym for Architecture New York) organised ten international conferences and numerous public seminars, as well as publishing conference journals, a series of architecture related books, and ANY, a theory driven bi-monthly magazine.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1990-2001
1990-2001
People:
Form:
textual records
textual records
Actions:
Reference number:
ARCH158357
Description:
Cette chemise contient de la documentation au sujet de la Fondation Frank Lloyd Wright et et de la correspondance diverse de la Fondation Frank Lloyd Wright, adressée à M. et Mme Roger D'Astous, soit à titre d'amis de la Fondation ou à titre d'ancien apprenti du Fellowship, selon le cas. Elle contient également les documents suivants: 6 exemplaires du bulletin Friends of Taliesin : vol. 1, no 1 (avril 1985), no 3 (déc. 1985), vol. 2, no 1 (avril 1986), vol. 4, no 3 (oct. 1988), vol. 5, no 1 (fév. 1989) et no 2 (mai 1989); 1 exemplaire du Taliesin Fellowship news : vol. 1, no 1 (printemps 1988); 1 exemplaire du programme du The Taliesin Festival of Music and Dance qui a eu lieu au Pavillon de Taliesin West en 1968; 1 exemplaire de Arizona Biltmore - History and Guide; 1 exemplaire d'une brochure parue en mai 1953 à l'occasion de l'exposition Small Exhibition of Organic Architecture; 1 exemplaire du catalogue paru vers 1954 lors de la présentation de l'exposition Sixty Years of Living Architecture, à Los Angeles (cette exposition avait d'abord été présentée à Florence en 1951); 1 exemplaire de Bâtiment, vol. 36, no 12 (décembre 1960); 1 exemplaire du The Los Angeles Times Home magazine (9 mars 1969).
ARCH158357
Description:
Cette chemise contient de la documentation au sujet de la Fondation Frank Lloyd Wright et et de la correspondance diverse de la Fondation Frank Lloyd Wright, adressée à M. et Mme Roger D'Astous, soit à titre d'amis de la Fondation ou à titre d'ancien apprenti du Fellowship, selon le cas. Elle contient également les documents suivants: 6 exemplaires du bulletin Friends of Taliesin : vol. 1, no 1 (avril 1985), no 3 (déc. 1985), vol. 2, no 1 (avril 1986), vol. 4, no 3 (oct. 1988), vol. 5, no 1 (fév. 1989) et no 2 (mai 1989); 1 exemplaire du Taliesin Fellowship news : vol. 1, no 1 (printemps 1988); 1 exemplaire du programme du The Taliesin Festival of Music and Dance qui a eu lieu au Pavillon de Taliesin West en 1968; 1 exemplaire de Arizona Biltmore - History and Guide; 1 exemplaire d'une brochure parue en mai 1953 à l'occasion de l'exposition Small Exhibition of Organic Architecture; 1 exemplaire du catalogue paru vers 1954 lors de la présentation de l'exposition Sixty Years of Living Architecture, à Los Angeles (cette exposition avait d'abord été présentée à Florence en 1951); 1 exemplaire de Bâtiment, vol. 36, no 12 (décembre 1960); 1 exemplaire du The Los Angeles Times Home magazine (9 mars 1969).
People:
Title:
Documentation au sujet de la Fondation Frank Lloyd Wright
Actions:
ARCH158357
Description:
Cette chemise contient de la documentation au sujet de la Fondation Frank Lloyd Wright et et de la correspondance diverse de la Fondation Frank Lloyd Wright, adressée à M. et Mme Roger D'Astous, soit à titre d'amis de la Fondation ou à titre d'ancien apprenti du Fellowship, selon le cas. Elle contient également les documents suivants: 6 exemplaires du bulletin Friends of Taliesin : vol. 1, no 1 (avril 1985), no 3 (déc. 1985), vol. 2, no 1 (avril 1986), vol. 4, no 3 (oct. 1988), vol. 5, no 1 (fév. 1989) et no 2 (mai 1989); 1 exemplaire du Taliesin Fellowship news : vol. 1, no 1 (printemps 1988); 1 exemplaire du programme du The Taliesin Festival of Music and Dance qui a eu lieu au Pavillon de Taliesin West en 1968; 1 exemplaire de Arizona Biltmore - History and Guide; 1 exemplaire d'une brochure parue en mai 1953 à l'occasion de l'exposition Small Exhibition of Organic Architecture; 1 exemplaire du catalogue paru vers 1954 lors de la présentation de l'exposition Sixty Years of Living Architecture, à Los Angeles (cette exposition avait d'abord été présentée à Florence en 1951); 1 exemplaire de Bâtiment, vol. 36, no 12 (décembre 1960); 1 exemplaire du The Los Angeles Times Home magazine (9 mars 1969).
Documentation au sujet de la Fondation Frank Lloyd Wright
Actions:
ARCH158357
Description:
Cette chemise contient de la documentation au sujet de la Fondation Frank Lloyd Wright et et de la correspondance diverse de la Fondation Frank Lloyd Wright, adressée à M. et Mme Roger D'Astous, soit à titre d'amis de la Fondation ou à titre d'ancien apprenti du Fellowship, selon le cas. Elle contient également les documents suivants: 6 exemplaires du bulletin Friends of Taliesin : vol. 1, no 1 (avril 1985), no 3 (déc. 1985), vol. 2, no 1 (avril 1986), vol. 4, no 3 (oct. 1988), vol. 5, no 1 (fév. 1989) et no 2 (mai 1989); 1 exemplaire du Taliesin Fellowship news : vol. 1, no 1 (printemps 1988); 1 exemplaire du programme du The Taliesin Festival of Music and Dance qui a eu lieu au Pavillon de Taliesin West en 1968; 1 exemplaire de Arizona Biltmore - History and Guide; 1 exemplaire d'une brochure parue en mai 1953 à l'occasion de l'exposition Small Exhibition of Organic Architecture; 1 exemplaire du catalogue paru vers 1954 lors de la présentation de l'exposition Sixty Years of Living Architecture, à Los Angeles (cette exposition avait d'abord été présentée à Florence en 1951); 1 exemplaire de Bâtiment, vol. 36, no 12 (décembre 1960); 1 exemplaire du The Los Angeles Times Home magazine (9 mars 1969).
Form:
textual records
textual records
People:
Form:
textual records
textual records
Reference number:
AP197.S3.001
Description:
This box is comprised of personal and professional correspondence, organized in chronological order, from 1958- 1983. Correspondence documents the beginning of Frampton's professional career and includes letters from his time as: a tutor at the Royal College of Art; the technical editor of the magazine Architectural Design; a visiting professor at Princeton University; an associate professor and, subsequently, Ware Professor of the Graduate School of Architecture, Planning and Preservation; a Fellow of the Institute for Architecture and Urban Studies; and an editor of Oppositions. This correspondence includes a letter inviting Frampton to teach at Princeton University and his acceptance of the position, his appointment to the Loeb Fellowship, and his appointment as an Associate Professor at Columbia University as well as correspondence concerning the first and second editions of Modern Architecture: a critical history. Throughout this period, Frampton corresponded with various architects, professors, publishers, and editors of various publications such as: Peter Eisenman; Robert Vickery; Anthony Hill; Melvin Charney; Richard Meier; Max Bill; Panos Koulermos; Tadao Ando; Tomás Maldonado; Manfredo Tafuri; Arata Isozaki; the Casabella; Architecture and Urbanism; DOMUS; and Thames and Hudson. Activities documented in this box include: various offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to attend or present lectures/symposiums/conferences; and requests to serve on juries.
AP197.S3.001
Description:
This box is comprised of personal and professional correspondence, organized in chronological order, from 1958- 1983. Correspondence documents the beginning of Frampton's professional career and includes letters from his time as: a tutor at the Royal College of Art; the technical editor of the magazine Architectural Design; a visiting professor at Princeton University; an associate professor and, subsequently, Ware Professor of the Graduate School of Architecture, Planning and Preservation; a Fellow of the Institute for Architecture and Urban Studies; and an editor of Oppositions. This correspondence includes a letter inviting Frampton to teach at Princeton University and his acceptance of the position, his appointment to the Loeb Fellowship, and his appointment as an Associate Professor at Columbia University as well as correspondence concerning the first and second editions of Modern Architecture: a critical history. Throughout this period, Frampton corresponded with various architects, professors, publishers, and editors of various publications such as: Peter Eisenman; Robert Vickery; Anthony Hill; Melvin Charney; Richard Meier; Max Bill; Panos Koulermos; Tadao Ando; Tomás Maldonado; Manfredo Tafuri; Arata Isozaki; the Casabella; Architecture and Urbanism; DOMUS; and Thames and Hudson. Activities documented in this box include: various offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to attend or present lectures/symposiums/conferences; and requests to serve on juries.
People:
Date:
1958-1984
1958-1984
Title:
Personal and professional correspondence from 1958-1984
Actions:
AP197.S3.001
Description:
This box is comprised of personal and professional correspondence, organized in chronological order, from 1958- 1983. Correspondence documents the beginning of Frampton's professional career and includes letters from his time as: a tutor at the Royal College of Art; the technical editor of the magazine Architectural Design; a visiting professor at Princeton University; an associate professor and, subsequently, Ware Professor of the Graduate School of Architecture, Planning and Preservation; a Fellow of the Institute for Architecture and Urban Studies; and an editor of Oppositions. This correspondence includes a letter inviting Frampton to teach at Princeton University and his acceptance of the position, his appointment to the Loeb Fellowship, and his appointment as an Associate Professor at Columbia University as well as correspondence concerning the first and second editions of Modern Architecture: a critical history. Throughout this period, Frampton corresponded with various architects, professors, publishers, and editors of various publications such as: Peter Eisenman; Robert Vickery; Anthony Hill; Melvin Charney; Richard Meier; Max Bill; Panos Koulermos; Tadao Ando; Tomás Maldonado; Manfredo Tafuri; Arata Isozaki; the Casabella; Architecture and Urbanism; DOMUS; and Thames and Hudson. Activities documented in this box include: various offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to attend or present lectures/symposiums/conferences; and requests to serve on juries.
Personal and professional correspondence from 1958-1984
Actions:
AP197.S3.001
Description:
This box is comprised of personal and professional correspondence, organized in chronological order, from 1958- 1983. Correspondence documents the beginning of Frampton's professional career and includes letters from his time as: a tutor at the Royal College of Art; the technical editor of the magazine Architectural Design; a visiting professor at Princeton University; an associate professor and, subsequently, Ware Professor of the Graduate School of Architecture, Planning and Preservation; a Fellow of the Institute for Architecture and Urban Studies; and an editor of Oppositions. This correspondence includes a letter inviting Frampton to teach at Princeton University and his acceptance of the position, his appointment to the Loeb Fellowship, and his appointment as an Associate Professor at Columbia University as well as correspondence concerning the first and second editions of Modern Architecture: a critical history. Throughout this period, Frampton corresponded with various architects, professors, publishers, and editors of various publications such as: Peter Eisenman; Robert Vickery; Anthony Hill; Melvin Charney; Richard Meier; Max Bill; Panos Koulermos; Tadao Ando; Tomás Maldonado; Manfredo Tafuri; Arata Isozaki; the Casabella; Architecture and Urbanism; DOMUS; and Thames and Hudson. Activities documented in this box include: various offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to attend or present lectures/symposiums/conferences; and requests to serve on juries.
Form:
textual records
textual records
Date:
1958-1984
1958-1984
People:
Form:
articles
articles
Title:
Connecting Collectivity
Connecting Collectivity
Actions:
Clarissa Lim Kye Lee and Yap Sau Bin in conversation
