12620 Results
Level of archival description:
Sub-series
Sub-series
Reference number:
CI001.S2.D4
Description:
The CCA collection includes albums of drawings for some of Charles Rohault de Fleury's most important public architectural projects, built and unbuilt. They provide valuable insight into his design development process, construction techniques, and flexibility regarding building types and styles, as well as illuminating the larger issues of urban planning and the complex interaction between architect, contractor, and entrepreneur in mid-19th century France. The neo-Moorish Hippodrome National (DR1974:0002:017:001-060) - an ephemeral structure constructed of a wood frame with canvas sheathing- was built adjacent to the Place de l'Étoile in 1845 and destroyed in 1856. The documents and drawings in the album provide a highly detailed and complete overview of the project from the study of historical models to contract drawings. Written documentation, including cost estimates, a contract, daily accounts of construction, entrepreneur's accounts, and correspondence with the principal contractor, is particularly revealing of the working procedures on a large commercial project. In 1855 Charles and Auguste Joseph Pellechet constructed the Chambre des Notaires on the newly transformed Place du Chatelet - the intended centre point of Haussmann's 'Nouveau Paris' (1). The CCA album contains primarily transfer lithographed working and contract drawings signed by the entrepreneurs and/or contractors (DR1974:0002:022:001-021). The plans reflect Charles' sensitive integration of iron and masonry construction, which allowed for abundant fenestration on the side facades, while maintaining the traditional aspects of character and solidity required in a prominent urban building. Charles' approach to the design of more utilitarian structures is indicated in his album of competition drawings for a municipal slaughterhouse submitted to the city of Saint-Germain-en-Laye, 1846-1847 (DR1974:0002:023:001-012). His interpretation of the written programme (included in the album) and the resulting design, is strongly influenced by his father's previous slaughterhouse projects, as well as his own for La Villete, 1835-1836 (see DR1974:0002:014:001-104 in Hubert Rohault de Fleury's Public and Urban Architecture (file CI001.S3.D1)). The pared down Neoclassical style of the slaughterhouse is typical of both Charles and Hubert's utilitarian structures. Charles' largest public urban project outside of Paris was for an unexecuted Hôtel de Prefecture (Departement de la Vienne) and Hôtel de Ville for the city of Poitiers, 1859-1860 (DR1974:0002:020:001-050). The project for the Louis XIIIth style Hotel de Prefecture is fairly complete and includes many working drawings, while the Francis Ist style Hotel de Ville is much less developed and consists primarily of unbound sketches and finished drawings. A site plan indicates that Charles intended the Hôtel de Prefecture and Hôtel de Ville to be located nearly opposite each other and connected by a major thoroughfare. The placement of both structures in the western quarter of the city probably reflects an earlier urban renewal plan proposed by the architects Morandiere et Compaing in 1849. The Hôtel de Prefecture (1864-1868) and Hotel de Ville (1869-1876) were eventually built after designs by Antoine Guerinot, in the same style, and on sites close to those proposed by Charles. Drawings and engravings of antique and contemporary theatres, fountains, honorific monuments, and large public projects by other architects are collected in album DR1974:0002:010:001-048 for reference purposes (some of these may have been collected by his father Hubert). (1) David Van Zanten, "Building Paris: Architectural Institutions and the Transformation of the French Capital, 1830-1870" (Cambridge, Eng.: Cambridge University Press, 1994), p. 235 and pp. 233-241 for the development of the Place du Chatelet.
CI001.S2.D4
Description:
The CCA collection includes albums of drawings for some of Charles Rohault de Fleury's most important public architectural projects, built and unbuilt. They provide valuable insight into his design development process, construction techniques, and flexibility regarding building types and styles, as well as illuminating the larger issues of urban planning and the complex interaction between architect, contractor, and entrepreneur in mid-19th century France. The neo-Moorish Hippodrome National (DR1974:0002:017:001-060) - an ephemeral structure constructed of a wood frame with canvas sheathing- was built adjacent to the Place de l'Étoile in 1845 and destroyed in 1856. The documents and drawings in the album provide a highly detailed and complete overview of the project from the study of historical models to contract drawings. Written documentation, including cost estimates, a contract, daily accounts of construction, entrepreneur's accounts, and correspondence with the principal contractor, is particularly revealing of the working procedures on a large commercial project. In 1855 Charles and Auguste Joseph Pellechet constructed the Chambre des Notaires on the newly transformed Place du Chatelet - the intended centre point of Haussmann's 'Nouveau Paris' (1). The CCA album contains primarily transfer lithographed working and contract drawings signed by the entrepreneurs and/or contractors (DR1974:0002:022:001-021). The plans reflect Charles' sensitive integration of iron and masonry construction, which allowed for abundant fenestration on the side facades, while maintaining the traditional aspects of character and solidity required in a prominent urban building. Charles' approach to the design of more utilitarian structures is indicated in his album of competition drawings for a municipal slaughterhouse submitted to the city of Saint-Germain-en-Laye, 1846-1847 (DR1974:0002:023:001-012). His interpretation of the written programme (included in the album) and the resulting design, is strongly influenced by his father's previous slaughterhouse projects, as well as his own for La Villete, 1835-1836 (see DR1974:0002:014:001-104 in Hubert Rohault de Fleury's Public and Urban Architecture (file CI001.S3.D1)). The pared down Neoclassical style of the slaughterhouse is typical of both Charles and Hubert's utilitarian structures. Charles' largest public urban project outside of Paris was for an unexecuted Hôtel de Prefecture (Departement de la Vienne) and Hôtel de Ville for the city of Poitiers, 1859-1860 (DR1974:0002:020:001-050). The project for the Louis XIIIth style Hotel de Prefecture is fairly complete and includes many working drawings, while the Francis Ist style Hotel de Ville is much less developed and consists primarily of unbound sketches and finished drawings. A site plan indicates that Charles intended the Hôtel de Prefecture and Hôtel de Ville to be located nearly opposite each other and connected by a major thoroughfare. The placement of both structures in the western quarter of the city probably reflects an earlier urban renewal plan proposed by the architects Morandiere et Compaing in 1849. The Hôtel de Prefecture (1864-1868) and Hotel de Ville (1869-1876) were eventually built after designs by Antoine Guerinot, in the same style, and on sites close to those proposed by Charles. Drawings and engravings of antique and contemporary theatres, fountains, honorific monuments, and large public projects by other architects are collected in album DR1974:0002:010:001-048 for reference purposes (some of these may have been collected by his father Hubert). (1) David Van Zanten, "Building Paris: Architectural Institutions and the Transformation of the French Capital, 1830-1870" (Cambridge, Eng.: Cambridge University Press, 1994), p. 235 and pp. 233-241 for the development of the Place du Chatelet.
People:
Date:
[1840-1860]
[1840-1860]
Title:
Public and Urban Architecture
CI001.S2.D4
Description:
The CCA collection includes albums of drawings for some of Charles Rohault de Fleury's most important public architectural projects, built and unbuilt. They provide valuable insight into his design development process, construction techniques, and flexibility regarding building types and styles, as well as illuminating the larger issues of urban planning and the complex interaction between architect, contractor, and entrepreneur in mid-19th century France. The neo-Moorish Hippodrome National (DR1974:0002:017:001-060) - an ephemeral structure constructed of a wood frame with canvas sheathing- was built adjacent to the Place de l'Étoile in 1845 and destroyed in 1856. The documents and drawings in the album provide a highly detailed and complete overview of the project from the study of historical models to contract drawings. Written documentation, including cost estimates, a contract, daily accounts of construction, entrepreneur's accounts, and correspondence with the principal contractor, is particularly revealing of the working procedures on a large commercial project. In 1855 Charles and Auguste Joseph Pellechet constructed the Chambre des Notaires on the newly transformed Place du Chatelet - the intended centre point of Haussmann's 'Nouveau Paris' (1). The CCA album contains primarily transfer lithographed working and contract drawings signed by the entrepreneurs and/or contractors (DR1974:0002:022:001-021). The plans reflect Charles' sensitive integration of iron and masonry construction, which allowed for abundant fenestration on the side facades, while maintaining the traditional aspects of character and solidity required in a prominent urban building. Charles' approach to the design of more utilitarian structures is indicated in his album of competition drawings for a municipal slaughterhouse submitted to the city of Saint-Germain-en-Laye, 1846-1847 (DR1974:0002:023:001-012). His interpretation of the written programme (included in the album) and the resulting design, is strongly influenced by his father's previous slaughterhouse projects, as well as his own for La Villete, 1835-1836 (see DR1974:0002:014:001-104 in Hubert Rohault de Fleury's Public and Urban Architecture (file CI001.S3.D1)). The pared down Neoclassical style of the slaughterhouse is typical of both Charles and Hubert's utilitarian structures. Charles' largest public urban project outside of Paris was for an unexecuted Hôtel de Prefecture (Departement de la Vienne) and Hôtel de Ville for the city of Poitiers, 1859-1860 (DR1974:0002:020:001-050). The project for the Louis XIIIth style Hotel de Prefecture is fairly complete and includes many working drawings, while the Francis Ist style Hotel de Ville is much less developed and consists primarily of unbound sketches and finished drawings. A site plan indicates that Charles intended the Hôtel de Prefecture and Hôtel de Ville to be located nearly opposite each other and connected by a major thoroughfare. The placement of both structures in the western quarter of the city probably reflects an earlier urban renewal plan proposed by the architects Morandiere et Compaing in 1849. The Hôtel de Prefecture (1864-1868) and Hotel de Ville (1869-1876) were eventually built after designs by Antoine Guerinot, in the same style, and on sites close to those proposed by Charles. Drawings and engravings of antique and contemporary theatres, fountains, honorific monuments, and large public projects by other architects are collected in album DR1974:0002:010:001-048 for reference purposes (some of these may have been collected by his father Hubert). (1) David Van Zanten, "Building Paris: Architectural Institutions and the Transformation of the French Capital, 1830-1870" (Cambridge, Eng.: Cambridge University Press, 1994), p. 235 and pp. 233-241 for the development of the Place du Chatelet.
Public and Urban Architecture
CI001.S2.D4
Description:
The CCA collection includes albums of drawings for some of Charles Rohault de Fleury's most important public architectural projects, built and unbuilt. They provide valuable insight into his design development process, construction techniques, and flexibility regarding building types and styles, as well as illuminating the larger issues of urban planning and the complex interaction between architect, contractor, and entrepreneur in mid-19th century France. The neo-Moorish Hippodrome National (DR1974:0002:017:001-060) - an ephemeral structure constructed of a wood frame with canvas sheathing- was built adjacent to the Place de l'Étoile in 1845 and destroyed in 1856. The documents and drawings in the album provide a highly detailed and complete overview of the project from the study of historical models to contract drawings. Written documentation, including cost estimates, a contract, daily accounts of construction, entrepreneur's accounts, and correspondence with the principal contractor, is particularly revealing of the working procedures on a large commercial project. In 1855 Charles and Auguste Joseph Pellechet constructed the Chambre des Notaires on the newly transformed Place du Chatelet - the intended centre point of Haussmann's 'Nouveau Paris' (1). The CCA album contains primarily transfer lithographed working and contract drawings signed by the entrepreneurs and/or contractors (DR1974:0002:022:001-021). The plans reflect Charles' sensitive integration of iron and masonry construction, which allowed for abundant fenestration on the side facades, while maintaining the traditional aspects of character and solidity required in a prominent urban building. Charles' approach to the design of more utilitarian structures is indicated in his album of competition drawings for a municipal slaughterhouse submitted to the city of Saint-Germain-en-Laye, 1846-1847 (DR1974:0002:023:001-012). His interpretation of the written programme (included in the album) and the resulting design, is strongly influenced by his father's previous slaughterhouse projects, as well as his own for La Villete, 1835-1836 (see DR1974:0002:014:001-104 in Hubert Rohault de Fleury's Public and Urban Architecture (file CI001.S3.D1)). The pared down Neoclassical style of the slaughterhouse is typical of both Charles and Hubert's utilitarian structures. Charles' largest public urban project outside of Paris was for an unexecuted Hôtel de Prefecture (Departement de la Vienne) and Hôtel de Ville for the city of Poitiers, 1859-1860 (DR1974:0002:020:001-050). The project for the Louis XIIIth style Hotel de Prefecture is fairly complete and includes many working drawings, while the Francis Ist style Hotel de Ville is much less developed and consists primarily of unbound sketches and finished drawings. A site plan indicates that Charles intended the Hôtel de Prefecture and Hôtel de Ville to be located nearly opposite each other and connected by a major thoroughfare. The placement of both structures in the western quarter of the city probably reflects an earlier urban renewal plan proposed by the architects Morandiere et Compaing in 1849. The Hôtel de Prefecture (1864-1868) and Hotel de Ville (1869-1876) were eventually built after designs by Antoine Guerinot, in the same style, and on sites close to those proposed by Charles. Drawings and engravings of antique and contemporary theatres, fountains, honorific monuments, and large public projects by other architects are collected in album DR1974:0002:010:001-048 for reference purposes (some of these may have been collected by his father Hubert). (1) David Van Zanten, "Building Paris: Architectural Institutions and the Transformation of the French Capital, 1830-1870" (Cambridge, Eng.: Cambridge University Press, 1994), p. 235 and pp. 233-241 for the development of the Place du Chatelet.
Level of archival description:
File 4
File 4
Date:
[1840-1860]
[1840-1860]
People:
Level of archival description:
Series
Series
Reference number:
AP177.S1
Description:
This series documents Jesse Reiser and Nanako Umemoto’s design process for the Kansai-kan of the National Diet Library competition in 1996. The variety of formats present in the series relate to the firm’s design process for this project, where manual drawings, physical models and CAD software contributed to one another throughout design iteration. Some digital files were created after the competition. Manual drawings include penciled sketches, detailed inked plans and printed CAD files generally taped on larger mylar sheets. They represent either plans or details of the building’s design. The printed renderings most often present elevations and sections of the buildings. For plans, other printed CAD files were inked back on mylar sheets. Drawings are often annotated and precisely identify the different elements of the library’s program. Digital files represent either elements of the architectural design (conveyors, auditorium, store, etc.) or detailed plans, including topographical lines and 3-D models. They include rendered and scanned images and plans in TIFF, GIF, JPEG, PICT (MacIntosh QuickDraw) and FH5 (Macromedia Freehand) file formats. Most CAD models were created in form*Z, although Microstation DGN files and IGES files created in Alias are also present in the project records. The directory “Kansai Documents” contains a few textual records created with the publishing software QuarkXPress, including labels to be printed and used on physical drawings, correspondence and a text by Jesse Reiser for the Reversible Destiny exhibition catalogue in 1997. Most directories and file names are indicative of the file’s content, clearly referring to building elements, although in some cases files names are non-descriptive. For example, some files use the name of one of the assistants (Yama). File names are sometimes repeated in different directories, including files that are part of AP177.S2.001
AP177.S1
Description:
This series documents Jesse Reiser and Nanako Umemoto’s design process for the Kansai-kan of the National Diet Library competition in 1996. The variety of formats present in the series relate to the firm’s design process for this project, where manual drawings, physical models and CAD software contributed to one another throughout design iteration. Some digital files were created after the competition. Manual drawings include penciled sketches, detailed inked plans and printed CAD files generally taped on larger mylar sheets. They represent either plans or details of the building’s design. The printed renderings most often present elevations and sections of the buildings. For plans, other printed CAD files were inked back on mylar sheets. Drawings are often annotated and precisely identify the different elements of the library’s program. Digital files represent either elements of the architectural design (conveyors, auditorium, store, etc.) or detailed plans, including topographical lines and 3-D models. They include rendered and scanned images and plans in TIFF, GIF, JPEG, PICT (MacIntosh QuickDraw) and FH5 (Macromedia Freehand) file formats. Most CAD models were created in form*Z, although Microstation DGN files and IGES files created in Alias are also present in the project records. The directory “Kansai Documents” contains a few textual records created with the publishing software QuarkXPress, including labels to be printed and used on physical drawings, correspondence and a text by Jesse Reiser for the Reversible Destiny exhibition catalogue in 1997. Most directories and file names are indicative of the file’s content, clearly referring to building elements, although in some cases files names are non-descriptive. For example, some files use the name of one of the assistants (Yama). File names are sometimes repeated in different directories, including files that are part of AP177.S2.001
People:
Date:
1996-2014
1996-2014
Title:
RUR Architecture working files
Actions:
AP177.S1
Description:
This series documents Jesse Reiser and Nanako Umemoto’s design process for the Kansai-kan of the National Diet Library competition in 1996. The variety of formats present in the series relate to the firm’s design process for this project, where manual drawings, physical models and CAD software contributed to one another throughout design iteration. Some digital files were created after the competition. Manual drawings include penciled sketches, detailed inked plans and printed CAD files generally taped on larger mylar sheets. They represent either plans or details of the building’s design. The printed renderings most often present elevations and sections of the buildings. For plans, other printed CAD files were inked back on mylar sheets. Drawings are often annotated and precisely identify the different elements of the library’s program. Digital files represent either elements of the architectural design (conveyors, auditorium, store, etc.) or detailed plans, including topographical lines and 3-D models. They include rendered and scanned images and plans in TIFF, GIF, JPEG, PICT (MacIntosh QuickDraw) and FH5 (Macromedia Freehand) file formats. Most CAD models were created in form*Z, although Microstation DGN files and IGES files created in Alias are also present in the project records. The directory “Kansai Documents” contains a few textual records created with the publishing software QuarkXPress, including labels to be printed and used on physical drawings, correspondence and a text by Jesse Reiser for the Reversible Destiny exhibition catalogue in 1997. Most directories and file names are indicative of the file’s content, clearly referring to building elements, although in some cases files names are non-descriptive. For example, some files use the name of one of the assistants (Yama). File names are sometimes repeated in different directories, including files that are part of AP177.S2.001
RUR Architecture working files
Actions:
AP177.S1
Description:
This series documents Jesse Reiser and Nanako Umemoto’s design process for the Kansai-kan of the National Diet Library competition in 1996. The variety of formats present in the series relate to the firm’s design process for this project, where manual drawings, physical models and CAD software contributed to one another throughout design iteration. Some digital files were created after the competition. Manual drawings include penciled sketches, detailed inked plans and printed CAD files generally taped on larger mylar sheets. They represent either plans or details of the building’s design. The printed renderings most often present elevations and sections of the buildings. For plans, other printed CAD files were inked back on mylar sheets. Drawings are often annotated and precisely identify the different elements of the library’s program. Digital files represent either elements of the architectural design (conveyors, auditorium, store, etc.) or detailed plans, including topographical lines and 3-D models. They include rendered and scanned images and plans in TIFF, GIF, JPEG, PICT (MacIntosh QuickDraw) and FH5 (Macromedia Freehand) file formats. Most CAD models were created in form*Z, although Microstation DGN files and IGES files created in Alias are also present in the project records. The directory “Kansai Documents” contains a few textual records created with the publishing software QuarkXPress, including labels to be printed and used on physical drawings, correspondence and a text by Jesse Reiser for the Reversible Destiny exhibition catalogue in 1997. Most directories and file names are indicative of the file’s content, clearly referring to building elements, although in some cases files names are non-descriptive. For example, some files use the name of one of the assistants (Yama). File names are sometimes repeated in different directories, including files that are part of AP177.S2.001
Level of archival description:
Series
Series
Date:
1996-2014
1996-2014
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP207.S1.2012.PR04
Description:
The project series documents "Breathing Architecture," an installation initially presented at the Galleria Federico Luger in Milan, in 2012. The installation consists of a square shaped sheet of plaster placed on a wall giving the impression that a portion of the gallery wall has been lifted to create an opening in order to allow it to breathe. This installation has similarities to Pettena's earlier project "Grass Architecture" for Trigon '72 and "Parete "Branchia"" in 1999. "[...] here the work, which on this occasion takes up the whole of a wall all by itself, has more the significance of a gesture, of a sculpture that retains memories of architecture, and at the same time of the school of conceptual art in which Pettena was also formed." [1] This installation was also later presented at the UMOCA in Salt Lake City, Utah, in 2013, and at the exhibition "Architetture Naturali/Gianni Pettena" at the Kunst Meran/Merano Arte, in Meran, in 2017. The project series contains photographs of the first and the second editions of the installation and a drawing. It also contains photographs of the 2017 edition that also shows Pettena's other installation "Paper/Midwestern Ocean" presented in the same exhibition. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-breathing-architecture-2012-1/ (last accessed 27 January 2020)
AP207.S1.2012.PR04
Description:
The project series documents "Breathing Architecture," an installation initially presented at the Galleria Federico Luger in Milan, in 2012. The installation consists of a square shaped sheet of plaster placed on a wall giving the impression that a portion of the gallery wall has been lifted to create an opening in order to allow it to breathe. This installation has similarities to Pettena's earlier project "Grass Architecture" for Trigon '72 and "Parete "Branchia"" in 1999. "[...] here the work, which on this occasion takes up the whole of a wall all by itself, has more the significance of a gesture, of a sculpture that retains memories of architecture, and at the same time of the school of conceptual art in which Pettena was also formed." [1] This installation was also later presented at the UMOCA in Salt Lake City, Utah, in 2013, and at the exhibition "Architetture Naturali/Gianni Pettena" at the Kunst Meran/Merano Arte, in Meran, in 2017. The project series contains photographs of the first and the second editions of the installation and a drawing. It also contains photographs of the 2017 edition that also shows Pettena's other installation "Paper/Midwestern Ocean" presented in the same exhibition. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-breathing-architecture-2012-1/ (last accessed 27 January 2020)
People:
Date:
2012-2015
2012-2015
Title:
Breathing Architecture (2012)
Actions:
AP207.S1.2012.PR04
Description:
The project series documents "Breathing Architecture," an installation initially presented at the Galleria Federico Luger in Milan, in 2012. The installation consists of a square shaped sheet of plaster placed on a wall giving the impression that a portion of the gallery wall has been lifted to create an opening in order to allow it to breathe. This installation has similarities to Pettena's earlier project "Grass Architecture" for Trigon '72 and "Parete "Branchia"" in 1999. "[...] here the work, which on this occasion takes up the whole of a wall all by itself, has more the significance of a gesture, of a sculpture that retains memories of architecture, and at the same time of the school of conceptual art in which Pettena was also formed." [1] This installation was also later presented at the UMOCA in Salt Lake City, Utah, in 2013, and at the exhibition "Architetture Naturali/Gianni Pettena" at the Kunst Meran/Merano Arte, in Meran, in 2017. The project series contains photographs of the first and the second editions of the installation and a drawing. It also contains photographs of the 2017 edition that also shows Pettena's other installation "Paper/Midwestern Ocean" presented in the same exhibition. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-breathing-architecture-2012-1/ (last accessed 27 January 2020)
Breathing Architecture (2012)
Actions:
AP207.S1.2012.PR04
Description:
The project series documents "Breathing Architecture," an installation initially presented at the Galleria Federico Luger in Milan, in 2012. The installation consists of a square shaped sheet of plaster placed on a wall giving the impression that a portion of the gallery wall has been lifted to create an opening in order to allow it to breathe. This installation has similarities to Pettena's earlier project "Grass Architecture" for Trigon '72 and "Parete "Branchia"" in 1999. "[...] here the work, which on this occasion takes up the whole of a wall all by itself, has more the significance of a gesture, of a sculpture that retains memories of architecture, and at the same time of the school of conceptual art in which Pettena was also formed." [1] This installation was also later presented at the UMOCA in Salt Lake City, Utah, in 2013, and at the exhibition "Architetture Naturali/Gianni Pettena" at the Kunst Meran/Merano Arte, in Meran, in 2017. The project series contains photographs of the first and the second editions of the installation and a drawing. It also contains photographs of the 2017 edition that also shows Pettena's other installation "Paper/Midwestern Ocean" presented in the same exhibition. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-breathing-architecture-2012-1/ (last accessed 27 January 2020)
Level of archival description:
Project
Project
Date:
2012-2015
2012-2015
People:
Form:
drawings
drawings
Actions:
Reference number:
AP075.S1.1956.PR01.001
AP075.S1.1956.PR01.001
People:
Date:
1956
1956
Title:
Working drawing for site improvement, School of Architecture, University of British Columbia, Vancouver, British Columbia
Actions:
AP075.S1.1956.PR01.001
Working drawing for site improvement, School of Architecture, University of British Columbia, Vancouver, British Columbia
Actions:
AP075.S1.1956.PR01.001
Form:
drawings
drawings
Date:
1956
1956
People:
Form:
drawings
drawings
Actions:
Reference number:
AP082.S1.002.1
Description:
Drawings are numbered HQ1.1-HQ1.230
AP082.S1.002.1
Description:
Drawings are numbered HQ1.1-HQ1.230
People:
Date:
1996
1996
Title:
Drawings for the Universal Headquarters Building, Universal City, Los Angeles County, California ("HQ1" series)
Actions:
AP082.S1.002.1
Description:
Drawings are numbered HQ1.1-HQ1.230
Drawings for the Universal Headquarters Building, Universal City, Los Angeles County, California ("HQ1" series)
Actions:
AP082.S1.002.1
Description:
Drawings are numbered HQ1.1-HQ1.230
Form:
drawings
drawings
Date:
1996
1996
People:
Form:
drawings
drawings
Actions:
Reference number:
AP082.S1.003
Description:
Drawings are numbered HQ2.1-HQ2.195.
AP082.S1.003
Description:
Drawings are numbered HQ2.1-HQ2.195.
People:
Date:
1997
1997
Title:
Drawings for the Universal Headquarters Building, Universal City, Los Angeles County, California ("HQ2" series)
Actions:
AP082.S1.003
Description:
Drawings are numbered HQ2.1-HQ2.195.
Drawings for the Universal Headquarters Building, Universal City, Los Angeles County, California ("HQ2" series)
Actions:
AP082.S1.003
Description:
Drawings are numbered HQ2.1-HQ2.195.
Form:
drawings
drawings
Date:
1997
1997
People:
Level of archival description:
Series
Series
Reference number:
AP032.S2
Description:
This series contains papers and drawings related to Goldsmith's career with Skidmore, Owings & Merrill from 1955-83, and also his later work undertaken after retirement from the firm. The documents include office communications and reports, publicity about SOM, extensive client and project files (which include blueprints of Burnham & Root and Holabird & Roche office buildings), and Goldsmith's documentation files on projects, architects, and a wide range of other topics, some of which have a lot of information (bridges, stadium architecture). The drawings of various SOM projects and other work by Goldsmith include some original sketches and design development drawings, as well as five models of bridge proposals. Many of Goldsmith's later bridge designs (often with T.Y. Lin) are well represented, as well as large-scale projects like Central Place Development in Brisbane, Australia (Peddle, Thorpe & Harvey, architects), and the Hangkang City project (Goldsmith with Mahoub Elnimeiri and Alexander Baumgarten, architects).
AP032.S2
Description:
This series contains papers and drawings related to Goldsmith's career with Skidmore, Owings & Merrill from 1955-83, and also his later work undertaken after retirement from the firm. The documents include office communications and reports, publicity about SOM, extensive client and project files (which include blueprints of Burnham & Root and Holabird & Roche office buildings), and Goldsmith's documentation files on projects, architects, and a wide range of other topics, some of which have a lot of information (bridges, stadium architecture). The drawings of various SOM projects and other work by Goldsmith include some original sketches and design development drawings, as well as five models of bridge proposals. Many of Goldsmith's later bridge designs (often with T.Y. Lin) are well represented, as well as large-scale projects like Central Place Development in Brisbane, Australia (Peddle, Thorpe & Harvey, architects), and the Hangkang City project (Goldsmith with Mahoub Elnimeiri and Alexander Baumgarten, architects).
People:
Date:
1947-1996
1947-1996
Title:
Professional Activities - Architecture
Actions:
AP032.S2
Description:
This series contains papers and drawings related to Goldsmith's career with Skidmore, Owings & Merrill from 1955-83, and also his later work undertaken after retirement from the firm. The documents include office communications and reports, publicity about SOM, extensive client and project files (which include blueprints of Burnham & Root and Holabird & Roche office buildings), and Goldsmith's documentation files on projects, architects, and a wide range of other topics, some of which have a lot of information (bridges, stadium architecture). The drawings of various SOM projects and other work by Goldsmith include some original sketches and design development drawings, as well as five models of bridge proposals. Many of Goldsmith's later bridge designs (often with T.Y. Lin) are well represented, as well as large-scale projects like Central Place Development in Brisbane, Australia (Peddle, Thorpe & Harvey, architects), and the Hangkang City project (Goldsmith with Mahoub Elnimeiri and Alexander Baumgarten, architects).
Professional Activities - Architecture
Actions:
AP032.S2
Description:
This series contains papers and drawings related to Goldsmith's career with Skidmore, Owings & Merrill from 1955-83, and also his later work undertaken after retirement from the firm. The documents include office communications and reports, publicity about SOM, extensive client and project files (which include blueprints of Burnham & Root and Holabird & Roche office buildings), and Goldsmith's documentation files on projects, architects, and a wide range of other topics, some of which have a lot of information (bridges, stadium architecture). The drawings of various SOM projects and other work by Goldsmith include some original sketches and design development drawings, as well as five models of bridge proposals. Many of Goldsmith's later bridge designs (often with T.Y. Lin) are well represented, as well as large-scale projects like Central Place Development in Brisbane, Australia (Peddle, Thorpe & Harvey, architects), and the Hangkang City project (Goldsmith with Mahoub Elnimeiri and Alexander Baumgarten, architects).
Level of archival description:
Series 2
Series 2
Date:
1947-1996
1947-1996
People:
Form:
drawings
drawings
Actions:
Reference number:
AP082.S1.053
Description:
Numbered HQ/PB 1-3, 37-44, 46.
AP082.S1.053
Description:
Numbered HQ/PB 1-3, 37-44, 46.
People:
Date:
1996-1997?
1996-1997?
Title:
Universal Headquarters Building, Universal City, Los Angeles County, California: presentation drawings
Actions:
AP082.S1.053
Description:
Numbered HQ/PB 1-3, 37-44, 46.
Universal Headquarters Building, Universal City, Los Angeles County, California: presentation drawings
Actions:
AP082.S1.053
Description:
Numbered HQ/PB 1-3, 37-44, 46.
Form:
drawings
drawings
Date:
1996-1997?
1996-1997?
People:
Form:
drawings
drawings
Actions:
Reference number:
AP082.S1.054
Description:
Numbered HQ/PB 5, 12-18, 22, 24-25, 27.
AP082.S1.054
Description:
Numbered HQ/PB 5, 12-18, 22, 24-25, 27.
People:
Date:
1996
1996
Title:
Universal Headquarters Building, Universal City, Los Angeles County, California: presentation drawings
Actions:
AP082.S1.054
Description:
Numbered HQ/PB 5, 12-18, 22, 24-25, 27.
Universal Headquarters Building, Universal City, Los Angeles County, California: presentation drawings
Actions:
AP082.S1.054
Description:
Numbered HQ/PB 5, 12-18, 22, 24-25, 27.
Form:
drawings
drawings
Date:
1996
1996
People:
Form:
drawings
drawings
Actions:
Reference number:
AP082.S1.055
Description:
Numbered HQ/PB 34, 47-51
AP082.S1.055
Description:
Numbered HQ/PB 34, 47-51
People:
Date:
1997
1997
Title:
Universal Headquarters Building, Universal City, Los Angeles County, California: presentation drawings
Actions:
AP082.S1.055
Description:
Numbered HQ/PB 34, 47-51
Universal Headquarters Building, Universal City, Los Angeles County, California: presentation drawings
Actions:
AP082.S1.055
Description:
Numbered HQ/PB 34, 47-51
Form:
drawings
drawings
Date:
1997
1997
People:
