12679 Results
Level of archival description:
Series
Series
Reference number:
AP148.S1
Description:
This series includes student projects produced by Alessandro Poli between the years 1963 and 1970, Poli's professional work with Superstudio from 1970 to 1972, and his work as an independant architect from 1972 to the mid 1990s. The series documents his architectural projects, mainly in Italy, as well as his conceptual and research projects, such as "Architettura Interplanetaria (1970-1971)" [See AP148.S1.1970.PR02] and "Zeno, une cultura autosufficiente (1972-1980)" [See AP148.S1.1972.PR01], and his designs for furniture. Poli's latest projects includes mainly conceptual work for competition entries in Italy, such as "Ideas competition, Riqualificazione cava di San Carlo, San Vincenzo, Livorno, Italy (1988)" [See AP148.S1.1988.PR02] and "Ideas competition, Riqualificazione centro Storico di Pontassieve, Florence, Italy (1996)" [See AP148.S1.1996.PR01]. The series contains drawings, predominantly conceptual drawings, including sketches, and some presentation panels. Also included are notebooks, photographic materials, mainly photomontages, and storyboards documenting the projects. Furthermore, there are artefacts, such as objects for the "Zeno, une cultura autosufficiente (1972-1980)," and models for his student work, for his furniture designs, for competition entries.
AP148.S1
Description:
This series includes student projects produced by Alessandro Poli between the years 1963 and 1970, Poli's professional work with Superstudio from 1970 to 1972, and his work as an independant architect from 1972 to the mid 1990s. The series documents his architectural projects, mainly in Italy, as well as his conceptual and research projects, such as "Architettura Interplanetaria (1970-1971)" [See AP148.S1.1970.PR02] and "Zeno, une cultura autosufficiente (1972-1980)" [See AP148.S1.1972.PR01], and his designs for furniture. Poli's latest projects includes mainly conceptual work for competition entries in Italy, such as "Ideas competition, Riqualificazione cava di San Carlo, San Vincenzo, Livorno, Italy (1988)" [See AP148.S1.1988.PR02] and "Ideas competition, Riqualificazione centro Storico di Pontassieve, Florence, Italy (1996)" [See AP148.S1.1996.PR01]. The series contains drawings, predominantly conceptual drawings, including sketches, and some presentation panels. Also included are notebooks, photographic materials, mainly photomontages, and storyboards documenting the projects. Furthermore, there are artefacts, such as objects for the "Zeno, une cultura autosufficiente (1972-1980)," and models for his student work, for his furniture designs, for competition entries.
People:
Date:
1963-1996
1963-1996
Title:
Architectural and design projects
Actions:
AP148.S1
Description:
This series includes student projects produced by Alessandro Poli between the years 1963 and 1970, Poli's professional work with Superstudio from 1970 to 1972, and his work as an independant architect from 1972 to the mid 1990s. The series documents his architectural projects, mainly in Italy, as well as his conceptual and research projects, such as "Architettura Interplanetaria (1970-1971)" [See AP148.S1.1970.PR02] and "Zeno, une cultura autosufficiente (1972-1980)" [See AP148.S1.1972.PR01], and his designs for furniture. Poli's latest projects includes mainly conceptual work for competition entries in Italy, such as "Ideas competition, Riqualificazione cava di San Carlo, San Vincenzo, Livorno, Italy (1988)" [See AP148.S1.1988.PR02] and "Ideas competition, Riqualificazione centro Storico di Pontassieve, Florence, Italy (1996)" [See AP148.S1.1996.PR01]. The series contains drawings, predominantly conceptual drawings, including sketches, and some presentation panels. Also included are notebooks, photographic materials, mainly photomontages, and storyboards documenting the projects. Furthermore, there are artefacts, such as objects for the "Zeno, une cultura autosufficiente (1972-1980)," and models for his student work, for his furniture designs, for competition entries.
Architectural and design projects
Actions:
AP148.S1
Description:
This series includes student projects produced by Alessandro Poli between the years 1963 and 1970, Poli's professional work with Superstudio from 1970 to 1972, and his work as an independant architect from 1972 to the mid 1990s. The series documents his architectural projects, mainly in Italy, as well as his conceptual and research projects, such as "Architettura Interplanetaria (1970-1971)" [See AP148.S1.1970.PR02] and "Zeno, une cultura autosufficiente (1972-1980)" [See AP148.S1.1972.PR01], and his designs for furniture. Poli's latest projects includes mainly conceptual work for competition entries in Italy, such as "Ideas competition, Riqualificazione cava di San Carlo, San Vincenzo, Livorno, Italy (1988)" [See AP148.S1.1988.PR02] and "Ideas competition, Riqualificazione centro Storico di Pontassieve, Florence, Italy (1996)" [See AP148.S1.1996.PR01]. The series contains drawings, predominantly conceptual drawings, including sketches, and some presentation panels. Also included are notebooks, photographic materials, mainly photomontages, and storyboards documenting the projects. Furthermore, there are artefacts, such as objects for the "Zeno, une cultura autosufficiente (1972-1980)," and models for his student work, for his furniture designs, for competition entries.
Level of archival description:
Series
Series
Date:
1963-1996
1963-1996
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP056.S1.1986.PR02
Description:
This project series documents an addition and renovations to Woodsworth College at the University of Toronto from 1986-1991. The office identified the project number as 18603. Before this work, the existing property consisted of four Victorian houses: the main College building at 119 St. George Street that had a large drill hall connected to the back, a house next to the drill hall, the Centre for Industrial Relations located at 121 St. Georges Street, and the Media Centre located at 123 St. Georges Street. This project consisted of interior renovations to the houses and the addition of an L-shaped building at the back of the property that connected to the drill hall and turned at the corner of the property towards the Media Centre house. This created a central courtyard in the centre of the property, between all the buildings. The new building was two storeys with an arcade toward the courtyard, a red brick facade and sheet metal roofing. This housed audio-visual rooms, editing rooms, offices and a workroom in the basement, classrooms and meeting rooms on the ground floor, and faculty offices, lounges and administrative areas on the second floor. A new entry tower and hall were constructed for the main College building. This building consisted of mechanical and electrical rooms in the basement, student spaces and administrative offices on the ground floor, and administrative offices and meeting rooms on the second and third floors. Barton Myers Associates worked as the consulting architects on this project. The project is recorded through drawings and photographic materials dating from 1986-1991. The drawings include sketches, drawings for the project model, sections, floor and site plans, elevations, details, axonometric drawings, perspectives, and structural drawings. There are a large number of detail drawings for furnishings and architectural elements. The photographic materials consist of aerial views and photographs of the finished project.
AP056.S1.1986.PR02
Description:
This project series documents an addition and renovations to Woodsworth College at the University of Toronto from 1986-1991. The office identified the project number as 18603. Before this work, the existing property consisted of four Victorian houses: the main College building at 119 St. George Street that had a large drill hall connected to the back, a house next to the drill hall, the Centre for Industrial Relations located at 121 St. Georges Street, and the Media Centre located at 123 St. Georges Street. This project consisted of interior renovations to the houses and the addition of an L-shaped building at the back of the property that connected to the drill hall and turned at the corner of the property towards the Media Centre house. This created a central courtyard in the centre of the property, between all the buildings. The new building was two storeys with an arcade toward the courtyard, a red brick facade and sheet metal roofing. This housed audio-visual rooms, editing rooms, offices and a workroom in the basement, classrooms and meeting rooms on the ground floor, and faculty offices, lounges and administrative areas on the second floor. A new entry tower and hall were constructed for the main College building. This building consisted of mechanical and electrical rooms in the basement, student spaces and administrative offices on the ground floor, and administrative offices and meeting rooms on the second and third floors. Barton Myers Associates worked as the consulting architects on this project. The project is recorded through drawings and photographic materials dating from 1986-1991. The drawings include sketches, drawings for the project model, sections, floor and site plans, elevations, details, axonometric drawings, perspectives, and structural drawings. There are a large number of detail drawings for furnishings and architectural elements. The photographic materials consist of aerial views and photographs of the finished project.
People:
Date:
1986-1991
1986-1991
Title:
Woodsworth College, University of Toronto (1986-1991)
Actions:
AP056.S1.1986.PR02
Description:
This project series documents an addition and renovations to Woodsworth College at the University of Toronto from 1986-1991. The office identified the project number as 18603. Before this work, the existing property consisted of four Victorian houses: the main College building at 119 St. George Street that had a large drill hall connected to the back, a house next to the drill hall, the Centre for Industrial Relations located at 121 St. Georges Street, and the Media Centre located at 123 St. Georges Street. This project consisted of interior renovations to the houses and the addition of an L-shaped building at the back of the property that connected to the drill hall and turned at the corner of the property towards the Media Centre house. This created a central courtyard in the centre of the property, between all the buildings. The new building was two storeys with an arcade toward the courtyard, a red brick facade and sheet metal roofing. This housed audio-visual rooms, editing rooms, offices and a workroom in the basement, classrooms and meeting rooms on the ground floor, and faculty offices, lounges and administrative areas on the second floor. A new entry tower and hall were constructed for the main College building. This building consisted of mechanical and electrical rooms in the basement, student spaces and administrative offices on the ground floor, and administrative offices and meeting rooms on the second and third floors. Barton Myers Associates worked as the consulting architects on this project. The project is recorded through drawings and photographic materials dating from 1986-1991. The drawings include sketches, drawings for the project model, sections, floor and site plans, elevations, details, axonometric drawings, perspectives, and structural drawings. There are a large number of detail drawings for furnishings and architectural elements. The photographic materials consist of aerial views and photographs of the finished project.
Woodsworth College, University of Toronto (1986-1991)
Actions:
AP056.S1.1986.PR02
Description:
This project series documents an addition and renovations to Woodsworth College at the University of Toronto from 1986-1991. The office identified the project number as 18603. Before this work, the existing property consisted of four Victorian houses: the main College building at 119 St. George Street that had a large drill hall connected to the back, a house next to the drill hall, the Centre for Industrial Relations located at 121 St. Georges Street, and the Media Centre located at 123 St. Georges Street. This project consisted of interior renovations to the houses and the addition of an L-shaped building at the back of the property that connected to the drill hall and turned at the corner of the property towards the Media Centre house. This created a central courtyard in the centre of the property, between all the buildings. The new building was two storeys with an arcade toward the courtyard, a red brick facade and sheet metal roofing. This housed audio-visual rooms, editing rooms, offices and a workroom in the basement, classrooms and meeting rooms on the ground floor, and faculty offices, lounges and administrative areas on the second floor. A new entry tower and hall were constructed for the main College building. This building consisted of mechanical and electrical rooms in the basement, student spaces and administrative offices on the ground floor, and administrative offices and meeting rooms on the second and third floors. Barton Myers Associates worked as the consulting architects on this project. The project is recorded through drawings and photographic materials dating from 1986-1991. The drawings include sketches, drawings for the project model, sections, floor and site plans, elevations, details, axonometric drawings, perspectives, and structural drawings. There are a large number of detail drawings for furnishings and architectural elements. The photographic materials consist of aerial views and photographs of the finished project.
Level of archival description:
Project
Project
Date:
1986-1991
1986-1991
People:
Form:
photographs
photographs
Reference number:
AP173.S2.1999.D2.002
Description:
Group consists of 248 slides of photographs of models, design development drawings, predominantly 3D renderings from digital files, photographs of the exhibition installation in construction and the completed installation. Stored in a binder with the orginial divider entitled "NANTES".
AP173.S2.1999.D2.002
Description:
Group consists of 248 slides of photographs of models, design development drawings, predominantly 3D renderings from digital files, photographs of the exhibition installation in construction and the completed installation. Stored in a binder with the orginial divider entitled "NANTES".
People:
Date:
ca. 1999
ca. 1999
Title:
Photographs for the WetGRID in Nantes, France
Actions:
AP173.S2.1999.D2.002
Description:
Group consists of 248 slides of photographs of models, design development drawings, predominantly 3D renderings from digital files, photographs of the exhibition installation in construction and the completed installation. Stored in a binder with the orginial divider entitled "NANTES".
Photographs for the WetGRID in Nantes, France
Actions:
AP173.S2.1999.D2.002
Description:
Group consists of 248 slides of photographs of models, design development drawings, predominantly 3D renderings from digital files, photographs of the exhibition installation in construction and the completed installation. Stored in a binder with the orginial divider entitled "NANTES".
Form:
photographs
photographs
Date:
ca. 1999
ca. 1999
People:
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Actions:
Reference number:
AP002
Synopsis:
The Ludger and Paul M. Lemieux fonds, 1897-1966, documents the built projects of Québec architectural firm, Ludger & Paul M. Lemieux. The 500 projects that are represented in this fonds are divided by the architectural works of Macduff & Lemieux (1897-1917), Ludger Lemieux (1910-1950), Ludger & Paul M. Lemieux (1929-1951), and Paul M. Lemieux (1934-1966). Materials in this fonds consist of 4988 drawings (including reprographic prints), 320 photographic materials and 5 l.m. of textual records.
AP002
Synopsis:
The Ludger and Paul M. Lemieux fonds, 1897-1966, documents the built projects of Québec architectural firm, Ludger & Paul M. Lemieux. The 500 projects that are represented in this fonds are divided by the architectural works of Macduff & Lemieux (1897-1917), Ludger Lemieux (1910-1950), Ludger & Paul M. Lemieux (1929-1951), and Paul M. Lemieux (1934-1966). Materials in this fonds consist of 4988 drawings (including reprographic prints), 320 photographic materials and 5 l.m. of textual records.
People:
Date:
1897-1966
1897-1966
Title:
Ludger and Paul M. Lemieux fonds
Actions:
AP002
Synopsis:
The Ludger and Paul M. Lemieux fonds, 1897-1966, documents the built projects of Québec architectural firm, Ludger & Paul M. Lemieux. The 500 projects that are represented in this fonds are divided by the architectural works of Macduff & Lemieux (1897-1917), Ludger Lemieux (1910-1950), Ludger & Paul M. Lemieux (1929-1951), and Paul M. Lemieux (1934-1966). Materials in this fonds consist of 4988 drawings (including reprographic prints), 320 photographic materials and 5 l.m. of textual records.
Ludger and Paul M. Lemieux fonds
Actions:
AP002
Synopsis:
The Ludger and Paul M. Lemieux fonds, 1897-1966, documents the built projects of Québec architectural firm, Ludger & Paul M. Lemieux. The 500 projects that are represented in this fonds are divided by the architectural works of Macduff & Lemieux (1897-1917), Ludger Lemieux (1910-1950), Ludger & Paul M. Lemieux (1929-1951), and Paul M. Lemieux (1934-1966). Materials in this fonds consist of 4988 drawings (including reprographic prints), 320 photographic materials and 5 l.m. of textual records.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1897-1966
1897-1966
People:
Level of archival description:
Project
Project
Reference number:
AP178.S1.1993.PR06
Description:
This project series documents the proposed design for the J. Paul Getty Museum. While the records were held in the office’s archives this project was assigned the number 40/90. The office assigned the date 1993 to this project. The project was a collaboration between Álvaro Siza and Peter Testa. The proposal included renovations of the Villa and the Ranch House, the reorganization of the site, as well as the addition of new installations. The main change proposed by the architects was the creation of a Terrace Gallery and a natural amphitheater, forming a new entrance west of the Villa. Renovations to the Villa included modifications to the structure and the reorganization of the interior spaces. They proposed to rearrangeme the interior of the Ranch House and the construction of a 6,000 sqaure foot auditorium with a capacity of 200 people. The proposal also included the construction of a 13,000 square foot U-shaped building for the conservation program, the scholar program, and artist residency program. The main public entrance was redirected to the Los Liones Drives and a new parking area was proposed, with a 300 automobile and 6 bus capacity. In 1994, the Machado Silvetti Firm proposal was selected. Documenting this project are sketches and studies. Textual materials include project documentation and correspondence. Photographic materials document the models and project site.
AP178.S1.1993.PR06
Description:
This project series documents the proposed design for the J. Paul Getty Museum. While the records were held in the office’s archives this project was assigned the number 40/90. The office assigned the date 1993 to this project. The project was a collaboration between Álvaro Siza and Peter Testa. The proposal included renovations of the Villa and the Ranch House, the reorganization of the site, as well as the addition of new installations. The main change proposed by the architects was the creation of a Terrace Gallery and a natural amphitheater, forming a new entrance west of the Villa. Renovations to the Villa included modifications to the structure and the reorganization of the interior spaces. They proposed to rearrangeme the interior of the Ranch House and the construction of a 6,000 sqaure foot auditorium with a capacity of 200 people. The proposal also included the construction of a 13,000 square foot U-shaped building for the conservation program, the scholar program, and artist residency program. The main public entrance was redirected to the Los Liones Drives and a new parking area was proposed, with a 300 automobile and 6 bus capacity. In 1994, the Machado Silvetti Firm proposal was selected. Documenting this project are sketches and studies. Textual materials include project documentation and correspondence. Photographic materials document the models and project site.
People:
Date:
1993-2012
1993-2012
Title:
Museu J. Paul Getty [The J. Paul Getty Museum], Malibu, United States (1993)
Actions:
AP178.S1.1993.PR06
Description:
This project series documents the proposed design for the J. Paul Getty Museum. While the records were held in the office’s archives this project was assigned the number 40/90. The office assigned the date 1993 to this project. The project was a collaboration between Álvaro Siza and Peter Testa. The proposal included renovations of the Villa and the Ranch House, the reorganization of the site, as well as the addition of new installations. The main change proposed by the architects was the creation of a Terrace Gallery and a natural amphitheater, forming a new entrance west of the Villa. Renovations to the Villa included modifications to the structure and the reorganization of the interior spaces. They proposed to rearrangeme the interior of the Ranch House and the construction of a 6,000 sqaure foot auditorium with a capacity of 200 people. The proposal also included the construction of a 13,000 square foot U-shaped building for the conservation program, the scholar program, and artist residency program. The main public entrance was redirected to the Los Liones Drives and a new parking area was proposed, with a 300 automobile and 6 bus capacity. In 1994, the Machado Silvetti Firm proposal was selected. Documenting this project are sketches and studies. Textual materials include project documentation and correspondence. Photographic materials document the models and project site.
Museu J. Paul Getty [The J. Paul Getty Museum], Malibu, United States (1993)
Actions:
AP178.S1.1993.PR06
Description:
This project series documents the proposed design for the J. Paul Getty Museum. While the records were held in the office’s archives this project was assigned the number 40/90. The office assigned the date 1993 to this project. The project was a collaboration between Álvaro Siza and Peter Testa. The proposal included renovations of the Villa and the Ranch House, the reorganization of the site, as well as the addition of new installations. The main change proposed by the architects was the creation of a Terrace Gallery and a natural amphitheater, forming a new entrance west of the Villa. Renovations to the Villa included modifications to the structure and the reorganization of the interior spaces. They proposed to rearrangeme the interior of the Ranch House and the construction of a 6,000 sqaure foot auditorium with a capacity of 200 people. The proposal also included the construction of a 13,000 square foot U-shaped building for the conservation program, the scholar program, and artist residency program. The main public entrance was redirected to the Los Liones Drives and a new parking area was proposed, with a 300 automobile and 6 bus capacity. In 1994, the Machado Silvetti Firm proposal was selected. Documenting this project are sketches and studies. Textual materials include project documentation and correspondence. Photographic materials document the models and project site.
Level of archival description:
Project
Project
Date:
1993-2012
1993-2012
People:
Level of archival description:
Sub-series
Sub-series
Actions:
Reference number:
AP178.S1.1988.PR07.SS2
Description:
This project subseries documents the Bloco A of the reconstruction of the Chiado in Lisbon, Portugal. The office's archives identified this project as 58/80. The office assigned the dates 1988-1998 for this project. The Bloco A was located between Rua Ivens, Rua Garrett, and Rua Nova Do Almada. In the reconstruction plan, Bloco A included buildings 7 (Camara Chaves building) 8/9 (Castro & Melo building), 10, 11, 20, 21, 22, 23, and 24. The construction work for the buildings of Bloco A included restorations of windows, doors, façades, painting, stonework, as well as work on the structure and mechanical systems. Drawings include plans prior to the fire, working drawings, and structural drawings. Textual material includes project documentation and studies. Photographic materials and slides document the buildings prior to the fire, damaged buildings, project site, construction work, and models. It is important to note that this subseries includes general details of the Bloco A. For more specific details, see individual project subseries: the Camara Chaves building (AP178.S1.1988.PR07.SS3) and Edifício Castro e Melo (AP178.S1.1988.PR07.SS4). General documentation can also be found in the master plans and exterior spaces work subseries (AP178.S1.1988.PR07.SS1).
AP178.S1.1988.PR07.SS2
Description:
This project subseries documents the Bloco A of the reconstruction of the Chiado in Lisbon, Portugal. The office's archives identified this project as 58/80. The office assigned the dates 1988-1998 for this project. The Bloco A was located between Rua Ivens, Rua Garrett, and Rua Nova Do Almada. In the reconstruction plan, Bloco A included buildings 7 (Camara Chaves building) 8/9 (Castro & Melo building), 10, 11, 20, 21, 22, 23, and 24. The construction work for the buildings of Bloco A included restorations of windows, doors, façades, painting, stonework, as well as work on the structure and mechanical systems. Drawings include plans prior to the fire, working drawings, and structural drawings. Textual material includes project documentation and studies. Photographic materials and slides document the buildings prior to the fire, damaged buildings, project site, construction work, and models. It is important to note that this subseries includes general details of the Bloco A. For more specific details, see individual project subseries: the Camara Chaves building (AP178.S1.1988.PR07.SS3) and Edifício Castro e Melo (AP178.S1.1988.PR07.SS4). General documentation can also be found in the master plans and exterior spaces work subseries (AP178.S1.1988.PR07.SS1).
People:
Date:
1988-1998
1988-1998
Title:
Bloco A, Reconstrução do Chiado [Block A, Reconstruction of the Chiado area] Lisbon, Portugal (1988-1998)
Actions:
AP178.S1.1988.PR07.SS2
Description:
This project subseries documents the Bloco A of the reconstruction of the Chiado in Lisbon, Portugal. The office's archives identified this project as 58/80. The office assigned the dates 1988-1998 for this project. The Bloco A was located between Rua Ivens, Rua Garrett, and Rua Nova Do Almada. In the reconstruction plan, Bloco A included buildings 7 (Camara Chaves building) 8/9 (Castro & Melo building), 10, 11, 20, 21, 22, 23, and 24. The construction work for the buildings of Bloco A included restorations of windows, doors, façades, painting, stonework, as well as work on the structure and mechanical systems. Drawings include plans prior to the fire, working drawings, and structural drawings. Textual material includes project documentation and studies. Photographic materials and slides document the buildings prior to the fire, damaged buildings, project site, construction work, and models. It is important to note that this subseries includes general details of the Bloco A. For more specific details, see individual project subseries: the Camara Chaves building (AP178.S1.1988.PR07.SS3) and Edifício Castro e Melo (AP178.S1.1988.PR07.SS4). General documentation can also be found in the master plans and exterior spaces work subseries (AP178.S1.1988.PR07.SS1).
Bloco A, Reconstrução do Chiado [Block A, Reconstruction of the Chiado area] Lisbon, Portugal (1988-1998)
Actions:
AP178.S1.1988.PR07.SS2
Description:
This project subseries documents the Bloco A of the reconstruction of the Chiado in Lisbon, Portugal. The office's archives identified this project as 58/80. The office assigned the dates 1988-1998 for this project. The Bloco A was located between Rua Ivens, Rua Garrett, and Rua Nova Do Almada. In the reconstruction plan, Bloco A included buildings 7 (Camara Chaves building) 8/9 (Castro & Melo building), 10, 11, 20, 21, 22, 23, and 24. The construction work for the buildings of Bloco A included restorations of windows, doors, façades, painting, stonework, as well as work on the structure and mechanical systems. Drawings include plans prior to the fire, working drawings, and structural drawings. Textual material includes project documentation and studies. Photographic materials and slides document the buildings prior to the fire, damaged buildings, project site, construction work, and models. It is important to note that this subseries includes general details of the Bloco A. For more specific details, see individual project subseries: the Camara Chaves building (AP178.S1.1988.PR07.SS3) and Edifício Castro e Melo (AP178.S1.1988.PR07.SS4). General documentation can also be found in the master plans and exterior spaces work subseries (AP178.S1.1988.PR07.SS1).
Level of archival description:
Project
Project
Date:
1988-1998
1988-1998
People:
Form:
photographs
photographs
Actions:
Reference number:
ARCH274166
Description:
Includes the Ministry of Public Works and Housing; the Ministry of Foreign Affairs; Islamic University of Medinah; Al Falah School Competition and other unidentified projects. Contains slides of models, details, sketches, perspective drawings, schemes, site and presentation slides.
ARCH274166
Description:
Includes the Ministry of Public Works and Housing; the Ministry of Foreign Affairs; Islamic University of Medinah; Al Falah School Competition and other unidentified projects. Contains slides of models, details, sketches, perspective drawings, schemes, site and presentation slides.
People:
Date:
circa 1980-1985
circa 1980-1985
Title:
Slides from Arthur Erickson Architects projects in the Middle East
Actions:
ARCH274166
Description:
Includes the Ministry of Public Works and Housing; the Ministry of Foreign Affairs; Islamic University of Medinah; Al Falah School Competition and other unidentified projects. Contains slides of models, details, sketches, perspective drawings, schemes, site and presentation slides.
Slides from Arthur Erickson Architects projects in the Middle East
Actions:
ARCH274166
Description:
Includes the Ministry of Public Works and Housing; the Ministry of Foreign Affairs; Islamic University of Medinah; Al Falah School Competition and other unidentified projects. Contains slides of models, details, sketches, perspective drawings, schemes, site and presentation slides.
Form:
photographs
photographs
Date:
circa 1980-1985
circa 1980-1985
People:
Form:
photographs
photographs
Reference number:
ARCH274439
Description:
Group consists of photographs (237 photographs) and negatives (196 negatives) of Chandigarh, India, including photographs of the Architects' office, the Capitol Complex's buildings, schools, the Sukhna Lake, sport installations, gouvernment housing, construction work and workers, and some models.
ARCH274439
Description:
Group consists of photographs (237 photographs) and negatives (196 negatives) of Chandigarh, India, including photographs of the Architects' office, the Capitol Complex's buildings, schools, the Sukhna Lake, sport installations, gouvernment housing, construction work and workers, and some models.
People:
Date:
between 1951 and 1965
between 1951 and 1965
Title:
Photographs of Chandigarh, India
Actions:
ARCH274439
Description:
Group consists of photographs (237 photographs) and negatives (196 negatives) of Chandigarh, India, including photographs of the Architects' office, the Capitol Complex's buildings, schools, the Sukhna Lake, sport installations, gouvernment housing, construction work and workers, and some models.
Photographs of Chandigarh, India
Actions:
ARCH274439
Description:
Group consists of photographs (237 photographs) and negatives (196 negatives) of Chandigarh, India, including photographs of the Architects' office, the Capitol Complex's buildings, schools, the Sukhna Lake, sport installations, gouvernment housing, construction work and workers, and some models.
Form:
photographs
photographs
Date:
between 1951 and 1965
between 1951 and 1965
People:
Level of archival description:
Project
Project
Reference number:
AP143.S4.D8
Description:
File documents an executed project for a private gallery for the display and study of antique toys entitled Barenholtz Pavilion and also known as House I. The project was built as an addition to the existing residence of Mr. and Mrs. Bernard Barenholtz on the corner of Rosedale Road and Galbreath Drive, Princeton, New Jersey. The architect of Mr. and Mrs. Bernard's residence is unknown. Material in this file was produced in 1967 and 1968. Eisenman explores the permutations of architectural elements at the basis of House I in over 300 conceptual sketches (DR1994:0129:001-339). Furniture and display layouts for the antique toys are also part of this group (DR1994:0129:276-282). There is an apparently complete set of nineteen working drawings for the addition, which consists of a two-storey gallery with display areas for toys on the first and second floors, and an entertainment area with fireplace, bar and restroom on the first floor (DR1994:0129:405-423). Eleven design development drawings are not by Eisenman; they were perhaps produced by Michael Erdman, whose name appears on the title block of some of the working drawings but whose role in this project has not been determined (DR1994:0129:340-350). File contains conceptual drawings, design development drawings, presentation drawings, working drawings, publication drawings, photographic materials, and textual records. Conceptual drawings include plans, axonometrics, elevations, sections, furniture layouts, and details. Design development drawings include plans, elevations, and site plans. Manuscripts include load calculations with bending moment diagrams. Presentation drawings include elevations, sections, and axonometrics. Publication drawings include axonometrics. Working drawings include site plans, plans, elevations, sections, and details. Textual records include notes, some illustrated. Photographic materials include views of a model and drawing.
AP143.S4.D8
Description:
File documents an executed project for a private gallery for the display and study of antique toys entitled Barenholtz Pavilion and also known as House I. The project was built as an addition to the existing residence of Mr. and Mrs. Bernard Barenholtz on the corner of Rosedale Road and Galbreath Drive, Princeton, New Jersey. The architect of Mr. and Mrs. Bernard's residence is unknown. Material in this file was produced in 1967 and 1968. Eisenman explores the permutations of architectural elements at the basis of House I in over 300 conceptual sketches (DR1994:0129:001-339). Furniture and display layouts for the antique toys are also part of this group (DR1994:0129:276-282). There is an apparently complete set of nineteen working drawings for the addition, which consists of a two-storey gallery with display areas for toys on the first and second floors, and an entertainment area with fireplace, bar and restroom on the first floor (DR1994:0129:405-423). Eleven design development drawings are not by Eisenman; they were perhaps produced by Michael Erdman, whose name appears on the title block of some of the working drawings but whose role in this project has not been determined (DR1994:0129:340-350). File contains conceptual drawings, design development drawings, presentation drawings, working drawings, publication drawings, photographic materials, and textual records. Conceptual drawings include plans, axonometrics, elevations, sections, furniture layouts, and details. Design development drawings include plans, elevations, and site plans. Manuscripts include load calculations with bending moment diagrams. Presentation drawings include elevations, sections, and axonometrics. Publication drawings include axonometrics. Working drawings include site plans, plans, elevations, sections, and details. Textual records include notes, some illustrated. Photographic materials include views of a model and drawing.
People:
Date:
1967-1968
1967-1968
Title:
Barenholtz Pavilion (House I)
Actions:
AP143.S4.D8
Description:
File documents an executed project for a private gallery for the display and study of antique toys entitled Barenholtz Pavilion and also known as House I. The project was built as an addition to the existing residence of Mr. and Mrs. Bernard Barenholtz on the corner of Rosedale Road and Galbreath Drive, Princeton, New Jersey. The architect of Mr. and Mrs. Bernard's residence is unknown. Material in this file was produced in 1967 and 1968. Eisenman explores the permutations of architectural elements at the basis of House I in over 300 conceptual sketches (DR1994:0129:001-339). Furniture and display layouts for the antique toys are also part of this group (DR1994:0129:276-282). There is an apparently complete set of nineteen working drawings for the addition, which consists of a two-storey gallery with display areas for toys on the first and second floors, and an entertainment area with fireplace, bar and restroom on the first floor (DR1994:0129:405-423). Eleven design development drawings are not by Eisenman; they were perhaps produced by Michael Erdman, whose name appears on the title block of some of the working drawings but whose role in this project has not been determined (DR1994:0129:340-350). File contains conceptual drawings, design development drawings, presentation drawings, working drawings, publication drawings, photographic materials, and textual records. Conceptual drawings include plans, axonometrics, elevations, sections, furniture layouts, and details. Design development drawings include plans, elevations, and site plans. Manuscripts include load calculations with bending moment diagrams. Presentation drawings include elevations, sections, and axonometrics. Publication drawings include axonometrics. Working drawings include site plans, plans, elevations, sections, and details. Textual records include notes, some illustrated. Photographic materials include views of a model and drawing.
Barenholtz Pavilion (House I)
Actions:
AP143.S4.D8
Description:
File documents an executed project for a private gallery for the display and study of antique toys entitled Barenholtz Pavilion and also known as House I. The project was built as an addition to the existing residence of Mr. and Mrs. Bernard Barenholtz on the corner of Rosedale Road and Galbreath Drive, Princeton, New Jersey. The architect of Mr. and Mrs. Bernard's residence is unknown. Material in this file was produced in 1967 and 1968. Eisenman explores the permutations of architectural elements at the basis of House I in over 300 conceptual sketches (DR1994:0129:001-339). Furniture and display layouts for the antique toys are also part of this group (DR1994:0129:276-282). There is an apparently complete set of nineteen working drawings for the addition, which consists of a two-storey gallery with display areas for toys on the first and second floors, and an entertainment area with fireplace, bar and restroom on the first floor (DR1994:0129:405-423). Eleven design development drawings are not by Eisenman; they were perhaps produced by Michael Erdman, whose name appears on the title block of some of the working drawings but whose role in this project has not been determined (DR1994:0129:340-350). File contains conceptual drawings, design development drawings, presentation drawings, working drawings, publication drawings, photographic materials, and textual records. Conceptual drawings include plans, axonometrics, elevations, sections, furniture layouts, and details. Design development drawings include plans, elevations, and site plans. Manuscripts include load calculations with bending moment diagrams. Presentation drawings include elevations, sections, and axonometrics. Publication drawings include axonometrics. Working drawings include site plans, plans, elevations, sections, and details. Textual records include notes, some illustrated. Photographic materials include views of a model and drawing.
Level of archival description:
File 8
File 8
Date:
1967-1968
1967-1968
People:
Level of archival description:
Series
Series
Title:
Objectile records
Objectile records
Actions:
Reference number:
AP169.S1
Description:
Series 1, Objectile, 1993 - 2011, relates to the firm’s activities, from the production of decorative panels to the management of daily business. This series includes born-digital material and chiefly dates from 2004-2008. “Objectile” is a term first proposed by philosopher Gilles Deleuze in his book The Fold, published in 1988. It was used to name the research conducted by Bernard Cache and his associate Patrick Beaucé around the development of industrial means to produce “non-standard” objects. In his book Earth Moves (Terre Meuble), Bernard Cache describes non-standard objects as repeatable variations on a theme, such as a family of curves declining the same mathematical model. The randomness of their patterns recalls earth’s forms and curves, the way geography generates nature’s topography. Cache also wanted these folds and curves to express a relationship between the exterior (geography) and the interior (furniture) of architecture. From these ideas, the firm Objectile was founded created to industrially produce and market those non-standard objects mostly taking the form of decorative panels. Those panels and other furniture were among the first objects to be computationally designed with computer-aided design software (CAD) and then industrially built through computer numerical control (CNC). The patterns were designed through unique algorithms that could endlessly be modified and personalized. Materials in this series reflect the work of Objectile. This includes design and execution records for the different wooden panels and other furniture, which are primarily in still image and CAD formats (TopSolid, AutoCAD). There is also a significant body of material for the Objectile website (in HTML and XML formats). The series additionally includes textual documentation reflecting the administration of the firm, including accounting and legal documentation, as well as correspondence. These materials are in typical office formats and include email.
AP169.S1
Description:
Series 1, Objectile, 1993 - 2011, relates to the firm’s activities, from the production of decorative panels to the management of daily business. This series includes born-digital material and chiefly dates from 2004-2008. “Objectile” is a term first proposed by philosopher Gilles Deleuze in his book The Fold, published in 1988. It was used to name the research conducted by Bernard Cache and his associate Patrick Beaucé around the development of industrial means to produce “non-standard” objects. In his book Earth Moves (Terre Meuble), Bernard Cache describes non-standard objects as repeatable variations on a theme, such as a family of curves declining the same mathematical model. The randomness of their patterns recalls earth’s forms and curves, the way geography generates nature’s topography. Cache also wanted these folds and curves to express a relationship between the exterior (geography) and the interior (furniture) of architecture. From these ideas, the firm Objectile was founded created to industrially produce and market those non-standard objects mostly taking the form of decorative panels. Those panels and other furniture were among the first objects to be computationally designed with computer-aided design software (CAD) and then industrially built through computer numerical control (CNC). The patterns were designed through unique algorithms that could endlessly be modified and personalized. Materials in this series reflect the work of Objectile. This includes design and execution records for the different wooden panels and other furniture, which are primarily in still image and CAD formats (TopSolid, AutoCAD). There is also a significant body of material for the Objectile website (in HTML and XML formats). The series additionally includes textual documentation reflecting the administration of the firm, including accounting and legal documentation, as well as correspondence. These materials are in typical office formats and include email.
People:
Date:
1993-2011
1993-2011
Title:
Objectile records
Actions:
AP169.S1
Description:
Series 1, Objectile, 1993 - 2011, relates to the firm’s activities, from the production of decorative panels to the management of daily business. This series includes born-digital material and chiefly dates from 2004-2008. “Objectile” is a term first proposed by philosopher Gilles Deleuze in his book The Fold, published in 1988. It was used to name the research conducted by Bernard Cache and his associate Patrick Beaucé around the development of industrial means to produce “non-standard” objects. In his book Earth Moves (Terre Meuble), Bernard Cache describes non-standard objects as repeatable variations on a theme, such as a family of curves declining the same mathematical model. The randomness of their patterns recalls earth’s forms and curves, the way geography generates nature’s topography. Cache also wanted these folds and curves to express a relationship between the exterior (geography) and the interior (furniture) of architecture. From these ideas, the firm Objectile was founded created to industrially produce and market those non-standard objects mostly taking the form of decorative panels. Those panels and other furniture were among the first objects to be computationally designed with computer-aided design software (CAD) and then industrially built through computer numerical control (CNC). The patterns were designed through unique algorithms that could endlessly be modified and personalized. Materials in this series reflect the work of Objectile. This includes design and execution records for the different wooden panels and other furniture, which are primarily in still image and CAD formats (TopSolid, AutoCAD). There is also a significant body of material for the Objectile website (in HTML and XML formats). The series additionally includes textual documentation reflecting the administration of the firm, including accounting and legal documentation, as well as correspondence. These materials are in typical office formats and include email.
Objectile records
Actions:
AP169.S1
Description:
Series 1, Objectile, 1993 - 2011, relates to the firm’s activities, from the production of decorative panels to the management of daily business. This series includes born-digital material and chiefly dates from 2004-2008. “Objectile” is a term first proposed by philosopher Gilles Deleuze in his book The Fold, published in 1988. It was used to name the research conducted by Bernard Cache and his associate Patrick Beaucé around the development of industrial means to produce “non-standard” objects. In his book Earth Moves (Terre Meuble), Bernard Cache describes non-standard objects as repeatable variations on a theme, such as a family of curves declining the same mathematical model. The randomness of their patterns recalls earth’s forms and curves, the way geography generates nature’s topography. Cache also wanted these folds and curves to express a relationship between the exterior (geography) and the interior (furniture) of architecture. From these ideas, the firm Objectile was founded created to industrially produce and market those non-standard objects mostly taking the form of decorative panels. Those panels and other furniture were among the first objects to be computationally designed with computer-aided design software (CAD) and then industrially built through computer numerical control (CNC). The patterns were designed through unique algorithms that could endlessly be modified and personalized. Materials in this series reflect the work of Objectile. This includes design and execution records for the different wooden panels and other furniture, which are primarily in still image and CAD formats (TopSolid, AutoCAD). There is also a significant body of material for the Objectile website (in HTML and XML formats). The series additionally includes textual documentation reflecting the administration of the firm, including accounting and legal documentation, as well as correspondence. These materials are in typical office formats and include email.
Level of archival description:
Series
Series
Date:
1993-2011
1993-2011
People:
