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The architectural production in Flanders increasingly draws international attention. This is the result of the valuable work accomplished by several Flemish initiatives that has had effects on the rise of a vibrant design and research culture in architecture. In Radical Commonplaces, architects, critics and experts from both Flanders and Europe reflect upon the(...)
Architectural Review Flanders no 10, 2012 : radical commonplaces - European architectures from Flanders
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The architectural production in Flanders increasingly draws international attention. This is the result of the valuable work accomplished by several Flemish initiatives that has had effects on the rise of a vibrant design and research culture in architecture. In Radical Commonplaces, architects, critics and experts from both Flanders and Europe reflect upon the development of new concepts for living in one of Europe's most densely populated areas, redevelopment projects and infrastructures, and the great cultural ambitions found in a number of public and private buildings in Flanders and elsewhere. With texts by Guy Chtel, Aglaée Degros, Stefan Devoldere, Christoph Grafe, Christian Kieckens, Axel Sowa and Ellis Woodman, among others.
Collective Housing
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'iheartblob' avails itself of a new visual vocabulary of architecture. Here designs are visualized not in the form of ground plans and sections. Instead, renderings, mixed-reality objects (which are depicted physically and in augmented reality) and animations are the media which reflect the legacy of the mathematician Lagrange. Visually, but also on the basis of short(...)
iheartblob: Augmented architectural objects, a new visual language
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'iheartblob' avails itself of a new visual vocabulary of architecture. Here designs are visualized not in the form of ground plans and sections. Instead, renderings, mixed-reality objects (which are depicted physically and in augmented reality) and animations are the media which reflect the legacy of the mathematician Lagrange. Visually, but also on the basis of short theoretical texts, the book facilitates new discussions about the contemporary theoretical and cultural framework – and thus also about the “crisis of philosophy” faced not only by architecture. While the theoretical framework here invokes the principles of object-oriented ontology, in a subsequent step it attempts to unravel the theoretical principles of postmodernity and poststructural formalism.
Architectural Theory
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While 20th century architecture learned to control the climate of a building, the architecture of the 21st century needs to learn to cope with the climate of cities. Problems such as urban heat and air pollution need to be included in planning and design. Based on empirical realities in Cairo, Chongqing, Geneva and Santiago de Chile, the book underlines that the(...)
Coping with urban climates: comparative perspectives on architecture and thermal governance
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While 20th century architecture learned to control the climate of a building, the architecture of the 21st century needs to learn to cope with the climate of cities. Problems such as urban heat and air pollution need to be included in planning and design. Based on empirical realities in Cairo, Chongqing, Geneva and Santiago de Chile, the book underlines that the materiality and social practices attached to room heating, compound greening, street alignment or climate policies together form the tissue for contemporary urban climates. It interweaves socio-cultural with meteorological data and pioneers the new concept of "thermal governance" by linking architectural and technological as well as legal and economic dimensions of climate control in urban environments.
Urban Theory
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Positions addresses the ascent of architectural photography as a discipline, and the changing role of the architectural photographer. Once merely charged with providing a purely documentary representation of a building, the architectural photographer now offers a personal interpretation of the work of the architect, urban planner or landscape designer. The common factor(...)
Photography Collections
September 2010
Positions: photography of architecture, city and landscape in the Netherlands
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Positions addresses the ascent of architectural photography as a discipline, and the changing role of the architectural photographer. Once merely charged with providing a purely documentary representation of a building, the architectural photographer now offers a personal interpretation of the work of the architect, urban planner or landscape designer. The common factor that unites the photographers presented here--Theo Baart, Bas Princen, Ralph Kamena, Jannes Linders, Jeroen Musch and Hans Werlemann--is that each of them has brought a highly personal perspective to bear upon their approach to their commissions, and that each of their oeuvres has had a direct impact on contemporary architecture and urban planning. Positions examines the photographer's emancipation from documentary constraint to creative agency.
Photography Collections
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"The Barrack, 1572–1914" tells the little-known history of a building type that many people used to register as an alien interloper in conventionally built-up areas. The barrack is a mostly lightweight construction, a hybrid between a shack, tent, and traditional building. Easy to erect and to take down, it is—after the introduction of railways and later motor vehicles in(...)
Commercial interiors, Building types
December 2024
The Barrack: 1572-1914. Chapters in the history of emergency architecture
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"The Barrack, 1572–1914" tells the little-known history of a building type that many people used to register as an alien interloper in conventionally built-up areas. The barrack is a mostly lightweight construction, a hybrid between a shack, tent, and traditional building. Easy to erect and to take down, it is—after the introduction of railways and later motor vehicles in the late 19th and early 20th centuries—also easy to transplant from one location to another. Originating as a standardized accommodation for semi-permanent military encampments in the late sixteenth century, the barrack became a mass-produced utility of military and civilian mobilization in the nineteenth century, providing immediate shelter for soldiers, prisoners, or displaced persons, as well as well-ventilated hospital wards for the sick. The barrack played a decisive role in shaping the political space of modernity.
Commercial interiors, Building types
$60.00
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This publication from acclaimed architect and critic Mohsen Mostafavi traces a theoretical and visual narrative through architecture's relationship with the colour black. Bringing together a rich inventory of images, it illuminates this connection by considering parallel developments in global art practices with references ranging from Japanese screens to Rothko, Adolf(...)
The color black: Antinomies of a color in architecture and art
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This publication from acclaimed architect and critic Mohsen Mostafavi traces a theoretical and visual narrative through architecture's relationship with the colour black. Bringing together a rich inventory of images, it illuminates this connection by considering parallel developments in global art practices with references ranging from Japanese screens to Rothko, Adolf Loos to Norman Foster, Hans Holbein to Derek Jarman. Alongside these renowned touchpoints, Mostafavi draws on a little-known and highly distinctive text by the Marxist German art historian Max Raphael, based on a collection of historic paintings in the Metropolitan Museum of Art, New York. Contemporaneous with the evolution of black paintings by New York's Abstract Expressionists, Raphael's essay offers a drastically contrasting approach to the same multivalent subject. The book is completed by Rapahel's luminous essay, published in its entirety for the first time in an English translation by Pamela Johnston, as well as conversations with Swiss architect Peter Märkli, whose work with the colour black is informed by Raphael's writings, and Theaster Gates. By juxtaposing the present with the recent and distant past, this book provides a many-layered reading of the colour black ? and of colour more widely ? in relation to contemporary architectural thinking and practice.
Theory of Photography
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From the seventeenth century until today, the "modern" has served as a key category by which to understand an ever-changing present. Art and architecture have played a key role in this pursuit, as the means by which "the modern" was to manifest itself. The essays in this new anthology trace the modern project through its multifarious manifestation in order to understand(...)
Tracing modernity : manifestations of the modern in architecture and the city
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From the seventeenth century until today, the "modern" has served as a key category by which to understand an ever-changing present. Art and architecture have played a key role in this pursuit, as the means by which "the modern" was to manifest itself. The essays in this new anthology trace the modern project through its multifarious manifestation in order to understand contemporary culture in a deeper sense than discussions of "modernism" and "post modernism" usually offer. Drawing on architectural and urban history as well as philosophy and sociology, the book outlines the complex and conflicting roots of modernity by tracing its manifestations in architecture and the city.
Urban Theory
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"Armed surfaces" presents DRD Lab's investigations into contemporary reality and a new typology for living. An analysis of transitional moments in daily life instigates a re-examination of Modern Functionalism as an ideology of standardisation and normalcy. The DRD Lab uses theory, spatial and cultural analysis, dynamic measurement, temporal positioning and their(...)
Dagmar Richter / DR_D : armed surfaces (serial books architecture & urbanism 5)
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"Armed surfaces" presents DRD Lab's investigations into contemporary reality and a new typology for living. An analysis of transitional moments in daily life instigates a re-examination of Modern Functionalism as an ideology of standardisation and normalcy. The DRD Lab uses theory, spatial and cultural analysis, dynamic measurement, temporal positioning and their collected data to develop a non-standard diagram which exposes the new role of architectural surfaces as 'performing surfaces'. This concept is explored through a series of research-oriented projects which include 'custom mass produced' contemporary housing, a performance induced landscape and an urban frontage. In the diverse projects which she undertakes, Richter seeks to radically reinvent urban design through a game of 'retracing' and 'restitution', founded in the notion that information is what qualifies space. The book explores new solutions to architecture and planning exposing an alternative view of architecture.
small format
$32.00
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Since its formation in 1995 by Patrick Beaucé and Bernard Cache, Ojectile is working on technologies for a 'Non-Standard Architecture'. That means, that the architectural project consists of a 'model' with its primary elements varying on the basis of invariant relations between them. With Fast-wood: a Brouillon Project Objectile presents for the first time a(...)
Objectile 6 (consequence series on fresh architecture) Fast-Wood: a brouillon project
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Since its formation in 1995 by Patrick Beaucé and Bernard Cache, Ojectile is working on technologies for a 'Non-Standard Architecture'. That means, that the architectural project consists of a 'model' with its primary elements varying on the basis of invariant relations between them. With Fast-wood: a Brouillon Project Objectile presents for the first time a comprehensive survey of their current work within the scope of the Consequence Book Series on Fresh Architecture.
small format
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What makes Italian Brutalist buildings different to their counterparts in other countries? Containing over 140 exclusive photographs-- ranging from private homes to churches and cemeteries via football stadiums-- across every region of the country, ''Brutalist Italy'' is the first publication to focus entirely on this subject. Architectural photographers Roberto Conte and(...)
Brutalist Italy: Concrete architecture from the Alps to the Mediterranean Sea
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What makes Italian Brutalist buildings different to their counterparts in other countries? Containing over 140 exclusive photographs-- ranging from private homes to churches and cemeteries via football stadiums-- across every region of the country, ''Brutalist Italy'' is the first publication to focus entirely on this subject. Architectural photographers Roberto Conte and Stefano Perego (authors of Soviet Asia) have spent the past five years traveling over 12,000 miles documenting the monumental concrete structures of their native country. Brutalism-- with its minimalist aesthetic, favoring raw materials and structural elements over decorative design-- has a complex relationship with Italian history. After World War II, Italian architects were keen to distance themselves from fascism, without rejecting the architectural modernism that had flourished during that era. They developed a form of contemporary architecture that engaged with traditional methods and materials, drawing on uncontaminated historical references. This plurality of pasts assimilated into new constructions is a recurring feature of the country’s Brutalist buildings, imparting to them a unique identity. From the imposing social housing of Le Vele di Scampia to the celestial Our Lady of Tears Sanctuary, Syracuse, ''Brutalist Italy'' collects the most compelling examples of this extraordinary architecture for the first time in a single volume.
Brutalism