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Denise Scott Brown has shaped the course of contemporary architecture since the 1960s. She is particularly well known for ''Learning from Las Vegas,'' an enormously successful research project with her companion in life and work, Robert Venturi, and Steven Izenour, which challenged the way many architects saw the city. Widely cited and sometimes misunderstood, Scott(...)
Architecture Monographs
March 2019
Your guide to Downtown Denise Scott Brown, hintergrund 56
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Denise Scott Brown has shaped the course of contemporary architecture since the 1960s. She is particularly well known for ''Learning from Las Vegas,'' an enormously successful research project with her companion in life and work, Robert Venturi, and Steven Izenour, which challenged the way many architects saw the city. Widely cited and sometimes misunderstood, Scott Brown's insistence that we cast a critical eye on modernism ignorant of context, history, and joint creativity remains impactful today. The first book to focus exclusively on Denise Scott Brown, '' Your Guide to Downtown Denise Scott Brown Brown'' takes readers through her childhood in 1930s South Africa and her education in 1950s England, to her well-known work in photography, her writings and studies, and her work as an architect and urban planner on four continents.
Architecture Monographs
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Through three radical critiques of Modernist architecture, illustrated by the iconic--and very different--works of the Situationist International, Venturi Scott Brown and Archigram, Radical Games offers new perspectives on the architecture of the 1960s. It illuminates some of the pitfalls of contemporary architectural thought and questions a number of preconceptions that(...)
Radical games: Popping the bubble of 1960's architecture
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Through three radical critiques of Modernist architecture, illustrated by the iconic--and very different--works of the Situationist International, Venturi Scott Brown and Archigram, Radical Games offers new perspectives on the architecture of the 1960s. It illuminates some of the pitfalls of contemporary architectural thought and questions a number of preconceptions that remain with us from the prevalent discourses of the 1960s. Perched on the cusp of Postmodernism and global capitalism, the critiques in this volume demonstrate a perceptive understanding of Modernism, as well as contemporary conditions, such as our increasingly image-saturated society. It is also clear, however, that these radical projects were so entwined with Modernism that the architectural conversation of the 1960s was driven to an impasse, which the contemporary debate has not yet been able to escape.
Architectural Theory
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"Learning from Las Vegas," originally published by the MIT Press in 1972, was one of the most influential and controversial architectural books of its era. Forty years later, it remains a perennial bestseller and a definitive theoretical text. Its authors - architects Robert Venturi, Denise ScottBrown, and Steven Izenour - famously used the Las Vegas Strip to argue the(...)
I am a monument : on learning from Las Vegas
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"Learning from Las Vegas," originally published by the MIT Press in 1972, was one of the most influential and controversial architectural books of its era. Forty years later, it remains a perennial bestseller and a definitive theoretical text. Its authors - architects Robert Venturi, Denise ScottBrown, and Steven Izenour - famously used the Las Vegas Strip to argue the virtues ofthe "ordinary and ugly" above the "heroic and original"qualities of architectural modernism. In this provocative rereading of an iconic text, Aron Vinegar argues that to read "Learning from Las Vegas" only as an exemplary postmodernist text - to understand it, for example, as a call for pastiche or as ironic provocation - is to underestimate its deeper critical and ethical meaning, and to miss the underlying dialectic between skepticism and the ordinary, expression and the deadpan, that runs through the text.
Architectural Theory
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"Whoop to the duck!" is both a comprehensive retrospective and a preview of the work of the SPLITTERWERK label, active in the conflictive context between engineering and art since 1988. The publication covers the spectrum from urbanistic designs for our “post-urban society” to the return of the ornament and the exemplary implementation of new housing designs. Frank Lloyd(...)
Contemporary Art Monographs
December 2005, Vienna
Splitterwerk : whoop to the duck ! / es lebe die Ente!, buildings and projects
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"Whoop to the duck!" is both a comprehensive retrospective and a preview of the work of the SPLITTERWERK label, active in the conflictive context between engineering and art since 1988. The publication covers the spectrum from urbanistic designs for our “post-urban society” to the return of the ornament and the exemplary implementation of new housing designs. Frank Lloyd Wright’s open plan, Adolf Loos’ Raumplan or Margarete Schütte Lihotzky’s Frankfurt Kitchen find their contemporary continuation in the Graz Apartment. In the 21st century, the walls have a custom-made world of images which allows functions to be added “on demand”. The investigation of experimental surfaces has led Splitterwerk to fundamentally reassess imagery in architecture. It is a revival of a different nature for the "duck" (R. Venturi / D. Scott Brown) which calls for a further paradigm shift in architecture.
Contemporary Art Monographs
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During a tumultuous period in the 1960s and 70s, a new generation of architects began their careers amidst a period of profound social change, new conditions for architecture and the city and lasting changes to popular and critical forms of cultural production. First Works tells the story of this period and reassesses the conditions of architecture and the beginnings of(...)
December 2009
First works: emerging architectural experimentation of the 1960s and 1970s
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During a tumultuous period in the 1960s and 70s, a new generation of architects began their careers amidst a period of profound social change, new conditions for architecture and the city and lasting changes to popular and critical forms of cultural production. First Works tells the story of this period and reassesses the conditions of architecture and the beginnings of architectural careers through a selection of projects undertaken during the 60s and 70s. The book, accompanying a major travelling exhibition, presents a single key early project, in the form of models, sketches, photographs and drawings, by 20 young architectural practices, including Archigram, Aldo Rossi, Robert Venturi, Renzo Piano, Peter Eisenman, Herzog & de Meuron and Zaha Hadid. Alongside these ‘first works’, 20 invited critics, including Kenneth Frampton, Sylvia Lavin and Pier Vittorio Aureli, offer contemporary commentaries on these projects and their place within the architects’ subsequent careers.
books
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"A House for My Mother" features 25 houses designed over the last 50 years by various architects for their mothers, fathers, in-laws, and extended families. Included are the well-known works of recognized designers as well as early works from promising young (...)
A house for my mother : architects build for their families
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"A House for My Mother" features 25 houses designed over the last 50 years by various architects for their mothers, fathers, in-laws, and extended families. Included are the well-known works of recognized designers as well as early works from promising young architects. Extensive interviews with the architects and their families reveal the various joys and difficulties of these very personal commissions. The houses offer innovative and affordable designs, in a variety of styles and building materials, for homes ranging from city dwellings to beach houses and mountain retreats. As the architects were generally given broad control over the design, these homes showcase the ideas that characterize their work. The architects in this collection include Natalye Appel, Peter Bohlin, Walter Chatham, Charles Gwathmey, Steven Izenour, Donna Kacmar, Robert Kahn, Mark and Jean Larson, Joanna Lombard and Denis Hector, Robert Luchetti, Suzanne Martinson, Richard Meier, Charles Menefee, Mark Simon, Laurinda Spear and Bernardo Fort-Brescia, Robert Venturi, and Paul Westlake.
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May 1999, New York
Residential Architecture
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This publication uses the physical evidence of community plans, building typologies and structural systems, and landscape to gain an understanding of the five great migrations that settled William Penn's Commonwealth. The rising industrial culture found its aesthetic counterpart in the architecture of Frank Furness who turned the dross of industry into the gold of design;(...)
Buildings of Pennsylvania: Philadelphia and eastern Pennsylvania
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This publication uses the physical evidence of community plans, building typologies and structural systems, and landscape to gain an understanding of the five great migrations that settled William Penn's Commonwealth. The rising industrial culture found its aesthetic counterpart in the architecture of Frank Furness who turned the dross of industry into the gold of design; his values continued through his students William L. Price and George Howe and on into the late twentieth century in the careers of Louis Kahn and Robert Venturi. In addition to Philadelphia, the book surveys the rival German-influenced small cities of the Piedmont, the brief but flourishing of wealth in the twin coal country cities, and a host of secondary county towns and villages that carry on vernacular building traditions overlaid with metropolitan architecture serving regional and national clients. This volume includes a glossary, bibliography, and over 400 illustrations (photographs, maps, and drawings). It is a volume in the Buildings of the United States series of the Society of Architectural Historians.
History since 1900, Reference Books
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From constructivist textile and clothing designs by Aleksandr Rodchenko and Varvara Stepanova to the soft sculptures of Claes Oldenburg and Louise Bourgeois, twentieth century artists have looked to fabric and other materials to push artistic production beyond the image and the object. Over the past twenty-five years The Fabric Workshop and Museum, an experimental arts(...)
Contemporary Art Monographs
March 2003, Cambridge / London
New material as new media : the fabric workhop and museum
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From constructivist textile and clothing designs by Aleksandr Rodchenko and Varvara Stepanova to the soft sculptures of Claes Oldenburg and Louise Bourgeois, twentieth century artists have looked to fabric and other materials to push artistic production beyond the image and the object. Over the past twenty-five years The Fabric Workshop and Museum, an experimental arts laboratory in Philadelphia, has evolved into an influential contemporary art museum with a significant permanent collection, collaborating with artists to redefine the boundaries of fabric and other innovative materials including rubber, industrial felt, fiberglass, horse hair, hog intestine, and plastic as artistic media. This book, which accompanies a twenty-five-year retrospective exhibition from the collection, highlights more than fifty artists' projects. The artists, designers, and architects include Marina Abramovic, Doug Aitken, Louise Bourgeois, Chris Burden, Felix Gonzalez-Torres, Ann Hamilton, Howard Hodgkin, Anish Kapoor, Roy Lichtenstein, Glenn Ligon, Robert Morris, Louise Nevelson, Faith Ringgold, Yinka Shonibare, Gary Simmons, Robert Venturi and Denise Scott Brown, Carrie Mae Weems, Rachel Whiteread, and Yukinori Yanagi.
books
March 2003, Cambridge / London
Contemporary Art Monographs
books
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This second volume of "The Details of Modern Architecture" continues the study of the relationships of the ideals of design and the realities of construction in modern architecture, beginning in the late 1920s and extending to the present day. It contains a wealth of new (...)
June 1996, Cambridge, Mass.
Details of modern architecture - volume 2 : 1928-1988
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This second volume of "The Details of Modern Architecture" continues the study of the relationships of the ideals of design and the realities of construction in modern architecture, beginning in the late 1920s and extending to the present day. It contains a wealth of new information on the construction of modern architecture at a variety of scales from minute details to general principles. There are over 500 illustrations, including 130 original photographs and 230 original axonometric drawings, arranged to explain the technical, aesthetic, and historical aspects of the building form. Individual chapters treat the work of Eliel and Eero Saarinen, Eric Gunnar Asplund, Richard Neutra, Alvar Aalto, Le Corbusier, and Louis Kahn, as well as the Case Study, High Tech, Postmodern, and Deconstructivist architects. Among the individual buildings documented are Eliel Saarinen's Cranbrook School, Asplund's Woodland Cemetery, Fuller's Dymaxion house, the Venturi house, the Eames and other Case Study houses, the concrete buildings of Le Corbusier, Aalto's Säynätsalo Town Hall, and Kahn's Exeter Library and Salk Institute -- with many details published for the first time.
books
June 1996, Cambridge, Mass.
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Ecological and artistic approaches to designing our environment raise important questions which have to be faced by all designers of urban spaces, gardens or landscape: whether to conserve or to intervene, to rely on natural order or apply man-made means and whether to lend nature a romantic or a technocratic appearance. Which approaches to design and artistic concepts(...)
Ecological aesthetics : art in environmental design : theory and practice
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Ecological and artistic approaches to designing our environment raise important questions which have to be faced by all designers of urban spaces, gardens or landscape: whether to conserve or to intervene, to rely on natural order or apply man-made means and whether to lend nature a romantic or a technocratic appearance. Which approaches to design and artistic concepts are able to unite these seemingly contradictory poles to create sophisticated projects in harmony with nature? In this publication landscape architects, artists, philosophers, social scientists and natural scientists provide answers to these central questions in landscape design and environmental art. Amongst the 17 authors are Jacques Leenhardt (F), Massimo Venturi Ferriolo (I), Udo Weilacher (D), Malcom Miles (GB), Tim Collins (USA) and Jochen Boberg from the MD Berlin with whom this book is co-produced. This volume contains works by more than 50 international artists and landscape architects, among them the internationally renowned Herman Prigann, one of the most active landscape artists. His work is extensively presented here for the first time, and represents four decades of continuing commitment to artistic and ecologically oriented landscape design.
Green Architecture