12885 Results
Level of archival description:
Series
Series
Title:
Hans and Wassili Luckhardt
Hans and Wassili Luckhardt
Actions:
Reference number:
AP162.S6
Description:
Series documents the contribution of architects Hans Luckhardt and Wasilli Luckhardt to the correspondence circle of Die gläserne Kette, with each writing under the pseudonyms Angkor and Zachen respectively. Born in Berlin in 1880, Hans Luckhardt studied architecture at the Technische Hochschule at Karlsruhe, Germany. In 1919, he joined the Novembergruppe, an exhibiting group of painters, sculptors, architects and musicians, and the Arbeitsrat für Kunst, lead by Bruno Taut. These two groups merged in November 1919. The same year, Luckhardt exhibitied his work at the Ausstellung für unbekannte Architekten and contributed to the organization of the Neues Bauen exhibition the next year. In 1921, Hans Luckhardt began his working collaboration with his brother Wassili. Born in Berlin in 1989, Wassili Luckhardt studied archictecture at the Technische Hochschule at Berlin-Charlottenburg and at the Technische Hochschule in Dresden. He undertook his military service from 1914 to 1918. Like his brother Hans, Wasilli joined the Novembergruppeand the Arbeitsrat für Kunst in 1919 and exhibited his work at the Ausstellung für unbekannte Architekten. During their collaboration, the Luckhardt brothers worked on designs for private commisions and competition schemes including some for Berlin and Hanover (1951-1952). Hans Luckhardt died in 1954 in Bad Wiessee. Wassili Luckhardt continued his work as an architect on various architectural projects. He died in 1972 in Berlin. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) The series comprises part of the correspondence of Hans and Wasilli Luckhardt to the Die gläserne Kette circle, along with related drawings and photographs. The series also includes a photograph of a architectural model for a project by the Luckhart brothers.
AP162.S6
Description:
Series documents the contribution of architects Hans Luckhardt and Wasilli Luckhardt to the correspondence circle of Die gläserne Kette, with each writing under the pseudonyms Angkor and Zachen respectively. Born in Berlin in 1880, Hans Luckhardt studied architecture at the Technische Hochschule at Karlsruhe, Germany. In 1919, he joined the Novembergruppe, an exhibiting group of painters, sculptors, architects and musicians, and the Arbeitsrat für Kunst, lead by Bruno Taut. These two groups merged in November 1919. The same year, Luckhardt exhibitied his work at the Ausstellung für unbekannte Architekten and contributed to the organization of the Neues Bauen exhibition the next year. In 1921, Hans Luckhardt began his working collaboration with his brother Wassili. Born in Berlin in 1989, Wassili Luckhardt studied archictecture at the Technische Hochschule at Berlin-Charlottenburg and at the Technische Hochschule in Dresden. He undertook his military service from 1914 to 1918. Like his brother Hans, Wasilli joined the Novembergruppeand the Arbeitsrat für Kunst in 1919 and exhibited his work at the Ausstellung für unbekannte Architekten. During their collaboration, the Luckhardt brothers worked on designs for private commisions and competition schemes including some for Berlin and Hanover (1951-1952). Hans Luckhardt died in 1954 in Bad Wiessee. Wassili Luckhardt continued his work as an architect on various architectural projects. He died in 1972 in Berlin. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) The series comprises part of the correspondence of Hans and Wasilli Luckhardt to the Die gläserne Kette circle, along with related drawings and photographs. The series also includes a photograph of a architectural model for a project by the Luckhart brothers.
People:
Date:
1919-1920
1919-1920
Title:
Hans and Wassili Luckhardt
Actions:
AP162.S6
Description:
Series documents the contribution of architects Hans Luckhardt and Wasilli Luckhardt to the correspondence circle of Die gläserne Kette, with each writing under the pseudonyms Angkor and Zachen respectively. Born in Berlin in 1880, Hans Luckhardt studied architecture at the Technische Hochschule at Karlsruhe, Germany. In 1919, he joined the Novembergruppe, an exhibiting group of painters, sculptors, architects and musicians, and the Arbeitsrat für Kunst, lead by Bruno Taut. These two groups merged in November 1919. The same year, Luckhardt exhibitied his work at the Ausstellung für unbekannte Architekten and contributed to the organization of the Neues Bauen exhibition the next year. In 1921, Hans Luckhardt began his working collaboration with his brother Wassili. Born in Berlin in 1989, Wassili Luckhardt studied archictecture at the Technische Hochschule at Berlin-Charlottenburg and at the Technische Hochschule in Dresden. He undertook his military service from 1914 to 1918. Like his brother Hans, Wasilli joined the Novembergruppeand the Arbeitsrat für Kunst in 1919 and exhibited his work at the Ausstellung für unbekannte Architekten. During their collaboration, the Luckhardt brothers worked on designs for private commisions and competition schemes including some for Berlin and Hanover (1951-1952). Hans Luckhardt died in 1954 in Bad Wiessee. Wassili Luckhardt continued his work as an architect on various architectural projects. He died in 1972 in Berlin. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) The series comprises part of the correspondence of Hans and Wasilli Luckhardt to the Die gläserne Kette circle, along with related drawings and photographs. The series also includes a photograph of a architectural model for a project by the Luckhart brothers.
Hans and Wassili Luckhardt
Actions:
AP162.S6
Description:
Series documents the contribution of architects Hans Luckhardt and Wasilli Luckhardt to the correspondence circle of Die gläserne Kette, with each writing under the pseudonyms Angkor and Zachen respectively. Born in Berlin in 1880, Hans Luckhardt studied architecture at the Technische Hochschule at Karlsruhe, Germany. In 1919, he joined the Novembergruppe, an exhibiting group of painters, sculptors, architects and musicians, and the Arbeitsrat für Kunst, lead by Bruno Taut. These two groups merged in November 1919. The same year, Luckhardt exhibitied his work at the Ausstellung für unbekannte Architekten and contributed to the organization of the Neues Bauen exhibition the next year. In 1921, Hans Luckhardt began his working collaboration with his brother Wassili. Born in Berlin in 1989, Wassili Luckhardt studied archictecture at the Technische Hochschule at Berlin-Charlottenburg and at the Technische Hochschule in Dresden. He undertook his military service from 1914 to 1918. Like his brother Hans, Wasilli joined the Novembergruppeand the Arbeitsrat für Kunst in 1919 and exhibited his work at the Ausstellung für unbekannte Architekten. During their collaboration, the Luckhardt brothers worked on designs for private commisions and competition schemes including some for Berlin and Hanover (1951-1952). Hans Luckhardt died in 1954 in Bad Wiessee. Wassili Luckhardt continued his work as an architect on various architectural projects. He died in 1972 in Berlin. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) The series comprises part of the correspondence of Hans and Wasilli Luckhardt to the Die gläserne Kette circle, along with related drawings and photographs. The series also includes a photograph of a architectural model for a project by the Luckhart brothers.
Level of archival description:
series
series
Date:
1919-1920
1919-1920
People:
Level of archival description:
Project
Project
Reference number:
AP056.S1.1987.PR06.SS1
Description:
This project series documents the design of the Victoria University Hotel in Toronto from 1987-1988. The office identified the project numbers as 18723 and 18725. This project, headed by Bruce Kuwabara, consisted of a proposed nine floor hotel with 22,000 square metres of space. Located at the corner of Charles Street and St. Thomas Streets, the hotel contained a lobby, bar, restaurant, kitchen, and meeting rooms on the ground floor, with a mezzanine for additional meeting rooms directly above it. The other floors were proposed to hold between 274-320 rooms, including a penthouse with its own bar, kitchen and meeting rooms. Three levels of underground parking were also proposed, holding between 183-220 vehicles. The L-shaped building integrated old houses that already existed along Charles Street, into its facade. Houses along St. Thomas Street were to be left as separate buildings, with the L shape wrapping around them. This project was never realized. The project is recorded through drawings and a project model dating from 1986-1990. The drawings include sketches, surveys and area plans, floor plans, elevations, perspectives, sections and details. This project was designed simultaneously with the Victoria University Student Housing across the street (see project subseries AP056.S1.1987.PR06.SS2). These two projects have been arranged in two subseries because their project numbers and the site plans and surveys for each project overlap. The housing project was assigned the project number 19723, the same number as materials for this hotel project. It may be that the architects separated the two projects later on, assigning a second project number, 18725, to this hotel project. These two project subseries should be viewed together.
AP056.S1.1987.PR06.SS1
Description:
This project series documents the design of the Victoria University Hotel in Toronto from 1987-1988. The office identified the project numbers as 18723 and 18725. This project, headed by Bruce Kuwabara, consisted of a proposed nine floor hotel with 22,000 square metres of space. Located at the corner of Charles Street and St. Thomas Streets, the hotel contained a lobby, bar, restaurant, kitchen, and meeting rooms on the ground floor, with a mezzanine for additional meeting rooms directly above it. The other floors were proposed to hold between 274-320 rooms, including a penthouse with its own bar, kitchen and meeting rooms. Three levels of underground parking were also proposed, holding between 183-220 vehicles. The L-shaped building integrated old houses that already existed along Charles Street, into its facade. Houses along St. Thomas Street were to be left as separate buildings, with the L shape wrapping around them. This project was never realized. The project is recorded through drawings and a project model dating from 1986-1990. The drawings include sketches, surveys and area plans, floor plans, elevations, perspectives, sections and details. This project was designed simultaneously with the Victoria University Student Housing across the street (see project subseries AP056.S1.1987.PR06.SS2). These two projects have been arranged in two subseries because their project numbers and the site plans and surveys for each project overlap. The housing project was assigned the project number 19723, the same number as materials for this hotel project. It may be that the architects separated the two projects later on, assigning a second project number, 18725, to this hotel project. These two project subseries should be viewed together.
People:
Date:
1986-1990
1986-1990
Title:
Victoria University Hotel, Toronto (1987-1988)
Actions:
AP056.S1.1987.PR06.SS1
Description:
This project series documents the design of the Victoria University Hotel in Toronto from 1987-1988. The office identified the project numbers as 18723 and 18725. This project, headed by Bruce Kuwabara, consisted of a proposed nine floor hotel with 22,000 square metres of space. Located at the corner of Charles Street and St. Thomas Streets, the hotel contained a lobby, bar, restaurant, kitchen, and meeting rooms on the ground floor, with a mezzanine for additional meeting rooms directly above it. The other floors were proposed to hold between 274-320 rooms, including a penthouse with its own bar, kitchen and meeting rooms. Three levels of underground parking were also proposed, holding between 183-220 vehicles. The L-shaped building integrated old houses that already existed along Charles Street, into its facade. Houses along St. Thomas Street were to be left as separate buildings, with the L shape wrapping around them. This project was never realized. The project is recorded through drawings and a project model dating from 1986-1990. The drawings include sketches, surveys and area plans, floor plans, elevations, perspectives, sections and details. This project was designed simultaneously with the Victoria University Student Housing across the street (see project subseries AP056.S1.1987.PR06.SS2). These two projects have been arranged in two subseries because their project numbers and the site plans and surveys for each project overlap. The housing project was assigned the project number 19723, the same number as materials for this hotel project. It may be that the architects separated the two projects later on, assigning a second project number, 18725, to this hotel project. These two project subseries should be viewed together.
Victoria University Hotel, Toronto (1987-1988)
Actions:
AP056.S1.1987.PR06.SS1
Description:
This project series documents the design of the Victoria University Hotel in Toronto from 1987-1988. The office identified the project numbers as 18723 and 18725. This project, headed by Bruce Kuwabara, consisted of a proposed nine floor hotel with 22,000 square metres of space. Located at the corner of Charles Street and St. Thomas Streets, the hotel contained a lobby, bar, restaurant, kitchen, and meeting rooms on the ground floor, with a mezzanine for additional meeting rooms directly above it. The other floors were proposed to hold between 274-320 rooms, including a penthouse with its own bar, kitchen and meeting rooms. Three levels of underground parking were also proposed, holding between 183-220 vehicles. The L-shaped building integrated old houses that already existed along Charles Street, into its facade. Houses along St. Thomas Street were to be left as separate buildings, with the L shape wrapping around them. This project was never realized. The project is recorded through drawings and a project model dating from 1986-1990. The drawings include sketches, surveys and area plans, floor plans, elevations, perspectives, sections and details. This project was designed simultaneously with the Victoria University Student Housing across the street (see project subseries AP056.S1.1987.PR06.SS2). These two projects have been arranged in two subseries because their project numbers and the site plans and surveys for each project overlap. The housing project was assigned the project number 19723, the same number as materials for this hotel project. It may be that the architects separated the two projects later on, assigning a second project number, 18725, to this hotel project. These two project subseries should be viewed together.
Level of archival description:
Project
Project
Date:
1986-1990
1986-1990
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP056.S1.1994.PR14
Description:
This project series documents renovations to the Stratford Festival Theatre in Stratford, Ontario from 1994-1997. The office identified the project number as 9428. This project consisted of the major reimagining and renewal of the famous tent-shaped theatre, which had not previously been updated in the 40 years since its original construction. Conceived with Thomas Payne as the partner-in-charge, the project reconceptualised the existing front-of-house spaces, the performance auditorium and the formal arrival space. The auditorium, which contained a Greek-style thrust stage inspired by Shakespeare's Globe Theatre, saw an increase in comfort by eliminating some seats to make the remaining more spacious. With this, site lines to the stage and the theatre acoustics were also improved. A large expansion of the theatre's lobby, box office, festival shops and member spaces accommodated the theatre's growing number of patrons. On the outside, a large curved entrance drive was added with extensive landscaping and gardens to add to the grandeur of the formal arrival area. A marquee space was also added to the building, which housed a year-round terrace. Thomas Payne created this project's original master plan under a different project number in 1988, but it should be noted that some materials in both projects are overlapping (see project series AP056.S1.1988.PR03 in this fonds). The project is recorded through drawings, presentation paintings and some textual materials dating from 1988-1996. The drawings are mostly originals and include sketches, presentation drawings, drawings for the model, plans, elevations, sections, perspectives, details and drawings of new furnishings. The textual records, which describe the project's design concept, are part of a presentation book.
AP056.S1.1994.PR14
Description:
This project series documents renovations to the Stratford Festival Theatre in Stratford, Ontario from 1994-1997. The office identified the project number as 9428. This project consisted of the major reimagining and renewal of the famous tent-shaped theatre, which had not previously been updated in the 40 years since its original construction. Conceived with Thomas Payne as the partner-in-charge, the project reconceptualised the existing front-of-house spaces, the performance auditorium and the formal arrival space. The auditorium, which contained a Greek-style thrust stage inspired by Shakespeare's Globe Theatre, saw an increase in comfort by eliminating some seats to make the remaining more spacious. With this, site lines to the stage and the theatre acoustics were also improved. A large expansion of the theatre's lobby, box office, festival shops and member spaces accommodated the theatre's growing number of patrons. On the outside, a large curved entrance drive was added with extensive landscaping and gardens to add to the grandeur of the formal arrival area. A marquee space was also added to the building, which housed a year-round terrace. Thomas Payne created this project's original master plan under a different project number in 1988, but it should be noted that some materials in both projects are overlapping (see project series AP056.S1.1988.PR03 in this fonds). The project is recorded through drawings, presentation paintings and some textual materials dating from 1988-1996. The drawings are mostly originals and include sketches, presentation drawings, drawings for the model, plans, elevations, sections, perspectives, details and drawings of new furnishings. The textual records, which describe the project's design concept, are part of a presentation book.
People:
Date:
1988-1996
1988-1996
Title:
Stratford Festival Theatre, Renovations, Stratford, Ontario (1994-1997)
Actions:
AP056.S1.1994.PR14
Description:
This project series documents renovations to the Stratford Festival Theatre in Stratford, Ontario from 1994-1997. The office identified the project number as 9428. This project consisted of the major reimagining and renewal of the famous tent-shaped theatre, which had not previously been updated in the 40 years since its original construction. Conceived with Thomas Payne as the partner-in-charge, the project reconceptualised the existing front-of-house spaces, the performance auditorium and the formal arrival space. The auditorium, which contained a Greek-style thrust stage inspired by Shakespeare's Globe Theatre, saw an increase in comfort by eliminating some seats to make the remaining more spacious. With this, site lines to the stage and the theatre acoustics were also improved. A large expansion of the theatre's lobby, box office, festival shops and member spaces accommodated the theatre's growing number of patrons. On the outside, a large curved entrance drive was added with extensive landscaping and gardens to add to the grandeur of the formal arrival area. A marquee space was also added to the building, which housed a year-round terrace. Thomas Payne created this project's original master plan under a different project number in 1988, but it should be noted that some materials in both projects are overlapping (see project series AP056.S1.1988.PR03 in this fonds). The project is recorded through drawings, presentation paintings and some textual materials dating from 1988-1996. The drawings are mostly originals and include sketches, presentation drawings, drawings for the model, plans, elevations, sections, perspectives, details and drawings of new furnishings. The textual records, which describe the project's design concept, are part of a presentation book.
Stratford Festival Theatre, Renovations, Stratford, Ontario (1994-1997)
Actions:
AP056.S1.1994.PR14
Description:
This project series documents renovations to the Stratford Festival Theatre in Stratford, Ontario from 1994-1997. The office identified the project number as 9428. This project consisted of the major reimagining and renewal of the famous tent-shaped theatre, which had not previously been updated in the 40 years since its original construction. Conceived with Thomas Payne as the partner-in-charge, the project reconceptualised the existing front-of-house spaces, the performance auditorium and the formal arrival space. The auditorium, which contained a Greek-style thrust stage inspired by Shakespeare's Globe Theatre, saw an increase in comfort by eliminating some seats to make the remaining more spacious. With this, site lines to the stage and the theatre acoustics were also improved. A large expansion of the theatre's lobby, box office, festival shops and member spaces accommodated the theatre's growing number of patrons. On the outside, a large curved entrance drive was added with extensive landscaping and gardens to add to the grandeur of the formal arrival area. A marquee space was also added to the building, which housed a year-round terrace. Thomas Payne created this project's original master plan under a different project number in 1988, but it should be noted that some materials in both projects are overlapping (see project series AP056.S1.1988.PR03 in this fonds). The project is recorded through drawings, presentation paintings and some textual materials dating from 1988-1996. The drawings are mostly originals and include sketches, presentation drawings, drawings for the model, plans, elevations, sections, perspectives, details and drawings of new furnishings. The textual records, which describe the project's design concept, are part of a presentation book.
Level of archival description:
Project
Project
Date:
1988-1996
1988-1996
People:
Title:
Projecteur
Projecteur
Actions:
Reference number:
ARCH258036
Description:
Un projecteur de Spencer Lens Company, modèle E, dans son étui.
ARCH258036
Description:
Un projecteur de Spencer Lens Company, modèle E, dans son étui.
People:
Date:
circa 1930
circa 1930
Title:
Projecteur
Actions:
ARCH258036
Description:
Un projecteur de Spencer Lens Company, modèle E, dans son étui.
Projecteur
Actions:
ARCH258036
Description:
Un projecteur de Spencer Lens Company, modèle E, dans son étui.
Date:
circa 1930
circa 1930
People:
Form:
drawings, textual records, born digital, photographs
drawings, textual records, born digital, photographs
Actions:
Reference number:
AP181.S1.018
Description:
Original directory name: "24_TRIAS-Masterplan". File contains preliminary design records for a pedestrian bridge that would connect BMW Welt to the BMW Museum. Drawings, plans, wireframes, presentations, and photographs of models show scenarios to ease visitors’ journey between BMW Welt, BMW Museum and the BMW plant. Aside from plans and elevations, in CAD or PDF formats for the most part, there are a few analyses of the structure and its relation to the other structures of the BMW complex. There are also lists of drawings and technical descriptions of the project. Records are chiefly organized by consultants and date. Early files from 1997 are AutoCAD Font Mapping Table (.fmp) on which other files are dependent to open correctly. File contains a handful of drawings with the extension 3dxml that were generated with CATIA V5. Files from the sofiCAD plug-in for AutoCAD were also found and were maintained as other files might have dependencies on them. Most duplicates are dependency files found in various sub-directories. Most common file formats: AutoCAD Drawing, Acrobat PDF 1.3 - Portable Document Format, Acrobat PDF 1.4 - Portable Document Format, ZIP Format, Microstation CAD Drawing
AP181.S1.018
Description:
Original directory name: "24_TRIAS-Masterplan". File contains preliminary design records for a pedestrian bridge that would connect BMW Welt to the BMW Museum. Drawings, plans, wireframes, presentations, and photographs of models show scenarios to ease visitors’ journey between BMW Welt, BMW Museum and the BMW plant. Aside from plans and elevations, in CAD or PDF formats for the most part, there are a few analyses of the structure and its relation to the other structures of the BMW complex. There are also lists of drawings and technical descriptions of the project. Records are chiefly organized by consultants and date. Early files from 1997 are AutoCAD Font Mapping Table (.fmp) on which other files are dependent to open correctly. File contains a handful of drawings with the extension 3dxml that were generated with CATIA V5. Files from the sofiCAD plug-in for AutoCAD were also found and were maintained as other files might have dependencies on them. Most duplicates are dependency files found in various sub-directories. Most common file formats: AutoCAD Drawing, Acrobat PDF 1.3 - Portable Document Format, Acrobat PDF 1.4 - Portable Document Format, ZIP Format, Microstation CAD Drawing
People:
Date:
1997-2007
1997-2007
Title:
Design of bridge to the BMW Museum, BMW Welt, Munich
Actions:
AP181.S1.018
Description:
Original directory name: "24_TRIAS-Masterplan". File contains preliminary design records for a pedestrian bridge that would connect BMW Welt to the BMW Museum. Drawings, plans, wireframes, presentations, and photographs of models show scenarios to ease visitors’ journey between BMW Welt, BMW Museum and the BMW plant. Aside from plans and elevations, in CAD or PDF formats for the most part, there are a few analyses of the structure and its relation to the other structures of the BMW complex. There are also lists of drawings and technical descriptions of the project. Records are chiefly organized by consultants and date. Early files from 1997 are AutoCAD Font Mapping Table (.fmp) on which other files are dependent to open correctly. File contains a handful of drawings with the extension 3dxml that were generated with CATIA V5. Files from the sofiCAD plug-in for AutoCAD were also found and were maintained as other files might have dependencies on them. Most duplicates are dependency files found in various sub-directories. Most common file formats: AutoCAD Drawing, Acrobat PDF 1.3 - Portable Document Format, Acrobat PDF 1.4 - Portable Document Format, ZIP Format, Microstation CAD Drawing
Design of bridge to the BMW Museum, BMW Welt, Munich
Actions:
AP181.S1.018
Description:
Original directory name: "24_TRIAS-Masterplan". File contains preliminary design records for a pedestrian bridge that would connect BMW Welt to the BMW Museum. Drawings, plans, wireframes, presentations, and photographs of models show scenarios to ease visitors’ journey between BMW Welt, BMW Museum and the BMW plant. Aside from plans and elevations, in CAD or PDF formats for the most part, there are a few analyses of the structure and its relation to the other structures of the BMW complex. There are also lists of drawings and technical descriptions of the project. Records are chiefly organized by consultants and date. Early files from 1997 are AutoCAD Font Mapping Table (.fmp) on which other files are dependent to open correctly. File contains a handful of drawings with the extension 3dxml that were generated with CATIA V5. Files from the sofiCAD plug-in for AutoCAD were also found and were maintained as other files might have dependencies on them. Most duplicates are dependency files found in various sub-directories. Most common file formats: AutoCAD Drawing, Acrobat PDF 1.3 - Portable Document Format, Acrobat PDF 1.4 - Portable Document Format, ZIP Format, Microstation CAD Drawing
Form:
drawings, textual records, born digital, photographs
drawings, textual records, born digital, photographs
Date:
1997-2007
1997-2007
People:
Form:
photographs
Quantity:
3 file
photographs
Quantity:
3 file
Title:
Miscellaneous Images
Miscellaneous Images
Actions:
Reference number:
ARCH242868
Description:
Miscellaneous Images: Misc. Photos to be Returned (Cesar Pelli & Associates sketch of 10 Columbus Circle, Richard Meier model for Berlin Office Building, J.P. Kleihues detail of Museum of Pre- and Early- History, Frankfurt Miscellaneous Artists (including Jasper Johns, Jackson Pollock, Sarah Rothe, and architecture and film stills) Kipnis (clippings of various articles by Herbert Muschamp)
ARCH242868
Description:
Miscellaneous Images: Misc. Photos to be Returned (Cesar Pelli & Associates sketch of 10 Columbus Circle, Richard Meier model for Berlin Office Building, J.P. Kleihues detail of Museum of Pre- and Early- History, Frankfurt Miscellaneous Artists (including Jasper Johns, Jackson Pollock, Sarah Rothe, and architecture and film stills) Kipnis (clippings of various articles by Herbert Muschamp)
People:
Title:
Miscellaneous Images
Actions:
ARCH242868
Description:
Miscellaneous Images: Misc. Photos to be Returned (Cesar Pelli & Associates sketch of 10 Columbus Circle, Richard Meier model for Berlin Office Building, J.P. Kleihues detail of Museum of Pre- and Early- History, Frankfurt Miscellaneous Artists (including Jasper Johns, Jackson Pollock, Sarah Rothe, and architecture and film stills) Kipnis (clippings of various articles by Herbert Muschamp)
Miscellaneous Images
Actions:
ARCH242868
Description:
Miscellaneous Images: Misc. Photos to be Returned (Cesar Pelli & Associates sketch of 10 Columbus Circle, Richard Meier model for Berlin Office Building, J.P. Kleihues detail of Museum of Pre- and Early- History, Frankfurt Miscellaneous Artists (including Jasper Johns, Jackson Pollock, Sarah Rothe, and architecture and film stills) Kipnis (clippings of various articles by Herbert Muschamp)
Form:
photographs
Quantity:
3 file
photographs
Quantity:
3 file
People:
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Title:
Kenneth Frampton fonds
Kenneth Frampton fonds
Reference number:
AP197
Synopsis:
The Kenneth Frampton fonds, 1958-2016, documents the professional career of Kenneth Frampton – British architect, historian, theorist, and Ware professor of Architecture at the Graduate School of Architecture, Planning and Preservation (GSAPP) at Columbia University. Materials in the fonds consist of approximately 28.37 l.m. of textual records, 3966 photographs and prints, 3168 postcards, 2733 slides, 824 drawings (including reprographic copies), 470 negatives, 151 35 mm negatives, 105 posters, 30 objects, 23 audio cassettes, 18 VHS tapes, 15 transparencies, 3 tape reels, 2 microfilms, and 2 vinyl records.
AP197
Synopsis:
The Kenneth Frampton fonds, 1958-2016, documents the professional career of Kenneth Frampton – British architect, historian, theorist, and Ware professor of Architecture at the Graduate School of Architecture, Planning and Preservation (GSAPP) at Columbia University. Materials in the fonds consist of approximately 28.37 l.m. of textual records, 3966 photographs and prints, 3168 postcards, 2733 slides, 824 drawings (including reprographic copies), 470 negatives, 151 35 mm negatives, 105 posters, 30 objects, 23 audio cassettes, 18 VHS tapes, 15 transparencies, 3 tape reels, 2 microfilms, and 2 vinyl records.
People:
Date:
1958-2016
1958-2016
Title:
Kenneth Frampton fonds
Actions:
AP197
Synopsis:
The Kenneth Frampton fonds, 1958-2016, documents the professional career of Kenneth Frampton – British architect, historian, theorist, and Ware professor of Architecture at the Graduate School of Architecture, Planning and Preservation (GSAPP) at Columbia University. Materials in the fonds consist of approximately 28.37 l.m. of textual records, 3966 photographs and prints, 3168 postcards, 2733 slides, 824 drawings (including reprographic copies), 470 negatives, 151 35 mm negatives, 105 posters, 30 objects, 23 audio cassettes, 18 VHS tapes, 15 transparencies, 3 tape reels, 2 microfilms, and 2 vinyl records.
Kenneth Frampton fonds
Actions:
AP197
Synopsis:
The Kenneth Frampton fonds, 1958-2016, documents the professional career of Kenneth Frampton – British architect, historian, theorist, and Ware professor of Architecture at the Graduate School of Architecture, Planning and Preservation (GSAPP) at Columbia University. Materials in the fonds consist of approximately 28.37 l.m. of textual records, 3966 photographs and prints, 3168 postcards, 2733 slides, 824 drawings (including reprographic copies), 470 negatives, 151 35 mm negatives, 105 posters, 30 objects, 23 audio cassettes, 18 VHS tapes, 15 transparencies, 3 tape reels, 2 microfilms, and 2 vinyl records.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1958-2016
1958-2016
People:
Form:
photographs
photographs
Actions:
Reference number:
DR2012:0012:111:019
Description:
File containing contact sheets, negatives, and photographs of the following: - Faubourg-St Laurent (49 black-and-white negative film strips, 9 negative film strips, 8 black-and-white contact sheets); - Aerial of Palais de Congrès and surrounding area (2 chromogenic colour prints); - Unidentfied model (1 chromogenic colour print); - Aerial of Montreal (1 chromogenic colour print).
DR2012:0012:111:019
Description:
File containing contact sheets, negatives, and photographs of the following: - Faubourg-St Laurent (49 black-and-white negative film strips, 9 negative film strips, 8 black-and-white contact sheets); - Aerial of Palais de Congrès and surrounding area (2 chromogenic colour prints); - Unidentfied model (1 chromogenic colour print); - Aerial of Montreal (1 chromogenic colour print).
People:
Date:
1989
1989
Title:
Reference photographs of Montréal
Actions:
DR2012:0012:111:019
Description:
File containing contact sheets, negatives, and photographs of the following: - Faubourg-St Laurent (49 black-and-white negative film strips, 9 negative film strips, 8 black-and-white contact sheets); - Aerial of Palais de Congrès and surrounding area (2 chromogenic colour prints); - Unidentfied model (1 chromogenic colour print); - Aerial of Montreal (1 chromogenic colour print).
Reference photographs of Montréal
Actions:
DR2012:0012:111:019
Description:
File containing contact sheets, negatives, and photographs of the following: - Faubourg-St Laurent (49 black-and-white negative film strips, 9 negative film strips, 8 black-and-white contact sheets); - Aerial of Palais de Congrès and surrounding area (2 chromogenic colour prints); - Unidentfied model (1 chromogenic colour print); - Aerial of Montreal (1 chromogenic colour print).
Form:
photographs
photographs
Date:
1989
1989
People:
Level of archival description:
Project
Project
Title:
Miragaia, Porto
Miragaia, Porto
Actions:
Reference number:
CD034.S1.1975.PR01
Description:
This project series contains reproductions of drawings and panels displayed in the exhibit to document the neighbourhood Miragaia, in Porto Portugal. The exhibit text explained that: ... although the Miragaia project was never built, its seminal and programmatic character contributed significantly to the development of the SAAL Process. The project architect Fernando Távora first worked on the Barredo Neighbourhood ― a very poor area in the Porto's historic centre ― as an architect and teacher at the city's School of Fine Arts, and the Miragaia project built on this research, demonstrating a knowledge of and sensitivity to both the physical terrain and the social landscape of Porto, presenting a nuanced view of life in an urban space. Despite the strengths of the plan, the city council's policy on Porto's historic centre subsequently did not include Távora's project for Miragaia. Nonetheless, in the seriousness of its design and the depth of knowledge that it displayed, the project was a significant attempt to recover and rationalize Miragaia's vacant riverside zone. The highly developed nature of the proposal, its level of surgical precision, and Fernando Távora's thoughtful notes reveal a great deal about SAAL, its structure, its relationship with residents, and the overall model for urban intervention. (The SAAL Process, Housing in Portugal 1974–76) Fernando Távora worked for SAAL/North with Antónia Nolo, Bernardo Ferrão, Gil Carneiro, Joaquim Jordão, Jorge Barros, Manuel Campos, Pedro Paredes and the residents' association Miragaia, that was founded on March 30th, 1976. The project was for 900 dwellings, but none were built. The operation began in June 1975. This project series contains reproductions of design development drawings, presentation panels, site plans and a study of a logo. The original drawings and panels were produced from 1975 to 1977 and were reproduced in 2015 for the exhibit.
CD034.S1.1975.PR01
Description:
This project series contains reproductions of drawings and panels displayed in the exhibit to document the neighbourhood Miragaia, in Porto Portugal. The exhibit text explained that: ... although the Miragaia project was never built, its seminal and programmatic character contributed significantly to the development of the SAAL Process. The project architect Fernando Távora first worked on the Barredo Neighbourhood ― a very poor area in the Porto's historic centre ― as an architect and teacher at the city's School of Fine Arts, and the Miragaia project built on this research, demonstrating a knowledge of and sensitivity to both the physical terrain and the social landscape of Porto, presenting a nuanced view of life in an urban space. Despite the strengths of the plan, the city council's policy on Porto's historic centre subsequently did not include Távora's project for Miragaia. Nonetheless, in the seriousness of its design and the depth of knowledge that it displayed, the project was a significant attempt to recover and rationalize Miragaia's vacant riverside zone. The highly developed nature of the proposal, its level of surgical precision, and Fernando Távora's thoughtful notes reveal a great deal about SAAL, its structure, its relationship with residents, and the overall model for urban intervention. (The SAAL Process, Housing in Portugal 1974–76) Fernando Távora worked for SAAL/North with Antónia Nolo, Bernardo Ferrão, Gil Carneiro, Joaquim Jordão, Jorge Barros, Manuel Campos, Pedro Paredes and the residents' association Miragaia, that was founded on March 30th, 1976. The project was for 900 dwellings, but none were built. The operation began in June 1975. This project series contains reproductions of design development drawings, presentation panels, site plans and a study of a logo. The original drawings and panels were produced from 1975 to 1977 and were reproduced in 2015 for the exhibit.
People:
Date:
1975-1977
1975-1977
Title:
Miragaia, Porto
Actions:
CD034.S1.1975.PR01
Description:
This project series contains reproductions of drawings and panels displayed in the exhibit to document the neighbourhood Miragaia, in Porto Portugal. The exhibit text explained that: ... although the Miragaia project was never built, its seminal and programmatic character contributed significantly to the development of the SAAL Process. The project architect Fernando Távora first worked on the Barredo Neighbourhood ― a very poor area in the Porto's historic centre ― as an architect and teacher at the city's School of Fine Arts, and the Miragaia project built on this research, demonstrating a knowledge of and sensitivity to both the physical terrain and the social landscape of Porto, presenting a nuanced view of life in an urban space. Despite the strengths of the plan, the city council's policy on Porto's historic centre subsequently did not include Távora's project for Miragaia. Nonetheless, in the seriousness of its design and the depth of knowledge that it displayed, the project was a significant attempt to recover and rationalize Miragaia's vacant riverside zone. The highly developed nature of the proposal, its level of surgical precision, and Fernando Távora's thoughtful notes reveal a great deal about SAAL, its structure, its relationship with residents, and the overall model for urban intervention. (The SAAL Process, Housing in Portugal 1974–76) Fernando Távora worked for SAAL/North with Antónia Nolo, Bernardo Ferrão, Gil Carneiro, Joaquim Jordão, Jorge Barros, Manuel Campos, Pedro Paredes and the residents' association Miragaia, that was founded on March 30th, 1976. The project was for 900 dwellings, but none were built. The operation began in June 1975. This project series contains reproductions of design development drawings, presentation panels, site plans and a study of a logo. The original drawings and panels were produced from 1975 to 1977 and were reproduced in 2015 for the exhibit.
Miragaia, Porto
Actions:
CD034.S1.1975.PR01
Description:
This project series contains reproductions of drawings and panels displayed in the exhibit to document the neighbourhood Miragaia, in Porto Portugal. The exhibit text explained that: ... although the Miragaia project was never built, its seminal and programmatic character contributed significantly to the development of the SAAL Process. The project architect Fernando Távora first worked on the Barredo Neighbourhood ― a very poor area in the Porto's historic centre ― as an architect and teacher at the city's School of Fine Arts, and the Miragaia project built on this research, demonstrating a knowledge of and sensitivity to both the physical terrain and the social landscape of Porto, presenting a nuanced view of life in an urban space. Despite the strengths of the plan, the city council's policy on Porto's historic centre subsequently did not include Távora's project for Miragaia. Nonetheless, in the seriousness of its design and the depth of knowledge that it displayed, the project was a significant attempt to recover and rationalize Miragaia's vacant riverside zone. The highly developed nature of the proposal, its level of surgical precision, and Fernando Távora's thoughtful notes reveal a great deal about SAAL, its structure, its relationship with residents, and the overall model for urban intervention. (The SAAL Process, Housing in Portugal 1974–76) Fernando Távora worked for SAAL/North with Antónia Nolo, Bernardo Ferrão, Gil Carneiro, Joaquim Jordão, Jorge Barros, Manuel Campos, Pedro Paredes and the residents' association Miragaia, that was founded on March 30th, 1976. The project was for 900 dwellings, but none were built. The operation began in June 1975. This project series contains reproductions of design development drawings, presentation panels, site plans and a study of a logo. The original drawings and panels were produced from 1975 to 1977 and were reproduced in 2015 for the exhibit.
Level of archival description:
Project
Project
Date:
1975-1977
1975-1977
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP056.S1.1986.PR02
Description:
This project series documents an addition and renovations to Woodsworth College at the University of Toronto from 1986-1991. The office identified the project number as 18603. Before this work, the existing property consisted of four Victorian houses: the main College building at 119 St. George Street that had a large drill hall connected to the back, a house next to the drill hall, the Centre for Industrial Relations located at 121 St. Georges Street, and the Media Centre located at 123 St. Georges Street. This project consisted of interior renovations to the houses and the addition of an L-shaped building at the back of the property that connected to the drill hall and turned at the corner of the property towards the Media Centre house. This created a central courtyard in the centre of the property, between all the buildings. The new building was two storeys with an arcade toward the courtyard, a red brick facade and sheet metal roofing. This housed audio-visual rooms, editing rooms, offices and a workroom in the basement, classrooms and meeting rooms on the ground floor, and faculty offices, lounges and administrative areas on the second floor. A new entry tower and hall were constructed for the main College building. This building consisted of mechanical and electrical rooms in the basement, student spaces and administrative offices on the ground floor, and administrative offices and meeting rooms on the second and third floors. Barton Myers Associates worked as the consulting architects on this project. The project is recorded through drawings and photographic materials dating from 1986-1991. The drawings include sketches, drawings for the project model, sections, floor and site plans, elevations, details, axonometric drawings, perspectives, and structural drawings. There are a large number of detail drawings for furnishings and architectural elements. The photographic materials consist of aerial views and photographs of the finished project.
AP056.S1.1986.PR02
Description:
This project series documents an addition and renovations to Woodsworth College at the University of Toronto from 1986-1991. The office identified the project number as 18603. Before this work, the existing property consisted of four Victorian houses: the main College building at 119 St. George Street that had a large drill hall connected to the back, a house next to the drill hall, the Centre for Industrial Relations located at 121 St. Georges Street, and the Media Centre located at 123 St. Georges Street. This project consisted of interior renovations to the houses and the addition of an L-shaped building at the back of the property that connected to the drill hall and turned at the corner of the property towards the Media Centre house. This created a central courtyard in the centre of the property, between all the buildings. The new building was two storeys with an arcade toward the courtyard, a red brick facade and sheet metal roofing. This housed audio-visual rooms, editing rooms, offices and a workroom in the basement, classrooms and meeting rooms on the ground floor, and faculty offices, lounges and administrative areas on the second floor. A new entry tower and hall were constructed for the main College building. This building consisted of mechanical and electrical rooms in the basement, student spaces and administrative offices on the ground floor, and administrative offices and meeting rooms on the second and third floors. Barton Myers Associates worked as the consulting architects on this project. The project is recorded through drawings and photographic materials dating from 1986-1991. The drawings include sketches, drawings for the project model, sections, floor and site plans, elevations, details, axonometric drawings, perspectives, and structural drawings. There are a large number of detail drawings for furnishings and architectural elements. The photographic materials consist of aerial views and photographs of the finished project.
People:
Date:
1986-1991
1986-1991
Title:
Woodsworth College, University of Toronto (1986-1991)
Actions:
AP056.S1.1986.PR02
Description:
This project series documents an addition and renovations to Woodsworth College at the University of Toronto from 1986-1991. The office identified the project number as 18603. Before this work, the existing property consisted of four Victorian houses: the main College building at 119 St. George Street that had a large drill hall connected to the back, a house next to the drill hall, the Centre for Industrial Relations located at 121 St. Georges Street, and the Media Centre located at 123 St. Georges Street. This project consisted of interior renovations to the houses and the addition of an L-shaped building at the back of the property that connected to the drill hall and turned at the corner of the property towards the Media Centre house. This created a central courtyard in the centre of the property, between all the buildings. The new building was two storeys with an arcade toward the courtyard, a red brick facade and sheet metal roofing. This housed audio-visual rooms, editing rooms, offices and a workroom in the basement, classrooms and meeting rooms on the ground floor, and faculty offices, lounges and administrative areas on the second floor. A new entry tower and hall were constructed for the main College building. This building consisted of mechanical and electrical rooms in the basement, student spaces and administrative offices on the ground floor, and administrative offices and meeting rooms on the second and third floors. Barton Myers Associates worked as the consulting architects on this project. The project is recorded through drawings and photographic materials dating from 1986-1991. The drawings include sketches, drawings for the project model, sections, floor and site plans, elevations, details, axonometric drawings, perspectives, and structural drawings. There are a large number of detail drawings for furnishings and architectural elements. The photographic materials consist of aerial views and photographs of the finished project.
Woodsworth College, University of Toronto (1986-1991)
Actions:
AP056.S1.1986.PR02
Description:
This project series documents an addition and renovations to Woodsworth College at the University of Toronto from 1986-1991. The office identified the project number as 18603. Before this work, the existing property consisted of four Victorian houses: the main College building at 119 St. George Street that had a large drill hall connected to the back, a house next to the drill hall, the Centre for Industrial Relations located at 121 St. Georges Street, and the Media Centre located at 123 St. Georges Street. This project consisted of interior renovations to the houses and the addition of an L-shaped building at the back of the property that connected to the drill hall and turned at the corner of the property towards the Media Centre house. This created a central courtyard in the centre of the property, between all the buildings. The new building was two storeys with an arcade toward the courtyard, a red brick facade and sheet metal roofing. This housed audio-visual rooms, editing rooms, offices and a workroom in the basement, classrooms and meeting rooms on the ground floor, and faculty offices, lounges and administrative areas on the second floor. A new entry tower and hall were constructed for the main College building. This building consisted of mechanical and electrical rooms in the basement, student spaces and administrative offices on the ground floor, and administrative offices and meeting rooms on the second and third floors. Barton Myers Associates worked as the consulting architects on this project. The project is recorded through drawings and photographic materials dating from 1986-1991. The drawings include sketches, drawings for the project model, sections, floor and site plans, elevations, details, axonometric drawings, perspectives, and structural drawings. There are a large number of detail drawings for furnishings and architectural elements. The photographic materials consist of aerial views and photographs of the finished project.
Level of archival description:
Project
Project
Date:
1986-1991
1986-1991
People:
