12643 Results
Form:
photographs
photographs
Actions:
Reference number:
ARCH268005
Description:
Le modèle serait soit Cécile ou Clorinthe Perron. Une recherche plus approfondie est nécessaire.
ARCH268005
Description:
Le modèle serait soit Cécile ou Clorinthe Perron. Une recherche plus approfondie est nécessaire.
People:
Date:
circa 1932
circa 1932
Title:
Cécile ou Clorinthe Perron posant dans la maison Ernest Cormier, Montréal
Actions:
ARCH268005
Description:
Le modèle serait soit Cécile ou Clorinthe Perron. Une recherche plus approfondie est nécessaire.
Cécile ou Clorinthe Perron posant dans la maison Ernest Cormier, Montréal
Actions:
ARCH268005
Description:
Le modèle serait soit Cécile ou Clorinthe Perron. Une recherche plus approfondie est nécessaire.
Form:
photographs
photographs
Date:
circa 1932
circa 1932
People:
Form:
photographs
photographs
Title:
Cécile ou Clorinthe Perron posant sur le manteau de cheminée, maison Ernest Cormier, Montréal
Cécile ou Clorinthe Perron posant sur le manteau de cheminée, maison Ernest Cormier, Montréal
Actions:
Reference number:
ARCH268006
Description:
Le modèle serait soit Cécile ou Clorinthe Perron. Une recherche plus approfondie est nécessaire.
ARCH268006
Description:
Le modèle serait soit Cécile ou Clorinthe Perron. Une recherche plus approfondie est nécessaire.
People:
Date:
circa 1932
circa 1932
Title:
Cécile ou Clorinthe Perron posant sur le manteau de cheminée, maison Ernest Cormier, Montréal
Actions:
ARCH268006
Description:
Le modèle serait soit Cécile ou Clorinthe Perron. Une recherche plus approfondie est nécessaire.
Cécile ou Clorinthe Perron posant sur le manteau de cheminée, maison Ernest Cormier, Montréal
Actions:
ARCH268006
Description:
Le modèle serait soit Cécile ou Clorinthe Perron. Une recherche plus approfondie est nécessaire.
Form:
photographs
photographs
Date:
circa 1932
circa 1932
People:
Form:
photographs
photographs
Actions:
Reference number:
ARCH268007
Description:
Le modèle serait Clorinthe ou Cécile Perron. Une recherche plus approfondie est nécessaire.
ARCH268007
Description:
Le modèle serait Clorinthe ou Cécile Perron. Une recherche plus approfondie est nécessaire.
People:
Date:
circa 1918
circa 1918
Title:
Portrait de Clorinthe ou Cécile Perron dans le studio d'Henri Hébert
Actions:
ARCH268007
Description:
Le modèle serait Clorinthe ou Cécile Perron. Une recherche plus approfondie est nécessaire.
Portrait de Clorinthe ou Cécile Perron dans le studio d'Henri Hébert
Actions:
ARCH268007
Description:
Le modèle serait Clorinthe ou Cécile Perron. Une recherche plus approfondie est nécessaire.
Form:
photographs
photographs
Date:
circa 1918
circa 1918
People:
Form:
exhibitions
exhibitions
Description:
Amid education reform in American schools of architecture in the 1970s, Kenneth Frampton was integral in transforming the curriculum of Columbia University’s Graduate School of Architecture Planning. In particular, he designed and taught what became three core courses: the theory seminar “Comparative Critical Analysis,” the history lectures “Thresholds of Modern(...)
Amid education reform in American schools of architecture in the 1970s, Kenneth Frampton was integral in transforming the curriculum of Columbia University’s Graduate School of Architecture Planning. In particular, he designed and taught what became three core courses: the theory seminar “Comparative Critical Analysis,” the history lectures “Thresholds of Modern(...)
Date:
31 May 2017 to 24 September 2017
31 May 2017 to 24 September 2017
Title:
Educating Architects: Four Courses by Kenneth Frampton
Actions:
Description:
Amid education reform in American schools of architecture in the 1970s, Kenneth Frampton was integral in transforming the curriculum of Columbia University’s Graduate School of Architecture Planning. In particular, he designed and taught what became three core courses: the theory seminar “Comparative Critical Analysis,” the history lectures “Thresholds of Modern(...)
Educating Architects: Four Courses by Kenneth Frampton
Actions:
Description:
Amid education reform in American schools of architecture in the 1970s, Kenneth Frampton was integral in transforming the curriculum of Columbia University’s Graduate School of Architecture Planning. In particular, he designed and taught what became three core courses: the theory seminar “Comparative Critical Analysis,” the history lectures “Thresholds of Modern(...)
Form:
exhibitions
exhibitions
Date:
31 May 2017 to
24 September 2017
31 May 2017 to
24 September 2017
Form:
exhibitions
exhibitions
Actions:
Description:
Not only do toys provide evidence of the social and economic life of their period, but architectural toys ranging from wooden building blocks to iron and steel construction sets reflect distinct stylistic predilections and technological advances. New industrial and building techniques were used not only to create the new building types transforming our cities, but were(...)
Not only do toys provide evidence of the social and economic life of their period, but architectural toys ranging from wooden building blocks to iron and steel construction sets reflect distinct stylistic predilections and technological advances. New industrial and building techniques were used not only to create the new building types transforming our cities, but were(...)
Location:
Octagonal gallery
Octagonal gallery
Date:
28 November 1990 to 31 March 1991
28 November 1990 to 31 March 1991
Title:
Buildings in Boxes: Architectural Toys from the CCA
Actions:
Description:
Not only do toys provide evidence of the social and economic life of their period, but architectural toys ranging from wooden building blocks to iron and steel construction sets reflect distinct stylistic predilections and technological advances. New industrial and building techniques were used not only to create the new building types transforming our cities, but were(...)
Buildings in Boxes: Architectural Toys from the CCA
Actions:
Description:
Not only do toys provide evidence of the social and economic life of their period, but architectural toys ranging from wooden building blocks to iron and steel construction sets reflect distinct stylistic predilections and technological advances. New industrial and building techniques were used not only to create the new building types transforming our cities, but were(...)
Form:
exhibitions
exhibitions
Date:
28 November 1990 to
31 March 1991
28 November 1990 to
31 March 1991
Location:
Octagonal gallery
Octagonal gallery
Level of archival description:
Project
Project
Reference number:
AP178.S1.1995.PR07
Description:
This project series documents the Renovação e extensão do Museu Stedelijk in Amsterdam, The Netherlands. While the records were held in the office’s archives this project was assigned the number 57/90. The office assigned the date 1995 to this project. At the beginning of the nineties, Rem Koolhaas, Wim Quist, Carel Weeber, and Robert Venturi were invited to propose a design for the extension and renovations of the Stedelijk Museum. Robert Venturi was the architect selected, but the project was suspended in 1993 due to the infeasibility of the program and budget restrictions. The following year, five applicants, including Siza, were asked to present a new design to a committee. In December 1995, Siza was officially announced as the new design architect for the project by the city of Amsterdam. The firm A+D+P was selected as the executive architect. Siza's first proposal was presented in 1998. His master plan included the demolition of the Marmottenhuis, the renovation of the 19th-century patios, and the relocation of the public toilets to the basement in order to create exhibition halls. The master plan also included the construction of three new wings and two underground passages to connect the newer and older buildings. A new wing, located to one side of Sandbergplein, included offices in the basement and on the ground floor as well as exhibition halls on the first floor. A new building surrounding the museum garden included storage space in the basement, a restaurant on the ground floor, and exhibition halls at the first floor. Construction work was projected to start in June 2000, however due to budget restrictions the project was not realized and a new competition was held in 2004. The firm Benthem Crouwel Architects realized the project. Documenting this project are sketches, studies, preliminary drawings, plans, and working drawings. Textual materials include project documentation and correspondence. Photographic materials document the models and project site.
AP178.S1.1995.PR07
Description:
This project series documents the Renovação e extensão do Museu Stedelijk in Amsterdam, The Netherlands. While the records were held in the office’s archives this project was assigned the number 57/90. The office assigned the date 1995 to this project. At the beginning of the nineties, Rem Koolhaas, Wim Quist, Carel Weeber, and Robert Venturi were invited to propose a design for the extension and renovations of the Stedelijk Museum. Robert Venturi was the architect selected, but the project was suspended in 1993 due to the infeasibility of the program and budget restrictions. The following year, five applicants, including Siza, were asked to present a new design to a committee. In December 1995, Siza was officially announced as the new design architect for the project by the city of Amsterdam. The firm A+D+P was selected as the executive architect. Siza's first proposal was presented in 1998. His master plan included the demolition of the Marmottenhuis, the renovation of the 19th-century patios, and the relocation of the public toilets to the basement in order to create exhibition halls. The master plan also included the construction of three new wings and two underground passages to connect the newer and older buildings. A new wing, located to one side of Sandbergplein, included offices in the basement and on the ground floor as well as exhibition halls on the first floor. A new building surrounding the museum garden included storage space in the basement, a restaurant on the ground floor, and exhibition halls at the first floor. Construction work was projected to start in June 2000, however due to budget restrictions the project was not realized and a new competition was held in 2004. The firm Benthem Crouwel Architects realized the project. Documenting this project are sketches, studies, preliminary drawings, plans, and working drawings. Textual materials include project documentation and correspondence. Photographic materials document the models and project site.
People:
Date:
1989-2002
1989-2002
Title:
Renovação e extensão do Museu Stedelijk [Restoration and extension of Stedelijk Museum], Amsterdam, The Netherlands (1995)
Actions:
AP178.S1.1995.PR07
Description:
This project series documents the Renovação e extensão do Museu Stedelijk in Amsterdam, The Netherlands. While the records were held in the office’s archives this project was assigned the number 57/90. The office assigned the date 1995 to this project. At the beginning of the nineties, Rem Koolhaas, Wim Quist, Carel Weeber, and Robert Venturi were invited to propose a design for the extension and renovations of the Stedelijk Museum. Robert Venturi was the architect selected, but the project was suspended in 1993 due to the infeasibility of the program and budget restrictions. The following year, five applicants, including Siza, were asked to present a new design to a committee. In December 1995, Siza was officially announced as the new design architect for the project by the city of Amsterdam. The firm A+D+P was selected as the executive architect. Siza's first proposal was presented in 1998. His master plan included the demolition of the Marmottenhuis, the renovation of the 19th-century patios, and the relocation of the public toilets to the basement in order to create exhibition halls. The master plan also included the construction of three new wings and two underground passages to connect the newer and older buildings. A new wing, located to one side of Sandbergplein, included offices in the basement and on the ground floor as well as exhibition halls on the first floor. A new building surrounding the museum garden included storage space in the basement, a restaurant on the ground floor, and exhibition halls at the first floor. Construction work was projected to start in June 2000, however due to budget restrictions the project was not realized and a new competition was held in 2004. The firm Benthem Crouwel Architects realized the project. Documenting this project are sketches, studies, preliminary drawings, plans, and working drawings. Textual materials include project documentation and correspondence. Photographic materials document the models and project site.
Renovação e extensão do Museu Stedelijk [Restoration and extension of Stedelijk Museum], Amsterdam, The Netherlands (1995)
Actions:
AP178.S1.1995.PR07
Description:
This project series documents the Renovação e extensão do Museu Stedelijk in Amsterdam, The Netherlands. While the records were held in the office’s archives this project was assigned the number 57/90. The office assigned the date 1995 to this project. At the beginning of the nineties, Rem Koolhaas, Wim Quist, Carel Weeber, and Robert Venturi were invited to propose a design for the extension and renovations of the Stedelijk Museum. Robert Venturi was the architect selected, but the project was suspended in 1993 due to the infeasibility of the program and budget restrictions. The following year, five applicants, including Siza, were asked to present a new design to a committee. In December 1995, Siza was officially announced as the new design architect for the project by the city of Amsterdam. The firm A+D+P was selected as the executive architect. Siza's first proposal was presented in 1998. His master plan included the demolition of the Marmottenhuis, the renovation of the 19th-century patios, and the relocation of the public toilets to the basement in order to create exhibition halls. The master plan also included the construction of three new wings and two underground passages to connect the newer and older buildings. A new wing, located to one side of Sandbergplein, included offices in the basement and on the ground floor as well as exhibition halls on the first floor. A new building surrounding the museum garden included storage space in the basement, a restaurant on the ground floor, and exhibition halls at the first floor. Construction work was projected to start in June 2000, however due to budget restrictions the project was not realized and a new competition was held in 2004. The firm Benthem Crouwel Architects realized the project. Documenting this project are sketches, studies, preliminary drawings, plans, and working drawings. Textual materials include project documentation and correspondence. Photographic materials document the models and project site.
Level of archival description:
Project
Project
Date:
1989-2002
1989-2002
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP164.S1.1999.D6
Description:
The project series documents the commission, design, and construction of the Gordillo studio, neighbouring the client’s house (AP164.S1.1993.D2) on Castilla de Ponferrada Street, in Villanueva de la Cañada, Community of Madrid, Spain. The firm identified this project as number 119. “The Gordillo Studio is a prismatic, serrated volume that occupies the plot’s only available strip of land and minimizes its presence through the use of two materials, translucent polycarbonate and xerophilous plantings, which seek the best adaptation to the site, the program and the client. Using this system, a semi-buried interior is constructed in which the light has been modeled as a solid, expansive material, the aim being to satisfy not only the specific demands of the work space but also the creation of an agreeable atmosphere, as austere as it is sensual.” (ARCH270975) Abalos & Herreros worked with Ángel Jaramillo Sanchez, María Auxiliadora Gálvez, Renata Sentkiewicz, Juan Gómez, Fernando Valero and José Torras. In 2002, the project won the COAM 2000 prize. Documenting this project are conceptual, design development and working drawings, photographic and reference materials, correspondence, notes, budgets, reports, studies, forms, project descriptions, invoices, certifications and trade catalogues.
AP164.S1.1999.D6
Description:
The project series documents the commission, design, and construction of the Gordillo studio, neighbouring the client’s house (AP164.S1.1993.D2) on Castilla de Ponferrada Street, in Villanueva de la Cañada, Community of Madrid, Spain. The firm identified this project as number 119. “The Gordillo Studio is a prismatic, serrated volume that occupies the plot’s only available strip of land and minimizes its presence through the use of two materials, translucent polycarbonate and xerophilous plantings, which seek the best adaptation to the site, the program and the client. Using this system, a semi-buried interior is constructed in which the light has been modeled as a solid, expansive material, the aim being to satisfy not only the specific demands of the work space but also the creation of an agreeable atmosphere, as austere as it is sensual.” (ARCH270975) Abalos & Herreros worked with Ángel Jaramillo Sanchez, María Auxiliadora Gálvez, Renata Sentkiewicz, Juan Gómez, Fernando Valero and José Torras. In 2002, the project won the COAM 2000 prize. Documenting this project are conceptual, design development and working drawings, photographic and reference materials, correspondence, notes, budgets, reports, studies, forms, project descriptions, invoices, certifications and trade catalogues.
People:
Date:
1978, 1992-2002, predominant 1999-2000
1978, 1992-2002, predominant 1999-2000
Title:
Estudio Gordillo, Villanueva de la Cañada, Spain (1999)
Actions:
AP164.S1.1999.D6
Description:
The project series documents the commission, design, and construction of the Gordillo studio, neighbouring the client’s house (AP164.S1.1993.D2) on Castilla de Ponferrada Street, in Villanueva de la Cañada, Community of Madrid, Spain. The firm identified this project as number 119. “The Gordillo Studio is a prismatic, serrated volume that occupies the plot’s only available strip of land and minimizes its presence through the use of two materials, translucent polycarbonate and xerophilous plantings, which seek the best adaptation to the site, the program and the client. Using this system, a semi-buried interior is constructed in which the light has been modeled as a solid, expansive material, the aim being to satisfy not only the specific demands of the work space but also the creation of an agreeable atmosphere, as austere as it is sensual.” (ARCH270975) Abalos & Herreros worked with Ángel Jaramillo Sanchez, María Auxiliadora Gálvez, Renata Sentkiewicz, Juan Gómez, Fernando Valero and José Torras. In 2002, the project won the COAM 2000 prize. Documenting this project are conceptual, design development and working drawings, photographic and reference materials, correspondence, notes, budgets, reports, studies, forms, project descriptions, invoices, certifications and trade catalogues.
Estudio Gordillo, Villanueva de la Cañada, Spain (1999)
Actions:
AP164.S1.1999.D6
Description:
The project series documents the commission, design, and construction of the Gordillo studio, neighbouring the client’s house (AP164.S1.1993.D2) on Castilla de Ponferrada Street, in Villanueva de la Cañada, Community of Madrid, Spain. The firm identified this project as number 119. “The Gordillo Studio is a prismatic, serrated volume that occupies the plot’s only available strip of land and minimizes its presence through the use of two materials, translucent polycarbonate and xerophilous plantings, which seek the best adaptation to the site, the program and the client. Using this system, a semi-buried interior is constructed in which the light has been modeled as a solid, expansive material, the aim being to satisfy not only the specific demands of the work space but also the creation of an agreeable atmosphere, as austere as it is sensual.” (ARCH270975) Abalos & Herreros worked with Ángel Jaramillo Sanchez, María Auxiliadora Gálvez, Renata Sentkiewicz, Juan Gómez, Fernando Valero and José Torras. In 2002, the project won the COAM 2000 prize. Documenting this project are conceptual, design development and working drawings, photographic and reference materials, correspondence, notes, budgets, reports, studies, forms, project descriptions, invoices, certifications and trade catalogues.
Level of archival description:
Project
Project
Date:
1978, 1992-2002, predominant 1999-2000
1978, 1992-2002, predominant 1999-2000
People:
Form:
photographs
photographs
Reference number:
ARCH274422
Description:
Group consists of photographs (362 photographs) and negatives (165 negatives) of Chandigarh, India, including photographs of the Capitol Complex, the University's building including the Ghandi Bhawan, schools, government housing and sports installations and some photographs of models. The group also includes photographs of furniture designed by Pierre Jeanneret, some photographs of Chandigarh before the construction and some photographs of India, other than Chandigarh.
ARCH274422
Description:
Group consists of photographs (362 photographs) and negatives (165 negatives) of Chandigarh, India, including photographs of the Capitol Complex, the University's building including the Ghandi Bhawan, schools, government housing and sports installations and some photographs of models. The group also includes photographs of furniture designed by Pierre Jeanneret, some photographs of Chandigarh before the construction and some photographs of India, other than Chandigarh.
People:
Date:
between 1950 and 1965
between 1950 and 1965
Title:
Photographs of Chandigarh, India
Actions:
ARCH274422
Description:
Group consists of photographs (362 photographs) and negatives (165 negatives) of Chandigarh, India, including photographs of the Capitol Complex, the University's building including the Ghandi Bhawan, schools, government housing and sports installations and some photographs of models. The group also includes photographs of furniture designed by Pierre Jeanneret, some photographs of Chandigarh before the construction and some photographs of India, other than Chandigarh.
Photographs of Chandigarh, India
Actions:
ARCH274422
Description:
Group consists of photographs (362 photographs) and negatives (165 negatives) of Chandigarh, India, including photographs of the Capitol Complex, the University's building including the Ghandi Bhawan, schools, government housing and sports installations and some photographs of models. The group also includes photographs of furniture designed by Pierre Jeanneret, some photographs of Chandigarh before the construction and some photographs of India, other than Chandigarh.
Form:
photographs
photographs
Date:
between 1950 and 1965
between 1950 and 1965
People:
Form:
photographs
photographs
Reference number:
ARCH275849
Description:
2 binders- photographic documentation for projects filed under, "Recreation and Resort." Includes: Whistler Village Ski Condominiums, Arrowhead Resort and Hotel, Kanata Recreation Plan, King Ranch Health Resort and Spa, Garmisch Resort and Hotel, Cowan Point Resort, Fitzsimmons Creek Lodge. Contains project information sheets, views of sites, interiors and exteriors, models, plans and renderings. Also includes magazine clippings and reprints.
ARCH275849
Description:
2 binders- photographic documentation for projects filed under, "Recreation and Resort." Includes: Whistler Village Ski Condominiums, Arrowhead Resort and Hotel, Kanata Recreation Plan, King Ranch Health Resort and Spa, Garmisch Resort and Hotel, Cowan Point Resort, Fitzsimmons Creek Lodge. Contains project information sheets, views of sites, interiors and exteriors, models, plans and renderings. Also includes magazine clippings and reprints.
People:
Date:
1990
1990
Title:
Photographic documentation for various projects
Actions:
ARCH275849
Description:
2 binders- photographic documentation for projects filed under, "Recreation and Resort." Includes: Whistler Village Ski Condominiums, Arrowhead Resort and Hotel, Kanata Recreation Plan, King Ranch Health Resort and Spa, Garmisch Resort and Hotel, Cowan Point Resort, Fitzsimmons Creek Lodge. Contains project information sheets, views of sites, interiors and exteriors, models, plans and renderings. Also includes magazine clippings and reprints.
Photographic documentation for various projects
Actions:
ARCH275849
Description:
2 binders- photographic documentation for projects filed under, "Recreation and Resort." Includes: Whistler Village Ski Condominiums, Arrowhead Resort and Hotel, Kanata Recreation Plan, King Ranch Health Resort and Spa, Garmisch Resort and Hotel, Cowan Point Resort, Fitzsimmons Creek Lodge. Contains project information sheets, views of sites, interiors and exteriors, models, plans and renderings. Also includes magazine clippings and reprints.
Form:
photographs
photographs
Date:
1990
1990
People:
Form:
photographs
photographs
Actions:
Reference number:
PH1983:0042.06:022
Description:
According to the book "En 1900" by Paul Gers, this entrance was modelled on the zaouia of El Kef.
PH1983:0042.06:022
Description:
According to the book "En 1900" by Paul Gers, this entrance was modelled on the zaouia of El Kef.
People:
Date:
1900
1900
Title:
View of gateway to Tunisian section, Exposition universelle, 1900, Paris, France
Actions:
PH1983:0042.06:022
Description:
According to the book "En 1900" by Paul Gers, this entrance was modelled on the zaouia of El Kef.
View of gateway to Tunisian section, Exposition universelle, 1900, Paris, France
Actions:
PH1983:0042.06:022
Description:
According to the book "En 1900" by Paul Gers, this entrance was modelled on the zaouia of El Kef.
Form:
photographs
photographs
Date:
1900
1900
People:
