12643 Results
Form:
photographs
photographs
Actions:
Reference number:
ARCH282868
Description:
La photographie aurait été prise au studio d'Ernest Cormier, Montréal, possiblement par Cormier lui-même. Le modèle serait Clorinthe Perron. Une recherche plus approfondie est nécessaire.
ARCH282868
Description:
La photographie aurait été prise au studio d'Ernest Cormier, Montréal, possiblement par Cormier lui-même. Le modèle serait Clorinthe Perron. Une recherche plus approfondie est nécessaire.
People:
Date:
circa 1923
circa 1923
Title:
Portrait de Clorinthe Perron posant avec un cerceau
Actions:
ARCH282868
Description:
La photographie aurait été prise au studio d'Ernest Cormier, Montréal, possiblement par Cormier lui-même. Le modèle serait Clorinthe Perron. Une recherche plus approfondie est nécessaire.
Portrait de Clorinthe Perron posant avec un cerceau
Actions:
ARCH282868
Description:
La photographie aurait été prise au studio d'Ernest Cormier, Montréal, possiblement par Cormier lui-même. Le modèle serait Clorinthe Perron. Une recherche plus approfondie est nécessaire.
Form:
photographs
photographs
Date:
circa 1923
circa 1923
People:
Form:
photographs
photographs
Actions:
Reference number:
ARCH282869
Description:
La photographie aurait été prise au studio d'Ernest Cormier, Montréal, possiblement par Cormier lui-même. Le modèle serait Clorinthe Perron. Une recherche plus approfondie est nécessaire.
ARCH282869
Description:
La photographie aurait été prise au studio d'Ernest Cormier, Montréal, possiblement par Cormier lui-même. Le modèle serait Clorinthe Perron. Une recherche plus approfondie est nécessaire.
People:
Date:
circa 1923
circa 1923
Title:
Portrait de Clorinthe Perron posant nue
Actions:
ARCH282869
Description:
La photographie aurait été prise au studio d'Ernest Cormier, Montréal, possiblement par Cormier lui-même. Le modèle serait Clorinthe Perron. Une recherche plus approfondie est nécessaire.
Portrait de Clorinthe Perron posant nue
Actions:
ARCH282869
Description:
La photographie aurait été prise au studio d'Ernest Cormier, Montréal, possiblement par Cormier lui-même. Le modèle serait Clorinthe Perron. Une recherche plus approfondie est nécessaire.
Form:
photographs
photographs
Date:
circa 1923
circa 1923
People:
Form:
photographs
photographs
Actions:
Reference number:
ARCH282870
Description:
La photographie aurait été prise au studio d'Ernest Cormier, Montréal, possiblement par Cormier lui-même. Le modèle serait Clorinthe Perron. Une recherche plus approfondie est nécessaire.
ARCH282870
Description:
La photographie aurait été prise au studio d'Ernest Cormier, Montréal, possiblement par Cormier lui-même. Le modèle serait Clorinthe Perron. Une recherche plus approfondie est nécessaire.
People:
Date:
circa 1923
circa 1923
Title:
Portrait de Clorinthe Perron posant nue
Actions:
ARCH282870
Description:
La photographie aurait été prise au studio d'Ernest Cormier, Montréal, possiblement par Cormier lui-même. Le modèle serait Clorinthe Perron. Une recherche plus approfondie est nécessaire.
Portrait de Clorinthe Perron posant nue
Actions:
ARCH282870
Description:
La photographie aurait été prise au studio d'Ernest Cormier, Montréal, possiblement par Cormier lui-même. Le modèle serait Clorinthe Perron. Une recherche plus approfondie est nécessaire.
Form:
photographs
photographs
Date:
circa 1923
circa 1923
People:
Form:
photographs
photographs
Actions:
Reference number:
ARCH282877
Description:
La photographie aurait été prise au studio d'Ernest Cormier, Montréal, possiblement par Cormier lui-même. Le modèle serait Clorinthe Perron. Une recherche plus approfondie est nécessaire.
ARCH282877
Description:
La photographie aurait été prise au studio d'Ernest Cormier, Montréal, possiblement par Cormier lui-même. Le modèle serait Clorinthe Perron. Une recherche plus approfondie est nécessaire.
People:
Date:
circa 1923
circa 1923
Title:
Portrait de Clorinthe Perron posant avec un cerceau
Actions:
ARCH282877
Description:
La photographie aurait été prise au studio d'Ernest Cormier, Montréal, possiblement par Cormier lui-même. Le modèle serait Clorinthe Perron. Une recherche plus approfondie est nécessaire.
Portrait de Clorinthe Perron posant avec un cerceau
Actions:
ARCH282877
Description:
La photographie aurait été prise au studio d'Ernest Cormier, Montréal, possiblement par Cormier lui-même. Le modèle serait Clorinthe Perron. Une recherche plus approfondie est nécessaire.
Form:
photographs
photographs
Date:
circa 1923
circa 1923
People:
Form:
photographs
photographs
Actions:
Reference number:
ARCH282878
Description:
La photographie aurait été prise au studio d'Ernest Cormier, Montréal, possiblement par Cormier lui-même. Le modèle serait Clorinthe Perron. Une recherche plus approfondie est nécessaire.
ARCH282878
Description:
La photographie aurait été prise au studio d'Ernest Cormier, Montréal, possiblement par Cormier lui-même. Le modèle serait Clorinthe Perron. Une recherche plus approfondie est nécessaire.
People:
Date:
circa 1923
circa 1923
Title:
Portrait de Clorinthe Perron posant avec un cerceau
Actions:
ARCH282878
Description:
La photographie aurait été prise au studio d'Ernest Cormier, Montréal, possiblement par Cormier lui-même. Le modèle serait Clorinthe Perron. Une recherche plus approfondie est nécessaire.
Portrait de Clorinthe Perron posant avec un cerceau
Actions:
ARCH282878
Description:
La photographie aurait été prise au studio d'Ernest Cormier, Montréal, possiblement par Cormier lui-même. Le modèle serait Clorinthe Perron. Une recherche plus approfondie est nécessaire.
Form:
photographs
photographs
Date:
circa 1923
circa 1923
People:
Form:
photographs
photographs
Title:
Portrait de Clorinthe Perron
Portrait de Clorinthe Perron
Actions:
Reference number:
ARCH282715
Description:
La photographie aurait possiblement été prise soit au studio ou à la maison d'Ernest Cormier, Montréal. Le modèle serait Clorinthe Perron. Une recherche plus approfondie est nécessaire.
ARCH282715
Description:
La photographie aurait possiblement été prise soit au studio ou à la maison d'Ernest Cormier, Montréal. Le modèle serait Clorinthe Perron. Une recherche plus approfondie est nécessaire.
People:
Date:
entre 1922 et 1940
entre 1922 et 1940
Title:
Portrait de Clorinthe Perron
Actions:
ARCH282715
Description:
La photographie aurait possiblement été prise soit au studio ou à la maison d'Ernest Cormier, Montréal. Le modèle serait Clorinthe Perron. Une recherche plus approfondie est nécessaire.
Portrait de Clorinthe Perron
Actions:
ARCH282715
Description:
La photographie aurait possiblement été prise soit au studio ou à la maison d'Ernest Cormier, Montréal. Le modèle serait Clorinthe Perron. Une recherche plus approfondie est nécessaire.
Form:
photographs
photographs
Date:
entre 1922 et 1940
entre 1922 et 1940
People:
Level of archival description:
Project
Project
Reference number:
AP018.S1.1969.PR01
Description:
This project series documents the expansion of the Art Gallery of Ontario (AGO) in Toronto from 1969-1974. The office identified the project as number 69006. This project consisted of the vast expansion of the AGO that began in 1969, which largely came about due to a multi-million dollar donation from English sculpture Henry Moore. Most prominent in this project was the design and construction of the Henry Moore Sculpture Centre, a new gallery to house the extensive artworks of Henry Moore in the AGO’s collection. This included $15 million’s worth of art that Moore donated at the start of the project. The project was made up of two phases. The first included construction of the Henry Moore Sculpture Centre, the Sam and Ayala Zacks Wing, a link to the pre-existing Grange mansion, and updates to the art gallery’s finishes. The second phase proposed additional updates to existing finishes. By the end of this project, the architects had also added a public lounge, dining room and cafeteria, a members’ lounge, lecture areas (including the Henry Moore Lecture Hall), classrooms, and spaces for the gallery’s special services. The work was further divided into 4 physical areas of the art gallery (A, B, C and D) and the drawings for this project reflect this division. Before this work had been completed, a “Stage II” to the expansion had already been approved by the owners (Stage II is also included in this fonds, see AP018.S1.1972.PR08). In the documentation, this project was originally called the Henry Moore Sculpture Centre, Art Gallery of Ontario, Expansion Phases 1 and 2. However, as multiple stages to the expansion developed later on, this project eventually became known as the Stage I Expansion. While the project contract was originally given to John B. Parkin Associates, John C. Parkin continued the project under his new firm, Parkin Architects Planners, after parting ways with partner John B. Parkin in 1971. The project is recorded through drawings, textual records, and mounted photographs dating from 1968-1986. There are numerous original drawings showing the design development of the new galleries. Two presentation boards show photographs of the project model. The textual records consist of correspondence with contractors and clients, inspection and other site reports, specifications, contract data, consultancy records, schedules, change orders, financial documentation, conference reports, area calculations, research materials, detail planning records, and project notebooks. Box AP018.S1.1969.PR01.007 contains an index to the textual records, which was created by the office. This project series also contains one box of textual documentation that spans across multiple project series related to the AGO expansion within this fonds (see AP018.S1.1969.PR01.044). This includes press releases, newspaper articles, project proposals and studies, correspondence with Henry Moore, meeting minutes and reports.
AP018.S1.1969.PR01
Description:
This project series documents the expansion of the Art Gallery of Ontario (AGO) in Toronto from 1969-1974. The office identified the project as number 69006. This project consisted of the vast expansion of the AGO that began in 1969, which largely came about due to a multi-million dollar donation from English sculpture Henry Moore. Most prominent in this project was the design and construction of the Henry Moore Sculpture Centre, a new gallery to house the extensive artworks of Henry Moore in the AGO’s collection. This included $15 million’s worth of art that Moore donated at the start of the project. The project was made up of two phases. The first included construction of the Henry Moore Sculpture Centre, the Sam and Ayala Zacks Wing, a link to the pre-existing Grange mansion, and updates to the art gallery’s finishes. The second phase proposed additional updates to existing finishes. By the end of this project, the architects had also added a public lounge, dining room and cafeteria, a members’ lounge, lecture areas (including the Henry Moore Lecture Hall), classrooms, and spaces for the gallery’s special services. The work was further divided into 4 physical areas of the art gallery (A, B, C and D) and the drawings for this project reflect this division. Before this work had been completed, a “Stage II” to the expansion had already been approved by the owners (Stage II is also included in this fonds, see AP018.S1.1972.PR08). In the documentation, this project was originally called the Henry Moore Sculpture Centre, Art Gallery of Ontario, Expansion Phases 1 and 2. However, as multiple stages to the expansion developed later on, this project eventually became known as the Stage I Expansion. While the project contract was originally given to John B. Parkin Associates, John C. Parkin continued the project under his new firm, Parkin Architects Planners, after parting ways with partner John B. Parkin in 1971. The project is recorded through drawings, textual records, and mounted photographs dating from 1968-1986. There are numerous original drawings showing the design development of the new galleries. Two presentation boards show photographs of the project model. The textual records consist of correspondence with contractors and clients, inspection and other site reports, specifications, contract data, consultancy records, schedules, change orders, financial documentation, conference reports, area calculations, research materials, detail planning records, and project notebooks. Box AP018.S1.1969.PR01.007 contains an index to the textual records, which was created by the office. This project series also contains one box of textual documentation that spans across multiple project series related to the AGO expansion within this fonds (see AP018.S1.1969.PR01.044). This includes press releases, newspaper articles, project proposals and studies, correspondence with Henry Moore, meeting minutes and reports.
People:
Date:
1968-1986
1968-1986
Title:
Henry Moore Sculpture Centre, Art Gallery of Ontario, Stage I Expansion, Toronto (1969-1974)
Actions:
AP018.S1.1969.PR01
Description:
This project series documents the expansion of the Art Gallery of Ontario (AGO) in Toronto from 1969-1974. The office identified the project as number 69006. This project consisted of the vast expansion of the AGO that began in 1969, which largely came about due to a multi-million dollar donation from English sculpture Henry Moore. Most prominent in this project was the design and construction of the Henry Moore Sculpture Centre, a new gallery to house the extensive artworks of Henry Moore in the AGO’s collection. This included $15 million’s worth of art that Moore donated at the start of the project. The project was made up of two phases. The first included construction of the Henry Moore Sculpture Centre, the Sam and Ayala Zacks Wing, a link to the pre-existing Grange mansion, and updates to the art gallery’s finishes. The second phase proposed additional updates to existing finishes. By the end of this project, the architects had also added a public lounge, dining room and cafeteria, a members’ lounge, lecture areas (including the Henry Moore Lecture Hall), classrooms, and spaces for the gallery’s special services. The work was further divided into 4 physical areas of the art gallery (A, B, C and D) and the drawings for this project reflect this division. Before this work had been completed, a “Stage II” to the expansion had already been approved by the owners (Stage II is also included in this fonds, see AP018.S1.1972.PR08). In the documentation, this project was originally called the Henry Moore Sculpture Centre, Art Gallery of Ontario, Expansion Phases 1 and 2. However, as multiple stages to the expansion developed later on, this project eventually became known as the Stage I Expansion. While the project contract was originally given to John B. Parkin Associates, John C. Parkin continued the project under his new firm, Parkin Architects Planners, after parting ways with partner John B. Parkin in 1971. The project is recorded through drawings, textual records, and mounted photographs dating from 1968-1986. There are numerous original drawings showing the design development of the new galleries. Two presentation boards show photographs of the project model. The textual records consist of correspondence with contractors and clients, inspection and other site reports, specifications, contract data, consultancy records, schedules, change orders, financial documentation, conference reports, area calculations, research materials, detail planning records, and project notebooks. Box AP018.S1.1969.PR01.007 contains an index to the textual records, which was created by the office. This project series also contains one box of textual documentation that spans across multiple project series related to the AGO expansion within this fonds (see AP018.S1.1969.PR01.044). This includes press releases, newspaper articles, project proposals and studies, correspondence with Henry Moore, meeting minutes and reports.
Henry Moore Sculpture Centre, Art Gallery of Ontario, Stage I Expansion, Toronto (1969-1974)
Actions:
AP018.S1.1969.PR01
Description:
This project series documents the expansion of the Art Gallery of Ontario (AGO) in Toronto from 1969-1974. The office identified the project as number 69006. This project consisted of the vast expansion of the AGO that began in 1969, which largely came about due to a multi-million dollar donation from English sculpture Henry Moore. Most prominent in this project was the design and construction of the Henry Moore Sculpture Centre, a new gallery to house the extensive artworks of Henry Moore in the AGO’s collection. This included $15 million’s worth of art that Moore donated at the start of the project. The project was made up of two phases. The first included construction of the Henry Moore Sculpture Centre, the Sam and Ayala Zacks Wing, a link to the pre-existing Grange mansion, and updates to the art gallery’s finishes. The second phase proposed additional updates to existing finishes. By the end of this project, the architects had also added a public lounge, dining room and cafeteria, a members’ lounge, lecture areas (including the Henry Moore Lecture Hall), classrooms, and spaces for the gallery’s special services. The work was further divided into 4 physical areas of the art gallery (A, B, C and D) and the drawings for this project reflect this division. Before this work had been completed, a “Stage II” to the expansion had already been approved by the owners (Stage II is also included in this fonds, see AP018.S1.1972.PR08). In the documentation, this project was originally called the Henry Moore Sculpture Centre, Art Gallery of Ontario, Expansion Phases 1 and 2. However, as multiple stages to the expansion developed later on, this project eventually became known as the Stage I Expansion. While the project contract was originally given to John B. Parkin Associates, John C. Parkin continued the project under his new firm, Parkin Architects Planners, after parting ways with partner John B. Parkin in 1971. The project is recorded through drawings, textual records, and mounted photographs dating from 1968-1986. There are numerous original drawings showing the design development of the new galleries. Two presentation boards show photographs of the project model. The textual records consist of correspondence with contractors and clients, inspection and other site reports, specifications, contract data, consultancy records, schedules, change orders, financial documentation, conference reports, area calculations, research materials, detail planning records, and project notebooks. Box AP018.S1.1969.PR01.007 contains an index to the textual records, which was created by the office. This project series also contains one box of textual documentation that spans across multiple project series related to the AGO expansion within this fonds (see AP018.S1.1969.PR01.044). This includes press releases, newspaper articles, project proposals and studies, correspondence with Henry Moore, meeting minutes and reports.
Level of archival description:
Project
Project
Date:
1968-1986
1968-1986
People:
Form:
photographs
photographs
Reference number:
ARCH274434
Description:
Group consists of negatives (113 negatives) contact sheets (24 contact sheets) and photographs (24 photographs) of Chandigarh, India, including photographs of the Capitol Complex's buildings, the University's buildings, including the Ghandi Bhawan, government housing, the Bhakra Dam near Talwara and some models. There are also photographs of Chandigard's area before the construction. The group also includes photographs of Pierre Jeanneret, P. L. Varma, Nehru, Jane Drew, Jacqueline Jeanneret, Le Corbusier and others.
ARCH274434
Description:
Group consists of negatives (113 negatives) contact sheets (24 contact sheets) and photographs (24 photographs) of Chandigarh, India, including photographs of the Capitol Complex's buildings, the University's buildings, including the Ghandi Bhawan, government housing, the Bhakra Dam near Talwara and some models. There are also photographs of Chandigard's area before the construction. The group also includes photographs of Pierre Jeanneret, P. L. Varma, Nehru, Jane Drew, Jacqueline Jeanneret, Le Corbusier and others.
People:
Date:
between 1951 and 1965
between 1951 and 1965
Title:
Photographs of Chandigarh, India
Actions:
ARCH274434
Description:
Group consists of negatives (113 negatives) contact sheets (24 contact sheets) and photographs (24 photographs) of Chandigarh, India, including photographs of the Capitol Complex's buildings, the University's buildings, including the Ghandi Bhawan, government housing, the Bhakra Dam near Talwara and some models. There are also photographs of Chandigard's area before the construction. The group also includes photographs of Pierre Jeanneret, P. L. Varma, Nehru, Jane Drew, Jacqueline Jeanneret, Le Corbusier and others.
Photographs of Chandigarh, India
Actions:
ARCH274434
Description:
Group consists of negatives (113 negatives) contact sheets (24 contact sheets) and photographs (24 photographs) of Chandigarh, India, including photographs of the Capitol Complex's buildings, the University's buildings, including the Ghandi Bhawan, government housing, the Bhakra Dam near Talwara and some models. There are also photographs of Chandigard's area before the construction. The group also includes photographs of Pierre Jeanneret, P. L. Varma, Nehru, Jane Drew, Jacqueline Jeanneret, Le Corbusier and others.
Form:
photographs
photographs
Date:
between 1951 and 1965
between 1951 and 1965
People:
Form:
photographs
photographs
Actions:
Reference number:
ARCH274331
Description:
Project slides, "Later Works," including: Markham Municipal Building (1986); Brisbane Competition (1990); Canadian Chancery, Washington, D.C. (1984); California Plaza (1986); Teck Mining Headquarters (1980); Brentwood Branch Library (1987); Fresno City Hall (1987). Includes primarily images of models, sites, interiors and presentation slides. The majority of slides are from the Vancouver and Los Angeles offices of Arthur Erickson Architects. A few slides are from the Toronto offices of Arthur Erickson Architects.
ARCH274331
Description:
Project slides, "Later Works," including: Markham Municipal Building (1986); Brisbane Competition (1990); Canadian Chancery, Washington, D.C. (1984); California Plaza (1986); Teck Mining Headquarters (1980); Brentwood Branch Library (1987); Fresno City Hall (1987). Includes primarily images of models, sites, interiors and presentation slides. The majority of slides are from the Vancouver and Los Angeles offices of Arthur Erickson Architects. A few slides are from the Toronto offices of Arthur Erickson Architects.
People:
Date:
1980-1990
1980-1990
Title:
Project documentation for presentation purposes for Erickson's later works
Actions:
ARCH274331
Description:
Project slides, "Later Works," including: Markham Municipal Building (1986); Brisbane Competition (1990); Canadian Chancery, Washington, D.C. (1984); California Plaza (1986); Teck Mining Headquarters (1980); Brentwood Branch Library (1987); Fresno City Hall (1987). Includes primarily images of models, sites, interiors and presentation slides. The majority of slides are from the Vancouver and Los Angeles offices of Arthur Erickson Architects. A few slides are from the Toronto offices of Arthur Erickson Architects.
Project documentation for presentation purposes for Erickson's later works
Actions:
ARCH274331
Description:
Project slides, "Later Works," including: Markham Municipal Building (1986); Brisbane Competition (1990); Canadian Chancery, Washington, D.C. (1984); California Plaza (1986); Teck Mining Headquarters (1980); Brentwood Branch Library (1987); Fresno City Hall (1987). Includes primarily images of models, sites, interiors and presentation slides. The majority of slides are from the Vancouver and Los Angeles offices of Arthur Erickson Architects. A few slides are from the Toronto offices of Arthur Erickson Architects.
Form:
photographs
photographs
Date:
1980-1990
1980-1990
People:
Form:
photographs
photographs
Actions:
Reference number:
ARCH282850
Description:
La photographie aurait été prise au studio d'Ernest Cormier, Montréal, possiblement par Cormier lui-même. Le modèle serait possiblement Clorinthe Perron. Une recherche plus approfondie est nécessaire.
ARCH282850
Description:
La photographie aurait été prise au studio d'Ernest Cormier, Montréal, possiblement par Cormier lui-même. Le modèle serait possiblement Clorinthe Perron. Une recherche plus approfondie est nécessaire.
People:
Date:
circa 1923
circa 1923
Title:
Portrait d'une femme avec un buste sur piédestal, possiblement Clorinthe Perron
Actions:
ARCH282850
Description:
La photographie aurait été prise au studio d'Ernest Cormier, Montréal, possiblement par Cormier lui-même. Le modèle serait possiblement Clorinthe Perron. Une recherche plus approfondie est nécessaire.
Portrait d'une femme avec un buste sur piédestal, possiblement Clorinthe Perron
Actions:
ARCH282850
Description:
La photographie aurait été prise au studio d'Ernest Cormier, Montréal, possiblement par Cormier lui-même. Le modèle serait possiblement Clorinthe Perron. Une recherche plus approfondie est nécessaire.
Form:
photographs
photographs
Date:
circa 1923
circa 1923
People:
