1111 Results
Form:
textual records
textual records
Title:
Filing system and job lists
Filing system and job lists
Actions:
Reference number:
DR2004:1462
Description:
includes filing system and job lists; boxes of reference cards (6 total) 'CP Ref & Article Ref/ Articles, Interviews X15/Cassettes tapes X16/ Videos... onwards /Negatives/ Photographs' (by project also) references (1 box); Boxes of reference cards 'Job cards' (3 boxes) by job nr, with contact info; Boxes of reference cards 'Memo references' (2 boxes) with list of memos by job nr with content;
DR2004:1462
Description:
includes filing system and job lists; boxes of reference cards (6 total) 'CP Ref & Article Ref/ Articles, Interviews X15/Cassettes tapes X16/ Videos... onwards /Negatives/ Photographs' (by project also) references (1 box); Boxes of reference cards 'Job cards' (3 boxes) by job nr, with contact info; Boxes of reference cards 'Memo references' (2 boxes) with list of memos by job nr with content;
People:
Date:
1966-1996
1966-1996
Title:
Filing system and job lists
Actions:
DR2004:1462
Description:
includes filing system and job lists; boxes of reference cards (6 total) 'CP Ref & Article Ref/ Articles, Interviews X15/Cassettes tapes X16/ Videos... onwards /Negatives/ Photographs' (by project also) references (1 box); Boxes of reference cards 'Job cards' (3 boxes) by job nr, with contact info; Boxes of reference cards 'Memo references' (2 boxes) with list of memos by job nr with content;
Filing system and job lists
Actions:
DR2004:1462
Description:
includes filing system and job lists; boxes of reference cards (6 total) 'CP Ref & Article Ref/ Articles, Interviews X15/Cassettes tapes X16/ Videos... onwards /Negatives/ Photographs' (by project also) references (1 box); Boxes of reference cards 'Job cards' (3 boxes) by job nr, with contact info; Boxes of reference cards 'Memo references' (2 boxes) with list of memos by job nr with content;
Form:
textual records
textual records
Date:
1966-1996
1966-1996
People:
Form:
photographs
Quantity:
3 photograph(s)
photographs
Quantity:
3 photograph(s)
Actions:
Reference number:
DR2004:0086
Description:
views of axonometric drawings, perspective, plan, and site plan, cut and taped together, possibly for publication purposes
DR2004:0086
Description:
views of axonometric drawings, perspective, plan, and site plan, cut and taped together, possibly for publication purposes
People:
Title:
Views of axonometric drawings, perspective, plan, and site plan
Actions:
DR2004:0086
Description:
views of axonometric drawings, perspective, plan, and site plan, cut and taped together, possibly for publication purposes
Views of axonometric drawings, perspective, plan, and site plan
Actions:
DR2004:0086
Description:
views of axonometric drawings, perspective, plan, and site plan, cut and taped together, possibly for publication purposes
Form:
photographs
Quantity:
3 photograph(s)
photographs
Quantity:
3 photograph(s)
People:
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Title:
Anyone Corporation fonds
Anyone Corporation fonds
Reference number:
AP116
Synopsis:
The Anyone Corporation fonds is composed primarily of textual and photographic records which document the activities of the Anyone Corporation over the course of its planned ten year life span from 1990 to 2001. The non-profit, New York City based organization, was founded by Peter Eisenman, Cynthia Davidson, Arata Isozaki, and Ignasi de Solà-Morales Rubio in order to stimulate a fruitful dialogue between architecture and general culture at the dawn of the new millennium. To this end, ANY (acronym for Architecture New York) organised ten international conferences and numerous public seminars, as well as publishing conference journals, a series of architecture related books, and ANY, a theory driven bi-monthly magazine.
AP116
Synopsis:
The Anyone Corporation fonds is composed primarily of textual and photographic records which document the activities of the Anyone Corporation over the course of its planned ten year life span from 1990 to 2001. The non-profit, New York City based organization, was founded by Peter Eisenman, Cynthia Davidson, Arata Isozaki, and Ignasi de Solà-Morales Rubio in order to stimulate a fruitful dialogue between architecture and general culture at the dawn of the new millennium. To this end, ANY (acronym for Architecture New York) organised ten international conferences and numerous public seminars, as well as publishing conference journals, a series of architecture related books, and ANY, a theory driven bi-monthly magazine.
People:
Date:
1990-2001
1990-2001
Title:
Anyone Corporation fonds
Actions:
AP116
Synopsis:
The Anyone Corporation fonds is composed primarily of textual and photographic records which document the activities of the Anyone Corporation over the course of its planned ten year life span from 1990 to 2001. The non-profit, New York City based organization, was founded by Peter Eisenman, Cynthia Davidson, Arata Isozaki, and Ignasi de Solà-Morales Rubio in order to stimulate a fruitful dialogue between architecture and general culture at the dawn of the new millennium. To this end, ANY (acronym for Architecture New York) organised ten international conferences and numerous public seminars, as well as publishing conference journals, a series of architecture related books, and ANY, a theory driven bi-monthly magazine.
Anyone Corporation fonds
Actions:
AP116
Synopsis:
The Anyone Corporation fonds is composed primarily of textual and photographic records which document the activities of the Anyone Corporation over the course of its planned ten year life span from 1990 to 2001. The non-profit, New York City based organization, was founded by Peter Eisenman, Cynthia Davidson, Arata Isozaki, and Ignasi de Solà-Morales Rubio in order to stimulate a fruitful dialogue between architecture and general culture at the dawn of the new millennium. To this end, ANY (acronym for Architecture New York) organised ten international conferences and numerous public seminars, as well as publishing conference journals, a series of architecture related books, and ANY, a theory driven bi-monthly magazine.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1990-2001
1990-2001
People:
Quantity:
24 file
24 file
Actions:
Reference number:
ARCH241197
Description:
Set 1. June 9/92 - Anywhere Conference - speech by Bin Kimura June 9/92 - Anywhere Conference - speech by Jacques Derrida June 10/92 - Anywhere Conference (6 tapes) June 11/92 - Anywhere Conference (3 tapes) Set 2. Anywhere Conference - June 9, 1992 - Bin Kimura Anywhere Conference - June 9, 1992 - Jacques Derrida Anywhere - [Jeffrey] Kipnis, [Kojin] Karatani, [Shigehiko] Hasumi Anywhere - [Shysaku] Arakawa / [Madeline] Gins, [Daniel] Libeskind, [Elizabeth] Diller, [Robert E.] Somol Anywhere - [Tadao] Ando, [Ignasi] Solà-Morales, Discussion (morning) Anywhere Conference - June 10, 1992 - Discussion (morning) Anywhere - [Peter] Eisenman, [John] Rajchman, [Arata] Isozaki Anywhere Conference - June 10, 1992 - [Rem] Koolhaas, [Sanford] Kwinter, [Fredric] Jameson Anywhere Conference - June 10, 1992 - June 10 Discussion (afternoon) Anywhere Conference - June 11, 1992 - [Toyo] Ito, [Mark] Taylor, [Ingo] Günther Anywhere Conference - June 11, 1992 - Discussion June 11 "L'Écologie Grise" video by Paul Virilio - 15/5/92 (2 copies)
ARCH241197
Description:
Set 1. June 9/92 - Anywhere Conference - speech by Bin Kimura June 9/92 - Anywhere Conference - speech by Jacques Derrida June 10/92 - Anywhere Conference (6 tapes) June 11/92 - Anywhere Conference (3 tapes) Set 2. Anywhere Conference - June 9, 1992 - Bin Kimura Anywhere Conference - June 9, 1992 - Jacques Derrida Anywhere - [Jeffrey] Kipnis, [Kojin] Karatani, [Shigehiko] Hasumi Anywhere - [Shysaku] Arakawa / [Madeline] Gins, [Daniel] Libeskind, [Elizabeth] Diller, [Robert E.] Somol Anywhere - [Tadao] Ando, [Ignasi] Solà-Morales, Discussion (morning) Anywhere Conference - June 10, 1992 - Discussion (morning) Anywhere - [Peter] Eisenman, [John] Rajchman, [Arata] Isozaki Anywhere Conference - June 10, 1992 - [Rem] Koolhaas, [Sanford] Kwinter, [Fredric] Jameson Anywhere Conference - June 10, 1992 - June 10 Discussion (afternoon) Anywhere Conference - June 11, 1992 - [Toyo] Ito, [Mark] Taylor, [Ingo] Günther Anywhere Conference - June 11, 1992 - Discussion June 11 "L'Écologie Grise" video by Paul Virilio - 15/5/92 (2 copies)
People:
Date:
1992-05-15 - 1992-06-11
1992-05-15 - 1992-06-11
Title:
Video recordings of Anywhere Conference
Actions:
ARCH241197
Description:
Set 1. June 9/92 - Anywhere Conference - speech by Bin Kimura June 9/92 - Anywhere Conference - speech by Jacques Derrida June 10/92 - Anywhere Conference (6 tapes) June 11/92 - Anywhere Conference (3 tapes) Set 2. Anywhere Conference - June 9, 1992 - Bin Kimura Anywhere Conference - June 9, 1992 - Jacques Derrida Anywhere - [Jeffrey] Kipnis, [Kojin] Karatani, [Shigehiko] Hasumi Anywhere - [Shysaku] Arakawa / [Madeline] Gins, [Daniel] Libeskind, [Elizabeth] Diller, [Robert E.] Somol Anywhere - [Tadao] Ando, [Ignasi] Solà-Morales, Discussion (morning) Anywhere Conference - June 10, 1992 - Discussion (morning) Anywhere - [Peter] Eisenman, [John] Rajchman, [Arata] Isozaki Anywhere Conference - June 10, 1992 - [Rem] Koolhaas, [Sanford] Kwinter, [Fredric] Jameson Anywhere Conference - June 10, 1992 - June 10 Discussion (afternoon) Anywhere Conference - June 11, 1992 - [Toyo] Ito, [Mark] Taylor, [Ingo] Günther Anywhere Conference - June 11, 1992 - Discussion June 11 "L'Écologie Grise" video by Paul Virilio - 15/5/92 (2 copies)
Video recordings of Anywhere Conference
Actions:
ARCH241197
Description:
Set 1. June 9/92 - Anywhere Conference - speech by Bin Kimura June 9/92 - Anywhere Conference - speech by Jacques Derrida June 10/92 - Anywhere Conference (6 tapes) June 11/92 - Anywhere Conference (3 tapes) Set 2. Anywhere Conference - June 9, 1992 - Bin Kimura Anywhere Conference - June 9, 1992 - Jacques Derrida Anywhere - [Jeffrey] Kipnis, [Kojin] Karatani, [Shigehiko] Hasumi Anywhere - [Shysaku] Arakawa / [Madeline] Gins, [Daniel] Libeskind, [Elizabeth] Diller, [Robert E.] Somol Anywhere - [Tadao] Ando, [Ignasi] Solà-Morales, Discussion (morning) Anywhere Conference - June 10, 1992 - Discussion (morning) Anywhere - [Peter] Eisenman, [John] Rajchman, [Arata] Isozaki Anywhere Conference - June 10, 1992 - [Rem] Koolhaas, [Sanford] Kwinter, [Fredric] Jameson Anywhere Conference - June 10, 1992 - June 10 Discussion (afternoon) Anywhere Conference - June 11, 1992 - [Toyo] Ito, [Mark] Taylor, [Ingo] Günther Anywhere Conference - June 11, 1992 - Discussion June 11 "L'Écologie Grise" video by Paul Virilio - 15/5/92 (2 copies)
Quantity:
24 file
24 file
Date:
1992-05-15 - 1992-06-11
1992-05-15 - 1992-06-11
People:
Form:
drawings
drawings
Actions:
Reference number:
ARCH78932
Description:
John Marshall Park elevation, site plan and section showing tree planting (this drawing was taped to back of presentation panel "Section and south court elevation" - ARCH78926)
ARCH78932
Description:
John Marshall Park elevation, site plan and section showing tree planting (this drawing was taped to back of presentation panel "Section and south court elevation" - ARCH78926)
People:
Date:
circa 1947-2002
circa 1947-2002
Title:
John Marshall Park elevation, site plan and section showing tree planting
Actions:
ARCH78932
Description:
John Marshall Park elevation, site plan and section showing tree planting (this drawing was taped to back of presentation panel "Section and south court elevation" - ARCH78926)
John Marshall Park elevation, site plan and section showing tree planting
Actions:
ARCH78932
Description:
John Marshall Park elevation, site plan and section showing tree planting (this drawing was taped to back of presentation panel "Section and south court elevation" - ARCH78926)
Form:
drawings
drawings
Date:
circa 1947-2002
circa 1947-2002
People:
Level of archival description:
Series
Series
Title:
Architectural projects
Architectural projects
Reference number:
AP178.S1
Description:
Series AP178.S1 is the largest series of the Álvaro Siza fonds and documents over 200 of Siza’s built and unbuilt architectural projects. The series is divided into project series which are arranged chronologically by project year. Presently, materials in this series range from 1958-2012. The CCA will also receive materials documenting Siza’s more recent work in future additions. Documenting the projects are conceptual, design, presentation, and working drawings, as well as photographic materials, textual documentation, and models. Although the drawings for each project have been identified, Siza often sketches or doodles on textual documentation, such as minutes of meetings or notes. When possible, folders that include textual documents with sketches or doodles have been identified. Amounts and types of materials vary from project to project. Project documentation is usually in Portuguese, with some exceptions including French, English, German, and Dutch. Most project series include sketches, studies, and working drawings. Other drawings included are site plans, floor plans, topographic surveys, elevations, sections, as well as technical and mechanical details. Also documenting the projects are photographic materials and textual documentation, such as correspondence, building programs, contracts, notes, and other working details. Photographic materials found within this archive are slides, negatives, photomontages and photographs of project sites and models.The photomontages were often used to study the function of the project site. To fully understand Siza’s methodology, sketchbooks (Series AP178.S2) should be viewed alongside the project drawings, when possible. Each project series description highlights sketchbooks in series AP178.S2 which contain related sketches. It is important to note that not all projects are represented in the sketchbooks in Series AP178.S2. Moreover, project series descriptions only list related sketchbooks when sketches have been positively identified as related to the corresponding project. The Siza fonds will be processed in four phases. The materials processed in the first, second, and third phases are architectural projects from the 1950’s, 1960’s, and 1970’s; urban planning projects; Reconstrução do Chiado; Berlin projects submitted to the IBA competition; cultural institutions; individual houses; and the Plano de urbanização Deelgebied 5 Schilderswijk-West in The Hague. Among The Hague and the Berlin projects are the Punt en Komma social housing, Bonjour Tristesse, and the Residential settlement in Schilderswijk. This series is better understood in the context of how the records for architectural projects were arranged by Siza’s office. Earlier projects were initially numbered by Siza’s office and then received new project numbers by the office archivist, who joined the office in the 1990s. Project files have been kept in the order in which they were received by the CCA, which is how they were arranged by the office archivist. The project numbers and dates assigned by Siza’s office archivist are included in the descriptions for each project and form the basis for the arrangement of this series. The office archivist numbered projects consecutively by decade, for instance, 58/80 was the 58th project during the 1980s. Numbers which were included in square brackets, ex. [14]/75, show that the project was not a ‘full’ project and contains a small amount of documentation. When projects are followed by a letter (A, B, C) this signifies a project is connected to the first. When the project number is followed by a number (1, 2, 3) this signifies a separate building within a larger project. For the purposes of arrangement, project numbers that were assigned a letter or number are arranged as sub-series of the related project series. Exceptions to this numbering convention are projects 23/60, 25/60, 28/60, 33/60, 34/60 and 35/60. These projects were not in the office’s original project list and were not officially considered projects. The office archivist assembled documentation related to these projects and assigned them numbers. In the early 2000s a large number of photographic materials were gathered together by the office archivist from various correspondence files for a digitization project initiated by the office. These materials remained housed together as a photograph collection in the office. Not all of these materials were digitized by the office. Those that were digitized were assigned numbers which have been identified in the file descriptions. It is important to note that several photographic materials were left with the textual documentation or drawings. When this is the case they are identified in the file description. There are also several panoramic photomontages which were created by either gluing or taping several photographs together to make panoramas of project sites.
AP178.S1
Description:
Series AP178.S1 is the largest series of the Álvaro Siza fonds and documents over 200 of Siza’s built and unbuilt architectural projects. The series is divided into project series which are arranged chronologically by project year. Presently, materials in this series range from 1958-2012. The CCA will also receive materials documenting Siza’s more recent work in future additions. Documenting the projects are conceptual, design, presentation, and working drawings, as well as photographic materials, textual documentation, and models. Although the drawings for each project have been identified, Siza often sketches or doodles on textual documentation, such as minutes of meetings or notes. When possible, folders that include textual documents with sketches or doodles have been identified. Amounts and types of materials vary from project to project. Project documentation is usually in Portuguese, with some exceptions including French, English, German, and Dutch. Most project series include sketches, studies, and working drawings. Other drawings included are site plans, floor plans, topographic surveys, elevations, sections, as well as technical and mechanical details. Also documenting the projects are photographic materials and textual documentation, such as correspondence, building programs, contracts, notes, and other working details. Photographic materials found within this archive are slides, negatives, photomontages and photographs of project sites and models.The photomontages were often used to study the function of the project site. To fully understand Siza’s methodology, sketchbooks (Series AP178.S2) should be viewed alongside the project drawings, when possible. Each project series description highlights sketchbooks in series AP178.S2 which contain related sketches. It is important to note that not all projects are represented in the sketchbooks in Series AP178.S2. Moreover, project series descriptions only list related sketchbooks when sketches have been positively identified as related to the corresponding project. The Siza fonds will be processed in four phases. The materials processed in the first, second, and third phases are architectural projects from the 1950’s, 1960’s, and 1970’s; urban planning projects; Reconstrução do Chiado; Berlin projects submitted to the IBA competition; cultural institutions; individual houses; and the Plano de urbanização Deelgebied 5 Schilderswijk-West in The Hague. Among The Hague and the Berlin projects are the Punt en Komma social housing, Bonjour Tristesse, and the Residential settlement in Schilderswijk. This series is better understood in the context of how the records for architectural projects were arranged by Siza’s office. Earlier projects were initially numbered by Siza’s office and then received new project numbers by the office archivist, who joined the office in the 1990s. Project files have been kept in the order in which they were received by the CCA, which is how they were arranged by the office archivist. The project numbers and dates assigned by Siza’s office archivist are included in the descriptions for each project and form the basis for the arrangement of this series. The office archivist numbered projects consecutively by decade, for instance, 58/80 was the 58th project during the 1980s. Numbers which were included in square brackets, ex. [14]/75, show that the project was not a ‘full’ project and contains a small amount of documentation. When projects are followed by a letter (A, B, C) this signifies a project is connected to the first. When the project number is followed by a number (1, 2, 3) this signifies a separate building within a larger project. For the purposes of arrangement, project numbers that were assigned a letter or number are arranged as sub-series of the related project series. Exceptions to this numbering convention are projects 23/60, 25/60, 28/60, 33/60, 34/60 and 35/60. These projects were not in the office’s original project list and were not officially considered projects. The office archivist assembled documentation related to these projects and assigned them numbers. In the early 2000s a large number of photographic materials were gathered together by the office archivist from various correspondence files for a digitization project initiated by the office. These materials remained housed together as a photograph collection in the office. Not all of these materials were digitized by the office. Those that were digitized were assigned numbers which have been identified in the file descriptions. It is important to note that several photographic materials were left with the textual documentation or drawings. When this is the case they are identified in the file description. There are also several panoramic photomontages which were created by either gluing or taping several photographs together to make panoramas of project sites.
People:
Date:
1948-2012
1948-2012
Title:
Architectural projects
Actions:
AP178.S1
Description:
Series AP178.S1 is the largest series of the Álvaro Siza fonds and documents over 200 of Siza’s built and unbuilt architectural projects. The series is divided into project series which are arranged chronologically by project year. Presently, materials in this series range from 1958-2012. The CCA will also receive materials documenting Siza’s more recent work in future additions. Documenting the projects are conceptual, design, presentation, and working drawings, as well as photographic materials, textual documentation, and models. Although the drawings for each project have been identified, Siza often sketches or doodles on textual documentation, such as minutes of meetings or notes. When possible, folders that include textual documents with sketches or doodles have been identified. Amounts and types of materials vary from project to project. Project documentation is usually in Portuguese, with some exceptions including French, English, German, and Dutch. Most project series include sketches, studies, and working drawings. Other drawings included are site plans, floor plans, topographic surveys, elevations, sections, as well as technical and mechanical details. Also documenting the projects are photographic materials and textual documentation, such as correspondence, building programs, contracts, notes, and other working details. Photographic materials found within this archive are slides, negatives, photomontages and photographs of project sites and models.The photomontages were often used to study the function of the project site. To fully understand Siza’s methodology, sketchbooks (Series AP178.S2) should be viewed alongside the project drawings, when possible. Each project series description highlights sketchbooks in series AP178.S2 which contain related sketches. It is important to note that not all projects are represented in the sketchbooks in Series AP178.S2. Moreover, project series descriptions only list related sketchbooks when sketches have been positively identified as related to the corresponding project. The Siza fonds will be processed in four phases. The materials processed in the first, second, and third phases are architectural projects from the 1950’s, 1960’s, and 1970’s; urban planning projects; Reconstrução do Chiado; Berlin projects submitted to the IBA competition; cultural institutions; individual houses; and the Plano de urbanização Deelgebied 5 Schilderswijk-West in The Hague. Among The Hague and the Berlin projects are the Punt en Komma social housing, Bonjour Tristesse, and the Residential settlement in Schilderswijk. This series is better understood in the context of how the records for architectural projects were arranged by Siza’s office. Earlier projects were initially numbered by Siza’s office and then received new project numbers by the office archivist, who joined the office in the 1990s. Project files have been kept in the order in which they were received by the CCA, which is how they were arranged by the office archivist. The project numbers and dates assigned by Siza’s office archivist are included in the descriptions for each project and form the basis for the arrangement of this series. The office archivist numbered projects consecutively by decade, for instance, 58/80 was the 58th project during the 1980s. Numbers which were included in square brackets, ex. [14]/75, show that the project was not a ‘full’ project and contains a small amount of documentation. When projects are followed by a letter (A, B, C) this signifies a project is connected to the first. When the project number is followed by a number (1, 2, 3) this signifies a separate building within a larger project. For the purposes of arrangement, project numbers that were assigned a letter or number are arranged as sub-series of the related project series. Exceptions to this numbering convention are projects 23/60, 25/60, 28/60, 33/60, 34/60 and 35/60. These projects were not in the office’s original project list and were not officially considered projects. The office archivist assembled documentation related to these projects and assigned them numbers. In the early 2000s a large number of photographic materials were gathered together by the office archivist from various correspondence files for a digitization project initiated by the office. These materials remained housed together as a photograph collection in the office. Not all of these materials were digitized by the office. Those that were digitized were assigned numbers which have been identified in the file descriptions. It is important to note that several photographic materials were left with the textual documentation or drawings. When this is the case they are identified in the file description. There are also several panoramic photomontages which were created by either gluing or taping several photographs together to make panoramas of project sites.
Architectural projects
Actions:
AP178.S1
Description:
Series AP178.S1 is the largest series of the Álvaro Siza fonds and documents over 200 of Siza’s built and unbuilt architectural projects. The series is divided into project series which are arranged chronologically by project year. Presently, materials in this series range from 1958-2012. The CCA will also receive materials documenting Siza’s more recent work in future additions. Documenting the projects are conceptual, design, presentation, and working drawings, as well as photographic materials, textual documentation, and models. Although the drawings for each project have been identified, Siza often sketches or doodles on textual documentation, such as minutes of meetings or notes. When possible, folders that include textual documents with sketches or doodles have been identified. Amounts and types of materials vary from project to project. Project documentation is usually in Portuguese, with some exceptions including French, English, German, and Dutch. Most project series include sketches, studies, and working drawings. Other drawings included are site plans, floor plans, topographic surveys, elevations, sections, as well as technical and mechanical details. Also documenting the projects are photographic materials and textual documentation, such as correspondence, building programs, contracts, notes, and other working details. Photographic materials found within this archive are slides, negatives, photomontages and photographs of project sites and models.The photomontages were often used to study the function of the project site. To fully understand Siza’s methodology, sketchbooks (Series AP178.S2) should be viewed alongside the project drawings, when possible. Each project series description highlights sketchbooks in series AP178.S2 which contain related sketches. It is important to note that not all projects are represented in the sketchbooks in Series AP178.S2. Moreover, project series descriptions only list related sketchbooks when sketches have been positively identified as related to the corresponding project. The Siza fonds will be processed in four phases. The materials processed in the first, second, and third phases are architectural projects from the 1950’s, 1960’s, and 1970’s; urban planning projects; Reconstrução do Chiado; Berlin projects submitted to the IBA competition; cultural institutions; individual houses; and the Plano de urbanização Deelgebied 5 Schilderswijk-West in The Hague. Among The Hague and the Berlin projects are the Punt en Komma social housing, Bonjour Tristesse, and the Residential settlement in Schilderswijk. This series is better understood in the context of how the records for architectural projects were arranged by Siza’s office. Earlier projects were initially numbered by Siza’s office and then received new project numbers by the office archivist, who joined the office in the 1990s. Project files have been kept in the order in which they were received by the CCA, which is how they were arranged by the office archivist. The project numbers and dates assigned by Siza’s office archivist are included in the descriptions for each project and form the basis for the arrangement of this series. The office archivist numbered projects consecutively by decade, for instance, 58/80 was the 58th project during the 1980s. Numbers which were included in square brackets, ex. [14]/75, show that the project was not a ‘full’ project and contains a small amount of documentation. When projects are followed by a letter (A, B, C) this signifies a project is connected to the first. When the project number is followed by a number (1, 2, 3) this signifies a separate building within a larger project. For the purposes of arrangement, project numbers that were assigned a letter or number are arranged as sub-series of the related project series. Exceptions to this numbering convention are projects 23/60, 25/60, 28/60, 33/60, 34/60 and 35/60. These projects were not in the office’s original project list and were not officially considered projects. The office archivist assembled documentation related to these projects and assigned them numbers. In the early 2000s a large number of photographic materials were gathered together by the office archivist from various correspondence files for a digitization project initiated by the office. These materials remained housed together as a photograph collection in the office. Not all of these materials were digitized by the office. Those that were digitized were assigned numbers which have been identified in the file descriptions. It is important to note that several photographic materials were left with the textual documentation or drawings. When this is the case they are identified in the file description. There are also several panoramic photomontages which were created by either gluing or taping several photographs together to make panoramas of project sites.
Level of archival description:
Series
Series
Date:
1948-2012
1948-2012
People:
Form:
books
books
Form:
books
books
Publication:
Gauss PDF 2013
Gauss PDF 2013
Subject:
Form:
books
books
Holdings:
Description:
5 pages ; 30 cm
Description:
5 pages ; 30 cm
Author:
Publication:
Geneva : International Organization for Standardization, ©1981.
Geneva : International Organization for Standardization, ©1981.
Title:
Documentation format for bibliographic interchange on magnetic tape.
Actions:
Holdings:
Description:
5 pages ; 30 cm
Documentation format for bibliographic interchange on magnetic tape.
Actions:
Holdings:
Description:
5 pages ; 30 cm
Form:
books
books
Publication:
Geneva : International Organization for Standardization, ©1981.
Geneva : International Organization for Standardization, ©1981.
Author:
Form:
books
books
Actions:
Holdings:
Description:
x, 164 pages : illustrations ; 23 cm
Description:
x, 164 pages : illustrations ; 23 cm
Author:
Subject:
Publication:
Englewood Cliffs, N.J. : Prentice Hall, ©1993.
Englewood Cliffs, N.J. : Prentice Hall, ©1993.
Title:
The complete guide to digital audio tape recorders including troubleshooting tips / Erik S. Schetina.
Actions:
Holdings:
Description:
x, 164 pages : illustrations ; 23 cm
The complete guide to digital audio tape recorders including troubleshooting tips / Erik S. Schetina.
Actions:
Holdings:
Description:
x, 164 pages : illustrations ; 23 cm
Form:
books
books
Publication:
Englewood Cliffs, N.J. : Prentice Hall, ©1993.
Englewood Cliffs, N.J. : Prentice Hall, ©1993.
Author:
Subject:
Form:
books
books
Actions:
Holdings:
Description:
122 pages, 6 unnumbered pages of plates : illustrations (some color) ; 22 cm
Description:
122 pages, 6 unnumbered pages of plates : illustrations (some color) ; 22 cm
Author:
Subject:
Publication:
New York, New York : Columbia Books on Architecture and the City, University Graduate School of Architecture, Planning, and Preservation, [2016]
New York, New York : Columbia Books on Architecture and the City, University Graduate School of Architecture, Planning, and Preservation, [2016]
Title:
Red Tape, a new work by Les Levine, 1970 : to engage the university in a useless task which will allow it to expose a working model of its system.
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Description:
122 pages, 6 unnumbered pages of plates : illustrations (some color) ; 22 cm
Red Tape, a new work by Les Levine, 1970 : to engage the university in a useless task which will allow it to expose a working model of its system.
Actions:
Holdings:
Description:
122 pages, 6 unnumbered pages of plates : illustrations (some color) ; 22 cm
Form:
books
books
Publication:
New York, New York : Columbia Books on Architecture and the City, University Graduate School of Architecture, Planning, and Preservation, [2016]
New York, New York : Columbia Books on Architecture and the City, University Graduate School of Architecture, Planning, and Preservation, [2016]
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