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For centuries, women have influenced architecture worldwide by exerting power over space through their writing. By exploring a wide variety of sources, from diaries and travelogues to inventories and political pamphlets, this book expands architectural histories to include these women. Female spatial agencies are revealed using rare written sources, new methodologies, and(...)
Women writing architecture 1700-1900
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For centuries, women have influenced architecture worldwide by exerting power over space through their writing. By exploring a wide variety of sources, from diaries and travelogues to inventories and political pamphlets, this book expands architectural histories to include these women. Female spatial agencies are revealed using rare written sources, new methodologies, and in-depth re-readings of canonical histories. Women from all walks of life, writing as clients, users, or critics, are relevant voices for understanding the built environment’s past. Examining specific spaces such as churches, homes, gardens, or boulevards, it proposes a novel take on feminist historiographies.
Architectural Theory
Feminism. Art. Capitalism
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"Feminism. Art. Capitalism." calls for a revolutionary rethinking of the feminist struggle and its relation to art. Championing Marxist feminism and focusing on the layers of capitalist hegemony, the book considers the exploitation of enthusiasm in art’s promise of a self-determined subject, the ideological capture of feminism, modernity’s attachment to technology (and(...)
Feminism. Art. Capitalism
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"Feminism. Art. Capitalism." calls for a revolutionary rethinking of the feminist struggle and its relation to art. Championing Marxist feminism and focusing on the layers of capitalist hegemony, the book considers the exploitation of enthusiasm in art’s promise of a self-determined subject, the ideological capture of feminism, modernity’s attachment to technology (and its magic), the historical context and impact of postmodernism, and the question of class and social reproduction. Provocative and uncompromising, Feminism. Art. Capitalism. offers an indispensable guide for art history, theory, and practice – inviting readers to confront what claiming art and feminism as sites of resistance actually entails.
Critical Theory
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In 1949 the construction of the Sexto Panteón, an underground necropolis containing 150,000 burial plots, was launched. This monumental brutalist-style cemetery is the first and largest experimentation of modern architecture applied to the funerary field, and yet it remains relatively unknown. Ítala Fulvia Villa (1913–1991), the project’s architect, was one of Argentina’s(...)
Chacarita Moderna: The Brutalist Necropolis of Buenos Aires
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In 1949 the construction of the Sexto Panteón, an underground necropolis containing 150,000 burial plots, was launched. This monumental brutalist-style cemetery is the first and largest experimentation of modern architecture applied to the funerary field, and yet it remains relatively unknown. Ítala Fulvia Villa (1913–1991), the project’s architect, was one of Argentina’s first female architects and urban planners, a pioneer of South American modernism who also contributed to Le Corbusier’s master plan for Buenos Aires. In this book, French architect Léa Namer rediscovers the necropolis through an in-depth investigation and feminist re-reading of this unique site and its creator.
Architecture since 1900, Americas
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Set against the background of a ‘general crisis’ that is environmental, political and social, this book examines a series of specific intersections between architecture and feminisms, understood in the plural. The collected essays and projects that make up the book follow transversal trajectories that criss-cross between ecologies, economies and technologies, exploring(...)
Gender Theory in Architecture
November 2017
Architecture and feminisms: ecologies, economies, technologies
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Set against the background of a ‘general crisis’ that is environmental, political and social, this book examines a series of specific intersections between architecture and feminisms, understood in the plural. The collected essays and projects that make up the book follow transversal trajectories that criss-cross between ecologies, economies and technologies, exploring specific cases and positions in relation to the themes of the archive, control, work and milieu. The many voices gathered here are united by the task of putting critical concepts and feminist design tools to use in order to offer experimental approaches to the creation of a more habitable world.
Gender Theory in Architecture
Unpayable Debt
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''Unpayable debt'' examines the relationships among coloniality, raciality, and global capital from a black feminist ''poethical'' perspective. Inspired by Octavia E. Butler's 1979 sci-fi novel ''Kindred,'' in which an African-American writer is transported back in time to the antebellum South to save her owner-ancestor, ''Unpayable debt'' relates the notion of value to(...)
Unpayable Debt
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''Unpayable debt'' examines the relationships among coloniality, raciality, and global capital from a black feminist ''poethical'' perspective. Inspired by Octavia E. Butler's 1979 sci-fi novel ''Kindred,'' in which an African-American writer is transported back in time to the antebellum South to save her owner-ancestor, ''Unpayable debt'' relates the notion of value to coloniality—both economic and ethical. Focusing on the philosophy behind value, Denise Ferreira da Silva exposes capital as the juridical architecture and ethical grammar of the world. Here, raciality—a symbol of coloniality—justifies deployments of total violence to enable expropriation and land extraction.
Critical Theory
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D for Dummy Woman, M for Monster’s Tools, S for Style Defense, U for Unstable Signs—The "Glossary of undisciplined design" presents a feminist unpacking of the field of graphic design, offering "undisciplinarity" as the solution to a discipline that has historically featured a multitude of dogmatic rules, discriminatory structures and a particularly one-sided canon.(...)
Glossary of undisciplined design
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D for Dummy Woman, M for Monster’s Tools, S for Style Defense, U for Unstable Signs—The "Glossary of undisciplined design" presents a feminist unpacking of the field of graphic design, offering "undisciplinarity" as the solution to a discipline that has historically featured a multitude of dogmatic rules, discriminatory structures and a particularly one-sided canon. Carried by a decidedly fragmentary and collective backbone, The Glossary of Undisciplined Design combines a multitude of theories and narratives of varying densities and forms, from visual essay, to hands-on experiment, to interview or advertorial, to poem, to speculative tale and scholarly writing.
Graphic Design and Typography
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The spaces we design are intuitively connected with stories – stories we have lived, heard from others, and imagined ourselves. When we write these stories, we implicitly design spaces. Spatial stories can therefore be told or written as much as they can be developed through architectural methods. In this book, architect and writer Chiara Dorbolò explores the state of(...)
Liminal places: Seven spatial stories to return home
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The spaces we design are intuitively connected with stories – stories we have lived, heard from others, and imagined ourselves. When we write these stories, we implicitly design spaces. Spatial stories can therefore be told or written as much as they can be developed through architectural methods. In this book, architect and writer Chiara Dorbolò explores the state of transition of liminal places as a universal metaphor for personal life, making explicit the different roles physical space plays in the human experience of the world. In doing so, she touches upon themes ranging from a feminist critique of the architectural profession to the difficult relationship between city and nature.
Literature and poetry
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"Botanical Drift" explores the hermeneutics, historicization, semiotics, and symbiosis of plant diversification, species cultivation, and destruction—past and present, extant and extinct—around the globe. Plant histories are explored as commodities and colonial as well as decolonial devices by significant and diverse feminist, art-historical, and anthropological(...)
Botanical Drift: protagonists of the invasive herbarium
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"Botanical Drift" explores the hermeneutics, historicization, semiotics, and symbiosis of plant diversification, species cultivation, and destruction—past and present, extant and extinct—around the globe. Plant histories are explored as commodities and colonial as well as decolonial devices by significant and diverse feminist, art-historical, and anthropological voices—from Germaine Greer to herman de vries—bringing new perspectives through photo-essays, fiction, performance, and interventions in ecological, film, and translation archives. Reflecting on experimental ecology—the undiscovered, underestimated, and undesired non-European flora and fauna—it challenges perception and inspires potentialities to bring new understandings of the undergrowth of the Kew Gardens botany collection.
Landscape Theory
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Welcome to the 50th issue of The Funambulist. For the very first time, the magazine is published both in its original anglophone version and a brand new francophone edition. As such, it is not innocent that this issue tackles the question of language. The achievements of a generation of activists and politically committed intellectuals to have our (anticolonial,(...)
The Funambulist 50: Redefining our terms
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Welcome to the 50th issue of The Funambulist. For the very first time, the magazine is published both in its original anglophone version and a brand new francophone edition. As such, it is not innocent that this issue tackles the question of language. The achievements of a generation of activists and politically committed intellectuals to have our (anticolonial, antiracist, queer, feminist, among others) nomenclature surge into public imaginaries, has led to a dilution of this vocabulary’s political meanings. Each contribution of this issue thus proposes a subjective definition of a such a term, the issue acting like a useful glossary to reflect on our struggles.
Magazines
Paris Review Winter 2025
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Hélène Cixous on the Art of Criticism: “There’s a feminist discourse that women can’t do it all. This is what many women experience, and it’s very difficult. But I am not like that.” Alice Oswald on the Art of Poetry: “You come at poetry with the momentum of having failed. It’s only when other communication is absolutely impossible that a poem has to exist.” Prose by(...)
Paris Review Winter 2025
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Hélène Cixous on the Art of Criticism: “There’s a feminist discourse that women can’t do it all. This is what many women experience, and it’s very difficult. But I am not like that.” Alice Oswald on the Art of Poetry: “You come at poetry with the momentum of having failed. It’s only when other communication is absolutely impossible that a poem has to exist.” Prose by Eve Babitz, Marlene Morgan, Alec Niedenthal, Gwendoline Riley, and Elias Rodriques. Poetry by Millicent Borges Accardi, Monzer Masri, Alice Oswald, Jana Prikryl, and Ed Roberson. Art by Ali Banisadr, Pippa Garner, Joan Jonas, and Mieko Meguro; cover by Adebunmi Gbadebo.
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