Jean Nouvel : critiques
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L'architecte et son critique : Jean Nouvel et François Chaslin, nés en 1945 et en 1948, sont présents depuis plus de trente ans dans tous les débats sur l'architecture. Le prix Pritzker 2oo8 a récompensé l'architecte. II est temps de prendre une vue rétrospective sur son œuvre. François Chaslin lui a consacré de nombreux articles. Ses " papiers " sont ici rassemblés, dans(...)
November 2008, Gollion
Jean Nouvel : critiques
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L'architecte et son critique : Jean Nouvel et François Chaslin, nés en 1945 et en 1948, sont présents depuis plus de trente ans dans tous les débats sur l'architecture. Le prix Pritzker 2oo8 a récompensé l'architecte. II est temps de prendre une vue rétrospective sur son œuvre. François Chaslin lui a consacré de nombreux articles. Ses " papiers " sont ici rassemblés, dans l'ordre de leur publication. Ils offrent un aperçu sur l'évolution de Nouvel, ouvrent une perspective sur les métamorphoses actuelles de l'architecture, et permettent de comprendre comment et pourquoi le regard d'un critique, de chaleureux, se fait sceptique, caustique, mordant.
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Une incursion dans la pensée et les réalisations d'un designer inclassable, hors norme, créateur d'espaces et inventeur patenté, récipiendaire de plusieurs prix qi fait sa marque entre biennales de prestige et recoins de chantiers.
November 2008, Montréal
Jacques Bilodeau: habiter/inhabited
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Une incursion dans la pensée et les réalisations d'un designer inclassable, hors norme, créateur d'espaces et inventeur patenté, récipiendaire de plusieurs prix qi fait sa marque entre biennales de prestige et recoins de chantiers.
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In autumn 2008 the transformed Art Gallery of Ontario (AGO), one of the most distinguished art museums in North America, opens its doors. The museum’s greatly expanded collections will be displayed in a magnificent new building designed by the world-renowned architect Frank Gehry. In this beautiful book Gehry’s innovative renovation of the AGO is captured through the lens(...)
August 2009
Frank Gehry in Toronto, transforming the art gallery of Ontario
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In autumn 2008 the transformed Art Gallery of Ontario (AGO), one of the most distinguished art museums in North America, opens its doors. The museum’s greatly expanded collections will be displayed in a magnificent new building designed by the world-renowned architect Frank Gehry. In this beautiful book Gehry’s innovative renovation of the AGO is captured through the lens of acclaimed photographer Edward Burtynsky. Fifteen spectacular full-page colour photographs, specially commissioned for this project, document the building during important phases of construction.
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In the past, buildings and other constructions representing singular moments for the community were called monuments. Their origin was expression of power, celebration of ritual or collective affirmation. In the contemporary world, a project that aspires to be exceptionally expressive is commonly called an icon. This book claims that star-architects and their “iconic”(...)
January 2010
Architectural Papers IV : iconoclastia, news from a post-iconic world
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In the past, buildings and other constructions representing singular moments for the community were called monuments. Their origin was expression of power, celebration of ritual or collective affirmation. In the contemporary world, a project that aspires to be exceptionally expressive is commonly called an icon. This book claims that star-architects and their “iconic” architecture are no longer valid today, as these projects are all driven by marketing machineries. Architecture should re-emerge as a credible artefact and fulfill the transcendent demands of our time.The publication begins with a series of general texts on themes that vary but all share a common critical look at the role of the iconic on the recent architecture scene.
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In "The Emerald City", Dan Willis takes us on a flight of imagination that paradoxically never strays far from the most tangible, even intimate subjects. His essays range from the Tower of Babel to the Wizard of Oz, from Christo to Christmas trees, from the "lightness of(...)
June 1999, New York
The emerald city and other essays on the architectural imagination
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In "The Emerald City", Dan Willis takes us on a flight of imagination that paradoxically never strays far from the most tangible, even intimate subjects. His essays range from the Tower of Babel to the Wizard of Oz, from Christo to Christmas trees, from the "lightness of being" to the "weight of architecture." This ultimately optimistic book suggests that architecture is as vital as ever. The texts draw equally from literary sources, architectural practice, philosophical analyses, pop culture, and everyday experiences. Willis's perspective as a writer, architect, artist, and teacher informs his work; his texts are at once reflective and proactive, as they challenge readers to rethink their participation in the built environment.
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June 1999, New York
Cleaner, greener, healthier: a prescription for stronger Canadian environmental laws and policies
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In Cleaner, Greener, Healthier David Boyd sets out to remedy Canada's environmental health problems. He begins by assessing the environmental burden of disease, identifies its unequal distribution, and estimates the associated economic costs. He then compares Canada's environmental laws and policies with those in the US, Australia, and the EU, delivering a provocative(...)
Cleaner, greener, healthier: a prescription for stronger Canadian environmental laws and policies
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In Cleaner, Greener, Healthier David Boyd sets out to remedy Canada's environmental health problems. He begins by assessing the environmental burden of disease, identifies its unequal distribution, and estimates the associated economic costs. He then compares Canada's environmental laws and policies with those in the US, Australia, and the EU, delivering a provocative diagnosis of the causes of Canada's second-rate standards. Finally, he prescribes legal remedies that will enable Canada to catch up with the world's environmental leaders while delivering substantial health and economic benefits.
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This book is a heterogeneous collection of writings, speeches, and interviews. Read together, they reveal the breadth of Mies’ deep engagement with architecture and education in Germany and the USA. By including both written and spoken words, the co-editors reveal how Mies was able to extend his influence well beyond the classroom-studio and the profession to reach a(...)
October 2024
Mies in his own words: Complete writings,speeches and interviews 1922-1969
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This book is a heterogeneous collection of writings, speeches, and interviews. Read together, they reveal the breadth of Mies’ deep engagement with architecture and education in Germany and the USA. By including both written and spoken words, the co-editors reveal how Mies was able to extend his influence well beyond the classroom-studio and the profession to reach a general audience eager to learn more about his architectural philosophy during a time of great cultural and societal upheaval.
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Antti Lovag (1920-2014) est un architecte hongrois, vivant dans le sud de la France, qui s’est spécialisé dans les maisons « bulles » et une architecture dite « organique ». Il a très peu construit d’édifices (moins de dix). La Maison Bernard, sur la Côte d’Azur, est un des plus beaux exemples de ses réalisations et relate une passionnante relation entre le(...)
January 2022
Antti Lovag : La Maison Bernard, une aventure architecturale
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Antti Lovag (1920-2014) est un architecte hongrois, vivant dans le sud de la France, qui s’est spécialisé dans les maisons « bulles » et une architecture dite « organique ». Il a très peu construit d’édifices (moins de dix). La Maison Bernard, sur la Côte d’Azur, est un des plus beaux exemples de ses réalisations et relate une passionnante relation entre le commanditaire, Pierre Bernard, et l’architecte. Le livre retrace cette relation et donne une part belle aux photographies d’Yves Gellie.
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Julia Morgan was a lifelong trailblazer. She was the first woman admitted to study architecture at the École des Beaux-Arts in Paris and the first licensed to practice architecture in California. Over the first half of the 20th century, she left an indelible mark on the American West. Of her remarkable 700 creations, the most iconic is Hearst Castle. Morgan spent thirty(...)
February 2022
Julia Morgan: An intimate biography of the trailblazing architect
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Julia Morgan was a lifelong trailblazer. She was the first woman admitted to study architecture at the École des Beaux-Arts in Paris and the first licensed to practice architecture in California. Over the first half of the 20th century, she left an indelible mark on the American West. Of her remarkable 700 creations, the most iconic is Hearst Castle. Morgan spent thirty years constructing this opulent estate on the California coast for the newspaper magnate William Randolph Hearst—forging a lifelong friendship and creative partnership with him. Together, they built a spectacular and unequalled residence that once hosted the biggest stars of Hollywood's golden age, and that now welcomes hundreds of thousands of visitors each year. This compelling biography draws on interviews, letters, and Morgan's diaries, including never-before-seen reflections on faith, art, and her life experiences.
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This volume showcases decolonizing projects which work to destable and disquiet colonial built environments. The land, towns, and cities on which we live have always been Indigenous places yet, for the most part our Indigenous value sets and identities have been disregarded or appropriated. Indigenous people continue to be gentrified out of the places to which they belong(...)
June 2021
Our voices II: The de-colonial project
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This volume showcases decolonizing projects which work to destable and disquiet colonial built environments. The land, towns, and cities on which we live have always been Indigenous places yet, for the most part our Indigenous value sets and identities have been disregarded or appropriated. Indigenous people continue to be gentrified out of the places to which they belong and neo-liberal systems work to continuously subjugate Indigenous involvement in decision-making processes in subtle, but potent ways. However, we are not, and have never been cultural dopes. Rather, we have, and continue to subvert the colonial value sets that overlay our places in important ways.