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This book is a sub-urbanist manifesto. Its author, Sébastien Marot, challenges the dominant role of the programme in regulating the design project, and argues that instead attention should be redirected towards the site – the site read in depth, with an active regard for memory. Exploring this analysis, he considers in turn Frances Yates’ book ''The Art of Memory'',(...)
Sub-urbanism and the art of memory
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This book is a sub-urbanist manifesto. Its author, Sébastien Marot, challenges the dominant role of the programme in regulating the design project, and argues that instead attention should be redirected towards the site – the site read in depth, with an active regard for memory. Exploring this analysis, he considers in turn Frances Yates’ book ''The Art of Memory'', Sigmund Freud’s analogy between the past of a city and the workings of memory, Robert Smithson’s account of a tour of his suburban birthplace and Georges Descombes’ design for a small park in the Geneva suburb where he spent his childhood. Marot’s conclusion brings these different strands together and highlights, in memory, a precept that is essential to the renewal of current architecture. This AA Documents publication is a re-edition of Sébastien Marot’s Sub-Urbanism and the Art of Memory, originally edited by Pamela Johnston and published by AA Publications in 2003. It is based on a 1999 text by Marot, translated from the French by Brian Holmes.
Architectural Theory
111 Inception
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This book is a chain of inspiration that involves 111 architects from around the world. How does inspiration move through the atmosphere? How do we inspire each other? And how does creative inspiration itself change through each person’s unique experience? To find out, Anna Bates initiated an experiment in 2017, tasking one architect to use a painting by Theo van Doesburg(...)
111 Inception
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This book is a chain of inspiration that involves 111 architects from around the world. How does inspiration move through the atmosphere? How do we inspire each other? And how does creative inspiration itself change through each person’s unique experience? To find out, Anna Bates initiated an experiment in 2017, tasking one architect to use a painting by Theo van Doesburg as a stimulus for creating their own work. This would then be passed on to other architects, who in turn would draw inspiration for their new work, and so on, growing into a web of conversation, interplay, and inspiration. Gary Bates of Space Group was invited to create the first work.
Contemporary Architecture
The emotional power of space
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How does space affect our physical, psychological and emotional state? Ila Bêka and Louise Lemoine explore this question through the lively and intimate form of the conversation with twelve renowned architects for whom perception and sensoriality play a central role in their work. This publication gathers stories of sensibility which reveal the intuitive and irrational(...)
The emotional power of space
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How does space affect our physical, psychological and emotional state? Ila Bêka and Louise Lemoine explore this question through the lively and intimate form of the conversation with twelve renowned architects for whom perception and sensoriality play a central role in their work. This publication gathers stories of sensibility which reveal the intuitive and irrational forces at play in our relation to space.
Architectural Theory
Le visiteur no. 28
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Le dernier numéro de la revue est maintenant en vente à la librairie.
Le visiteur no. 28
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Le dernier numéro de la revue est maintenant en vente à la librairie.
Green Architecture
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In 1929, Eileen Gray designed Villa E 1027 for herself and her youthful partner Jean Badovici, but only lived there for three years. Today, the elegant house in Roquebrune-Cap-Mar-tin in southern France is an icon of modernism. In 1937, Le Corbusier discovered the place and the "Maison en Bord de Mer". Inspired by the genius of the place and the light on the Côte d'Azur,(...)
The painter le Corbusier: Eileen Gray's Villa E 1027 and Le Cabanon
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In 1929, Eileen Gray designed Villa E 1027 for herself and her youthful partner Jean Badovici, but only lived there for three years. Today, the elegant house in Roquebrune-Cap-Mar-tin in southern France is an icon of modernism. In 1937, Le Corbusier discovered the place and the "Maison en Bord de Mer". Inspired by the genius of the place and the light on the Côte d'Azur, he created a total of eight large-format wall paintings there in 1938 and 1939 onwards, some of which complement the building congenially, while others set counterpoints. In 1952, he built his Cabanon nearby and decorated it with murals as well. The book by the well-known architectural historian Tim Benton documents Le Corbusier's artwork at this special place, explores its controversies, and places it in his overall oeuvre.
Architecture Monographs
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Le premier recueil d'écrits et de discours traduits en français d'Adriano Olivetti (1901-1960), entrepreneur et éditeur italien qui a transformé son usine d'appareils d'écriture et de calcul en un laboratoire d'expérimentation d'un nouveau modèle de vie sociale, politique et culturelle : un modèle d'« utopie concrète » fondé sur l'idée de communauté et centré sur(...)
Architectural Theory
April 2023
Adriano Olivetti: Écrits et discours
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Le premier recueil d'écrits et de discours traduits en français d'Adriano Olivetti (1901-1960), entrepreneur et éditeur italien qui a transformé son usine d'appareils d'écriture et de calcul en un laboratoire d'expérimentation d'un nouveau modèle de vie sociale, politique et culturelle : un modèle d'« utopie concrète » fondé sur l'idée de communauté et centré sur l'individu, dont les instruments de réalisation sont l'architecture, l'urbanisme et le design.
Architectural Theory
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L'œuvre « dessinée » de Peter Märkli peut être étudiée indépendamment de son œuvre construite. Parfois, on retrouve ces dessins dans ses œuvres réalisées mais, en général, il s'agit plutôt de projets ou plus précisément de thèmes de projets en puissance. Pour Märkli, le dessin est un traitement sensible de stimuli et de suggestions, une appropriation personnelle d'une(...)
Peter Märkli: Dessins, disegni
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L'œuvre « dessinée » de Peter Märkli peut être étudiée indépendamment de son œuvre construite. Parfois, on retrouve ces dessins dans ses œuvres réalisées mais, en général, il s'agit plutôt de projets ou plus précisément de thèmes de projets en puissance. Pour Märkli, le dessin est un traitement sensible de stimuli et de suggestions, une appropriation personnelle d'une expérience. Ses dessins montrent parfois des marques d'effacement, d'hésitation. Ils sont lisibles en superposition et permettent de multiples niveaux de lecture, en épaisseur, en profondeur : il s'agit clairement d'une recherche de réponses. L'idée s'y décline en variations : couleur, proportions, hiérarchies, ordre, pleins et vides, mouvement. La feuille dessinée est donc le lieu où l'idée n'est pas « simplement » représentée ou décrite, mais plutôt ce chemin tortueux où elle naît, se développe et se précise. Après « Peter Märkli. À la recherche d'un langage », publié en 2019 par Cosa Mentale, Caryatide, propose à nouveau une étude approfondie de l'œuvre de Peter Märkli. Le livre « Peter Märkli. Dessins, disegni » se présente comme une réédition (édition franco-italienne), augmentée et mise à jour avec des planches inédites, de l'ouvrage original paru chez Quart Verlag en 2015 (édition anglo-allemande). Le livre est constitué d'une sélection du corpus de 700 dessins collectés au fil des ans par Peter Märkli lui-même. Les dessins sont accompagnés de huit essais écrits par des auteurs liés à Peter Märkli.
Architecture Monographs
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Despite the fact that he shaped Venice and its contemporary form, Eugenio Miozzi remains a little-known figure. Yet both locals and visitors experience his legacy every day, in particular when they cross his bridges: from the Ponte della Libertà, to the Ponte dell’Accademia; from the various bridges over the Rio Nuovo, to the exemplary Ponte degli Scalzi. Miozzi, chief(...)
Eugenio Miozzi: Modern Venice between innovation and tradition 1931-1969
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Despite the fact that he shaped Venice and its contemporary form, Eugenio Miozzi remains a little-known figure. Yet both locals and visitors experience his legacy every day, in particular when they cross his bridges: from the Ponte della Libertà, to the Ponte dell’Accademia; from the various bridges over the Rio Nuovo, to the exemplary Ponte degli Scalzi. Miozzi, chief engineer of the Commune of Venice from 1931 to 1954, carried out a large number of works and projects, including a vast modernist parking garage and the Casino on the Lido. The prolific engineer-architect played a role in the development of the Teatro La Fenice, made plans for the restoration of the city and the extension of the Tronchetto, and designed a translagoon road and a motorway from Venice to Munich. These projects and the others presented in this illustrated volume represent Miozzi’s tireless efforts to guarantee the city’s survival by combining its centuries-old traditions with a spirit of innovation.
Architecture Monographs
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"First house : the grid, the figure and the void" presents a range of innovative first houses designed by a group af famous Harvard graduates from the 1930s - many of which have never been published before. These include such influential figures as Edward Larrabee Barnes, Ulrich Franzen, John Johansen, Philip Johnson, I M Pei and Paul Rudoph.
First house : the grid, the figure and the void
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"First house : the grid, the figure and the void" presents a range of innovative first houses designed by a group af famous Harvard graduates from the 1930s - many of which have never been published before. These include such influential figures as Edward Larrabee Barnes, Ulrich Franzen, John Johansen, Philip Johnson, I M Pei and Paul Rudoph.
Residential Architecture
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In April 1998, sixteen architects--Studio Works in Los Angeles, Lindy Roy in New York, Carlos Jimenez in Houston and Stanley Saitowitz in San Francisco, among others--were invited to assemble teams to design a series of single-family houses for the Fifth Ward Community Redevelopment Corporation in Houston, Texas. The goal of the Fifth Ward CRC is to provide high-quality(...)
16 Houses : designing the public's private house
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In April 1998, sixteen architects--Studio Works in Los Angeles, Lindy Roy in New York, Carlos Jimenez in Houston and Stanley Saitowitz in San Francisco, among others--were invited to assemble teams to design a series of single-family houses for the Fifth Ward Community Redevelopment Corporation in Houston, Texas. The goal of the Fifth Ward CRC is to provide high-quality affordable housing, and the architects selected responded with designs innovation in both aesthetic and financial issues. "16 Houses" documents the house proposals in striking renderings and photographs, and also addresses the question of affordable housing locally and nationally. Thus the volume provides a new model of collaborative design between institutions that can respond with innovation and vigor to federal initiatives in housing policy.
Residential Architecture