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This book examines the public architecture of Ireland from 1680 to 1760, a crucial period during which the country undertook the combined tasks of recovering from war and constructing a new and stable society. New buildings, and new types of buildings, were needed to express and sustain this society. Architectural historian Edward McParland explores the role of public(...)
History until 1900, Great Britain
December 2001, New Haven
Public Architecture in Ireland 1680-1760
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This book examines the public architecture of Ireland from 1680 to 1760, a crucial period during which the country undertook the combined tasks of recovering from war and constructing a new and stable society. New buildings, and new types of buildings, were needed to express and sustain this society. Architectural historian Edward McParland explores the role of public architecture in this enterprise, focusing on public buildings as works of architecture and art, while also discussing the political, social, and economic contexts in which they were built. The book opens with a discussion of the people who were involved in the creation of public architecture and a description of the physical appearance of Ireland at the time, including its roads and harbors, its market houses and churches. The author then presents detailed portraits of key public buildings, among them The Royal Hospital Kilmainham, The Royal Barracks, Dublin Castle, Trinity College Dublin, and Edward Lovett Pearce’s Parliament House. Drawing on extensive research in archives throughout Britain and Ireland, McParland documents the architectural and social importance of these remarkable public buildings.
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December 2001, New Haven
History until 1900, Great Britain
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The volume focuses on the development of numerous regional centers of art in Spain, North Africa, Egypt, Syria, Anatolia, Iraq, and Yemen, as well as the western and northeastern provinces of Iran. It traces the cultural and artistic evolution of such centers in the early Islamic period and examines the different ways of creating a beautiful environment. The book(...)
Arch Middle East
October 2001, New Haven
Islamic art and architecture 650-1250
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The volume focuses on the development of numerous regional centers of art in Spain, North Africa, Egypt, Syria, Anatolia, Iraq, and Yemen, as well as the western and northeastern provinces of Iran. It traces the cultural and artistic evolution of such centers in the early Islamic period and examines the different ways of creating a beautiful environment. The book approaches the arts with new classifications of architecture and architectural decoration, the art of the object, and the art of the book.
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October 2001, New Haven
Arch Middle East
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In this engaging and generously illustrated book, Ann Satterthwaite traces the history of shopping and considers its meaning and significance.Examining trends in the United States and abroad where new approaches to an old activity are strengthening its social and civic role, she states that shopping is more than ever a public concern with profound public impacts.
Going shopping consumer choices and community consequences
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In this engaging and generously illustrated book, Ann Satterthwaite traces the history of shopping and considers its meaning and significance.Examining trends in the United States and abroad where new approaches to an old activity are strengthening its social and civic role, she states that shopping is more than ever a public concern with profound public impacts.
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November 2001, New Haven
Urban Theory
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What decisions lie behind the way a book is designed? How are readers of books helped or hindered by the choices that a designer, publisher, or printer has made in presenting an author's text to its intended audience? Are there any lessons we can learn from a study of the books that have been produced in previous centuries? In this stimulating and generously(...)
Graphic Design and Typography
October 2001, New Haven / London
Five hundred years of book design
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What decisions lie behind the way a book is designed? How are readers of books helped or hindered by the choices that a designer, publisher, or printer has made in presenting an author's text to its intended audience? Are there any lessons we can learn from a study of the books that have been produced in previous centuries? In this stimulating and generously illustrated volume, Alan Bartram, a distinguished book designer and typographer, answers many of these questions and provides his personal view of some of the successes and failures of his predecessors. He looks with fresh eyes at a varied range of books published in western Europe and America in the last half-millennium, concerning himself in particular with readability, function, and clarification of meaning. He also discusses how different elements of text, decoration, and illustration were combined in the layout of the printed page, and he comments on whether the resultant design is successful.
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October 2001, New Haven / London
Graphic Design and Typography
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Barletta’s study examines both forms of evidence in an effort to reconcile the two sources, as well as to offer a coherent reconstruction of the origins and development of the Greek architectural orders. Beginning with the early, pre-canonical material, she demonstrates that the relatively late emergence of the Doric and Ionic orders arose from contributions of separate(...)
The Origins of the Greek Architectural Orders
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Barletta’s study examines both forms of evidence in an effort to reconcile the two sources, as well as to offer a coherent reconstruction of the origins and development of the Greek architectural orders. Beginning with the early, pre-canonical material, she demonstrates that the relatively late emergence of the Doric and Ionic orders arose from contributions of separate regions of the Greek world, rather than from a single center. Barletta’s reinterpretation of the evidence also assigns greater importance to the often overlooked contributions of Western Greece and the Cycladic Islands.
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January 1900, Cambridge
History until 1900
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This book considers the roles of primitivism and nationalsim in Belgian Art Nouveau architecture and design. It contextualizes the architecture and and decorative arts produced between 1880 and 1910 within contemporary discussions on solutions to housing and living in the modern era, and examines how the image of the country was tied to a patrimony of handmade goods, the(...)
Art nouveau and the social vision of modern living : Belgian artists in a European context
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This book considers the roles of primitivism and nationalsim in Belgian Art Nouveau architecture and design. It contextualizes the architecture and and decorative arts produced between 1880 and 1910 within contemporary discussions on solutions to housing and living in the modern era, and examines how the image of the country was tied to a patrimony of handmade goods, the housing tradition of the peasant, and the modernity of the garden city.
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January 1900, Cambridge
Architecture since 1900, Europe
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Catalogue de l'exposition des finissants 2001 en design graphique de l'Université du Québec à Montréal
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$71.95
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Frederick J. Kiesler - architect, sculptor, painter, designer, set designer and art historian. Kiesler was tireless in his pursuit of a radical new concept of interior spaces: his dream was a polydimensional living space, an organic continuum in which colour, form(...)
Architecture Monographs
January 1900, Vienna
Frederick J. Kiesler : endless space
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Frederick J. Kiesler - architect, sculptor, painter, designer, set designer and art historian. Kiesler was tireless in his pursuit of a radical new concept of interior spaces: his dream was a polydimensional living space, an organic continuum in which colour, form and light, combined with magical and mythical themes, would create a unique cosmos. His so-called Endless House stayed with him all his life; although it was never realised it still fascinated and influenced other architects and artists more than many 'real' 20th century buildings. The publication "Endless Space" has been produced in cooperation with the Austrian Frederick and Lillian Kiesler Private Foundation.
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January 1900, Vienna
Architecture Monographs
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Urban Theory
January 2002, Cologne
Harvard Design School guide to shopping : project on the city 2
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January 2002, Cologne
Urban Theory
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How do today's brightest and best designers see the future of design? What are the defining elements of form, function, and aesthetics at the turn of the millennium? In response to these questions, the editors put together the definitive book on cutting-edge product design, furniture, ceramics, glassware, and textiles.
Designing the 21st century / Le design du 21ième siècle
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How do today's brightest and best designers see the future of design? What are the defining elements of form, function, and aesthetics at the turn of the millennium? In response to these questions, the editors put together the definitive book on cutting-edge product design, furniture, ceramics, glassware, and textiles.
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October 2001, Cologne
Interior Design