Sub-series
AP156.S5.SS1.D5
Description:
Le dossier documente les photographies prises par un ou des photographies non identifiés et sélectionnées pour une exposition au Musée des Beaux-Arts de Besançon en France en 1971. Le dossier inclut des photographies de visites du Premier Ministre indien Nehru à Chandigarh. Le matériel dans ce dossier a été produit en 1954-1955 et en 1964. Le dossier contient des photographies. File documents photographs taken by unidentified photographers and selected for an exhibition at the Musée des Beaux-Arts de Besançon in France in 1971. The file includes photographs of the India Prime Minister Nehru at Chandigarh. The material in this file was produced in 1954-1955 and in 1964. The file contains photographs.
1955-1964
Photographes inconnues = Unknown photographers
Actions:
AP156.S5.SS1.D5
Description:
Le dossier documente les photographies prises par un ou des photographies non identifiés et sélectionnées pour une exposition au Musée des Beaux-Arts de Besançon en France en 1971. Le dossier inclut des photographies de visites du Premier Ministre indien Nehru à Chandigarh. Le matériel dans ce dossier a été produit en 1954-1955 et en 1964. Le dossier contient des photographies. File documents photographs taken by unidentified photographers and selected for an exhibition at the Musée des Beaux-Arts de Besançon in France in 1971. The file includes photographs of the India Prime Minister Nehru at Chandigarh. The material in this file was produced in 1954-1955 and in 1964. The file contains photographs.
Dossier 5
1955-1964
Project
AP144.S2.D28
Description:
File documents a submission for a housing development in Maidenhead, Berkshire, England, for a low-rise, multi-family housing complex. The design proposal shows three-storey buildings that include 45 single-storey apartment units of approximately 725 sq. ft. The units are connected by stairs and open walkways. The façade of the buildings are articulated by shifting the plans slightly from unit to unit. Sketches illustrate the development of typical floor plans, site layout and the development of preliminary elevations with the incorporation of balconies, stairs, and open walkways. File includes four presentation drawings of the final proposal. Material in this file was produced between 1960 and 1961. File contains design development drawings and textual records.
1960-1961
Maidenhead Housing Competition
Actions:
AP144.S2.D28
Description:
File documents a submission for a housing development in Maidenhead, Berkshire, England, for a low-rise, multi-family housing complex. The design proposal shows three-storey buildings that include 45 single-storey apartment units of approximately 725 sq. ft. The units are connected by stairs and open walkways. The façade of the buildings are articulated by shifting the plans slightly from unit to unit. Sketches illustrate the development of typical floor plans, site layout and the development of preliminary elevations with the incorporation of balconies, stairs, and open walkways. File includes four presentation drawings of the final proposal. Material in this file was produced between 1960 and 1961. File contains design development drawings and textual records.
File 28
1960-1961
Sub-series
Compilation
AP165.S5.SS3
Description:
The Compilation sub-series, circa 1990 – 2000, consists of 13 video recordings containing selected content of projects and studio footage that has been compiled and edited for professional use by Hoberman Associates, Inc. Material consists of Betacam SP cassettes and U-matic cassettes. The majority of the records date from the mid to late 90’s to early 2000’s. Video recordings in this sub-series contain compilation footage of a selection of Hoberman's unfolding structures such as the Iris Dome and Expanding Hypar, promotional content showcasing “recent work” by Hoberman Associates, Inc., and an assemblage of studio footage. These compilations were edited by Stable Films, a film studio based out of New York, New York (no longer active).
circa 1990-2002
Compilation
Actions:
AP165.S5.SS3
Description:
The Compilation sub-series, circa 1990 – 2000, consists of 13 video recordings containing selected content of projects and studio footage that has been compiled and edited for professional use by Hoberman Associates, Inc. Material consists of Betacam SP cassettes and U-matic cassettes. The majority of the records date from the mid to late 90’s to early 2000’s. Video recordings in this sub-series contain compilation footage of a selection of Hoberman's unfolding structures such as the Iris Dome and Expanding Hypar, promotional content showcasing “recent work” by Hoberman Associates, Inc., and an assemblage of studio footage. These compilations were edited by Stable Films, a film studio based out of New York, New York (no longer active).
Sub-series 3
circa 1990-2002
Sub-series
AP156.S2.SS5
Description:
La sous-série documente les croquis et les notes de Pierre Jeanneret. Le matériel dans cette sous-série a été produit entre les années 1940 et 1962. La sous-série contient des croquis, donc des photocopies de croquis, des notes, un dessin par Eulie Chowdhury, ainsi qu'une liste de plans de projet par Jeanneret realisé en Europe et en Inde. Sub-serie documents the sketches and notes of Pierre Jeanneret. The material in this sub-series was produced between the 1940s and 1962. The sub-series contains sketches, including photocopies of sketches, notes, a drawing by Eulie Chowdhury, and a list of plans of projects by Jeanneret undertaken in Europe and India.
1940-1965
Croquis, notes et liste de plans = Sketches, notes and list of plans
Actions:
AP156.S2.SS5
Description:
La sous-série documente les croquis et les notes de Pierre Jeanneret. Le matériel dans cette sous-série a été produit entre les années 1940 et 1962. La sous-série contient des croquis, donc des photocopies de croquis, des notes, un dessin par Eulie Chowdhury, ainsi qu'une liste de plans de projet par Jeanneret realisé en Europe et en Inde. Sub-serie documents the sketches and notes of Pierre Jeanneret. The material in this sub-series was produced between the 1940s and 1962. The sub-series contains sketches, including photocopies of sketches, notes, a drawing by Eulie Chowdhury, and a list of plans of projects by Jeanneret undertaken in Europe and India.
Sous-série 5
1940-1965
Sub-series
AP156.S6.SS7.D6
Description:
Le dossier documente les projets entrepris par Jacqueline Jeanneret après les années 1980, incluant le projet de la Fondation Internationale pour le développement agro-énergétique (FIDAE) in 1985, in Lausanne, et le projet Érythrée en 1993. Le matériel dans ce dossier a été produit entre 1980 et 1993. Le dossier contient des documents textuels et un album. File documents the project undertaken by Jacqueline Jeanneret after the 1980s, including the project of the Fondation Internationale pour le développement agro-énergétique (FIDAE) in 1985, in Lausanne, and the project Érythrée in 1993. The material in this file was produced between 1980 and 1993. The file contains textual records and an album.
1980-1993
Projets après 1980 = Projects after 1980
Actions:
AP156.S6.SS7.D6
Description:
Le dossier documente les projets entrepris par Jacqueline Jeanneret après les années 1980, incluant le projet de la Fondation Internationale pour le développement agro-énergétique (FIDAE) in 1985, in Lausanne, et le projet Érythrée en 1993. Le matériel dans ce dossier a été produit entre 1980 et 1993. Le dossier contient des documents textuels et un album. File documents the project undertaken by Jacqueline Jeanneret after the 1980s, including the project of the Fondation Internationale pour le développement agro-énergétique (FIDAE) in 1985, in Lausanne, and the project Érythrée in 1993. The material in this file was produced between 1980 and 1993. The file contains textual records and an album.
Dossier 6
1980-1993
Project
AP143.S4.D22
Description:
File documents the executed project for the Wexner Center for the Visual Arts, Columbus, Ohio. Material in this file was produced between 1977 and 1989. File contains conceptual drawings, design development drawings, working drawings, competition drawings, presentation drawings, record drawings, reference drawings, publication drawings, photographic material, reference drawings, CD-Rs, textual records, and a model. Textual records include conceptual drawings, some by Eisenman (DR1994:0149:001-1138). Design development drawings and final working drawings are organized chronologically: 1983 (DR1994:0149:1139-1140), 1984 (DR1994:00149:1141-1294), 1985 (DR1994:00149:1295-1542), 1986 (DR1994:0149:1543-1577), 1988 (DR1994:0149:1578-1582), and 1989 (DR1994:0149:1583-1642). Competition drawings include original drawings (DR1994:0149:1643-1662) and KC5 negatives (DR1994:0149:1670-1754) used to produce the final presentation panels (DR1994:0149:1755-1756). Lithographs DR1994:0149:1757-1774 were used as presentation drawings. Reference drawings include site plans provided by the client (DR1994:0149:1780-1821), aerial photographs (DR1994:0149:1822-1823), photographs of the existing buildings on the proposed site (DR1994:0149:1824-1827) and measured drawings of the armoury, and shop drawings by Jules Fisher & Paul Marantz, Inc. Architectural Lighting Design. Eisenman published a book on the Wexner Center in 1989, and the cover and galleys are included in this group (cover: DR1994:0149:1828; galleys: DR1994:0149:1829-1831). Textual records include competition information, program, agreements, correspondence, specifications, construction progress, plans, and photographs.
1977-1989
Wexner Center for the Visual Arts
Actions:
AP143.S4.D22
Description:
File documents the executed project for the Wexner Center for the Visual Arts, Columbus, Ohio. Material in this file was produced between 1977 and 1989. File contains conceptual drawings, design development drawings, working drawings, competition drawings, presentation drawings, record drawings, reference drawings, publication drawings, photographic material, reference drawings, CD-Rs, textual records, and a model. Textual records include conceptual drawings, some by Eisenman (DR1994:0149:001-1138). Design development drawings and final working drawings are organized chronologically: 1983 (DR1994:0149:1139-1140), 1984 (DR1994:00149:1141-1294), 1985 (DR1994:00149:1295-1542), 1986 (DR1994:0149:1543-1577), 1988 (DR1994:0149:1578-1582), and 1989 (DR1994:0149:1583-1642). Competition drawings include original drawings (DR1994:0149:1643-1662) and KC5 negatives (DR1994:0149:1670-1754) used to produce the final presentation panels (DR1994:0149:1755-1756). Lithographs DR1994:0149:1757-1774 were used as presentation drawings. Reference drawings include site plans provided by the client (DR1994:0149:1780-1821), aerial photographs (DR1994:0149:1822-1823), photographs of the existing buildings on the proposed site (DR1994:0149:1824-1827) and measured drawings of the armoury, and shop drawings by Jules Fisher & Paul Marantz, Inc. Architectural Lighting Design. Eisenman published a book on the Wexner Center in 1989, and the cover and galleys are included in this group (cover: DR1994:0149:1828; galleys: DR1994:0149:1829-1831). Textual records include competition information, program, agreements, correspondence, specifications, construction progress, plans, and photographs.
File 22
1977-1989
Series
CD041.S1
Description:
This series documents eight projects that Eva Hollo Vecsei worked on while at the firm Affleck, Desbarats, Dimakopoulos, Lebensold & Sise Architect (Arcop). Vecsei worked for the firm from 1959 to 1971 and was made an associate in 1964. She was the designer in charge of several Massey Award winning projects such as: Saint Gerard Magella Church, Saint-Jean-sur-Richelieu, Québec (1960-1963); Place Bonaventure, Montréal, Québec (circa 1963-1969); Student Union building, McGill University, Montréal, Québec (1965); and the Life science building, Dalhousie University, Halifax, Nova Scotia (1971). This series includes documents related to the following projects: Tifereth Jerusalem Synagogue, Côte-Saint-Luc, Québec (circa 1959-1971); Saint Gerard Magella Church, Saint-Jean-sur-Richelieu, Québec (1960-1963); Centre civique Chomedey, Chomedey [now Laval], Québec (1962-1965); Place des Arts, Montréal, Québec (1963); Place Bonaventure, Montréal, Québec (circa 1963-1969); Student Union building, McGill University, Montréal, Québec (1965); and the Life science building, Dalhousie University, Halifax, Nova Scotia (1971). Collection material in this series was produced between 1959 and 2017. Documenting the series are photographs, presentation drawings, slides, publications, clippings, correspondence, and digital material (mainly photographs and versions of a filmed interview). Records are predominantly related to Place Bonaventure, a large multi-functional complex comprised of exhibition and convention halls, an international trade centre, shopping concourses, offices, and a 400-room hotel with rooftop gardens. Mostly constructed of concrete, the building is connected to an underground pedestrian network and the Place Bonaventure metro station.
1959-2017
Affleck, Desbarats, Dimakopoulos, Lebensold & Sise Architect (1959-1971)
Actions:
CD041.S1
Description:
This series documents eight projects that Eva Hollo Vecsei worked on while at the firm Affleck, Desbarats, Dimakopoulos, Lebensold & Sise Architect (Arcop). Vecsei worked for the firm from 1959 to 1971 and was made an associate in 1964. She was the designer in charge of several Massey Award winning projects such as: Saint Gerard Magella Church, Saint-Jean-sur-Richelieu, Québec (1960-1963); Place Bonaventure, Montréal, Québec (circa 1963-1969); Student Union building, McGill University, Montréal, Québec (1965); and the Life science building, Dalhousie University, Halifax, Nova Scotia (1971). This series includes documents related to the following projects: Tifereth Jerusalem Synagogue, Côte-Saint-Luc, Québec (circa 1959-1971); Saint Gerard Magella Church, Saint-Jean-sur-Richelieu, Québec (1960-1963); Centre civique Chomedey, Chomedey [now Laval], Québec (1962-1965); Place des Arts, Montréal, Québec (1963); Place Bonaventure, Montréal, Québec (circa 1963-1969); Student Union building, McGill University, Montréal, Québec (1965); and the Life science building, Dalhousie University, Halifax, Nova Scotia (1971). Collection material in this series was produced between 1959 and 2017. Documenting the series are photographs, presentation drawings, slides, publications, clippings, correspondence, and digital material (mainly photographs and versions of a filmed interview). Records are predominantly related to Place Bonaventure, a large multi-functional complex comprised of exhibition and convention halls, an international trade centre, shopping concourses, offices, and a 400-room hotel with rooftop gardens. Mostly constructed of concrete, the building is connected to an underground pedestrian network and the Place Bonaventure metro station.
Series
1959-2017
Sub-series
Photographs and negatives
AP140.S2.SS7.D1
Description:
The sub-series documents some of the early architectural interests of James Stirling, the work and activities of the successive firms of Stirling and Gowan; James Stirling; James Stirling and Partner; and James Stirling, Michael Wilford, and Associates, as well as office personnel and events and travels. Material in this file was produced between probably the 1950s and 1992. The subs-series contains photographs, including views of Liverpool and of Le Corbusier's buildings taken by James Stirling. It also contains several portraits of James Stirling, Michael Wilford and colleagues, interior views of the office, and views of drawings, models and of completed buildings by the firm, by photographers Geoff Beeckman, Martin Charles, John Donat Photography, Marlies Hentrup, Klaus Lehnartz, and Ray Williams.
circa 1950s-1992
Photographs and negatives
Actions:
AP140.S2.SS7.D1
Description:
The sub-series documents some of the early architectural interests of James Stirling, the work and activities of the successive firms of Stirling and Gowan; James Stirling; James Stirling and Partner; and James Stirling, Michael Wilford, and Associates, as well as office personnel and events and travels. Material in this file was produced between probably the 1950s and 1992. The subs-series contains photographs, including views of Liverpool and of Le Corbusier's buildings taken by James Stirling. It also contains several portraits of James Stirling, Michael Wilford and colleagues, interior views of the office, and views of drawings, models and of completed buildings by the firm, by photographers Geoff Beeckman, Martin Charles, John Donat Photography, Marlies Hentrup, Klaus Lehnartz, and Ray Williams.
File 1
circa 1950s-1992
Series
CI007.S3
Description:
The series documents the work of the students of Mies van der Rohe's architectural design class at the Armour Institute of Technology in Chicago, Illinois.The material in this series was produced between 1939 and 1940. The series contains drawings related or produced by Mies' students during the class he taught. The drawings are predominantly by George Danforth during the first and second year Mies taught this class and also include copies of Mies' sketches for some of his past projects, as well as photographs of the graduate students of 1940 at the Armour Institure of Technology, including George Danforth. The series also includes photographs by Pius E. Pahl of Mies van der Rohe during a seminar at the Bauhaus in Germany, in 1931.
1938-1943
Architectural projects by Mies' students
CI007.S3
Description:
The series documents the work of the students of Mies van der Rohe's architectural design class at the Armour Institute of Technology in Chicago, Illinois.The material in this series was produced between 1939 and 1940. The series contains drawings related or produced by Mies' students during the class he taught. The drawings are predominantly by George Danforth during the first and second year Mies taught this class and also include copies of Mies' sketches for some of his past projects, as well as photographs of the graduate students of 1940 at the Armour Institure of Technology, including George Danforth. The series also includes photographs by Pius E. Pahl of Mies van der Rohe during a seminar at the Bauhaus in Germany, in 1931.
series
1938-1943
Project
Ice House II (1972)
AP207.S1.1972.PR01
Description:
The project series documents "Ice House II" a project which consisted of freezing a small house in suburban Minneapolis, by pouring water into a wooden mold surrounding the house and letting the water freeze to create a block of ice. "If the addition of material then leads, paradoxically, to the disappearence of the 'architectural' object, this subtraction only highlights the serial repetitiveness of the dwellings in American suburbia." [1] It is unclear if this project was ever performed. The project series contains photographs of the frozen house, photographic reproductions of aerial views and plans of the neighbourhood for the selection of the house, sketches and a perspective drawing. Source: [1] Marco Scotini, editor. Non-conscious architecture: Gianni Pettena, Sternberg Press, 2018, 235 pages. p. 152.
circa 1972-2015
Ice House II (1972)
Actions:
AP207.S1.1972.PR01
Description:
The project series documents "Ice House II" a project which consisted of freezing a small house in suburban Minneapolis, by pouring water into a wooden mold surrounding the house and letting the water freeze to create a block of ice. "If the addition of material then leads, paradoxically, to the disappearence of the 'architectural' object, this subtraction only highlights the serial repetitiveness of the dwellings in American suburbia." [1] It is unclear if this project was ever performed. The project series contains photographs of the frozen house, photographic reproductions of aerial views and plans of the neighbourhood for the selection of the house, sketches and a perspective drawing. Source: [1] Marco Scotini, editor. Non-conscious architecture: Gianni Pettena, Sternberg Press, 2018, 235 pages. p. 152.
Project
circa 1972-2015