textual records
ARCH216321
Description:
GSD News, photocopied clipping (Rafael Manco), Henry Cobb "Architecture and the University," - lecture transcript (1985), Graduate School of Design Information Series, 1982-1983
1982-1985
Graduate School of Design Information Series
Actions:
ARCH216321
Description:
GSD News, photocopied clipping (Rafael Manco), Henry Cobb "Architecture and the University," - lecture transcript (1985), Graduate School of Design Information Series, 1982-1983
textual records
1982-1985
Sub-series
Article Texts
AP116.S3.SS20.D2
Description:
File documents some of the editorial activities in the production of Public Fear: What's So Scary About Architecture?, issue 18 of ANY magazine (May). Material in file was produced in 1997. File contains drafts, articles, transcripts, clippings, and some illustrative material.
1997
Article Texts
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AP116.S3.SS20.D2
Description:
File documents some of the editorial activities in the production of Public Fear: What's So Scary About Architecture?, issue 18 of ANY magazine (May). Material in file was produced in 1997. File contains drafts, articles, transcripts, clippings, and some illustrative material.
File 2
1997
How can architecture meaningfully bridge inherited traditions and contemporary realities? Join us for a talk with architect Olayinka Dosekun-Adjei, co-founder and creative director of Studio Contra.
11 June 2026, 6pm to 7:30pm
Reworking Material, Craft, and Form in Contemporary West Africa with Olayinka Dosekun-Adjei
Actions:
Description:
How can architecture meaningfully bridge inherited traditions and contemporary realities? Join us for a talk with architect Olayinka Dosekun-Adjei, co-founder and creative director of Studio Contra.
articles
The Good Cause
Journeys and translation
Archis, Architecture en uniforme, Architecture in Uniform, Cold War, Guerre froide, La bonne cause, NAi, paix, peace, reconstruction, Seconde Guerre mondiale, Second World War, The Good Cause
28 March 2011
Journeys and translation
Sub-series
Photographs
AP116.S3.SS6.D2
Description:
File documents the In ANY Event symposium, Architecture and the Feminine: Mop-up Work proceedings and provides photographic material for issue 4 of ANY magazine of the same title. Material in file was produced in 1993. File contains a file of photographs and negatives.
1993
Photographs
Actions:
AP116.S3.SS6.D2
Description:
File documents the In ANY Event symposium, Architecture and the Feminine: Mop-up Work proceedings and provides photographic material for issue 4 of ANY magazine of the same title. Material in file was produced in 1993. File contains a file of photographs and negatives.
File 2
1993
archives
Level of archival description:
Fonds
Richard Henriquez fonds
AP059
Synopsis:
The Richard Henriquez fonds, 1962-2002, documents the professional career of architect and urban designer Richard G. Henriquez. More specifically, the fonds documents Henriquez’s architectural training at the University of Manitoba, his early career as an architect in Jamaica, and his career as a principal at the architectural firm Henriquez Partners Architects. The fonds contains approximately 8935 drawings (including reprographic copies), 106 panels, 100 photographs, 31 l.m textual records, 5 offset printing plates and 1 model.
1962-2002
Richard Henriquez fonds
Actions:
AP059
Synopsis:
The Richard Henriquez fonds, 1962-2002, documents the professional career of architect and urban designer Richard G. Henriquez. More specifically, the fonds documents Henriquez’s architectural training at the University of Manitoba, his early career as an architect in Jamaica, and his career as a principal at the architectural firm Henriquez Partners Architects. The fonds contains approximately 8935 drawings (including reprographic copies), 106 panels, 100 photographs, 31 l.m textual records, 5 offset printing plates and 1 model.
archives
Level of archival description:
Fonds
1962-2002
Series
Paul Goesch
AP162.S2
Description:
Series documents the contribution of architect Paul Goesch to the correspondence circle of Die gläserne Kette. Goesch participated using the pseudonym Tancred. Born in Schwerin, Germany in 1985, Goesch studied architecture at the Technische Hochschule at Berlin-Charlottenburg. After his studies, he worked as a civil servant in Kulm and started producing his first drawings and watercolours between 1914 and 1916. He joined the Novembergruppe, an exhibiting group of painters, sculptors, architects and musicians that later merged with the Arbeitsrat für Kunst group led by Bruno Taut. He collaborated with Bruno Taut on the coloured-architecture program in Magdeburg, Germany in 1921, but was later hospitalized for mental illness, first in Göttingen, then in the Teupitz Hospital near Berlin in 1933 or 1934. In 1940, he was taken by the SS to Hartheim Euthanasia Centre where he was murdered on 6 September the same year. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) The series comprises a letter of Paul Goesch to the Die gläserne Kette circle, as well as portraits, including a carte-de-visite, and a diploma.
1890-1911
Paul Goesch
Actions:
AP162.S2
Description:
Series documents the contribution of architect Paul Goesch to the correspondence circle of Die gläserne Kette. Goesch participated using the pseudonym Tancred. Born in Schwerin, Germany in 1985, Goesch studied architecture at the Technische Hochschule at Berlin-Charlottenburg. After his studies, he worked as a civil servant in Kulm and started producing his first drawings and watercolours between 1914 and 1916. He joined the Novembergruppe, an exhibiting group of painters, sculptors, architects and musicians that later merged with the Arbeitsrat für Kunst group led by Bruno Taut. He collaborated with Bruno Taut on the coloured-architecture program in Magdeburg, Germany in 1921, but was later hospitalized for mental illness, first in Göttingen, then in the Teupitz Hospital near Berlin in 1933 or 1934. In 1940, he was taken by the SS to Hartheim Euthanasia Centre where he was murdered on 6 September the same year. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) The series comprises a letter of Paul Goesch to the Die gläserne Kette circle, as well as portraits, including a carte-de-visite, and a diploma.
series
1890-1911
textual records, born digital
Quantity:
3 file
Texts by Elizabeth Grosz
ARCH242178
Description:
[Elizabeth] Grosz, Virtual, Writing Arch - draft texts and computer diskettes [Elizabeth]Grosz MS (manuscript with revisions) Elizabeth Grosz, Writing Architecture Book - correspondence, manuscript
1999-2001
Texts by Elizabeth Grosz
Actions:
ARCH242178
Description:
[Elizabeth] Grosz, Virtual, Writing Arch - draft texts and computer diskettes [Elizabeth]Grosz MS (manuscript with revisions) Elizabeth Grosz, Writing Architecture Book - correspondence, manuscript
textual records, born digital
Quantity:
3 file
1999-2001
drawings
AP206.S3.042
Description:
This drawing was related to an article entitled "The Making of Fatehpur Sikri" by Satish Davar and the study undertaken by the Chandigarh College of Architecture.
circa 1980s
Plan study of Fatehpur Sikri Complex
Actions:
AP206.S3.042
Description:
This drawing was related to an article entitled "The Making of Fatehpur Sikri" by Satish Davar and the study undertaken by the Chandigarh College of Architecture.
drawings
circa 1980s
archives
Level of archival description:
Fonds
Barry Downs fonds
AP077
Synopsis:
The Barry Downs fonds contains 6 drawings and 8 presentation panels for a total of 11 projects conceived between 1956 and 1968. This period coincided with Down's position as design architect for Thompson, Berwick, Pratt & Partners, and his subsequent partnership with Fred Thornton Hollingsworth. The documents, particularly the drawings, reveal the considerable skill Downs possessed as both a draughtsman and a designer.
[1956-1968]
Barry Downs fonds
Actions:
AP077
Synopsis:
The Barry Downs fonds contains 6 drawings and 8 presentation panels for a total of 11 projects conceived between 1956 and 1968. This period coincided with Down's position as design architect for Thompson, Berwick, Pratt & Partners, and his subsequent partnership with Fred Thornton Hollingsworth. The documents, particularly the drawings, reveal the considerable skill Downs possessed as both a draughtsman and a designer.
archives
Level of archival description:
Fonds
[1956-1968]