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Agricultural areas in industrial and urban regions will in the future no longer be seen merely as functional space but rather as islands of the beautiful and the useful. This publication presents exemplary concepts for the cooperation of landscape architecture, agriculture and Land Art.
Field studies: the new aesthetics of urban agriculture
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Agricultural areas in industrial and urban regions will in the future no longer be seen merely as functional space but rather as islands of the beautiful and the useful. This publication presents exemplary concepts for the cooperation of landscape architecture, agriculture and Land Art.
Land Art
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In this Very Short Introduction, Robert C. Allen shows how the interplay of geography, globalization, technological change, and economic policy has determined the wealth and poverty of nations. Allen shows how the industrial revolution was Britain's path-breaking response to the challenge of globalization.
Global economic history: a very short introduction
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In this Very Short Introduction, Robert C. Allen shows how the interplay of geography, globalization, technological change, and economic policy has determined the wealth and poverty of nations. Allen shows how the industrial revolution was Britain's path-breaking response to the challenge of globalization.
Critical Theory
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Bernd and Hilla Becher's lifetime project of documenting the industrial landscape of our time secures their position in the canon of postwar photographers. Their work - at once conceptual art, typological study, and topological documentation - has influenced German photographers of a younger generation, including Thomas Struth, Thomas Demand, Candida Höfer, Thomas Ruff,(...)
Photography monographs
November 2006, Cambridge (MA), London
Bernd and Hiller Becher : life and work
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Bernd and Hilla Becher's lifetime project of documenting the industrial landscape of our time secures their position in the canon of postwar photographers. Their work - at once conceptual art, typological study, and topological documentation - has influenced German photographers of a younger generation, including Thomas Struth, Thomas Demand, Candida Höfer, Thomas Ruff, and Andreas Gursky. This compelling, exhaustively documented biography describes the Bechers' life and work and offers a critical assessment of their place in the history of photography. Becher scholar Susanne Lange, granted access to the photographers' archives and quoting extensively from interviews with them, writes the first sustained analysis and biography of the Bechers' extraordinary partnership. She discusses, among other topics, both the functionalist and aesthetic dimensions of the Bechers' subject matter, their typologizing (which she finds reminiscent of nineteenth-century naturalists' classificatory schemes), and the anonymous industrial building style favored by German architects. She argues that industrial building types impose themselves on our consciousness as the cathedral did on that of the Middle Ages, and that the Bechers' photographs -which seem at first glance only to record a vanishing landscape - serve to examine this shaping of our perceptions. Their work provides us with a rare opportunity to see how we see.
Photography monographs
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American cities entered a new phase when, beginning in the 1950s, artists and developers looked upon a decaying industrial zone in Lower Manhattan and saw, not blight, but opportunity: cheap rents, lax regulation, and wide open spaces. Thus, SoHo was born. From 1960 to 1980, residents transformed the industrial neighborhood into an artist district, creating the conditions(...)
The lofts of SoHo: gentrification, art and industry in New York 1950-1980
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American cities entered a new phase when, beginning in the 1950s, artists and developers looked upon a decaying industrial zone in Lower Manhattan and saw, not blight, but opportunity: cheap rents, lax regulation, and wide open spaces. Thus, SoHo was born. From 1960 to 1980, residents transformed the industrial neighborhood into an artist district, creating the conditions under which it evolved into an upper-income, gentrified area. Introducing the idea—still potent in city planning today—that art could be harnessed to drive municipal prosperity, SoHo was the forerunner of gentrified districts in cities nationwide, spawning the notion of the creative class. In The Lofts of SoHo, Aaron Shkuda studies the transition of the district from industrial space to artists’ enclave to affluent residential area, focusing on the legacy of urban renewal in and around SoHo and the growth of artist-led redevelopment. Shkuda explores conflicts between residents and property owners and analyzes the city’s embrace of the once-illegal loft conversion as an urban development strategy. As Shkuda explains, artists eventually lost control of SoHo’s development, but over several decades they nonetheless forced scholars, policymakers, and the general public to take them seriously as critical actors in the twentieth-century American city.
Urban Theory
books
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Nineteen buildings across Scandinavia are analysed in this book. The contemporary work, which ranges from the domestic residence to the church, the industrial building, the library and the hall also includes experimental projects. Architects include Juha Leiviska, Sverre Fehn, Niels Torp, Monark Group, and Tegnestuen Vankunsten.
Architecture since 1900, Europe
May 1997, Basel
New wood architecture in Scandinavia
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Nineteen buildings across Scandinavia are analysed in this book. The contemporary work, which ranges from the domestic residence to the church, the industrial building, the library and the hall also includes experimental projects. Architects include Juha Leiviska, Sverre Fehn, Niels Torp, Monark Group, and Tegnestuen Vankunsten.
books
May 1997, Basel
Architecture since 1900, Europe
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Berlin was once the biggest industrial area in Europe, home to large-scale enterprises like AEG and Siemens. Bewag, the Berlin electricity provider, laid the foundations for a modern power supply together with these companies. Power Stations in Berlin considers numerous local power stations as an integral part of the city's architectural heritage, from the period of(...)
Engineering Structures
July 2004, Berlin
Power stations in Berlin : the electropolis heritage
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Berlin was once the biggest industrial area in Europe, home to large-scale enterprises like AEG and Siemens. Bewag, the Berlin electricity provider, laid the foundations for a modern power supply together with these companies. Power Stations in Berlin considers numerous local power stations as an integral part of the city's architectural heritage, from the period of industrialization at the beginning of the 20th century until now, giving a comprehensive overview of Berlin as an industrial city in the process. The question of how to reuse these unique plants, is raised; the right balance between preserving the facilities and finding a new economic use for them is crucial. The book includes essays by Klaus Bürgel, Hilmar Bärthel, Hans-Achim Grube, Christina Keseberg, Matthias Dunger, Herbert Strobel, Jörg Haspel, and Hubert Staroste
Engineering Structures
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'Craft Becomes Modern: The Bauhaus in the Making' looks at the Bauhaus from the perspective of this noisy activity — handcraft. No term was more fiercely disputed there. Although conceived as “laboratories for industry,” a great deal was still done by hand in the Dessau workshops. Workshops at the Bauhaus straddled the different priorities and practical realities at play,(...)
Craft becomes modern : the Bauhaus in the making
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'Craft Becomes Modern: The Bauhaus in the Making' looks at the Bauhaus from the perspective of this noisy activity — handcraft. No term was more fiercely disputed there. Although conceived as “laboratories for industry,” a great deal was still done by hand in the Dessau workshops. Workshops at the Bauhaus straddled the different priorities and practical realities at play, falling somewhere between factory and craft business, between free experimentation and industrial contract work. From this field of tension, the Bauhaus tried to define handcraft anew as a utopian pursuit that could coexist with industrial culture. The Bauhaus’ interest in industrialization has been thoroughly studied; the persistence of craft among its teachers and students much less so. Craft Becomes Modern surveys this aspect of the Bauhaus’ teaching and work, and puts it in historical context.
Design Theory
Projects from Berlin
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The right lighting can make or break a space: Professional lighting designers collaborate with architects, industrial designers and electricians to create harmony. This publication, which accompanies an exhibition at Berlin's Deutscher Werkbund, considers several projects that utilize the latest technology in a fusion of light, architecture and art.
Materials and Lighting
March 2008, Berlin
Projects from Berlin
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The right lighting can make or break a space: Professional lighting designers collaborate with architects, industrial designers and electricians to create harmony. This publication, which accompanies an exhibition at Berlin's Deutscher Werkbund, considers several projects that utilize the latest technology in a fusion of light, architecture and art.
Materials and Lighting
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This publication brings together ideas about memory which bear upon the architectural and urban experience. It presents a critical and creative approach to the theorisation of memory, and focuses this burgeoning area of studies on the actual forms of the built environment in the modernist and post-industrial city.
Urban memory : history and amnesia in the modern city
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This publication brings together ideas about memory which bear upon the architectural and urban experience. It presents a critical and creative approach to the theorisation of memory, and focuses this burgeoning area of studies on the actual forms of the built environment in the modernist and post-industrial city.
Urban Theory
Design as art: Bruno Munari
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Bruno Munari insisted that design be beautiful, functional and accessible, and this enlightening and highly entertaining book sets out his ideas about visual, graphic and industrial design and the role it plays in the objects we use everyday. Lamps, road signs, typography, posters, children's books, advertising, cars and chairs.
Design as art: Bruno Munari
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Bruno Munari insisted that design be beautiful, functional and accessible, and this enlightening and highly entertaining book sets out his ideas about visual, graphic and industrial design and the role it plays in the objects we use everyday. Lamps, road signs, typography, posters, children's books, advertising, cars and chairs.
Design Theory