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books
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Architectural acoustics
Architectural acoustics
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$40.50
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Architectural Acoustics provides the fundamental theory and understanding of acoustics and applications of effective detailing for specific building types and conditions in an accessible and clear technical guide.
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Architectural Acoustics provides the fundamental theory and understanding of acoustics and applications of effective detailing for specific building types and conditions in an accessible and clear technical guide.
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Architectural acoustics
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$40.50
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Architectural Acoustics provides the fundamental theory and understanding of acoustics and applications of effective detailing for specific building types and conditions in an accessible and clear technical guide.
Architectural acoustics
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Architectural Acoustics provides the fundamental theory and understanding of acoustics and applications of effective detailing for specific building types and conditions in an accessible and clear technical guide.
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books
books
Publication:
March 2015
March 2015
Subject:
Acoustics
Acoustics
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books
books
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$25.95
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The significance of Jean-François Lyotard's innovative 1985 exhibition Les Immatériaux and the “curatorial turn” in critical theory. In 1985, the philosopher Jean-François Lyotard curated Les Immatériaux at Centre Georges Pompidou. Though widely misunderstood at the time, the exhibition marked a “curatorial turn” in critical theory. Through its experimental layout and(...)
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The significance of Jean-François Lyotard's innovative 1985 exhibition Les Immatériaux and the “curatorial turn” in critical theory. In 1985, the philosopher Jean-François Lyotard curated Les Immatériaux at Centre Georges Pompidou. Though widely misunderstood at the time, the exhibition marked a “curatorial turn” in critical theory. Through its experimental layout and(...)
Subject:
Museums and Universal Exhibitions
Museums and Universal Exhibitions
Publication:
March 2020
March 2020
Title:
Spacing philosophy: Lyotard and the idea of the exhibition
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The significance of Jean-François Lyotard's innovative 1985 exhibition Les Immatériaux and the “curatorial turn” in critical theory. In 1985, the philosopher Jean-François Lyotard curated Les Immatériaux at Centre Georges Pompidou. Though widely misunderstood at the time, the exhibition marked a “curatorial turn” in critical theory. Through its experimental layout and hybrid presentation of objects, technologies, and ideas, this pioneering exploration of virtuality reflected on the exhibition as a medium of communication and anticipated a deeper engagement with immersive and digital space in both art and theory. In Spacing Philosophy, Daniel Birnbaum and Sven-Olov Wallenstein analyze the significance and logic of Lyotard's exhibition while contextualizing it in the history of exhibition practices, the philosophical tradition, and Lyotard's own work on aesthetics and phenomenology. Les Immatériaux can thus be seen as a culmination and materialization of a life's work as well as a primer for the many thought-exhibitions produced in the following decades.
Spacing philosophy: Lyotard and the idea of the exhibition
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$25.95
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Summary:
The significance of Jean-François Lyotard's innovative 1985 exhibition Les Immatériaux and the “curatorial turn” in critical theory. In 1985, the philosopher Jean-François Lyotard curated Les Immatériaux at Centre Georges Pompidou. Though widely misunderstood at the time, the exhibition marked a “curatorial turn” in critical theory. Through its experimental layout and hybrid presentation of objects, technologies, and ideas, this pioneering exploration of virtuality reflected on the exhibition as a medium of communication and anticipated a deeper engagement with immersive and digital space in both art and theory. In Spacing Philosophy, Daniel Birnbaum and Sven-Olov Wallenstein analyze the significance and logic of Lyotard's exhibition while contextualizing it in the history of exhibition practices, the philosophical tradition, and Lyotard's own work on aesthetics and phenomenology. Les Immatériaux can thus be seen as a culmination and materialization of a life's work as well as a primer for the many thought-exhibitions produced in the following decades.
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books
books
Publication:
March 2020
March 2020
Subject:
Museums and Universal Exhibitions
Museums and Universal Exhibitions
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books
books
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Description:
xxxvii, 388 pages : illustrations ; 24 cm
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xxxvii, 388 pages : illustrations ; 24 cm
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Hartford, Conn. : Harriet Beecher Stowe Center ; New Brunswick, N.J. : Rutgers University Press, [2002], ©2002.
Hartford, Conn. : Harriet Beecher Stowe Center ; New Brunswick, N.J. : Rutgers University Press, [2002], ©2002.
Title:
The American woman's home / Catherine E. Beecher and Harriet Beecher Stowe ; edited and with an introduction by Nicole Tonkovich.
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xxxvii, 388 pages : illustrations ; 24 cm
The American woman's home / Catherine E. Beecher and Harriet Beecher Stowe ; edited and with an introduction by Nicole Tonkovich.
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xxxvii, 388 pages : illustrations ; 24 cm
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books
books
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Hartford, Conn. : Harriet Beecher Stowe Center ; New Brunswick, N.J. : Rutgers University Press, [2002], ©2002.
Hartford, Conn. : Harriet Beecher Stowe Center ; New Brunswick, N.J. : Rutgers University Press, [2002], ©2002.
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viii, 122 pages : illustrations (some color) ; 25 cm
Description:
viii, 122 pages : illustrations (some color) ; 25 cm
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Oxford ; Boston : Focal Press, 1995.
Oxford ; Boston : Focal Press, 1995.
Title:
Architectural photography / Michael G. Harris.
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viii, 122 pages : illustrations (some color) ; 25 cm
Architectural photography / Michael G. Harris.
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viii, 122 pages : illustrations (some color) ; 25 cm
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books
books
Publication:
Oxford ; Boston : Focal Press, 1995.
Oxford ; Boston : Focal Press, 1995.
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books
books
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Open Humanities Press 2022
Open Humanities Press 2022
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books
books
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Open Humanities Press 2022
Open Humanities Press 2022
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books
books
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Institute of Network Cultures 2014
Institute of Network Cultures 2014
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books
books
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Institute of Network Cultures 2014
Institute of Network Cultures 2014
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books
books
Title:
Un-Learning Ecologies: Workbook Art Education in the Ecological Crisis [electronic resource].
Un-Learning Ecologies: Workbook Art Education in the Ecological Crisis [electronic resource].
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Migros Museum für Gegenwartskunst ZHdK 2021
Migros Museum für Gegenwartskunst ZHdK 2021
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books
books
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Migros Museum für Gegenwartskunst ZHdK 2021
Migros Museum für Gegenwartskunst ZHdK 2021
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books
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20 preliminary leaves, 700 [i.e. 698] pages ; 21 cm
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20 preliminary leaves, 700 [i.e. 698] pages ; 21 cm
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In Milano : Per Paolo Gottardo Pontio, stampatore regio, a instantia di Pietro Tini, M.D.LXXXV [1585]
In Milano : Per Paolo Gottardo Pontio, stampatore regio, a instantia di Pietro Tini, M.D.LXXXV [1585]
Title:
Trattato dell'arte della pittura, scoltura, et architettura / di Gio. Paolo Lomazzo milanese pittore, diuiso in sette libri. Ne' quali si discorre de la proportione, de' moti, de' colori, de' lumi, de la prospettiua, de la prattica de la pittura, et finalmente de le istorie d'essa pittura. Con vna tauola de' nomi de tutti li pitttori [sic], scoltori, architetti, & matematici antichi, & moderni.
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20 preliminary leaves, 700 [i.e. 698] pages ; 21 cm
Trattato dell'arte della pittura, scoltura, et architettura / di Gio. Paolo Lomazzo milanese pittore, diuiso in sette libri. Ne' quali si discorre de la proportione, de' moti, de' colori, de' lumi, de la prospettiua, de la prattica de la pittura, et finalmente de le istorie d'essa pittura. Con vna tauola de' nomi de tutti li pitttori [sic], scoltori, architetti, & matematici antichi, & moderni.
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20 preliminary leaves, 700 [i.e. 698] pages ; 21 cm
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books
books
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In Milano : Per Paolo Gottardo Pontio, stampatore regio, a instantia di Pietro Tini, M.D.LXXXV [1585]
In Milano : Per Paolo Gottardo Pontio, stampatore regio, a instantia di Pietro Tini, M.D.LXXXV [1585]
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$41.00
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Published for the first time in English, 'The Complete Essays 1973–1991' comprises sixty-eight texts in which Luigi Ghirri explores the same subjects at the core of his photographs – the themes of identity, time, memory, vision, representation, and sense of place. As a voracious reader with a particular taste for the eclectic, Ghirri also reaches outwards from his own(...)
$41.00
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Summary:
Published for the first time in English, 'The Complete Essays 1973–1991' comprises sixty-eight texts in which Luigi Ghirri explores the same subjects at the core of his photographs – the themes of identity, time, memory, vision, representation, and sense of place. As a voracious reader with a particular taste for the eclectic, Ghirri also reaches outwards from his own(...)
Title:
Luigi Ghirri: the complete essays, 1973-1991
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Published for the first time in English, 'The Complete Essays 1973–1991' comprises sixty-eight texts in which Luigi Ghirri explores the same subjects at the core of his photographs – the themes of identity, time, memory, vision, representation, and sense of place. As a voracious reader with a particular taste for the eclectic, Ghirri also reaches outwards from his own practice to explore the history of photography as he considers the work of Walker Evans, William Eggleston, Robert Adams and John Gossage, weaving in references to musicians, writers and painters alike. As themes and ideas overlap, the compilation of texts create a sort of dialectic chamber of curiosities that includes Gulliver, Van Gogh’s yellow house, Cézanne, Morandi’s studio, Mallarmé, the fireworks above Trani Cathedral, neo-realist films, lots of music, Francis Bacon, McLuhan’s global village, Pessoa, poetry. Together, the essays offer an unintentional yet comprehensive treatise on the history and theory of photography, and above all, they constitute a special form of autobiography.
Luigi Ghirri: the complete essays, 1973-1991
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$41.00
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Summary:
Published for the first time in English, 'The Complete Essays 1973–1991' comprises sixty-eight texts in which Luigi Ghirri explores the same subjects at the core of his photographs – the themes of identity, time, memory, vision, representation, and sense of place. As a voracious reader with a particular taste for the eclectic, Ghirri also reaches outwards from his own practice to explore the history of photography as he considers the work of Walker Evans, William Eggleston, Robert Adams and John Gossage, weaving in references to musicians, writers and painters alike. As themes and ideas overlap, the compilation of texts create a sort of dialectic chamber of curiosities that includes Gulliver, Van Gogh’s yellow house, Cézanne, Morandi’s studio, Mallarmé, the fireworks above Trani Cathedral, neo-realist films, lots of music, Francis Bacon, McLuhan’s global village, Pessoa, poetry. Together, the essays offer an unintentional yet comprehensive treatise on the history and theory of photography, and above all, they constitute a special form of autobiography.
Form:
books
books
Publication:
July 2016
July 2016
Subject:
Theory of Photography
Theory of Photography
Form:
books
books
Title:
Thinking photography
Thinking photography
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$38.95
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Summary:
"Thinking photography" brings debates within the theory and practice of communications and culture, in this case in photography and photography criticism, to a wider audience. Victor Burgin's book is concerned with the production of meaning in photographs ( and so it is fully illustrated). A photograph has traditionally been understood as an expression of the(...)
$38.95
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Summary:
"Thinking photography" brings debates within the theory and practice of communications and culture, in this case in photography and photography criticism, to a wider audience. Victor Burgin's book is concerned with the production of meaning in photographs ( and so it is fully illustrated). A photograph has traditionally been understood as an expression of the(...)
Title:
Thinking photography
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$38.95
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Summary:
"Thinking photography" brings debates within the theory and practice of communications and culture, in this case in photography and photography criticism, to a wider audience. Victor Burgin's book is concerned with the production of meaning in photographs ( and so it is fully illustrated). A photograph has traditionally been understood as an expression of the photographer's personality, a transparent presentation of a real scene, or more recently in 'modernist' criticism as a purely formal object. Victor Burgin and his collaborators - Umberto Eco, Allan Sekula, John Tagg and Simon Watney - taking their cue from Walter Benjamin's "The author as producer" (also reprinted here), and working from a wide range of photographs, challenge the concept of the autonomous, spontaneously creative artist, the idea of documentary truth in photography and the notion of purely visual languages. They develop an account of the production of the meaning as a photograph within social institutions - advertising, journalism, art - within a society with a history and within the unconscious.
Thinking photography
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Price:
$38.95
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Summary:
"Thinking photography" brings debates within the theory and practice of communications and culture, in this case in photography and photography criticism, to a wider audience. Victor Burgin's book is concerned with the production of meaning in photographs ( and so it is fully illustrated). A photograph has traditionally been understood as an expression of the photographer's personality, a transparent presentation of a real scene, or more recently in 'modernist' criticism as a purely formal object. Victor Burgin and his collaborators - Umberto Eco, Allan Sekula, John Tagg and Simon Watney - taking their cue from Walter Benjamin's "The author as producer" (also reprinted here), and working from a wide range of photographs, challenge the concept of the autonomous, spontaneously creative artist, the idea of documentary truth in photography and the notion of purely visual languages. They develop an account of the production of the meaning as a photograph within social institutions - advertising, journalism, art - within a society with a history and within the unconscious.
Form:
books
books
Publication:
April 2003, New York
April 2003, New York
Subject:
Theory of Photography
Theory of Photography
