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While the largest parts of icebergs — or islands — remain beneath the sea surface, often unmapped and perilous, a myriad of creatures and non-organic matter connect them to other lands. Nowadays, in the era of the climate crisis, what is hidden in the depths of the sea exponentially manifests the impact of anthropogenic activity on the planet. Plastic waste and pollution,(...)
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While the largest parts of icebergs — or islands — remain beneath the sea surface, often unmapped and perilous, a myriad of creatures and non-organic matter connect them to other lands. Nowadays, in the era of the climate crisis, what is hidden in the depths of the sea exponentially manifests the impact of anthropogenic activity on the planet. Plastic waste and pollution,(...)
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Mediterranean icebergs: Invisible connections underwater
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While the largest parts of icebergs — or islands — remain beneath the sea surface, often unmapped and perilous, a myriad of creatures and non-organic matter connect them to other lands. Nowadays, in the era of the climate crisis, what is hidden in the depths of the sea exponentially manifests the impact of anthropogenic activity on the planet. Plastic waste and pollution, deep sea mining, and undersea network infrastructures affect marine biodiversity and life on Earth at large. Mediterranean Icebergs sheds light on forms of agency, be it human, more-than-human, or machinic, that operate in marine environments, paying attention to their entanglements, encounters, and asymmetries. Addressing the interconnectedness of environmental, political, and legal issues, this book takes the Mediterranean as a starting point to discuss what is at stake for all lives depending on the planet’s seas and oceans.
Mediterranean icebergs: Invisible connections underwater
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While the largest parts of icebergs — or islands — remain beneath the sea surface, often unmapped and perilous, a myriad of creatures and non-organic matter connect them to other lands. Nowadays, in the era of the climate crisis, what is hidden in the depths of the sea exponentially manifests the impact of anthropogenic activity on the planet. Plastic waste and pollution, deep sea mining, and undersea network infrastructures affect marine biodiversity and life on Earth at large. Mediterranean Icebergs sheds light on forms of agency, be it human, more-than-human, or machinic, that operate in marine environments, paying attention to their entanglements, encounters, and asymmetries. Addressing the interconnectedness of environmental, political, and legal issues, this book takes the Mediterranean as a starting point to discuss what is at stake for all lives depending on the planet’s seas and oceans.
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books
books
Publication:
March 2025
March 2025
Subject:
Landscape Theory
Landscape Theory
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books
books
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'Nelle miniere di Iglesias / Into the Mines of Iglesias' is the first part of an exploration that focuses on soil, excavations, incisions, mutations, transpositions and silence of Sulcis-Iglesiente, a territory marked by an industrial history. A wandering through time and space of a region «built», transformed, crossed by different types of works, infrastructures,(...)
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'Nelle miniere di Iglesias / Into the Mines of Iglesias' is the first part of an exploration that focuses on soil, excavations, incisions, mutations, transpositions and silence of Sulcis-Iglesiente, a territory marked by an industrial history. A wandering through time and space of a region «built», transformed, crossed by different types of works, infrastructures,(...)
Publication:
November 2022
November 2022
Title:
Voyages en Sardaigne : Nelle miniere di Iglesias / Into the Mines of Iglesias
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'Nelle miniere di Iglesias / Into the Mines of Iglesias' is the first part of an exploration that focuses on soil, excavations, incisions, mutations, transpositions and silence of Sulcis-Iglesiente, a territory marked by an industrial history. A wandering through time and space of a region «built», transformed, crossed by different types of works, infrastructures, relationships between things. These signs, these scars, are today the distinctive features of an extraordinary mining landscape. A space to discover through visual and textual narration. 'Voyages en Sardaigne' is a collection of unconventional thematic guides on this island in the middle of the Mediterranean. They offer to the reader different ways of observation and restitution of its territory, always characterized by an uncertain temporality: the present and the past merge to build a unique landscape, far from the convulsive setting of the contemporaneity. Photographs by Giaime Meloni.
Voyages en Sardaigne : Nelle miniere di Iglesias / Into the Mines of Iglesias
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'Nelle miniere di Iglesias / Into the Mines of Iglesias' is the first part of an exploration that focuses on soil, excavations, incisions, mutations, transpositions and silence of Sulcis-Iglesiente, a territory marked by an industrial history. A wandering through time and space of a region «built», transformed, crossed by different types of works, infrastructures, relationships between things. These signs, these scars, are today the distinctive features of an extraordinary mining landscape. A space to discover through visual and textual narration. 'Voyages en Sardaigne' is a collection of unconventional thematic guides on this island in the middle of the Mediterranean. They offer to the reader different ways of observation and restitution of its territory, always characterized by an uncertain temporality: the present and the past merge to build a unique landscape, far from the convulsive setting of the contemporaneity. Photographs by Giaime Meloni.
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books
books
Publication:
November 2022
November 2022
Form:
books
books
Title:
Moving mountains
Moving mountains
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The ''Moving mountains' book is a selection of material enquiries of the Swedish landscape, narrated through a series of texts, recipes and visual materials that ask how we can reconfigure and inform our understanding of the land that surrounds us. The structure of ''Moving mountains'' focuses on opposites: mining in the North and agriculture in the South, the Lapland(...)
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The ''Moving mountains' book is a selection of material enquiries of the Swedish landscape, narrated through a series of texts, recipes and visual materials that ask how we can reconfigure and inform our understanding of the land that surrounds us. The structure of ''Moving mountains'' focuses on opposites: mining in the North and agriculture in the South, the Lapland(...)
Title:
Moving mountains
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The ''Moving mountains' book is a selection of material enquiries of the Swedish landscape, narrated through a series of texts, recipes and visual materials that ask how we can reconfigure and inform our understanding of the land that surrounds us. The structure of ''Moving mountains'' focuses on opposites: mining in the North and agriculture in the South, the Lapland fells and the Skåne plains, wanted and unwanted industrial materials, new and old approaches to the land. Photographs by Joshua Olley take the reader through portraits of Skåne, Halland, Uppland, Södermanland, Norrbotten and Lappland. Although the investigation was based in Sweden, the concept is reproducible, which comes across during collaborative moments in the book. The design of the book by Kiosk Studio, with its thermolacquer heat sensitive cover, directly responds to the content, meaning the narrative is as much a visual investigation as it is a text based one.
Moving mountains
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Summary:
The ''Moving mountains' book is a selection of material enquiries of the Swedish landscape, narrated through a series of texts, recipes and visual materials that ask how we can reconfigure and inform our understanding of the land that surrounds us. The structure of ''Moving mountains'' focuses on opposites: mining in the North and agriculture in the South, the Lapland fells and the Skåne plains, wanted and unwanted industrial materials, new and old approaches to the land. Photographs by Joshua Olley take the reader through portraits of Skåne, Halland, Uppland, Södermanland, Norrbotten and Lappland. Although the investigation was based in Sweden, the concept is reproducible, which comes across during collaborative moments in the book. The design of the book by Kiosk Studio, with its thermolacquer heat sensitive cover, directly responds to the content, meaning the narrative is as much a visual investigation as it is a text based one.
Form:
books
books
Publication:
July 2022
July 2022
Subject:
Landscape Theory
Landscape Theory
Form:
books
books
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$34.95
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Summary:
Accompanied by a selection of some of David Goldblatt’s (1930–2018) lesser-known photographs, this distilled dialogue is drawn directly from the recordings of a roving conversation with the photographer conducted three months before his death in June 2018. Goldblatt was born in Randfontein—a mining town on the Witwatersrand gold reef—in 1930, the grandson of(...)
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Summary:
Accompanied by a selection of some of David Goldblatt’s (1930–2018) lesser-known photographs, this distilled dialogue is drawn directly from the recordings of a roving conversation with the photographer conducted three months before his death in June 2018. Goldblatt was born in Randfontein—a mining town on the Witwatersrand gold reef—in 1930, the grandson of(...)
Title:
David Goldblatt: the last interview
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Accompanied by a selection of some of David Goldblatt’s (1930–2018) lesser-known photographs, this distilled dialogue is drawn directly from the recordings of a roving conversation with the photographer conducted three months before his death in June 2018. Goldblatt was born in Randfontein—a mining town on the Witwatersrand gold reef—in 1930, the grandson of Lithuanian-Jewish migrants who settled in South Africa after escaping persecution in Europe. After the death of his father in 1962, Goldblatt sold the family clothing business to become a full-time photographer. In this candid conversation with writer Alexandra Dodd, Goldblatt shares his views about land and landscape, the dangerous lure of repetition in portrait photography, Johannesburg, the solipsism of life as a photographer, staying sharp, his visceral intolerance of censorship, his abiding interest in structures and his observation of instances of dominion under democracy, among other key themes.
David Goldblatt: the last interview
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Summary:
Accompanied by a selection of some of David Goldblatt’s (1930–2018) lesser-known photographs, this distilled dialogue is drawn directly from the recordings of a roving conversation with the photographer conducted three months before his death in June 2018. Goldblatt was born in Randfontein—a mining town on the Witwatersrand gold reef—in 1930, the grandson of Lithuanian-Jewish migrants who settled in South Africa after escaping persecution in Europe. After the death of his father in 1962, Goldblatt sold the family clothing business to become a full-time photographer. In this candid conversation with writer Alexandra Dodd, Goldblatt shares his views about land and landscape, the dangerous lure of repetition in portrait photography, Johannesburg, the solipsism of life as a photographer, staying sharp, his visceral intolerance of censorship, his abiding interest in structures and his observation of instances of dominion under democracy, among other key themes.
Form:
books
books
Publication:
November 2019
November 2019
Subject:
Theory of Photography
Theory of Photography
Form:
books
books
Title:
Seeing into stone
Seeing into stone
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Summary:
This publication describes a technique applied by experienced stone carvers, when they work on sculptural objects: before they start cutting into a stone they contemplate its surface to anticipate the structure and natural growth beneath it. This ritual of looking into opaque matter describes a spiritual practice. At the same time it functions as a metaphor for a special(...)
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Summary:
This publication describes a technique applied by experienced stone carvers, when they work on sculptural objects: before they start cutting into a stone they contemplate its surface to anticipate the structure and natural growth beneath it. This ritual of looking into opaque matter describes a spiritual practice. At the same time it functions as a metaphor for a special(...)
Title:
Seeing into stone
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This publication describes a technique applied by experienced stone carvers, when they work on sculptural objects: before they start cutting into a stone they contemplate its surface to anticipate the structure and natural growth beneath it. This ritual of looking into opaque matter describes a spiritual practice. At the same time it functions as a metaphor for a special kind of tunnel vision, focused on what lies invisible under a surface. This book is a time travel through past and present, above and below ground. Landscapes, impacted and even created by resource extraction are put into context with contemporary industrial mining equipment and historical cast iron utilitarian goods. Through the combination of images from very different archives, connections are made that speak about the complex relationships of humans and minerals. Images and texts contribute to a debate on mineral and human coevolution, that redefines the separation between life and non-life.
Seeing into stone
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Summary:
This publication describes a technique applied by experienced stone carvers, when they work on sculptural objects: before they start cutting into a stone they contemplate its surface to anticipate the structure and natural growth beneath it. This ritual of looking into opaque matter describes a spiritual practice. At the same time it functions as a metaphor for a special kind of tunnel vision, focused on what lies invisible under a surface. This book is a time travel through past and present, above and below ground. Landscapes, impacted and even created by resource extraction are put into context with contemporary industrial mining equipment and historical cast iron utilitarian goods. Through the combination of images from very different archives, connections are made that speak about the complex relationships of humans and minerals. Images and texts contribute to a debate on mineral and human coevolution, that redefines the separation between life and non-life.
Form:
books
books
Publication:
February 2022
February 2022
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
Title:
Clouds and bombs
Clouds and bombs
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$62.50
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Summary:
Juan Hein has turned his fascination towards the realm of technology, mining the digital cloud instead of seeking clouds in the sky. He peers into a vast body of information and images, and captures and re-photographs what he finds most interesting. He chooses the motif, he enlarges it, crops it and digitally manipulates it. This process stretches the final image into(...)
$62.50
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Summary:
Juan Hein has turned his fascination towards the realm of technology, mining the digital cloud instead of seeking clouds in the sky. He peers into a vast body of information and images, and captures and re-photographs what he finds most interesting. He chooses the motif, he enlarges it, crops it and digitally manipulates it. This process stretches the final image into(...)
Title:
Clouds and bombs
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Juan Hein has turned his fascination towards the realm of technology, mining the digital cloud instead of seeking clouds in the sky. He peers into a vast body of information and images, and captures and re-photographs what he finds most interesting. He chooses the motif, he enlarges it, crops it and digitally manipulates it. This process stretches the final image into something in between an almost classical etching, with strong sculptural aspects, and a deliberately pixelated digital meta-reality. By doing this, Hein points to the very origin of the picture – historically, technically and conceptually. In the age of fake news, the book is asking one simple question; is what you see true or false? Is it beauty or horror, a paraphrase of an illusive Chinese proverb or a meta-reality created by the mastermind. Hopefully the answer will remain in flux just as fluid and transient as the clouds themselves.
Clouds and bombs
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Summary:
Juan Hein has turned his fascination towards the realm of technology, mining the digital cloud instead of seeking clouds in the sky. He peers into a vast body of information and images, and captures and re-photographs what he finds most interesting. He chooses the motif, he enlarges it, crops it and digitally manipulates it. This process stretches the final image into something in between an almost classical etching, with strong sculptural aspects, and a deliberately pixelated digital meta-reality. By doing this, Hein points to the very origin of the picture – historically, technically and conceptually. In the age of fake news, the book is asking one simple question; is what you see true or false? Is it beauty or horror, a paraphrase of an illusive Chinese proverb or a meta-reality created by the mastermind. Hopefully the answer will remain in flux just as fluid and transient as the clouds themselves.
Form:
books
books
Publication:
November 2020
November 2020
Subject:
Photography monographs
Photography monographs
Form:
books
books
Title:
And if I devoted my life to one of its feathers? Aesthetic responses to extraction, accumulation
And if I devoted my life to one of its feathers? Aesthetic responses to extraction, accumulation
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“And if I devoted my life to one of its feathers?” wrote the Chilean poet, artist, and feminist activist Cecilia Vicuña in the early 1970s. Vicuña countered anthropocentric and hetero-patriarchal urges with healing and appreciation, reviving the aesthetic and spiritual bonds between human and more-than-human entities and worlds. Revolving around this vision of(...)
$27.00
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Summary:
“And if I devoted my life to one of its feathers?” wrote the Chilean poet, artist, and feminist activist Cecilia Vicuña in the early 1970s. Vicuña countered anthropocentric and hetero-patriarchal urges with healing and appreciation, reviving the aesthetic and spiritual bonds between human and more-than-human entities and worlds. Revolving around this vision of(...)
Title:
And if I devoted my life to one of its feathers? Aesthetic responses to extraction, accumulation
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$27.00
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“And if I devoted my life to one of its feathers?” wrote the Chilean poet, artist, and feminist activist Cecilia Vicuña in the early 1970s. Vicuña countered anthropocentric and hetero-patriarchal urges with healing and appreciation, reviving the aesthetic and spiritual bonds between human and more-than-human entities and worlds. Revolving around this vision of interconnectivity, this book, which accompanies a joint exhibition of the same name of Kunsthalle Wien and Wiener Festwochen, seeks to create a collective dialogue around unequal distribution of power, sovereignty, and social and ecological justice. The exhibited works and written contributions reflect on the rationale of exploitation, the fast-paced mining of raw materials, and environmental destruction as a colonial legacy. They deconstruct Western anthropocentric models and enduring colonial and racist discourses, trace the stories of indigenous struggles for collective survival, and celebrate encounters defined by solidarity in their resistance to capitalist extraction, misogyny, imperialist violence, and dispossession.
And if I devoted my life to one of its feathers? Aesthetic responses to extraction, accumulation
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$27.00
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Summary:
“And if I devoted my life to one of its feathers?” wrote the Chilean poet, artist, and feminist activist Cecilia Vicuña in the early 1970s. Vicuña countered anthropocentric and hetero-patriarchal urges with healing and appreciation, reviving the aesthetic and spiritual bonds between human and more-than-human entities and worlds. Revolving around this vision of interconnectivity, this book, which accompanies a joint exhibition of the same name of Kunsthalle Wien and Wiener Festwochen, seeks to create a collective dialogue around unequal distribution of power, sovereignty, and social and ecological justice. The exhibited works and written contributions reflect on the rationale of exploitation, the fast-paced mining of raw materials, and environmental destruction as a colonial legacy. They deconstruct Western anthropocentric models and enduring colonial and racist discourses, trace the stories of indigenous struggles for collective survival, and celebrate encounters defined by solidarity in their resistance to capitalist extraction, misogyny, imperialist violence, and dispossession.
Form:
books
books
Publication:
April 2023
April 2023
Subject:
Art Theory
Art Theory
Form:
books
books
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$60.00
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Summary:
An unsurpassed master of postwar Japanese realist photography and a reference for amateur photographers even today. The breadth and diversity of this Renaissance man’s oeuvre reveals untiring attention to and interest in the culture, art, faces, society, and politics of his country. With over 70,000 pictures taken between the 1920s and the 1980s, Domon Ken is considered(...)
$60.00
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Summary:
An unsurpassed master of postwar Japanese realist photography and a reference for amateur photographers even today. The breadth and diversity of this Renaissance man’s oeuvre reveals untiring attention to and interest in the culture, art, faces, society, and politics of his country. With over 70,000 pictures taken between the 1920s and the 1980s, Domon Ken is considered(...)
Subject:
Photography monographs
Photography monographs
Publication:
August 2017
August 2017
Title:
Domon Ken: master of Japanese realism
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$60.00
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An unsurpassed master of postwar Japanese realist photography and a reference for amateur photographers even today. The breadth and diversity of this Renaissance man’s oeuvre reveals untiring attention to and interest in the culture, art, faces, society, and politics of his country. With over 70,000 pictures taken between the 1920s and the 1980s, Domon Ken is considered the supreme master of Japanese photography as well as the main exponent of realism as the only approach possible. Over the years he honed his craft, shifting from propaganda photography during the war to photography as a life’s mission, in search of his own Japan: a fascinating and silent Japan of ancient temples, Buddhist sculptures, puppet theaters (where he took refuge during the war); the seductive and expressive faces of celebrities alongside the modest ones of street urchins; the poorest Japan of mining villages; and finally his most disturbing and modern work, portraying Hiroshima and its unhealed wounds.
Domon Ken: master of Japanese realism
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$60.00
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Summary:
An unsurpassed master of postwar Japanese realist photography and a reference for amateur photographers even today. The breadth and diversity of this Renaissance man’s oeuvre reveals untiring attention to and interest in the culture, art, faces, society, and politics of his country. With over 70,000 pictures taken between the 1920s and the 1980s, Domon Ken is considered the supreme master of Japanese photography as well as the main exponent of realism as the only approach possible. Over the years he honed his craft, shifting from propaganda photography during the war to photography as a life’s mission, in search of his own Japan: a fascinating and silent Japan of ancient temples, Buddhist sculptures, puppet theaters (where he took refuge during the war); the seductive and expressive faces of celebrities alongside the modest ones of street urchins; the poorest Japan of mining villages; and finally his most disturbing and modern work, portraying Hiroshima and its unhealed wounds.
Form:
books
books
Publication:
August 2017
August 2017
Subject:
Photography monographs
Photography monographs
Form:
journals and magazines
journals and magazines
Title:
Cabinet 30: The Underground
Cabinet 30: The Underground
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Summary:
Site of hidden infrastructure, source of material and energy, home to clandestine activity, buried landscape of darkness and silence: the physical and emotional space of the underground is at once prosaic and uncanny, rich with both functional potential and metaphorical meaning. Cabinet issue 30, with its special section on The Underground, features Irene Cheng on Thomas(...)
$13.00
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Summary:
Site of hidden infrastructure, source of material and energy, home to clandestine activity, buried landscape of darkness and silence: the physical and emotional space of the underground is at once prosaic and uncanny, rich with both functional potential and metaphorical meaning. Cabinet issue 30, with its special section on The Underground, features Irene Cheng on Thomas(...)
Title:
Cabinet 30: The Underground
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Site of hidden infrastructure, source of material and energy, home to clandestine activity, buried landscape of darkness and silence: the physical and emotional space of the underground is at once prosaic and uncanny, rich with both functional potential and metaphorical meaning. Cabinet issue 30, with its special section on The Underground, features Irene Cheng on Thomas W. Knox's 1876 book Underground, or Life Below the Surface and the vogue for underground tourism; an interview with Michel Siffre, a scientist who spent six months isolated in utter darkness in a cave; Jeffrey Kastner on the metaphor of the mole in revolutionary texts; and essays on the evolution of the mining industry, subterranean storage and political resistance movements. Elsewhere in the issue: Christopher Turner on the history of Day-glo; Christine Wertheim on the fabricated Australian Modernist poet Ern Malley; Tirdad Zolghadr on in-flight magazines; and Moyra Davey on the color maroon. This issue also features artist projects by Josiah McElheny and San Keller.
Cabinet 30: The Underground
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Site of hidden infrastructure, source of material and energy, home to clandestine activity, buried landscape of darkness and silence: the physical and emotional space of the underground is at once prosaic and uncanny, rich with both functional potential and metaphorical meaning. Cabinet issue 30, with its special section on The Underground, features Irene Cheng on Thomas W. Knox's 1876 book Underground, or Life Below the Surface and the vogue for underground tourism; an interview with Michel Siffre, a scientist who spent six months isolated in utter darkness in a cave; Jeffrey Kastner on the metaphor of the mole in revolutionary texts; and essays on the evolution of the mining industry, subterranean storage and political resistance movements. Elsewhere in the issue: Christopher Turner on the history of Day-glo; Christine Wertheim on the fabricated Australian Modernist poet Ern Malley; Tirdad Zolghadr on in-flight magazines; and Moyra Davey on the color maroon. This issue also features artist projects by Josiah McElheny and San Keller.
Form:
journals and magazines
journals and magazines
Publication:
September 2008, Brooklyn
September 2008, Brooklyn
Subject:
Magazines
Magazines
Form:
books
books
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$99.95
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Summary:
This beautifully designed and illustrated monograph sets out Patrick Tighe's innovative, diverse and wide-ranging collection of contemporary work towards the post-digital, showing the reader a hyper-detailed analytical investigation of digital forms and their practices. It sets out how his architecture has brought a return to the real in an attempt to rethink the language(...)
$99.95
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Summary:
This beautifully designed and illustrated monograph sets out Patrick Tighe's innovative, diverse and wide-ranging collection of contemporary work towards the post-digital, showing the reader a hyper-detailed analytical investigation of digital forms and their practices. It sets out how his architecture has brought a return to the real in an attempt to rethink the language(...)
Title:
Building dichotomy: PatrickTighe Architects
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This beautifully designed and illustrated monograph sets out Patrick Tighe's innovative, diverse and wide-ranging collection of contemporary work towards the post-digital, showing the reader a hyper-detailed analytical investigation of digital forms and their practices. It sets out how his architecture has brought a return to the real in an attempt to rethink the language and practice of architecture. The book's many inspiring and intricate drawings render clear the ideas that show the palpable energy and momentum that exists in this practice. In every instance, this firm embraces dichotomy, mining its potential to produce a more vital and consequential architecture.This monograph also includes an incisive introduction by Patrick Tighe and is augmented by two essays by Thom Mayne and Stephen Phillips, who also provide clarity and insightful discourse on how Tighe's work is continuously in transition and evolving, and how he's rethinking and engaging in a discourse to de-familiarize the familiar.
Building dichotomy: PatrickTighe Architects
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$99.95
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Summary:
This beautifully designed and illustrated monograph sets out Patrick Tighe's innovative, diverse and wide-ranging collection of contemporary work towards the post-digital, showing the reader a hyper-detailed analytical investigation of digital forms and their practices. It sets out how his architecture has brought a return to the real in an attempt to rethink the language and practice of architecture. The book's many inspiring and intricate drawings render clear the ideas that show the palpable energy and momentum that exists in this practice. In every instance, this firm embraces dichotomy, mining its potential to produce a more vital and consequential architecture.This monograph also includes an incisive introduction by Patrick Tighe and is augmented by two essays by Thom Mayne and Stephen Phillips, who also provide clarity and insightful discourse on how Tighe's work is continuously in transition and evolving, and how he's rethinking and engaging in a discourse to de-familiarize the familiar.
Form:
books
books
Publication:
October 2016
October 2016
Subject:
Architecture Monographs
Architecture Monographs
