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books
books
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They are places we fear to tread, monuments to the principles of our forebears, awe-inspiring towers of achievement : public institutions that sustain and support our lives are all around us. Scott Fortino investigates these enduring pillars of public life in "Institutional", a striking visual essay that documents the diverse architectural structures that house the(...)
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They are places we fear to tread, monuments to the principles of our forebears, awe-inspiring towers of achievement : public institutions that sustain and support our lives are all around us. Scott Fortino investigates these enduring pillars of public life in "Institutional", a striking visual essay that documents the diverse architectural structures that house the(...)
Subject:
Photography monographs
Photography monographs
Publication:
September 2005, Santa Fe
September 2005, Santa Fe
Title:
Institutional : photographs of jails, schools, and other Chicago buildings
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They are places we fear to tread, monuments to the principles of our forebears, awe-inspiring towers of achievement : public institutions that sustain and support our lives are all around us. Scott Fortino investigates these enduring pillars of public life in "Institutional", a striking visual essay that documents the diverse architectural structures that house the foundations of civic life in the city of Chicago. From schools to churches to prisons, Fortino transforms these worn, familiar edifices into compelling symbols of long-lost ideals and communitarian spirit. Fortino coaxes out the subtle warmth and depths of these often overwhelming and pitiless public spaces in his photographs, as his camera reveals the hidden characters of both high-profile works by renowned designers such as Rem Koolhaas, Helmut Jahn, and Mies van der Rohe as well as the stolid structures designed by long-forgotten architects. Light, colour, and composition work together in Fortino's images to produce provocative new perspectives on the interiors of public buildings, revealing how their cultural and social roles as places of worship, education, punishment, or entertainment cast long and complex shadows over our lives. Fortino challenges us in "Institutional" to rethink our view of the public spaces we pass through every day by offering an original and fascinating photographic study of the settings in which the important events of human life unfold.
Institutional : photographs of jails, schools, and other Chicago buildings
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$50.00
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Summary:
They are places we fear to tread, monuments to the principles of our forebears, awe-inspiring towers of achievement : public institutions that sustain and support our lives are all around us. Scott Fortino investigates these enduring pillars of public life in "Institutional", a striking visual essay that documents the diverse architectural structures that house the foundations of civic life in the city of Chicago. From schools to churches to prisons, Fortino transforms these worn, familiar edifices into compelling symbols of long-lost ideals and communitarian spirit. Fortino coaxes out the subtle warmth and depths of these often overwhelming and pitiless public spaces in his photographs, as his camera reveals the hidden characters of both high-profile works by renowned designers such as Rem Koolhaas, Helmut Jahn, and Mies van der Rohe as well as the stolid structures designed by long-forgotten architects. Light, colour, and composition work together in Fortino's images to produce provocative new perspectives on the interiors of public buildings, revealing how their cultural and social roles as places of worship, education, punishment, or entertainment cast long and complex shadows over our lives. Fortino challenges us in "Institutional" to rethink our view of the public spaces we pass through every day by offering an original and fascinating photographic study of the settings in which the important events of human life unfold.
Form:
books
books
Publication:
September 2005, Santa Fe
September 2005, Santa Fe
Subject:
Photography monographs
Photography monographs
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books
books
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$56.50
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Bob Thall has been photographing the skyline and streets of Chicago for over thirty years, and here in "At City's Edge" he chronicles the twenty-five mile shoreline where the asphalt meets the inland sea. Thall's stark yet rich images take viewers from the Evanston border on the North Shore down to 100th Street on the South Side, documenting the natural scenery,(...)
$56.50
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Bob Thall has been photographing the skyline and streets of Chicago for over thirty years, and here in "At City's Edge" he chronicles the twenty-five mile shoreline where the asphalt meets the inland sea. Thall's stark yet rich images take viewers from the Evanston border on the North Shore down to 100th Street on the South Side, documenting the natural scenery,(...)
Title:
At city's edge : photographs of the Chicago lakefront
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Bob Thall has been photographing the skyline and streets of Chicago for over thirty years, and here in "At City's Edge" he chronicles the twenty-five mile shoreline where the asphalt meets the inland sea. Thall's stark yet rich images take viewers from the Evanston border on the North Shore down to 100th Street on the South Side, documenting the natural scenery, architectural structures, and people that populate the coastline. From the lakefront parks to summer beaches to the Air and Water Show, Chicago enfolds Lake Michigan into its urban character, but Thall's images make clear that the lake remains a dynamic and powerful force, with nature and civilization clashing at its rim. "At City's Edge" brings the lakefront to life in all its complexity, chronicling in its elegant visual sequence the sand-covered city beaches, the rock-studded shoreline, the running paths, and the buildings built along this unique intersection.
At city's edge : photographs of the Chicago lakefront
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Bob Thall has been photographing the skyline and streets of Chicago for over thirty years, and here in "At City's Edge" he chronicles the twenty-five mile shoreline where the asphalt meets the inland sea. Thall's stark yet rich images take viewers from the Evanston border on the North Shore down to 100th Street on the South Side, documenting the natural scenery, architectural structures, and people that populate the coastline. From the lakefront parks to summer beaches to the Air and Water Show, Chicago enfolds Lake Michigan into its urban character, but Thall's images make clear that the lake remains a dynamic and powerful force, with nature and civilization clashing at its rim. "At City's Edge" brings the lakefront to life in all its complexity, chronicling in its elegant visual sequence the sand-covered city beaches, the rock-studded shoreline, the running paths, and the buildings built along this unique intersection.
Form:
books
books
Publication:
January 2005, Chicago, Santa Fe
January 2005, Chicago, Santa Fe
Subject:
Photography monographs
Photography monographs
Form:
books
books
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$32.50
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City streets are perhaps the most paradoxically anonymous and personal of all public spaces in the city: people blindly collide in their rush to reach their destinations, while the homeless look for humanity amid the thousands passing by. Gary Stochl captures this daily drama in "On City Streets", an examination of the unpredictable people, places, and events that make up(...)
$32.50
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City streets are perhaps the most paradoxically anonymous and personal of all public spaces in the city: people blindly collide in their rush to reach their destinations, while the homeless look for humanity amid the thousands passing by. Gary Stochl captures this daily drama in "On City Streets", an examination of the unpredictable people, places, and events that make up(...)
Title:
On city streets : Chicago, 1964-2004
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City streets are perhaps the most paradoxically anonymous and personal of all public spaces in the city: people blindly collide in their rush to reach their destinations, while the homeless look for humanity amid the thousands passing by. Gary Stochl captures this daily drama in "On City Streets", an examination of the unpredictable people, places, and events that make up the streets of downtown Chicago. It is a stunning collection made even more so by the fact that this is the first work of Stochl's to be seen in his forty years as a photographer. Introduction by Bob Thall.
On city streets : Chicago, 1964-2004
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City streets are perhaps the most paradoxically anonymous and personal of all public spaces in the city: people blindly collide in their rush to reach their destinations, while the homeless look for humanity amid the thousands passing by. Gary Stochl captures this daily drama in "On City Streets", an examination of the unpredictable people, places, and events that make up the streets of downtown Chicago. It is a stunning collection made even more so by the fact that this is the first work of Stochl's to be seen in his forty years as a photographer. Introduction by Bob Thall.
Form:
books
books
Publication:
January 2005, Chicago
January 2005, Chicago
Subject:
Photography monographs
Photography monographs
Form:
books
books
Title:
Sprawl : a compact history
Sprawl : a compact history
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$34.50
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As anyone who has flown into Los Angeles at dusk or Houston at midday knows, urban areas today defy traditional notions of what a city is. Our old definitions of urban, suburban, and rural fail to capture the complexity of these vast regions with their superhighways, subdivisions, industrial areas, office parks, and resort areas pushing far out into the countryside.(...)
$34.50
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Summary:
As anyone who has flown into Los Angeles at dusk or Houston at midday knows, urban areas today defy traditional notions of what a city is. Our old definitions of urban, suburban, and rural fail to capture the complexity of these vast regions with their superhighways, subdivisions, industrial areas, office parks, and resort areas pushing far out into the countryside.(...)
Title:
Sprawl : a compact history
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$34.50
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As anyone who has flown into Los Angeles at dusk or Houston at midday knows, urban areas today defy traditional notions of what a city is. Our old definitions of urban, suburban, and rural fail to capture the complexity of these vast regions with their superhighways, subdivisions, industrial areas, office parks, and resort areas pushing far out into the countryside. Detractors call it sprawl and assert that it is economically inefficient, socially inequitable, environmentally irresponsible, and aesthetically ugly. Robert Bruegmann calls it a logical consequence of economic growth and the democratization of society, with benefits that urban planners have failed to recognize. In his history of the expanded city, Bruegmann overturns every assumption we have about sprawl. Taking a long view of urban development, he demonstrates that sprawl is neither recent nor particularly American but as old as cities themselves, just as characteristic of ancient Rome and eighteenth-century Paris as it is of Atlanta or Los Angeles. Nor is sprawl the disaster claimed by many contemporary observers. Although sprawl, like any settlement pattern, has undoubtedly produced problems that must be addressed, it has also provided millions of people with the kinds of mobility, privacy, and choice that were once the exclusive prerogatives of the rich and powerful. The first major book to strip urban sprawl of its pejorative connotations, Sprawl offers a completely new vision of the city and its growth. Bruegmann leads readers to the powerful conclusion that ''in its immense complexity and constant change, the city-whether dense and concentrated at its core, looser and more sprawling in suburbia, or in the vast tracts of exurban penumbra that extend dozens, even hundreds, of miles-is the grandest and most marvelous work of mankind.''
Sprawl : a compact history
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$34.50
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Summary:
As anyone who has flown into Los Angeles at dusk or Houston at midday knows, urban areas today defy traditional notions of what a city is. Our old definitions of urban, suburban, and rural fail to capture the complexity of these vast regions with their superhighways, subdivisions, industrial areas, office parks, and resort areas pushing far out into the countryside. Detractors call it sprawl and assert that it is economically inefficient, socially inequitable, environmentally irresponsible, and aesthetically ugly. Robert Bruegmann calls it a logical consequence of economic growth and the democratization of society, with benefits that urban planners have failed to recognize. In his history of the expanded city, Bruegmann overturns every assumption we have about sprawl. Taking a long view of urban development, he demonstrates that sprawl is neither recent nor particularly American but as old as cities themselves, just as characteristic of ancient Rome and eighteenth-century Paris as it is of Atlanta or Los Angeles. Nor is sprawl the disaster claimed by many contemporary observers. Although sprawl, like any settlement pattern, has undoubtedly produced problems that must be addressed, it has also provided millions of people with the kinds of mobility, privacy, and choice that were once the exclusive prerogatives of the rich and powerful. The first major book to strip urban sprawl of its pejorative connotations, Sprawl offers a completely new vision of the city and its growth. Bruegmann leads readers to the powerful conclusion that ''in its immense complexity and constant change, the city-whether dense and concentrated at its core, looser and more sprawling in suburbia, or in the vast tracts of exurban penumbra that extend dozens, even hundreds, of miles-is the grandest and most marvelous work of mankind.''
Form:
books
books
Publication:
October 2005, Chicago, London
October 2005, Chicago, London
Subject:
Urban Theory
Urban Theory
Form:
books
books
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$22.00
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Summary:
David Levi Strauss is a writer whose visual and intellectual sensibilities are both acute and expansive. His trenchant writings on photography and photographers have been collected for this volume from a broad range of magazines, including Aperture, Artforum, and The Nation. In "Between the eyes: essays on photography and politics", Strauss tackles subjects as diverse as(...)
$22.00
(available to order)
Summary:
David Levi Strauss is a writer whose visual and intellectual sensibilities are both acute and expansive. His trenchant writings on photography and photographers have been collected for this volume from a broad range of magazines, including Aperture, Artforum, and The Nation. In "Between the eyes: essays on photography and politics", Strauss tackles subjects as diverse as(...)
Subject:
Theory of Photography
Theory of Photography
Publication:
August 2005, New York
August 2005, New York
Title:
Between the eyes : essays on photography and politics
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$22.00
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Summary:
David Levi Strauss is a writer whose visual and intellectual sensibilities are both acute and expansive. His trenchant writings on photography and photographers have been collected for this volume from a broad range of magazines, including Aperture, Artforum, and The Nation. In "Between the eyes: essays on photography and politics", Strauss tackles subjects as diverse as "Photography and propaganda," the imagery of dreams, Sebastião Salgado’s epic social documents, and the deeply personal photographic revelations of Francesca Woodman. The timely issue of photographic legitimacy is addressed in the essay "Photography and belief," and in "The highest degree of illusion," Strauss discusses the media frenzy surrounding the events of September 11. As our world is shaped more and more by images and their slipperiness, what he calls a media "pandemonium" in its root meaning of "the place of all howling demons," we need a mind and voice like Levi Strauss's to bring clarity to our vision.
Between the eyes : essays on photography and politics
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$22.00
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Summary:
David Levi Strauss is a writer whose visual and intellectual sensibilities are both acute and expansive. His trenchant writings on photography and photographers have been collected for this volume from a broad range of magazines, including Aperture, Artforum, and The Nation. In "Between the eyes: essays on photography and politics", Strauss tackles subjects as diverse as "Photography and propaganda," the imagery of dreams, Sebastião Salgado’s epic social documents, and the deeply personal photographic revelations of Francesca Woodman. The timely issue of photographic legitimacy is addressed in the essay "Photography and belief," and in "The highest degree of illusion," Strauss discusses the media frenzy surrounding the events of September 11. As our world is shaped more and more by images and their slipperiness, what he calls a media "pandemonium" in its root meaning of "the place of all howling demons," we need a mind and voice like Levi Strauss's to bring clarity to our vision.
Form:
books
books
Publication:
August 2005, New York
August 2005, New York
Subject:
Theory of Photography
Theory of Photography
Form:
books
books
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$40.00
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Summary:
One of Spain’s most prominent and innovative artists, Joan Fontcuberta is best known for exploring the interstices between art, science, and illusion. Where science reaches its limits in his works, the imagination frequently finds a creative space in which to flourish. In "Landscapes without memory", Fontcuberta has co-opted a piece of computer software originally(...)
$40.00
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Summary:
One of Spain’s most prominent and innovative artists, Joan Fontcuberta is best known for exploring the interstices between art, science, and illusion. Where science reaches its limits in his works, the imagination frequently finds a creative space in which to flourish. In "Landscapes without memory", Fontcuberta has co-opted a piece of computer software originally(...)
Subject:
Photography monographs
Photography monographs
Publication:
January 1900, New York
January 1900, New York
Title:
Joan Fontcuberta : landscapes without memory
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$40.00
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Summary:
One of Spain’s most prominent and innovative artists, Joan Fontcuberta is best known for exploring the interstices between art, science, and illusion. Where science reaches its limits in his works, the imagination frequently finds a creative space in which to flourish. In "Landscapes without memory", Fontcuberta has co-opted a piece of computer software originally designed for military or scientific use in rendering three-dimensional images of landscapes. The software enables the user to build photo-realistic models based on information scanned from two-dimensional sources—usually satellite surveys or cartographic data. The result gives the user the illusion of navigating in three dimensions which had previously been visualized only as a flat image. With this widely available “freeware” as his starting point, Fontcuberta has created the two series that constitute his "Landscapes without memory". In the “Landscapes of landscapes” series, Fontcuberta feeds the software fragments of pictures by Turner, Cézanne, Dalí, Stieglitz, Weston, and others, forcing the program to interpret a variety of landscape masterworks as “real.” The contours and tones of these painted and photographic landscapes are transformed into three-dimensional mountains, rivers, valleys, and clouds. The vocabulary of art is thus transmuted into that of cartography. In the “Bodyscapes” series, Fontcuberta uses the same software to reinterpret photographs depicting fragments of his own body. The result? A wild, baroque, virtual- fantasy world. While referring to the contemporary exchange between illusion, nature, culture, and technology, "Landscapes without memory" also makes a pointed gesture aimed at fooling that epitome of machine rationalism: the computer.
Joan Fontcuberta : landscapes without memory
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Summary:
One of Spain’s most prominent and innovative artists, Joan Fontcuberta is best known for exploring the interstices between art, science, and illusion. Where science reaches its limits in his works, the imagination frequently finds a creative space in which to flourish. In "Landscapes without memory", Fontcuberta has co-opted a piece of computer software originally designed for military or scientific use in rendering three-dimensional images of landscapes. The software enables the user to build photo-realistic models based on information scanned from two-dimensional sources—usually satellite surveys or cartographic data. The result gives the user the illusion of navigating in three dimensions which had previously been visualized only as a flat image. With this widely available “freeware” as his starting point, Fontcuberta has created the two series that constitute his "Landscapes without memory". In the “Landscapes of landscapes” series, Fontcuberta feeds the software fragments of pictures by Turner, Cézanne, Dalí, Stieglitz, Weston, and others, forcing the program to interpret a variety of landscape masterworks as “real.” The contours and tones of these painted and photographic landscapes are transformed into three-dimensional mountains, rivers, valleys, and clouds. The vocabulary of art is thus transmuted into that of cartography. In the “Bodyscapes” series, Fontcuberta uses the same software to reinterpret photographs depicting fragments of his own body. The result? A wild, baroque, virtual- fantasy world. While referring to the contemporary exchange between illusion, nature, culture, and technology, "Landscapes without memory" also makes a pointed gesture aimed at fooling that epitome of machine rationalism: the computer.
Form:
books
books
Publication:
January 1900, New York
January 1900, New York
Subject:
Photography monographs
Photography monographs
Form:
books
books
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$64.95
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Summary:
Dans ce dernier volume de sa trilogie, "Écumes - sphérologie plurielle", Peter Sloterdijk part à la découverte de la structure alvéolaire qui permet aux êtres humains de coexister dans les sociétés modernes. Il y souligne le rôle de l'élément aérien, notamment dans les nouvelles techniques de destruction et d'extermination, développe une théorie des îles et de "(...)
$64.95
(available to order)
Summary:
Dans ce dernier volume de sa trilogie, "Écumes - sphérologie plurielle", Peter Sloterdijk part à la découverte de la structure alvéolaire qui permet aux êtres humains de coexister dans les sociétés modernes. Il y souligne le rôle de l'élément aérien, notamment dans les nouvelles techniques de destruction et d'extermination, développe une théorie des îles et de "(...)
Title:
Écumes sphères III - sphérologie plurielle
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Dans ce dernier volume de sa trilogie, "Écumes - sphérologie plurielle", Peter Sloterdijk part à la découverte de la structure alvéolaire qui permet aux êtres humains de coexister dans les sociétés modernes. Il y souligne le rôle de l'élément aérien, notamment dans les nouvelles techniques de destruction et d'extermination, développe une théorie des îles et de " l'insulation " humaine, se penche sur le phénomène de la cohabitation des " machines célibataires " vivant en cellules juxtaposées, ou encore sur le phénomène de la " serre ", fabrication artificielle d'un milieu atmosphérique. En cela, il répond à la question de la nature du lien qui fait tenir le sujet dans ce que la sociologie nomme traditionnellement " société ". Peter Sloterdijk entre avec ce volume dans une phase d'observation de la civilisation contemporaine, dont il rattache l'évolution aux premiers mythes de l'écume, entre autres la naissance d'Aphrodite. Cette forme de pensée sereine - en bulles, en écumes - rend compte de la pluralité des approches et inventions du monde. De même, elle formule une interprétation philosophique et anthropologique de l'individualisme qui, en créant une atmosphère de liberté, dépasse les définitions entendues.
Écumes sphères III - sphérologie plurielle
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$64.95
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Dans ce dernier volume de sa trilogie, "Écumes - sphérologie plurielle", Peter Sloterdijk part à la découverte de la structure alvéolaire qui permet aux êtres humains de coexister dans les sociétés modernes. Il y souligne le rôle de l'élément aérien, notamment dans les nouvelles techniques de destruction et d'extermination, développe une théorie des îles et de " l'insulation " humaine, se penche sur le phénomène de la cohabitation des " machines célibataires " vivant en cellules juxtaposées, ou encore sur le phénomène de la " serre ", fabrication artificielle d'un milieu atmosphérique. En cela, il répond à la question de la nature du lien qui fait tenir le sujet dans ce que la sociologie nomme traditionnellement " société ". Peter Sloterdijk entre avec ce volume dans une phase d'observation de la civilisation contemporaine, dont il rattache l'évolution aux premiers mythes de l'écume, entre autres la naissance d'Aphrodite. Cette forme de pensée sereine - en bulles, en écumes - rend compte de la pluralité des approches et inventions du monde. De même, elle formule une interprétation philosophique et anthropologique de l'individualisme qui, en créant une atmosphère de liberté, dépasse les définitions entendues.
Form:
books
books
Publication:
March 2005, Paris
March 2005, Paris
Subject:
Critical Theory
Critical Theory
Form:
books
books
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$19.95
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Summary:
The exhibition 'Austrian architektur' provides insights into the abundant and multifaceted scene composed of young Austrian architects. Characteristic of these architectural entreprises are their experimental approaches and their forging ahead into new fields of architectural creation.
$19.95
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Summary:
The exhibition 'Austrian architektur' provides insights into the abundant and multifaceted scene composed of young Austrian architects. Characteristic of these architectural entreprises are their experimental approaches and their forging ahead into new fields of architectural creation.
Subject:
small format
small format
Publication:
June 2005, Berlin
June 2005, Berlin
Title:
Austria architektur : Sieben Debuts aus Osterreich
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$19.95
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Summary:
The exhibition 'Austrian architektur' provides insights into the abundant and multifaceted scene composed of young Austrian architects. Characteristic of these architectural entreprises are their experimental approaches and their forging ahead into new fields of architectural creation.
Austria architektur : Sieben Debuts aus Osterreich
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$19.95
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Summary:
The exhibition 'Austrian architektur' provides insights into the abundant and multifaceted scene composed of young Austrian architects. Characteristic of these architectural entreprises are their experimental approaches and their forging ahead into new fields of architectural creation.
Form:
books
books
Publication:
June 2005, Berlin
June 2005, Berlin
Subject:
small format
small format
Form:
books
books
Title:
Kleur Colour
Kleur Colour
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$81.50
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Summary:
Designed by Irma Boom this original publication provides an intriguing analysis and graphic exploration of colour through an examination of eighty famous works of art, ranging from old masters to contemporary art. Each double folded page takes on a specially printed individual colour and is perforated into strips, playing on the idea of a colour sample book. Opening the(...)
$81.50
(available to order)
Summary:
Designed by Irma Boom this original publication provides an intriguing analysis and graphic exploration of colour through an examination of eighty famous works of art, ranging from old masters to contemporary art. Each double folded page takes on a specially printed individual colour and is perforated into strips, playing on the idea of a colour sample book. Opening the(...)
Subject:
Graphic Designers, Monographs
Graphic Designers, Monographs
Publication:
April 2005, Amstelveen, Netherlands
April 2005, Amstelveen, Netherlands
Title:
Kleur Colour
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$81.50
(available to order)
Summary:
Designed by Irma Boom this original publication provides an intriguing analysis and graphic exploration of colour through an examination of eighty famous works of art, ranging from old masters to contemporary art. Each double folded page takes on a specially printed individual colour and is perforated into strips, playing on the idea of a colour sample book. Opening the double page reveals an abstract colour interpretation of a particular art work and provides for a reflection on the artist's palette.
Kleur Colour
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$81.50
(available to order)
Summary:
Designed by Irma Boom this original publication provides an intriguing analysis and graphic exploration of colour through an examination of eighty famous works of art, ranging from old masters to contemporary art. Each double folded page takes on a specially printed individual colour and is perforated into strips, playing on the idea of a colour sample book. Opening the double page reveals an abstract colour interpretation of a particular art work and provides for a reflection on the artist's palette.
Form:
books
books
Publication:
April 2005, Amstelveen, Netherlands
April 2005, Amstelveen, Netherlands
Subject:
Graphic Designers, Monographs
Graphic Designers, Monographs
Form:
books
books
Title:
My Amsterdam
My Amsterdam
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$51.50
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Summary:
This book combines the original black and white prints and a selection of new colour images. However, many of the black and white images, aalthough printed by van der Elksen, had not made it into his Amsterdam book published in 1979 or any of the shows where he presented his Amsterdam work.
$51.50
(available to order)
Summary:
This book combines the original black and white prints and a selection of new colour images. However, many of the black and white images, aalthough printed by van der Elksen, had not made it into his Amsterdam book published in 1979 or any of the shows where he presented his Amsterdam work.
Subject:
Photography monographs
Photography monographs
Publication:
June 2005, Amsterdam
June 2005, Amsterdam
Title:
My Amsterdam
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$51.50
(available to order)
Summary:
This book combines the original black and white prints and a selection of new colour images. However, many of the black and white images, aalthough printed by van der Elksen, had not made it into his Amsterdam book published in 1979 or any of the shows where he presented his Amsterdam work.
My Amsterdam
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Price:
$51.50
(available to order)
Summary:
This book combines the original black and white prints and a selection of new colour images. However, many of the black and white images, aalthough printed by van der Elksen, had not made it into his Amsterdam book published in 1979 or any of the shows where he presented his Amsterdam work.
Form:
books
books
Publication:
June 2005, Amsterdam
June 2005, Amsterdam
Subject:
Photography monographs
Photography monographs
