Hamish Fulton : keep moving
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"Keep moving" is an artist’s book by Hamish Fulton, the British "walking artist." At the core of Fulton’s practice are the experiences he accumulates during his perambulations, which he records in photographs, pictograms, and texts. The exploration of self and the encounter with nature become one and the same. "Keep moving" resulted from a period of time the artist spent(...)
Contemporary Art Monographs
October 2005, Milano
Hamish Fulton : keep moving
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"Keep moving" is an artist’s book by Hamish Fulton, the British "walking artist." At the core of Fulton’s practice are the experiences he accumulates during his perambulations, which he records in photographs, pictograms, and texts. The exploration of self and the encounter with nature become one and the same. "Keep moving" resulted from a period of time the artist spent in the Corvara region of the Dolomites in the summer of 2004, during which he went on eight day-long walks and a guided climb, using a small mountain hut as his base. Contributing an essay here is legendary mountaineer Reinhold Messner, with whom Fulton hiked the imagined trail followed by Ötzi the Iceman, whose 5,000-year-old skeleton was recently discovered in the South Tyrol.
Contemporary Art Monographs
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"The matter of time" documents Serra’s recent commission by the Guggenheim Museum Bilbao of seven monumental sculptures for the largest gallery of the museum. Together with Snake (1994–97), the work that Serra created for the museum’s grand opening, the sculptures create a permanent, site-specific installation of a scale and ambition unrivalled in modern(...)
Contemporary Art Monographs
August 2005, Bilbao / Göttingen
Richard Serra : the matter of time
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"The matter of time" documents Serra’s recent commission by the Guggenheim Museum Bilbao of seven monumental sculptures for the largest gallery of the museum. Together with Snake (1994–97), the work that Serra created for the museum’s grand opening, the sculptures create a permanent, site-specific installation of a scale and ambition unrivalled in modern history. Through a revealing interview-essay by Hal Foster, and writings and statements by the artist about his recent series Torqued Ellipses and the present, unprecedented commission, the book discloses the last 25 years of this sculptor’s oeuvre and the evolution of his sculptural vocabulary as it relates to this installation. Other writings by Carmen Giménez and a chronology by Kate Nesin help contextualize Serra’s work.
Contemporary Art Monographs
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«Modernist photography» re-examines the classic period of 20th-century photography using new critical approaches to consider five recurrent visual themes during the years 1915 to 1945. These themes cut across such stylistic movements as Pictorialism, Surrealism, and the New Vision, and include the transformation of objects, experimental images of the body, visions of the(...)
November 2005, New York
Modernist photography : selections from the Daniel Cowin collection
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«Modernist photography» re-examines the classic period of 20th-century photography using new critical approaches to consider five recurrent visual themes during the years 1915 to 1945. These themes cut across such stylistic movements as Pictorialism, Surrealism, and the New Vision, and include the transformation of objects, experimental images of the body, visions of the city, the industrialization of the countryside, and experimental directions in poster design and typography. This thematic approach fosters new perspectives on such key photographers as Bernice Abbott, Brassaï, Walker Evans, Raoul Hausmann, Dorothea Lange, Gordon Parks and Man Ray and emphasizes the interactions between European and American practitioners. The catalogue includes chapters on each of the five themes by ICP Curators Christopher Phillips and Vanessa Rocco. It is based on a selection of 70 works from the Daniel Cowin Collection. The collection of about 1,600 images dates from 1860 to 1960 and includes a range of processes and formats--postcards, stereographs, carte-de-vistes, tintypes, albumen prints, and gelatin silver prints.
Adam Bartos : boulevard
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"Boulevard" is a visual tale of two disparate cities: Paris and Los Angeles. In the early seventies, Adam Bartos began to use color photography to document the contemporary urban landscape, infusing his images with a certain quietude and finding composition in even the most random corners of life. He often focused his lens on his native New York, and he published a(...)
Adam Bartos : boulevard
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"Boulevard" is a visual tale of two disparate cities: Paris and Los Angeles. In the early seventies, Adam Bartos began to use color photography to document the contemporary urban landscape, infusing his images with a certain quietude and finding composition in even the most random corners of life. He often focused his lens on his native New York, and he published a monumental series of photographs of the modern architecture of the United Nations. In the late seventies, and then again in the early eighties, Bartos traveled to Los Angeles and Paris, taking his camera with him. The two trips would have a strong and lasting impact on his vision, and yet until recently, he had never considered the two cities — or bodies of work — together. In "Boulevard", this is not the L.A. or Paris of postcards. As we venture through the scarcely inhabited hotel rooms, backyards, gas stations, and inevitably, city streets, we are struck by the graphical relationships and the surprisingly similar color palates. There is a magnetic attraction and repulsion between these two photo series and cities — polar opposites that, at unexpected moments, converge and suddenly attract. With a preface by Geoff Dyer.
Photography monographs
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The 13th-century town of Tübingen, Germany, is best known for its university, which spawned both Hegel and Kepler. And now, something very progressive is going on in the southern sector of the city. A field where an army barracks once stood has been transformed into a new district which has won international praise and awards for the way it has forged a livable and lovely(...)
Architecture since 1900, Europe
September 2005, Berlin
Go south : the Tübinger model
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The 13th-century town of Tübingen, Germany, is best known for its university, which spawned both Hegel and Kepler. And now, something very progressive is going on in the southern sector of the city. A field where an army barracks once stood has been transformed into a new district which has won international praise and awards for the way it has forged a livable and lovely mixed-use environment out of thin (and clean) air. "Go South", in essays and in the color photographs of Gudrun Theresia de Maddalena, tells the story of what should become a model for urban and suburban development. The palette of buildings and spaces ranges from single-family homes to a townhouse for almost 30 families, from a business promotion center to a passive-solar mixed-use building, complete with apartments, office units, shops, a kindergarten, and a greenhouse lobby. The Tübingen South district received the European Municipal Construction Award in 2002 and the Deutsche Immobilien Fonds AG award for Europe's Best Districts in 2004.
Architecture since 1900, Europe
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How does one reintegrate old textile mills into the fabric of a community? At a former Leipzig cotton-spinning mill (now the site of the Federkiel Foundation), a group of architects, critics, preservationists, city planners, and artists (among them Anne Dressen and Philipp Oswalt) convened to discuss the conversion of industrial space into cultural gathering place.(...)
How architecture can think socially
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How does one reintegrate old textile mills into the fabric of a community? At a former Leipzig cotton-spinning mill (now the site of the Federkiel Foundation), a group of architects, critics, preservationists, city planners, and artists (among them Anne Dressen and Philipp Oswalt) convened to discuss the conversion of industrial space into cultural gathering place. Chapters here cover P.S.1 in New York and MASS MoCA.
Architecture since 1900, Europe
Katsura : imperial villa
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This book presents a detailed history of Katsura, the seventeenth-century imperial palace in Kyoto, Japan, that is a pivotal work of Japanese architecture. First revealed to the modern architectural world by Bruno Taut, the great German architect, in the early twentieth century, Katsura stunned and then excited the architectural community of the West. Le Corbusier and(...)
Katsura : imperial villa
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This book presents a detailed history of Katsura, the seventeenth-century imperial palace in Kyoto, Japan, that is a pivotal work of Japanese architecture. First revealed to the modern architectural world by Bruno Taut, the great German architect, in the early twentieth century, Katsura stunned and then excited the architectural community of the West. Le Corbusier and Walter Gropius, pillars of the modernist establishment, were fascinated by Katsura`s "modernity." They saw in its orthogonal and modular spaces, devoid of decoration, clear parallels to contemporary modernism, going so far as to proclaim Katsura a "historical" example of modernity. This book documents the palace in detail, combining newly commissioned photographs, detailed drawings, archival material and historical analysis. Essays by Francesco Dal Co, Walter Gropius, Arata Isozaki, Manfred Speidel, Kenzo Tange and Bruno Taut.
History until 1900, Asia
books
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With a title that refers to the development of ideas through one’s own initiative, "Marble Fairbanks : bootstrapping" is an examination of the techniques of pattern and performance in the speculative and built work of the New York architecture firm. This book approaches those organizational issues with pictorial and written documentation of three recent architectural(...)
Marble Fairbanks : bootstrapping (MAP 12)
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With a title that refers to the development of ideas through one’s own initiative, "Marble Fairbanks : bootstrapping" is an examination of the techniques of pattern and performance in the speculative and built work of the New York architecture firm. This book approaches those organizational issues with pictorial and written documentation of three recent architectural projects: Marble Fairbanks' proposal for the Fashion Institute of Technology Campus Extension in New York, Housing Ecologies, an urban housing scheme, and their award-winning entry for the Chicago Public Schools Competition. The complexity of these issues is also examined in a thought-provoking conversation with Marble Fairbanks and Reinhold Martin, editor of the journal Grey Room and author of The Organizational Complex. "Bootstrapping" concludes with architect Michael Bell’s essay on subjectivity, urbanism, and architecture in Marble Fairbanks' work, and is the latest addition to the Michigan Architecture Papers publication series of Charles and Ray Eames lectures given by contemporary architects.
books
October 2005, Ann Arbor
small format
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Ortlos is German for "placeless." It is also the appropriate designation for a virtual architectural office and discussion forum dealing with experimental architecture, urban planning, media theory, art installations, and product and interface design. Architects, web designers, media theorists, media artists, and information-technology specialists from around the world(...)
Architecture Monographs
November 2005, Ostfildern
Ortlos : architectecture of the networks
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Ortlos is German for "placeless." It is also the appropriate designation for a virtual architectural office and discussion forum dealing with experimental architecture, urban planning, media theory, art installations, and product and interface design. Architects, web designers, media theorists, media artists, and information-technology specialists from around the world work together off-site, independent of a specific workplace. The conceptual and design process goes on in collaboration in a trans-local environment, created out of a network of virtually combined workplaces. The architects of ORTLOS characterize the "end of architecture" in a way that is comparable to American graphic-design legend David Carson's radical description of the "end of the print medium." This publication, the result of an unusual creative collaboration between ORTLOS and Carson, presents a dozen projects, dating from 2000 to 2003. With foreword by Thom Mayne.
Architecture Monographs
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The Lentos Kunstmuseum in Linz by Weber + Hofer is a striking example of volumetric clarity and an ideal spatial concept. With a length of 130 meters and a width of 30 meters, the oscillating three-story glass cube fits in perfectly with the surrounding architectural landscape along the Danube, where it lies like a "glass ship" at anchor in Linz. The structure provides(...)
small format
July 2005, Bregenz
Jürg Weber, Josef Hofer : Lentos Kunnstmuseum Lonz
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The Lentos Kunstmuseum in Linz by Weber + Hofer is a striking example of volumetric clarity and an ideal spatial concept. With a length of 130 meters and a width of 30 meters, the oscillating three-story glass cube fits in perfectly with the surrounding architectural landscape along the Danube, where it lies like a "glass ship" at anchor in Linz. The structure provides 8,000 square meters of space for internationally renowned art, from the classical modern period to the present, along with an underground library, a museum shop, a restaurant, a café, and a bar. In the Kunstmuseum Lentos, the award-winning Swiss architect team of Jürg Weber and Josef Hofer have realized an outstanding architectural design that meets the highest structural, technical, and aesthetic standards.
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