119251 Results
Form:
drawings
drawings
Reference number:
AP178.S2.1986.015
Description:
This sketchbook includes notes and sketches for the Winkler Casino and restaurant extension in Salzburg, Austria, and for the Faculty of Architecture of the University of Porto in Portugal. It also includes sketches of people.
AP178.S2.1986.015
Description:
This sketchbook includes notes and sketches for the Winkler Casino and restaurant extension in Salzburg, Austria, and for the Faculty of Architecture of the University of Porto in Portugal. It also includes sketches of people.
People:
Date:
September 1986
September 1986
Title:
Sketchbook 236: Movel TV - Salzburg
Actions:
AP178.S2.1986.015
Description:
This sketchbook includes notes and sketches for the Winkler Casino and restaurant extension in Salzburg, Austria, and for the Faculty of Architecture of the University of Porto in Portugal. It also includes sketches of people.
Sketchbook 236: Movel TV - Salzburg
Actions:
AP178.S2.1986.015
Description:
This sketchbook includes notes and sketches for the Winkler Casino and restaurant extension in Salzburg, Austria, and for the Faculty of Architecture of the University of Porto in Portugal. It also includes sketches of people.
Form:
drawings
drawings
Date:
September 1986
September 1986
People:
Form:
drawings
drawings
Reference number:
AP178.S2.1986.019
Description:
This sketchbook includes notes and sketches for the Faculty of Architecture of the University of Porto in Portugal and for the restoration of Campo di Marte in Venice, Italy. It also contains sketches of furniture.
AP178.S2.1986.019
Description:
This sketchbook includes notes and sketches for the Faculty of Architecture of the University of Porto in Portugal and for the restoration of Campo di Marte in Venice, Italy. It also contains sketches of furniture.
People:
Date:
November 1986
November 1986
Title:
Sketchbook 240: Veneza - Fac. Arq.ra
Actions:
AP178.S2.1986.019
Description:
This sketchbook includes notes and sketches for the Faculty of Architecture of the University of Porto in Portugal and for the restoration of Campo di Marte in Venice, Italy. It also contains sketches of furniture.
Sketchbook 240: Veneza - Fac. Arq.ra
Actions:
AP178.S2.1986.019
Description:
This sketchbook includes notes and sketches for the Faculty of Architecture of the University of Porto in Portugal and for the restoration of Campo di Marte in Venice, Italy. It also contains sketches of furniture.
Form:
drawings
drawings
Date:
November 1986
November 1986
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP207.S1.1973.PR02
Description:
The project series documents the performance "Io Sono La Spia". It consists of a group of photographs of the founders of Global Tools taken in 1973, in Milan, in which Pettena identifies himself as "the spy" by holding a sign that reads "Io Sono La Spia" [I am the Spy]. Global Tools, was a multidisciplinary program of workshops used to promote different tools and materials in architecture and represented the peak in the radical movement in Italy. By identifying himself as "the spy", Pettena "claimed to be a betraying architect and he stated his own 'diversity' by calling into question his identified role as a 'radical architect'." [1] The project series contains the sign with the words "Io Sono La Spia" and photographs of the Global Tools team, including a photograph showing Pettena holding the sign "Io Sono La Spia". Source: [1] Marco Scotini, editor. Non-conscious architecture: Gianni Pettena, Sternberg Press, 2018, 235 pages. p. 184.
AP207.S1.1973.PR02
Description:
The project series documents the performance "Io Sono La Spia". It consists of a group of photographs of the founders of Global Tools taken in 1973, in Milan, in which Pettena identifies himself as "the spy" by holding a sign that reads "Io Sono La Spia" [I am the Spy]. Global Tools, was a multidisciplinary program of workshops used to promote different tools and materials in architecture and represented the peak in the radical movement in Italy. By identifying himself as "the spy", Pettena "claimed to be a betraying architect and he stated his own 'diversity' by calling into question his identified role as a 'radical architect'." [1] The project series contains the sign with the words "Io Sono La Spia" and photographs of the Global Tools team, including a photograph showing Pettena holding the sign "Io Sono La Spia". Source: [1] Marco Scotini, editor. Non-conscious architecture: Gianni Pettena, Sternberg Press, 2018, 235 pages. p. 184.
People:
Date:
1973-2015
1973-2015
Title:
Io Sono La Spia [I am the Spy] (1973)
Actions:
AP207.S1.1973.PR02
Description:
The project series documents the performance "Io Sono La Spia". It consists of a group of photographs of the founders of Global Tools taken in 1973, in Milan, in which Pettena identifies himself as "the spy" by holding a sign that reads "Io Sono La Spia" [I am the Spy]. Global Tools, was a multidisciplinary program of workshops used to promote different tools and materials in architecture and represented the peak in the radical movement in Italy. By identifying himself as "the spy", Pettena "claimed to be a betraying architect and he stated his own 'diversity' by calling into question his identified role as a 'radical architect'." [1] The project series contains the sign with the words "Io Sono La Spia" and photographs of the Global Tools team, including a photograph showing Pettena holding the sign "Io Sono La Spia". Source: [1] Marco Scotini, editor. Non-conscious architecture: Gianni Pettena, Sternberg Press, 2018, 235 pages. p. 184.
Io Sono La Spia [I am the Spy] (1973)
Actions:
AP207.S1.1973.PR02
Description:
The project series documents the performance "Io Sono La Spia". It consists of a group of photographs of the founders of Global Tools taken in 1973, in Milan, in which Pettena identifies himself as "the spy" by holding a sign that reads "Io Sono La Spia" [I am the Spy]. Global Tools, was a multidisciplinary program of workshops used to promote different tools and materials in architecture and represented the peak in the radical movement in Italy. By identifying himself as "the spy", Pettena "claimed to be a betraying architect and he stated his own 'diversity' by calling into question his identified role as a 'radical architect'." [1] The project series contains the sign with the words "Io Sono La Spia" and photographs of the Global Tools team, including a photograph showing Pettena holding the sign "Io Sono La Spia". Source: [1] Marco Scotini, editor. Non-conscious architecture: Gianni Pettena, Sternberg Press, 2018, 235 pages. p. 184.
Level of archival description:
Project
Project
Date:
1973-2015
1973-2015
People:
Form:
textual records
textual records
Actions:
Reference number:
DR2012:0012:096:024
Description:
File containing documents in English, including notes, and professional correspondence between Melvin Charney and Christian Thomsen regarding Melvin Charney's inclusion in the book Experimental Architecture. Original folder inscribed in graphite: CHRISTIAN THOMSEN
DR2012:0012:096:024
Description:
File containing documents in English, including notes, and professional correspondence between Melvin Charney and Christian Thomsen regarding Melvin Charney's inclusion in the book Experimental Architecture. Original folder inscribed in graphite: CHRISTIAN THOMSEN
People:
Date:
1985-1991
1985-1991
Title:
Correspondence of Melvin Charney with Christian Thomsen
Actions:
DR2012:0012:096:024
Description:
File containing documents in English, including notes, and professional correspondence between Melvin Charney and Christian Thomsen regarding Melvin Charney's inclusion in the book Experimental Architecture. Original folder inscribed in graphite: CHRISTIAN THOMSEN
Correspondence of Melvin Charney with Christian Thomsen
Actions:
DR2012:0012:096:024
Description:
File containing documents in English, including notes, and professional correspondence between Melvin Charney and Christian Thomsen regarding Melvin Charney's inclusion in the book Experimental Architecture. Original folder inscribed in graphite: CHRISTIAN THOMSEN
Form:
textual records
textual records
Date:
1985-1991
1985-1991
People:
Level of archival description:
Sub-series
Sub-series
Title:
Current Events Files
Current Events Files
Actions:
Reference number:
AP032.S6.D1
Description:
A collection of current events and personal interest files concerning U.S. politics, civil rights, Jewish groups, Chernobyl Russia, Israel, Poland, Feminism and the Gulf War. Also numerous files marked "unsorted" which contain articles on the above topics as well as architecture and engineering, and also include some correspondence, notes, memos and postcards. Most of the material consists of newspaper and periodical clippings.
AP032.S6.D1
Description:
A collection of current events and personal interest files concerning U.S. politics, civil rights, Jewish groups, Chernobyl Russia, Israel, Poland, Feminism and the Gulf War. Also numerous files marked "unsorted" which contain articles on the above topics as well as architecture and engineering, and also include some correspondence, notes, memos and postcards. Most of the material consists of newspaper and periodical clippings.
People:
Date:
1986-1990
1986-1990
Title:
Current Events Files
Actions:
AP032.S6.D1
Description:
A collection of current events and personal interest files concerning U.S. politics, civil rights, Jewish groups, Chernobyl Russia, Israel, Poland, Feminism and the Gulf War. Also numerous files marked "unsorted" which contain articles on the above topics as well as architecture and engineering, and also include some correspondence, notes, memos and postcards. Most of the material consists of newspaper and periodical clippings.
Current Events Files
Actions:
AP032.S6.D1
Description:
A collection of current events and personal interest files concerning U.S. politics, civil rights, Jewish groups, Chernobyl Russia, Israel, Poland, Feminism and the Gulf War. Also numerous files marked "unsorted" which contain articles on the above topics as well as architecture and engineering, and also include some correspondence, notes, memos and postcards. Most of the material consists of newspaper and periodical clippings.
Level of archival description:
File 1
File 1
Date:
1986-1990
1986-1990
People:
Form:
textual records
textual records
Actions:
Reference number:
ARCH256847
Description:
correspondence files - AE schedules, internal corresp., suppliers, trade catalogs, insurance files, RAIC annual reports and bulletins, Royal Canadian Academy of Arts, telexes, Ontario Association of Architecture, Institute for Research on Public Policy.
ARCH256847
Description:
correspondence files - AE schedules, internal corresp., suppliers, trade catalogs, insurance files, RAIC annual reports and bulletins, Royal Canadian Academy of Arts, telexes, Ontario Association of Architecture, Institute for Research on Public Policy.
People:
Date:
1980-1983
1980-1983
Title:
Correspondence files - AE schedules, internal corresp
Actions:
ARCH256847
Description:
correspondence files - AE schedules, internal corresp., suppliers, trade catalogs, insurance files, RAIC annual reports and bulletins, Royal Canadian Academy of Arts, telexes, Ontario Association of Architecture, Institute for Research on Public Policy.
Correspondence files - AE schedules, internal corresp
Actions:
ARCH256847
Description:
correspondence files - AE schedules, internal corresp., suppliers, trade catalogs, insurance files, RAIC annual reports and bulletins, Royal Canadian Academy of Arts, telexes, Ontario Association of Architecture, Institute for Research on Public Policy.
Form:
textual records
textual records
Date:
1980-1983
1980-1983
People:
Form:
drawings
drawings
Actions:
Reference number:
ARCH268770
Description:
Contains elevations, plans and sections. Three inkjet prints are folded. The serial 2G: international architecture review, no. 22, has published or has planned to use the plans in an issue on Abalos & Herreros.
ARCH268770
Description:
Contains elevations, plans and sections. Three inkjet prints are folded. The serial 2G: international architecture review, no. 22, has published or has planned to use the plans in an issue on Abalos & Herreros.
People:
Date:
1998
1998
Title:
Elevations, plans and sections
Actions:
ARCH268770
Description:
Contains elevations, plans and sections. Three inkjet prints are folded. The serial 2G: international architecture review, no. 22, has published or has planned to use the plans in an issue on Abalos & Herreros.
Elevations, plans and sections
Actions:
ARCH268770
Description:
Contains elevations, plans and sections. Three inkjet prints are folded. The serial 2G: international architecture review, no. 22, has published or has planned to use the plans in an issue on Abalos & Herreros.
Form:
drawings
drawings
Date:
1998
1998
People:
Form:
photographs
photographs
Actions:
Reference number:
PH1984:0720:001-011
Description:
A portfolio of 11 gelatin silver prints. The buildings located in Mlada Boleslav, Czechoslovakia, one of the largest complexes of Constructivist architecture in the 1920s, are works of Jiri Kroha, architect, stage designer and writer.
PH1984:0720:001-011
Description:
A portfolio of 11 gelatin silver prints. The buildings located in Mlada Boleslav, Czechoslovakia, one of the largest complexes of Constructivist architecture in the 1920s, are works of Jiri Kroha, architect, stage designer and writer.
People:
Date:
1927
1927
Title:
Mlada Boleslav, Czechoslovakia
Actions:
PH1984:0720:001-011
Description:
A portfolio of 11 gelatin silver prints. The buildings located in Mlada Boleslav, Czechoslovakia, one of the largest complexes of Constructivist architecture in the 1920s, are works of Jiri Kroha, architect, stage designer and writer.
Mlada Boleslav, Czechoslovakia
Actions:
PH1984:0720:001-011
Description:
A portfolio of 11 gelatin silver prints. The buildings located in Mlada Boleslav, Czechoslovakia, one of the largest complexes of Constructivist architecture in the 1920s, are works of Jiri Kroha, architect, stage designer and writer.
Form:
photographs
photographs
Date:
1927
1927
People:
Form:
textual records, photographs
textual records, photographs
Actions:
Reference number:
AP197.S2.024
Description:
This box contains various research files organized in alphabetical order by either author's last name or subject, from H-I . The largest sections are dedictated to writings pertaining to housing and Italian architecture.
AP197.S2.024
Description:
This box contains various research files organized in alphabetical order by either author's last name or subject, from H-I . The largest sections are dedictated to writings pertaining to housing and Italian architecture.
People:
Date:
1960-2002
1960-2002
Title:
Research files organized by author's last name or subject from H-I
Actions:
AP197.S2.024
Description:
This box contains various research files organized in alphabetical order by either author's last name or subject, from H-I . The largest sections are dedictated to writings pertaining to housing and Italian architecture.
Research files organized by author's last name or subject from H-I
Actions:
AP197.S2.024
Description:
This box contains various research files organized in alphabetical order by either author's last name or subject, from H-I . The largest sections are dedictated to writings pertaining to housing and Italian architecture.
Form:
textual records, photographs
textual records, photographs
Date:
1960-2002
1960-2002
People:
Level of archival description:
Project
Project
Title:
Marea [Thames Tides] (1974)
Marea [Thames Tides] (1974)
Actions:
Reference number:
AP207.S1.1974.PR01
Description:
This project series documents the performance "Marea" presented as a conference given by Pettena to the Architectural Association of London while standing at the mouth of the Thames in London during the rising of the tide. Pettena's idea was to give "conference on the theory of architecture, pure, abstract theory, produced in a limited time, its length determined by the constraints imposed by changes in the physical environment." [1] The project series contains photographs of the performance showing Pettena standing in the water as the tide slowly rises. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/perf-thames-tide-1974/ (last accessed 12 November 2019)
AP207.S1.1974.PR01
Description:
This project series documents the performance "Marea" presented as a conference given by Pettena to the Architectural Association of London while standing at the mouth of the Thames in London during the rising of the tide. Pettena's idea was to give "conference on the theory of architecture, pure, abstract theory, produced in a limited time, its length determined by the constraints imposed by changes in the physical environment." [1] The project series contains photographs of the performance showing Pettena standing in the water as the tide slowly rises. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/perf-thames-tide-1974/ (last accessed 12 November 2019)
People:
Date:
circa 1974
circa 1974
Title:
Marea [Thames Tides] (1974)
Actions:
AP207.S1.1974.PR01
Description:
This project series documents the performance "Marea" presented as a conference given by Pettena to the Architectural Association of London while standing at the mouth of the Thames in London during the rising of the tide. Pettena's idea was to give "conference on the theory of architecture, pure, abstract theory, produced in a limited time, its length determined by the constraints imposed by changes in the physical environment." [1] The project series contains photographs of the performance showing Pettena standing in the water as the tide slowly rises. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/perf-thames-tide-1974/ (last accessed 12 November 2019)
Marea [Thames Tides] (1974)
Actions:
AP207.S1.1974.PR01
Description:
This project series documents the performance "Marea" presented as a conference given by Pettena to the Architectural Association of London while standing at the mouth of the Thames in London during the rising of the tide. Pettena's idea was to give "conference on the theory of architecture, pure, abstract theory, produced in a limited time, its length determined by the constraints imposed by changes in the physical environment." [1] The project series contains photographs of the performance showing Pettena standing in the water as the tide slowly rises. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/perf-thames-tide-1974/ (last accessed 12 November 2019)
Level of archival description:
Project
Project
Date:
circa 1974
circa 1974
People:
