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In The Right to Look, Nicholas Mirzoeff develops a comparative decolonial framework for visual culture studies, the field that he helped to create and shape. Casting modernity as an ongoing contest between visuality and countervisuality, or "the right to look," he explains how visuality sutures authority to power and renders the association natural. An(...)
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In The Right to Look, Nicholas Mirzoeff develops a comparative decolonial framework for visual culture studies, the field that he helped to create and shape. Casting modernity as an ongoing contest between visuality and countervisuality, or "the right to look," he explains how visuality sutures authority to power and renders the association natural. An(...)
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The right to look: a counterhistory of visuality
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In The Right to Look, Nicholas Mirzoeff develops a comparative decolonial framework for visual culture studies, the field that he helped to create and shape. Casting modernity as an ongoing contest between visuality and countervisuality, or "the right to look," he explains how visuality sutures authority to power and renders the association natural. An early-nineteenth-century concept, meaning the visualization of history, visuality has been central to the legitimization of Western hegemony. Mirzoeff identifies three "complexes of visuality"--plantation slavery, imperialism, and the present-day military-industrial complex--and explains how, within each, power is made to seem self-evident through techniques of classification, separation, and aestheticization. This publication is a work of geographic, temporal, and conceptual reach.
The right to look: a counterhistory of visuality
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In The Right to Look, Nicholas Mirzoeff develops a comparative decolonial framework for visual culture studies, the field that he helped to create and shape. Casting modernity as an ongoing contest between visuality and countervisuality, or "the right to look," he explains how visuality sutures authority to power and renders the association natural. An early-nineteenth-century concept, meaning the visualization of history, visuality has been central to the legitimization of Western hegemony. Mirzoeff identifies three "complexes of visuality"--plantation slavery, imperialism, and the present-day military-industrial complex--and explains how, within each, power is made to seem self-evident through techniques of classification, separation, and aestheticization. This publication is a work of geographic, temporal, and conceptual reach.
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books
books
Publication:
November 2011
November 2011
Subject:
Critical Theory
Critical Theory
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books
books
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$18.95
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Published here for the first time, architect Ian Ritchie’s poems, aphorisms, and etchings attest to a profound engagement with the built environment. Ritchie is a British architect with an eclectic practice embracing urban planning, public sculpture, and industrial design. His calligraphic etchings imagine the shape or spirit of commissions in simple but powerful(...)
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Published here for the first time, architect Ian Ritchie’s poems, aphorisms, and etchings attest to a profound engagement with the built environment. Ritchie is a British architect with an eclectic practice embracing urban planning, public sculpture, and industrial design. His calligraphic etchings imagine the shape or spirit of commissions in simple but powerful(...)
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Lines
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Published here for the first time, architect Ian Ritchie’s poems, aphorisms, and etchings attest to a profound engagement with the built environment. Ritchie is a British architect with an eclectic practice embracing urban planning, public sculpture, and industrial design. His calligraphic etchings imagine the shape or spirit of commissions in simple but powerful strokes. Variably pragmatic and philosophical, often witty, his aphorisms on work and life—from the importance of light to the nature and possibility of progress—reveal a modernist’s belief in the potential of architecture to improve society. These lines of thought, committed to paper before any designing begins, demonstrate that, for Ritchie, being an architect is many more things besides.
Lines
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Published here for the first time, architect Ian Ritchie’s poems, aphorisms, and etchings attest to a profound engagement with the built environment. Ritchie is a British architect with an eclectic practice embracing urban planning, public sculpture, and industrial design. His calligraphic etchings imagine the shape or spirit of commissions in simple but powerful strokes. Variably pragmatic and philosophical, often witty, his aphorisms on work and life—from the importance of light to the nature and possibility of progress—reveal a modernist’s belief in the potential of architecture to improve society. These lines of thought, committed to paper before any designing begins, demonstrate that, for Ritchie, being an architect is many more things besides.
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books
books
Publication:
October 2010
October 2010
Subject:
Architecture Monographs
Architecture Monographs
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books
books
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$99.95
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Eliot Noyes (1910–77) was a remarkable figure in twentieth-century design. An architect who began his career working in the office of Walter Gropius and Marcel Breuer, he went on to become the first Director of the Industrial Design department at MoMA in the 1940s. From the late 1950s until his death in 1977 he was Consulting Director of Design for IBM, Mobil Oil,(...)
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Eliot Noyes (1910–77) was a remarkable figure in twentieth-century design. An architect who began his career working in the office of Walter Gropius and Marcel Breuer, he went on to become the first Director of the Industrial Design department at MoMA in the 1940s. From the late 1950s until his death in 1977 he was Consulting Director of Design for IBM, Mobil Oil,(...)
Title:
Eliot Noyes : a pioneer of design and architecture in the age of American modernism
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Eliot Noyes (1910–77) was a remarkable figure in twentieth-century design. An architect who began his career working in the office of Walter Gropius and Marcel Breuer, he went on to become the first Director of the Industrial Design department at MoMA in the 1940s. From the late 1950s until his death in 1977 he was Consulting Director of Design for IBM, Mobil Oil, Westinghouse and Cummins Engine Company, and was responsible for bringing about a change in the way that these corporations, and others that followed, were to think about design and its impact on business. He enlisted pioneering designers, notably Charles Eames, Paul Rand, Ivan Chermayeff and Tom Geismar, to help him bring about innovative architectural, graphic and industrial design. He was personally responsible for the design of some notable twentieth-century classics, such as IBM’s Selectric typewriter and Mobil Oil’s service stations and petrol pumps. His own work includes architectural projects, such as the award-winning Noyes' family residence in Connecticut. This monograph traces the life of this unique architect, designer and businessman who devoted a great deal of his career to encouraging large American businesses to respect and develop policies that were rich in cultural expression. The author has had extended access to the Noyes' archive of personal as well as business projects, materials and letters, and he has carried out extended interviews with a great deal of Noyes' acquaintances and relations. His comprehensive and lively text is accompanied by archival and new colour photography, drawings, plans and a diverse range of documentary material, much of which is previously unpublished.
Eliot Noyes : a pioneer of design and architecture in the age of American modernism
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Eliot Noyes (1910–77) was a remarkable figure in twentieth-century design. An architect who began his career working in the office of Walter Gropius and Marcel Breuer, he went on to become the first Director of the Industrial Design department at MoMA in the 1940s. From the late 1950s until his death in 1977 he was Consulting Director of Design for IBM, Mobil Oil, Westinghouse and Cummins Engine Company, and was responsible for bringing about a change in the way that these corporations, and others that followed, were to think about design and its impact on business. He enlisted pioneering designers, notably Charles Eames, Paul Rand, Ivan Chermayeff and Tom Geismar, to help him bring about innovative architectural, graphic and industrial design. He was personally responsible for the design of some notable twentieth-century classics, such as IBM’s Selectric typewriter and Mobil Oil’s service stations and petrol pumps. His own work includes architectural projects, such as the award-winning Noyes' family residence in Connecticut. This monograph traces the life of this unique architect, designer and businessman who devoted a great deal of his career to encouraging large American businesses to respect and develop policies that were rich in cultural expression. The author has had extended access to the Noyes' archive of personal as well as business projects, materials and letters, and he has carried out extended interviews with a great deal of Noyes' acquaintances and relations. His comprehensive and lively text is accompanied by archival and new colour photography, drawings, plans and a diverse range of documentary material, much of which is previously unpublished.
Form:
books
books
Publication:
October 2006, London, New York
October 2006, London, New York
Subject:
Design Monographs
Design Monographs
Form:
books
books
Title:
Ordinary pictures
Ordinary pictures
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$65.00
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Despite its apparent throwaway status, the stock image comprises the primary commodity of a billion-dollar global industry with far-reaching effects in the marketplace and the public sphere. Taking this overlooked facet of contemporary life as a point of departure, "Ordinary Pictures" explores the photographic apparatuses and commercial interests that have given rise to(...)
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Despite its apparent throwaway status, the stock image comprises the primary commodity of a billion-dollar global industry with far-reaching effects in the marketplace and the public sphere. Taking this overlooked facet of contemporary life as a point of departure, "Ordinary Pictures" explores the photographic apparatuses and commercial interests that have given rise to(...)
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Ordinary pictures
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Despite its apparent throwaway status, the stock image comprises the primary commodity of a billion-dollar global industry with far-reaching effects in the marketplace and the public sphere. Taking this overlooked facet of contemporary life as a point of departure, "Ordinary Pictures" explores the photographic apparatuses and commercial interests that have given rise to our generic image culture through the conceptual image-based work of some 40 artists, including John Baldessari, Steven Baldi, Sarah Charlesworth, Anne Collier, Liz Deschenes, John Divola, Aleksandra Domanovi c, Hans-Peter Feldmann, Morgan Fisher, Hollis Frampton, Jack Goldstein, Rachel Harrison, Robert Heinecken, Leslie Hewitt, Elad Lassry, Louise Lawler, Sherrie Levine, Steve McQueen, Jack Pierson, Peter Piller, Seth Price, Amanda Rossotto, Ed Ruscha, Steven Shore, Sturtevant, Mungo Thomson, Wolfgang Tillmans, Tseng Kwong Chi, Julia Wachtel and Christopher Williams. Spanning generations, movements and artistic strategies from the 1960s to the present day, this publication brings together works by artists who have probed, mimicked and critiqued this aspect of our visual environment as well as its industrial modes of production and distribution. Through the work of these artists and a series of scholarly essays, the catalogue aims to examine different operations of the generic image in culture, namely its anonymous circulation and editorial uses, its adaptability and reproducibility, its technical processes of production, its claim to copyright and artistic license and its tendency toward abstraction. Featuring a unique, coil-bound design reminiscent of stock photo catalogues and a flexidisc recording by the artist Jack Goldstein, this highly collectible book ultimately reflects on contemporary art's own complicit function as an expanding industrial image economy.
Ordinary pictures
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Despite its apparent throwaway status, the stock image comprises the primary commodity of a billion-dollar global industry with far-reaching effects in the marketplace and the public sphere. Taking this overlooked facet of contemporary life as a point of departure, "Ordinary Pictures" explores the photographic apparatuses and commercial interests that have given rise to our generic image culture through the conceptual image-based work of some 40 artists, including John Baldessari, Steven Baldi, Sarah Charlesworth, Anne Collier, Liz Deschenes, John Divola, Aleksandra Domanovi c, Hans-Peter Feldmann, Morgan Fisher, Hollis Frampton, Jack Goldstein, Rachel Harrison, Robert Heinecken, Leslie Hewitt, Elad Lassry, Louise Lawler, Sherrie Levine, Steve McQueen, Jack Pierson, Peter Piller, Seth Price, Amanda Rossotto, Ed Ruscha, Steven Shore, Sturtevant, Mungo Thomson, Wolfgang Tillmans, Tseng Kwong Chi, Julia Wachtel and Christopher Williams. Spanning generations, movements and artistic strategies from the 1960s to the present day, this publication brings together works by artists who have probed, mimicked and critiqued this aspect of our visual environment as well as its industrial modes of production and distribution. Through the work of these artists and a series of scholarly essays, the catalogue aims to examine different operations of the generic image in culture, namely its anonymous circulation and editorial uses, its adaptability and reproducibility, its technical processes of production, its claim to copyright and artistic license and its tendency toward abstraction. Featuring a unique, coil-bound design reminiscent of stock photo catalogues and a flexidisc recording by the artist Jack Goldstein, this highly collectible book ultimately reflects on contemporary art's own complicit function as an expanding industrial image economy.
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books
books
Publication:
March 2016
March 2016
Subject:
Photography Collections
Photography Collections
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books
books
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Description:
xviii, 135 pages ; 22 cm.
Description:
xviii, 135 pages ; 22 cm.
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Paris : Economica-Anthropos, [2009], ©2009
Paris : Economica-Anthropos, [2009], ©2009
Title:
Le droit à la ville / Henri Lefebvre.
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Description:
xviii, 135 pages ; 22 cm.
Le droit à la ville / Henri Lefebvre.
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xviii, 135 pages ; 22 cm.
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books
books
Publication:
Paris : Economica-Anthropos, [2009], ©2009
Paris : Economica-Anthropos, [2009], ©2009
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books
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$105.00
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Summary:
French designer and self-taught architect Jean Prouvé applied manufacturing techniques to the world of art and design, while also maintaining a social consciousness that informed his commissions. His commitment to “logic, balance and purity” led him to create standardized, affordable furniture and portable, packable houses: most notably the Maison Tropicale for use in(...)
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French designer and self-taught architect Jean Prouvé applied manufacturing techniques to the world of art and design, while also maintaining a social consciousness that informed his commissions. His commitment to “logic, balance and purity” led him to create standardized, affordable furniture and portable, packable houses: most notably the Maison Tropicale for use in(...)
Title:
Jean Prouvé: Constructive imagination
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French designer and self-taught architect Jean Prouvé applied manufacturing techniques to the world of art and design, while also maintaining a social consciousness that informed his commissions. His commitment to “logic, balance and purity” led him to create standardized, affordable furniture and portable, packable houses: most notably the Maison Tropicale for use in France’s African colonies. Despite the overtly industrial aspects of his oeuvre, Prouvé’s work is admired and collected the world over for its graceful yet utilitarian simplicity. Constructive Imagination unites over 100 pieces of Prouve’s emblematic furniture and architectural works, bolstered by sketches and other archival material. The glossy bilingual volume includes five unpublished essays on Prouvé, including one by former Museum of Modern Art, New York curator Juliet Kinchin.
Jean Prouvé: Constructive imagination
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French designer and self-taught architect Jean Prouvé applied manufacturing techniques to the world of art and design, while also maintaining a social consciousness that informed his commissions. His commitment to “logic, balance and purity” led him to create standardized, affordable furniture and portable, packable houses: most notably the Maison Tropicale for use in France’s African colonies. Despite the overtly industrial aspects of his oeuvre, Prouvé’s work is admired and collected the world over for its graceful yet utilitarian simplicity. Constructive Imagination unites over 100 pieces of Prouve’s emblematic furniture and architectural works, bolstered by sketches and other archival material. The glossy bilingual volume includes five unpublished essays on Prouvé, including one by former Museum of Modern Art, New York curator Juliet Kinchin.
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books
books
Publication:
September 2024
September 2024
Subject:
Design Monographs
Design Monographs
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books
books
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$20.95
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Envisioned as a new urban model for sculpture parks, the Seattle Art Museum’s Olympic Sculpture Park is located on the city’s last undeveloped waterfront property—a nine-acre industrial site sliced by train tracks and an arterial road. New York–based architecture, landscape, and urban design firm Weiss/Manfredi has created a continuous constructed landscape for art that(...)
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Envisioned as a new urban model for sculpture parks, the Seattle Art Museum’s Olympic Sculpture Park is located on the city’s last undeveloped waterfront property—a nine-acre industrial site sliced by train tracks and an arterial road. New York–based architecture, landscape, and urban design firm Weiss/Manfredi has created a continuous constructed landscape for art that(...)
Title:
Olympic sculpture park for the Seattle Art Museum Weiss/Manfredi
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Envisioned as a new urban model for sculpture parks, the Seattle Art Museum’s Olympic Sculpture Park is located on the city’s last undeveloped waterfront property—a nine-acre industrial site sliced by train tracks and an arterial road. New York–based architecture, landscape, and urban design firm Weiss/Manfredi has created a continuous constructed landscape for art that rises over the existing infrastructure to reconnect Seattle’s urban core to the revitalized waterfront. The park not only brings art outside the museum walls but also brings the park itself into the landscape of the city. This study offers an opportunity to take a fresh look at the city and explore some hypotheses about the wider meaning of an urban design project.
Olympic sculpture park for the Seattle Art Museum Weiss/Manfredi
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Envisioned as a new urban model for sculpture parks, the Seattle Art Museum’s Olympic Sculpture Park is located on the city’s last undeveloped waterfront property—a nine-acre industrial site sliced by train tracks and an arterial road. New York–based architecture, landscape, and urban design firm Weiss/Manfredi has created a continuous constructed landscape for art that rises over the existing infrastructure to reconnect Seattle’s urban core to the revitalized waterfront. The park not only brings art outside the museum walls but also brings the park itself into the landscape of the city. This study offers an opportunity to take a fresh look at the city and explore some hypotheses about the wider meaning of an urban design project.
Form:
books
books
Publication:
March 2008, Boston
March 2008, Boston
Subject:
Landscape Architecture, Monographs
Landscape Architecture, Monographs
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journals and magazines
journals and magazines
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$17.95
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"Racialized incarceration" constitutes a form of sequel to issues 4 (Mar-Apr. 2016, "Carceral environments") and 5 (May-June 2016, "Design & racism"). This issue builds on these two precedents in demonstrating that incarceration is one of the horizons of processes of racialization and that architecture is an unsurpassable instrument of its enforcement. Through historical(...)
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"Racialized incarceration" constitutes a form of sequel to issues 4 (Mar-Apr. 2016, "Carceral environments") and 5 (May-June 2016, "Design & racism"). This issue builds on these two precedents in demonstrating that incarceration is one of the horizons of processes of racialization and that architecture is an unsurpassable instrument of its enforcement. Through historical(...)
Title:
The Funambulist 12: Radicalized incarceration
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"Racialized incarceration" constitutes a form of sequel to issues 4 (Mar-Apr. 2016, "Carceral environments") and 5 (May-June 2016, "Design & racism"). This issue builds on these two precedents in demonstrating that incarceration is one of the horizons of processes of racialization and that architecture is an unsurpassable instrument of its enforcement. Through historical examples (concentration camps of Romani people in France, prison cities of Japanese and Japanese American people in the United States, an Aborigene prison in Australia) and contemporary ones (US prison industrial complex, immigrant detention centers in Canada, Palestinian refugee camps in Lebanon), The Funambulist’s 12th issue intends to illustrate how the violence of colonial and structural forms of racism endure time and materialize in space.
The Funambulist 12: Radicalized incarceration
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"Racialized incarceration" constitutes a form of sequel to issues 4 (Mar-Apr. 2016, "Carceral environments") and 5 (May-June 2016, "Design & racism"). This issue builds on these two precedents in demonstrating that incarceration is one of the horizons of processes of racialization and that architecture is an unsurpassable instrument of its enforcement. Through historical examples (concentration camps of Romani people in France, prison cities of Japanese and Japanese American people in the United States, an Aborigene prison in Australia) and contemporary ones (US prison industrial complex, immigrant detention centers in Canada, Palestinian refugee camps in Lebanon), The Funambulist’s 12th issue intends to illustrate how the violence of colonial and structural forms of racism endure time and materialize in space.
Form:
journals and magazines
journals and magazines
Publication:
July 2017
July 2017
Subject:
Magazines
Magazines
Form:
video
video
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Description:
1 videocassette (Mini-DV) (approximately 62 min.) : sound, color ; 1/4 in. master
Description:
1 videocassette (Mini-DV) (approximately 62 min.) : sound, color ; 1/4 in. master
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Subject:
Publication:
[2007]
[2007]
Title:
L'enseignement de-- China = Learning from-- China.
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1 videocassette (Mini-DV) (approximately 62 min.) : sound, color ; 1/4 in. master
L'enseignement de-- China = Learning from-- China.
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Description:
1 videocassette (Mini-DV) (approximately 62 min.) : sound, color ; 1/4 in. master
Form:
video
video
Publication:
[2007]
[2007]
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Subject:
Form:
books
books
Title:
The art of building
The art of building
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$35.00
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‘'Simplicity of life is not a misery, but the very foundation of refinement?: a sanded floor and whitewashed walls, and the green trees?; or a grimy palace amid the smoke with a regiment of housemaids always working ; which, think you, is the most refined?’' William Morris (1834–1896) was a poet, designer and political activist. He campaigned against the human and(...)
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‘'Simplicity of life is not a misery, but the very foundation of refinement?: a sanded floor and whitewashed walls, and the green trees?; or a grimy palace amid the smoke with a regiment of housemaids always working ; which, think you, is the most refined?’' William Morris (1834–1896) was a poet, designer and political activist. He campaigned against the human and(...)
Title:
The art of building
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$35.00
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‘'Simplicity of life is not a misery, but the very foundation of refinement?: a sanded floor and whitewashed walls, and the green trees?; or a grimy palace amid the smoke with a regiment of housemaids always working ; which, think you, is the most refined?’' William Morris (1834–1896) was a poet, designer and political activist. He campaigned against the human and environmental costs of industrial mass production and viewed the arts as central to creating a better society. In these essays, Morris develops his philosophy of simplicity, equality and care for nature in relation to architecture, displaying the integrated vision of culture which has led to Morris being viewed as a forerunner to both the Bauhaus and today’s environmental movements.
The art of building
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$35.00
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‘'Simplicity of life is not a misery, but the very foundation of refinement?: a sanded floor and whitewashed walls, and the green trees?; or a grimy palace amid the smoke with a regiment of housemaids always working ; which, think you, is the most refined?’' William Morris (1834–1896) was a poet, designer and political activist. He campaigned against the human and environmental costs of industrial mass production and viewed the arts as central to creating a better society. In these essays, Morris develops his philosophy of simplicity, equality and care for nature in relation to architecture, displaying the integrated vision of culture which has led to Morris being viewed as a forerunner to both the Bauhaus and today’s environmental movements.
Form:
books
books
Publication:
September 2025
September 2025
Subject:
Architectural Theory
Architectural Theory
