24983 Results
Level of archival description:
Sub-series
Sub-series
Title:
Corridart
Corridart
Reference number:
AP041.S3.SS02
Description:
The sub-series documents the executed exhibition project for entitled "Corridart" in Montréal, Québec, in 1976. The exhibition consists of a series of 16 installations by 60 artists spread on 7 km on Sherbrooke street between Atwater and Pie XI streets. The exhibition was curated by Melvin Charney and was financed by the ministère de la Culture du Québec as a cultural component for the Montreal Summer Olympics of 1976. Charney himself designed one of the installation "Les maison de la rue Sherbrooke" representing historical buildings of Sherbrooke street that were demolished to built new structures for the Expo 67 and later the Summer Olympics. The installations were illegally demolished after a week, on the evening of July 13th, two days before the opening of the Olympics by the City of Montréal in a controversial decision by the Mayor of Montréal, Jean Drapeau. The sub-series includes diazoprints for installation supports and maps of the installation site, photographs documenting the complete length of the North and South sides of Sherbrooke Street and a report with photographic documentation.
AP041.S3.SS02
Description:
The sub-series documents the executed exhibition project for entitled "Corridart" in Montréal, Québec, in 1976. The exhibition consists of a series of 16 installations by 60 artists spread on 7 km on Sherbrooke street between Atwater and Pie XI streets. The exhibition was curated by Melvin Charney and was financed by the ministère de la Culture du Québec as a cultural component for the Montreal Summer Olympics of 1976. Charney himself designed one of the installation "Les maison de la rue Sherbrooke" representing historical buildings of Sherbrooke street that were demolished to built new structures for the Expo 67 and later the Summer Olympics. The installations were illegally demolished after a week, on the evening of July 13th, two days before the opening of the Olympics by the City of Montréal in a controversial decision by the Mayor of Montréal, Jean Drapeau. The sub-series includes diazoprints for installation supports and maps of the installation site, photographs documenting the complete length of the North and South sides of Sherbrooke Street and a report with photographic documentation.
People:
Date:
1976
1976
Title:
Corridart
Actions:
AP041.S3.SS02
Description:
The sub-series documents the executed exhibition project for entitled "Corridart" in Montréal, Québec, in 1976. The exhibition consists of a series of 16 installations by 60 artists spread on 7 km on Sherbrooke street between Atwater and Pie XI streets. The exhibition was curated by Melvin Charney and was financed by the ministère de la Culture du Québec as a cultural component for the Montreal Summer Olympics of 1976. Charney himself designed one of the installation "Les maison de la rue Sherbrooke" representing historical buildings of Sherbrooke street that were demolished to built new structures for the Expo 67 and later the Summer Olympics. The installations were illegally demolished after a week, on the evening of July 13th, two days before the opening of the Olympics by the City of Montréal in a controversial decision by the Mayor of Montréal, Jean Drapeau. The sub-series includes diazoprints for installation supports and maps of the installation site, photographs documenting the complete length of the North and South sides of Sherbrooke Street and a report with photographic documentation.
Corridart
Actions:
AP041.S3.SS02
Description:
The sub-series documents the executed exhibition project for entitled "Corridart" in Montréal, Québec, in 1976. The exhibition consists of a series of 16 installations by 60 artists spread on 7 km on Sherbrooke street between Atwater and Pie XI streets. The exhibition was curated by Melvin Charney and was financed by the ministère de la Culture du Québec as a cultural component for the Montreal Summer Olympics of 1976. Charney himself designed one of the installation "Les maison de la rue Sherbrooke" representing historical buildings of Sherbrooke street that were demolished to built new structures for the Expo 67 and later the Summer Olympics. The installations were illegally demolished after a week, on the evening of July 13th, two days before the opening of the Olympics by the City of Montréal in a controversial decision by the Mayor of Montréal, Jean Drapeau. The sub-series includes diazoprints for installation supports and maps of the installation site, photographs documenting the complete length of the North and South sides of Sherbrooke Street and a report with photographic documentation.
Level of archival description:
Subseries
Subseries
Date:
1976
1976
People:
Level of archival description:
Project
Project
Title:
In Absence of Bodies (2011)
In Absence of Bodies (2011)
Actions:
Reference number:
AP207.S1.2011.PR04
Description:
The project series documents the installation "In Absence of Bodies" designed by Pettena in 2011 for the Stromerein Performance Festival in Zurich, Switzerland. The installation consists of clothes lines hung in the main square of the city and refers to Pettena's previous installation "Laundry" in 1969. In this case "[...] it is not laundry that, being hung out in the main square of the city, polemically ‘violate’ the context of the power. Rather, it is a statement on the body in its absence, as the performance takes place in a dance and theatre festival where the body is always protagonist." [1] A second edition was also presented at the Utah Museum of Contemporary Art in Salt Lake City, in 2013. The project series contains a drawing of the installation, a sketch, details for the hanging lines, a printout of a photo montage of the installation, and photographs and a video of the installation. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-in-absence-2011-1/ (last accessed 23 January 2020)
AP207.S1.2011.PR04
Description:
The project series documents the installation "In Absence of Bodies" designed by Pettena in 2011 for the Stromerein Performance Festival in Zurich, Switzerland. The installation consists of clothes lines hung in the main square of the city and refers to Pettena's previous installation "Laundry" in 1969. In this case "[...] it is not laundry that, being hung out in the main square of the city, polemically ‘violate’ the context of the power. Rather, it is a statement on the body in its absence, as the performance takes place in a dance and theatre festival where the body is always protagonist." [1] A second edition was also presented at the Utah Museum of Contemporary Art in Salt Lake City, in 2013. The project series contains a drawing of the installation, a sketch, details for the hanging lines, a printout of a photo montage of the installation, and photographs and a video of the installation. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-in-absence-2011-1/ (last accessed 23 January 2020)
People:
Date:
2011-2015
2011-2015
Title:
In Absence of Bodies (2011)
Actions:
AP207.S1.2011.PR04
Description:
The project series documents the installation "In Absence of Bodies" designed by Pettena in 2011 for the Stromerein Performance Festival in Zurich, Switzerland. The installation consists of clothes lines hung in the main square of the city and refers to Pettena's previous installation "Laundry" in 1969. In this case "[...] it is not laundry that, being hung out in the main square of the city, polemically ‘violate’ the context of the power. Rather, it is a statement on the body in its absence, as the performance takes place in a dance and theatre festival where the body is always protagonist." [1] A second edition was also presented at the Utah Museum of Contemporary Art in Salt Lake City, in 2013. The project series contains a drawing of the installation, a sketch, details for the hanging lines, a printout of a photo montage of the installation, and photographs and a video of the installation. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-in-absence-2011-1/ (last accessed 23 January 2020)
In Absence of Bodies (2011)
Actions:
AP207.S1.2011.PR04
Description:
The project series documents the installation "In Absence of Bodies" designed by Pettena in 2011 for the Stromerein Performance Festival in Zurich, Switzerland. The installation consists of clothes lines hung in the main square of the city and refers to Pettena's previous installation "Laundry" in 1969. In this case "[...] it is not laundry that, being hung out in the main square of the city, polemically ‘violate’ the context of the power. Rather, it is a statement on the body in its absence, as the performance takes place in a dance and theatre festival where the body is always protagonist." [1] A second edition was also presented at the Utah Museum of Contemporary Art in Salt Lake City, in 2013. The project series contains a drawing of the installation, a sketch, details for the hanging lines, a printout of a photo montage of the installation, and photographs and a video of the installation. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-in-absence-2011-1/ (last accessed 23 January 2020)
Level of archival description:
Project
Project
Date:
2011-2015
2011-2015
People:
Level of archival description:
Project
Project
Title:
Human Wall (2012)
Human Wall (2012)
Actions:
Reference number:
AP207.S1.2012.PR07
Description:
The project series documents "Human Wall", an installation by Pettena presented at the Galleria Federico Luger in Milan, in 2012. The installation consists of a large rectangular surface handmade with clay and covered in imprints of hands and fingers. "A wall that is described as "human," certainly not just because it is made by man, but rather because the latter's intervention find expression in the choice of a natural material and in the sign that he leaves on its surface with his fingers." [1] Other editions of this installation were also presented at the Utah Museum of Contemporary Art in Salt Lake City, in 2012, and the exhibition "Architetture Naturali/Gianni Pettena" at the Kunst Meran/Merano Arte in Meran, in 2017. The project series contains design studies for the texturing of the wall, photographs of the installation, a video of the montage of the installation in Milan in 2011. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-human-wall-2012-1/ (last accessed 27 January 2020)
AP207.S1.2012.PR07
Description:
The project series documents "Human Wall", an installation by Pettena presented at the Galleria Federico Luger in Milan, in 2012. The installation consists of a large rectangular surface handmade with clay and covered in imprints of hands and fingers. "A wall that is described as "human," certainly not just because it is made by man, but rather because the latter's intervention find expression in the choice of a natural material and in the sign that he leaves on its surface with his fingers." [1] Other editions of this installation were also presented at the Utah Museum of Contemporary Art in Salt Lake City, in 2012, and the exhibition "Architetture Naturali/Gianni Pettena" at the Kunst Meran/Merano Arte in Meran, in 2017. The project series contains design studies for the texturing of the wall, photographs of the installation, a video of the montage of the installation in Milan in 2011. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-human-wall-2012-1/ (last accessed 27 January 2020)
People:
Date:
2012-2018
2012-2018
Title:
Human Wall (2012)
Actions:
AP207.S1.2012.PR07
Description:
The project series documents "Human Wall", an installation by Pettena presented at the Galleria Federico Luger in Milan, in 2012. The installation consists of a large rectangular surface handmade with clay and covered in imprints of hands and fingers. "A wall that is described as "human," certainly not just because it is made by man, but rather because the latter's intervention find expression in the choice of a natural material and in the sign that he leaves on its surface with his fingers." [1] Other editions of this installation were also presented at the Utah Museum of Contemporary Art in Salt Lake City, in 2012, and the exhibition "Architetture Naturali/Gianni Pettena" at the Kunst Meran/Merano Arte in Meran, in 2017. The project series contains design studies for the texturing of the wall, photographs of the installation, a video of the montage of the installation in Milan in 2011. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-human-wall-2012-1/ (last accessed 27 January 2020)
Human Wall (2012)
Actions:
AP207.S1.2012.PR07
Description:
The project series documents "Human Wall", an installation by Pettena presented at the Galleria Federico Luger in Milan, in 2012. The installation consists of a large rectangular surface handmade with clay and covered in imprints of hands and fingers. "A wall that is described as "human," certainly not just because it is made by man, but rather because the latter's intervention find expression in the choice of a natural material and in the sign that he leaves on its surface with his fingers." [1] Other editions of this installation were also presented at the Utah Museum of Contemporary Art in Salt Lake City, in 2012, and the exhibition "Architetture Naturali/Gianni Pettena" at the Kunst Meran/Merano Arte in Meran, in 2017. The project series contains design studies for the texturing of the wall, photographs of the installation, a video of the montage of the installation in Milan in 2011. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-human-wall-2012-1/ (last accessed 27 January 2020)
Level of archival description:
Project
Project
Date:
2012-2018
2012-2018
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP056.S1.1989.PR04
Description:
This project series documents a proposal for Palmerston Place in Scarborough, Ontario from 1989-1992. The office identified the project number as 8909. This project, commissioned by Frum Development Group and headed by Bruce Kuwabara, proposed a mixed-use development that would span several blocks and integrate local transit stations. Located at the corner of Markham Road and Sheppard Avenue, the development would include residential areas, retail spaces, office buildings, a bus station and a subway station. The project investigated several schemes, all of which included the creation of a new grid road system, parks, courtyards and extensive landscaping. The development was divided into several phases to be carried out over a five to seven year period. This project was never built. The project is recorded through drawings, a site photograph and textual records dating from 1989-1991. The drawings are mostly originals and include sketches, model drawings, presentation drawings, plans, elevations and sections. A large number of the plans are schemes that investigate the general site concept. The textual records consist of a description of the project concept.
AP056.S1.1989.PR04
Description:
This project series documents a proposal for Palmerston Place in Scarborough, Ontario from 1989-1992. The office identified the project number as 8909. This project, commissioned by Frum Development Group and headed by Bruce Kuwabara, proposed a mixed-use development that would span several blocks and integrate local transit stations. Located at the corner of Markham Road and Sheppard Avenue, the development would include residential areas, retail spaces, office buildings, a bus station and a subway station. The project investigated several schemes, all of which included the creation of a new grid road system, parks, courtyards and extensive landscaping. The development was divided into several phases to be carried out over a five to seven year period. This project was never built. The project is recorded through drawings, a site photograph and textual records dating from 1989-1991. The drawings are mostly originals and include sketches, model drawings, presentation drawings, plans, elevations and sections. A large number of the plans are schemes that investigate the general site concept. The textual records consist of a description of the project concept.
People:
Date:
1989-1991
1989-1991
Title:
Palmerston Place, Scarborough, Ontario (1989-1992)
Actions:
AP056.S1.1989.PR04
Description:
This project series documents a proposal for Palmerston Place in Scarborough, Ontario from 1989-1992. The office identified the project number as 8909. This project, commissioned by Frum Development Group and headed by Bruce Kuwabara, proposed a mixed-use development that would span several blocks and integrate local transit stations. Located at the corner of Markham Road and Sheppard Avenue, the development would include residential areas, retail spaces, office buildings, a bus station and a subway station. The project investigated several schemes, all of which included the creation of a new grid road system, parks, courtyards and extensive landscaping. The development was divided into several phases to be carried out over a five to seven year period. This project was never built. The project is recorded through drawings, a site photograph and textual records dating from 1989-1991. The drawings are mostly originals and include sketches, model drawings, presentation drawings, plans, elevations and sections. A large number of the plans are schemes that investigate the general site concept. The textual records consist of a description of the project concept.
Palmerston Place, Scarborough, Ontario (1989-1992)
Actions:
AP056.S1.1989.PR04
Description:
This project series documents a proposal for Palmerston Place in Scarborough, Ontario from 1989-1992. The office identified the project number as 8909. This project, commissioned by Frum Development Group and headed by Bruce Kuwabara, proposed a mixed-use development that would span several blocks and integrate local transit stations. Located at the corner of Markham Road and Sheppard Avenue, the development would include residential areas, retail spaces, office buildings, a bus station and a subway station. The project investigated several schemes, all of which included the creation of a new grid road system, parks, courtyards and extensive landscaping. The development was divided into several phases to be carried out over a five to seven year period. This project was never built. The project is recorded through drawings, a site photograph and textual records dating from 1989-1991. The drawings are mostly originals and include sketches, model drawings, presentation drawings, plans, elevations and sections. A large number of the plans are schemes that investigate the general site concept. The textual records consist of a description of the project concept.
Level of archival description:
Project
Project
Date:
1989-1991
1989-1991
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP018.S1.1983.PR07
Description:
This project series documents alterations to terminals one and two of the Toronto International Airport in Mississauga, Ontario from 1983-1984. The office identified the project number as 8313. Since the early 1960s, John B. Parkin Associates, and later John C. Parkin's new firm Parkin Architects Planners, had been commissioned by the government Department of Transport Air Services (now Transport Canada) to complete more than a dozen projects at the Toronto International Airport, including terminals one and two. This project consisted of changes made to both of those terminals. Alterations at terminal one included alterations to the medical clinic at the basement level and discussion of mending the ceilings at the departures level. Alterations to terminal two included the expansion of retail concession space and the extension of the transborder airside corridor. The project is recorded through drawings, a photograph of a terminal interior, and textual records dating from 1983-1984. The drawings are arranged within the textual materials. The textual records consist of specifications, conference reports, site reports, contract and tender documents, consultancy records and construction notes.
AP018.S1.1983.PR07
Description:
This project series documents alterations to terminals one and two of the Toronto International Airport in Mississauga, Ontario from 1983-1984. The office identified the project number as 8313. Since the early 1960s, John B. Parkin Associates, and later John C. Parkin's new firm Parkin Architects Planners, had been commissioned by the government Department of Transport Air Services (now Transport Canada) to complete more than a dozen projects at the Toronto International Airport, including terminals one and two. This project consisted of changes made to both of those terminals. Alterations at terminal one included alterations to the medical clinic at the basement level and discussion of mending the ceilings at the departures level. Alterations to terminal two included the expansion of retail concession space and the extension of the transborder airside corridor. The project is recorded through drawings, a photograph of a terminal interior, and textual records dating from 1983-1984. The drawings are arranged within the textual materials. The textual records consist of specifications, conference reports, site reports, contract and tender documents, consultancy records and construction notes.
People:
Date:
1983-1984
1983-1984
Title:
Toronto International Airport, Alterations to Terminals One and Two, Mississauga, Ontario (1983-1984)
Actions:
AP018.S1.1983.PR07
Description:
This project series documents alterations to terminals one and two of the Toronto International Airport in Mississauga, Ontario from 1983-1984. The office identified the project number as 8313. Since the early 1960s, John B. Parkin Associates, and later John C. Parkin's new firm Parkin Architects Planners, had been commissioned by the government Department of Transport Air Services (now Transport Canada) to complete more than a dozen projects at the Toronto International Airport, including terminals one and two. This project consisted of changes made to both of those terminals. Alterations at terminal one included alterations to the medical clinic at the basement level and discussion of mending the ceilings at the departures level. Alterations to terminal two included the expansion of retail concession space and the extension of the transborder airside corridor. The project is recorded through drawings, a photograph of a terminal interior, and textual records dating from 1983-1984. The drawings are arranged within the textual materials. The textual records consist of specifications, conference reports, site reports, contract and tender documents, consultancy records and construction notes.
Toronto International Airport, Alterations to Terminals One and Two, Mississauga, Ontario (1983-1984)
Actions:
AP018.S1.1983.PR07
Description:
This project series documents alterations to terminals one and two of the Toronto International Airport in Mississauga, Ontario from 1983-1984. The office identified the project number as 8313. Since the early 1960s, John B. Parkin Associates, and later John C. Parkin's new firm Parkin Architects Planners, had been commissioned by the government Department of Transport Air Services (now Transport Canada) to complete more than a dozen projects at the Toronto International Airport, including terminals one and two. This project consisted of changes made to both of those terminals. Alterations at terminal one included alterations to the medical clinic at the basement level and discussion of mending the ceilings at the departures level. Alterations to terminal two included the expansion of retail concession space and the extension of the transborder airside corridor. The project is recorded through drawings, a photograph of a terminal interior, and textual records dating from 1983-1984. The drawings are arranged within the textual materials. The textual records consist of specifications, conference reports, site reports, contract and tender documents, consultancy records and construction notes.
Level of archival description:
Project
Project
Date:
1983-1984
1983-1984
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP018.S1.1984.PR02
Description:
This project series documents the expansion of the conservation labs at the Art Gallery of Ontario (AGO) in Toronto from 1984-1985. The office identified the project number as 8404. This project consisted of the addition of 2200 square feet of space to the conservation labs at the gallery. This space included a new inpainting studio for painting conservation, a paper conservation lab, and a matting and framing room for prints and drawings. Beginning in 1969, Parkin’s firm was hired as the head architects for the AGO’s massive expansion program that would span more than a decade. This is one project relating to the expansion of the art gallery. It should be noted that while AGO project contracts were originally given to John B. Parkin Associates, John C. Parkin continued the project under his new firm, Parkin Architects Planners, after parting ways with partner John B. Parkin in 1971. The project is recorded through drawings, construction photographs, building material samples and textual records dating from 1984-1985. The textual records consist of specifications, contractor correspondence and reports, invoices, and change orders.
AP018.S1.1984.PR02
Description:
This project series documents the expansion of the conservation labs at the Art Gallery of Ontario (AGO) in Toronto from 1984-1985. The office identified the project number as 8404. This project consisted of the addition of 2200 square feet of space to the conservation labs at the gallery. This space included a new inpainting studio for painting conservation, a paper conservation lab, and a matting and framing room for prints and drawings. Beginning in 1969, Parkin’s firm was hired as the head architects for the AGO’s massive expansion program that would span more than a decade. This is one project relating to the expansion of the art gallery. It should be noted that while AGO project contracts were originally given to John B. Parkin Associates, John C. Parkin continued the project under his new firm, Parkin Architects Planners, after parting ways with partner John B. Parkin in 1971. The project is recorded through drawings, construction photographs, building material samples and textual records dating from 1984-1985. The textual records consist of specifications, contractor correspondence and reports, invoices, and change orders.
People:
Date:
1984-1985
1984-1985
Title:
Art Gallery of Ontario, Conservation Expansion, Toronto (1984)
Actions:
AP018.S1.1984.PR02
Description:
This project series documents the expansion of the conservation labs at the Art Gallery of Ontario (AGO) in Toronto from 1984-1985. The office identified the project number as 8404. This project consisted of the addition of 2200 square feet of space to the conservation labs at the gallery. This space included a new inpainting studio for painting conservation, a paper conservation lab, and a matting and framing room for prints and drawings. Beginning in 1969, Parkin’s firm was hired as the head architects for the AGO’s massive expansion program that would span more than a decade. This is one project relating to the expansion of the art gallery. It should be noted that while AGO project contracts were originally given to John B. Parkin Associates, John C. Parkin continued the project under his new firm, Parkin Architects Planners, after parting ways with partner John B. Parkin in 1971. The project is recorded through drawings, construction photographs, building material samples and textual records dating from 1984-1985. The textual records consist of specifications, contractor correspondence and reports, invoices, and change orders.
Art Gallery of Ontario, Conservation Expansion, Toronto (1984)
Actions:
AP018.S1.1984.PR02
Description:
This project series documents the expansion of the conservation labs at the Art Gallery of Ontario (AGO) in Toronto from 1984-1985. The office identified the project number as 8404. This project consisted of the addition of 2200 square feet of space to the conservation labs at the gallery. This space included a new inpainting studio for painting conservation, a paper conservation lab, and a matting and framing room for prints and drawings. Beginning in 1969, Parkin’s firm was hired as the head architects for the AGO’s massive expansion program that would span more than a decade. This is one project relating to the expansion of the art gallery. It should be noted that while AGO project contracts were originally given to John B. Parkin Associates, John C. Parkin continued the project under his new firm, Parkin Architects Planners, after parting ways with partner John B. Parkin in 1971. The project is recorded through drawings, construction photographs, building material samples and textual records dating from 1984-1985. The textual records consist of specifications, contractor correspondence and reports, invoices, and change orders.
Level of archival description:
Project
Project
Date:
1984-1985
1984-1985
People:
Level of archival description:
Project
Project
Title:
Toronto International Airport, Terminal Two Parking Structures, Mississauga, Ontario (1974-1975)
Toronto International Airport, Terminal Two Parking Structures, Mississauga, Ontario (1974-1975)
Actions:
Reference number:
AP018.S1.1974.PR19
Description:
This project series documents a parking structure for the Toronto International Airport in Mississauga, Ontario from 1974-1975. The office identified the project number as 7425. This project consisted of a five-level, above ground parking garage with a capacity of approximately 5000 vehicles. The parking structure was designed for Terminal Two at the airport (now known as Toronto Pearson International Airport) and would connect departing and arriving passengers from the airport to the structure via tunnels. Parkin Architect Planners were hired as the consulting architects for this project by Fenco-Barton Engineers. Fenco Barton was awarded with the Prestressed Concrete Institute Award in 1979 to for excellence in architectural and engineering design using precast and prestressed concrete. The project is recorded through drawings, photographic materials and textual records dating from 1974-1975. The drawings are mostly original sketches of the design. Photographs and negatives show research on other parking structures. The textual records consist of correspondence, conference reports, interoffice letters and project notes. Box AP018.S1.1974.PR19.009 contains an index to the textual records, which was created by the office
AP018.S1.1974.PR19
Description:
This project series documents a parking structure for the Toronto International Airport in Mississauga, Ontario from 1974-1975. The office identified the project number as 7425. This project consisted of a five-level, above ground parking garage with a capacity of approximately 5000 vehicles. The parking structure was designed for Terminal Two at the airport (now known as Toronto Pearson International Airport) and would connect departing and arriving passengers from the airport to the structure via tunnels. Parkin Architect Planners were hired as the consulting architects for this project by Fenco-Barton Engineers. Fenco Barton was awarded with the Prestressed Concrete Institute Award in 1979 to for excellence in architectural and engineering design using precast and prestressed concrete. The project is recorded through drawings, photographic materials and textual records dating from 1974-1975. The drawings are mostly original sketches of the design. Photographs and negatives show research on other parking structures. The textual records consist of correspondence, conference reports, interoffice letters and project notes. Box AP018.S1.1974.PR19.009 contains an index to the textual records, which was created by the office
People:
Date:
1974-1975
1974-1975
Title:
Toronto International Airport, Terminal Two Parking Structures, Mississauga, Ontario (1974-1975)
Actions:
AP018.S1.1974.PR19
Description:
This project series documents a parking structure for the Toronto International Airport in Mississauga, Ontario from 1974-1975. The office identified the project number as 7425. This project consisted of a five-level, above ground parking garage with a capacity of approximately 5000 vehicles. The parking structure was designed for Terminal Two at the airport (now known as Toronto Pearson International Airport) and would connect departing and arriving passengers from the airport to the structure via tunnels. Parkin Architect Planners were hired as the consulting architects for this project by Fenco-Barton Engineers. Fenco Barton was awarded with the Prestressed Concrete Institute Award in 1979 to for excellence in architectural and engineering design using precast and prestressed concrete. The project is recorded through drawings, photographic materials and textual records dating from 1974-1975. The drawings are mostly original sketches of the design. Photographs and negatives show research on other parking structures. The textual records consist of correspondence, conference reports, interoffice letters and project notes. Box AP018.S1.1974.PR19.009 contains an index to the textual records, which was created by the office
Toronto International Airport, Terminal Two Parking Structures, Mississauga, Ontario (1974-1975)
Actions:
AP018.S1.1974.PR19
Description:
This project series documents a parking structure for the Toronto International Airport in Mississauga, Ontario from 1974-1975. The office identified the project number as 7425. This project consisted of a five-level, above ground parking garage with a capacity of approximately 5000 vehicles. The parking structure was designed for Terminal Two at the airport (now known as Toronto Pearson International Airport) and would connect departing and arriving passengers from the airport to the structure via tunnels. Parkin Architect Planners were hired as the consulting architects for this project by Fenco-Barton Engineers. Fenco Barton was awarded with the Prestressed Concrete Institute Award in 1979 to for excellence in architectural and engineering design using precast and prestressed concrete. The project is recorded through drawings, photographic materials and textual records dating from 1974-1975. The drawings are mostly original sketches of the design. Photographs and negatives show research on other parking structures. The textual records consist of correspondence, conference reports, interoffice letters and project notes. Box AP018.S1.1974.PR19.009 contains an index to the textual records, which was created by the office
Level of archival description:
Project
Project
Date:
1974-1975
1974-1975
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP018.S1.1982.PR07
Description:
This project series documents the design and construction of the Hamilton Trade Centre and Arena in Hamilton, Ontario from 1982-1985. The office identified the project number as 8207. The project consisted of a 60,000 square foot exhibition hall and arena, which had a capacity of 18,000. Opening in November 1985, the building was designed to host sports events (primarily hockey) and concerts. The project was reported to have cost $42 million. Along with Parkin Partnership as the architecture firm, John C. Parkin’s engineering company Parkin Engineers Ltd. worked as structural engineers on the project. The building, commissioned by the city of Hamilton, was officially called Copps Coliseum after the former Hamilton mayor, Victor Copps, who pushed for its creation throughout his career. In 2014, the name was changed to FirstOntario Centre. The project is recorded through reprographic copies of construction drawings, research, construction and presentation photographs, and textual records dating from 1982-1987. The textual records show design research, client correspondence, contractor work, specifications, publicity, and financial records. Any original drawings for this project are arranged within the textual records.
AP018.S1.1982.PR07
Description:
This project series documents the design and construction of the Hamilton Trade Centre and Arena in Hamilton, Ontario from 1982-1985. The office identified the project number as 8207. The project consisted of a 60,000 square foot exhibition hall and arena, which had a capacity of 18,000. Opening in November 1985, the building was designed to host sports events (primarily hockey) and concerts. The project was reported to have cost $42 million. Along with Parkin Partnership as the architecture firm, John C. Parkin’s engineering company Parkin Engineers Ltd. worked as structural engineers on the project. The building, commissioned by the city of Hamilton, was officially called Copps Coliseum after the former Hamilton mayor, Victor Copps, who pushed for its creation throughout his career. In 2014, the name was changed to FirstOntario Centre. The project is recorded through reprographic copies of construction drawings, research, construction and presentation photographs, and textual records dating from 1982-1987. The textual records show design research, client correspondence, contractor work, specifications, publicity, and financial records. Any original drawings for this project are arranged within the textual records.
People:
Date:
1982-1987
1982-1987
Title:
Hamilton Trade Centre and Arena, Hamilton, Ontario (1982-1985)
Actions:
AP018.S1.1982.PR07
Description:
This project series documents the design and construction of the Hamilton Trade Centre and Arena in Hamilton, Ontario from 1982-1985. The office identified the project number as 8207. The project consisted of a 60,000 square foot exhibition hall and arena, which had a capacity of 18,000. Opening in November 1985, the building was designed to host sports events (primarily hockey) and concerts. The project was reported to have cost $42 million. Along with Parkin Partnership as the architecture firm, John C. Parkin’s engineering company Parkin Engineers Ltd. worked as structural engineers on the project. The building, commissioned by the city of Hamilton, was officially called Copps Coliseum after the former Hamilton mayor, Victor Copps, who pushed for its creation throughout his career. In 2014, the name was changed to FirstOntario Centre. The project is recorded through reprographic copies of construction drawings, research, construction and presentation photographs, and textual records dating from 1982-1987. The textual records show design research, client correspondence, contractor work, specifications, publicity, and financial records. Any original drawings for this project are arranged within the textual records.
Hamilton Trade Centre and Arena, Hamilton, Ontario (1982-1985)
Actions:
AP018.S1.1982.PR07
Description:
This project series documents the design and construction of the Hamilton Trade Centre and Arena in Hamilton, Ontario from 1982-1985. The office identified the project number as 8207. The project consisted of a 60,000 square foot exhibition hall and arena, which had a capacity of 18,000. Opening in November 1985, the building was designed to host sports events (primarily hockey) and concerts. The project was reported to have cost $42 million. Along with Parkin Partnership as the architecture firm, John C. Parkin’s engineering company Parkin Engineers Ltd. worked as structural engineers on the project. The building, commissioned by the city of Hamilton, was officially called Copps Coliseum after the former Hamilton mayor, Victor Copps, who pushed for its creation throughout his career. In 2014, the name was changed to FirstOntario Centre. The project is recorded through reprographic copies of construction drawings, research, construction and presentation photographs, and textual records dating from 1982-1987. The textual records show design research, client correspondence, contractor work, specifications, publicity, and financial records. Any original drawings for this project are arranged within the textual records.
Level of archival description:
Project
Project
Date:
1982-1987
1982-1987
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP018.S1.1980.PR11
Description:
This project series documents a feasibility study for the new National Gallery of Canada in Ottawa, Ontario from 1980-1982. The office identified the project number as 8011. In 1977, Parkin Architects Planners won a limited architectural competition for their design of the new National Gallery of Canada. The selected site for the competition, next to the Ottawa River, was controversial due to its uneven ground and lack of access to main streets in Ottawa. This project consisted of a feasibility study to use the existing Memorial Buildings in Ottawa as the site of the new National Gallery of Canada. These buildings, originally built in 1954 as federal offices, were between 4-6 storeys with 70,000 square feet of space, excluding parking levels. The project is recorded through drawings, photographs and textual records dating from 1980-1982. The majority of the drawings are reprographic copies of building sections, floor plans and area calculations. The textual records include correspondence, conference reports, interoffice letters, financial records and the feasibility report and design scheme documentation.
AP018.S1.1980.PR11
Description:
This project series documents a feasibility study for the new National Gallery of Canada in Ottawa, Ontario from 1980-1982. The office identified the project number as 8011. In 1977, Parkin Architects Planners won a limited architectural competition for their design of the new National Gallery of Canada. The selected site for the competition, next to the Ottawa River, was controversial due to its uneven ground and lack of access to main streets in Ottawa. This project consisted of a feasibility study to use the existing Memorial Buildings in Ottawa as the site of the new National Gallery of Canada. These buildings, originally built in 1954 as federal offices, were between 4-6 storeys with 70,000 square feet of space, excluding parking levels. The project is recorded through drawings, photographs and textual records dating from 1980-1982. The majority of the drawings are reprographic copies of building sections, floor plans and area calculations. The textual records include correspondence, conference reports, interoffice letters, financial records and the feasibility report and design scheme documentation.
People:
Date:
1980-1982
1980-1982
Title:
National Gallery of Canada, East - West Memorial Buildings Feasibility Study, Ottawa, Ontario (1980-1982)
Actions:
AP018.S1.1980.PR11
Description:
This project series documents a feasibility study for the new National Gallery of Canada in Ottawa, Ontario from 1980-1982. The office identified the project number as 8011. In 1977, Parkin Architects Planners won a limited architectural competition for their design of the new National Gallery of Canada. The selected site for the competition, next to the Ottawa River, was controversial due to its uneven ground and lack of access to main streets in Ottawa. This project consisted of a feasibility study to use the existing Memorial Buildings in Ottawa as the site of the new National Gallery of Canada. These buildings, originally built in 1954 as federal offices, were between 4-6 storeys with 70,000 square feet of space, excluding parking levels. The project is recorded through drawings, photographs and textual records dating from 1980-1982. The majority of the drawings are reprographic copies of building sections, floor plans and area calculations. The textual records include correspondence, conference reports, interoffice letters, financial records and the feasibility report and design scheme documentation.
National Gallery of Canada, East - West Memorial Buildings Feasibility Study, Ottawa, Ontario (1980-1982)
Actions:
AP018.S1.1980.PR11
Description:
This project series documents a feasibility study for the new National Gallery of Canada in Ottawa, Ontario from 1980-1982. The office identified the project number as 8011. In 1977, Parkin Architects Planners won a limited architectural competition for their design of the new National Gallery of Canada. The selected site for the competition, next to the Ottawa River, was controversial due to its uneven ground and lack of access to main streets in Ottawa. This project consisted of a feasibility study to use the existing Memorial Buildings in Ottawa as the site of the new National Gallery of Canada. These buildings, originally built in 1954 as federal offices, were between 4-6 storeys with 70,000 square feet of space, excluding parking levels. The project is recorded through drawings, photographs and textual records dating from 1980-1982. The majority of the drawings are reprographic copies of building sections, floor plans and area calculations. The textual records include correspondence, conference reports, interoffice letters, financial records and the feasibility report and design scheme documentation.
Level of archival description:
Project
Project
Date:
1980-1982
1980-1982
People:
Level of archival description:
Project
Project
Title:
Maison Coloniale
Maison Coloniale
Reference number:
AP066.S2.D19
Description:
Le dossier documente le projet de construction de la Maison Coloniale, une habitation associée à un atelier d'architecture et un hall d'exposition, situé au 4333 avenue Coloniale, à Montréal, Québec. Les matériaux utilisés pour réaliser cette construction sont le béton armé, l'acier et le bois. Le budget alloué pour ce projet était de 300 000$ et la superficie est de 340 mètres carrés. Aussi, le projet s'est mérité le Prix d'architecture du Gouverneur général du Canada. Le dossier contient des dessins, des reprographies, des photographies, des documents textuels, des maquettes et un négatif. Description du projet par l'architecte: "En concevant la Maison Coloniale, entre autres choses qui s'y trouvent inscrites, j'ai pensé à l'état des métiers. La solidarité qui nous lie est tellement ténue, les savoir-faire se déplacent, les langages s'autonomisent. Ici la structure de béton n'aura pour but structural que de survivre à sa peine : le squelette est dehors, qu'est-ce que cela veut nous dire? Partout la division, la séparation des éléments. La juxtaposition, la superposition et la répétition forment un langage dans le langage. Tout y est contact de points et de surface, d'appuis et d'ancrages. Le squelette est dehors, le corps est dedans. Qu'est-ce que cela veut nous dire? La Maison nous dit la nature de notre côtoiement. Elle nous rappelle nos liens possibles et nous apprend qu'à force de séparation, tout s'unit. Elle nous indique la distance qu'il nous reste à franchir pour se toucher et s'émouvoir. Elle est comme vous et moi, un peu résistante et prête à tout donner. Elle nous dit la convivialité et nous rappelle nos moyens d'humains. Elle nous rappelle que c'est nous qui l'avons faite!" Jacques Rousseau, "Éthique et tact", dans Architecture, éthique et technologie, édité par Louise Pelletier et Alberto Pérez-Gómez, McGill-Queen's University Press, Montréal, 1994, p. 137-150.
AP066.S2.D19
Description:
Le dossier documente le projet de construction de la Maison Coloniale, une habitation associée à un atelier d'architecture et un hall d'exposition, situé au 4333 avenue Coloniale, à Montréal, Québec. Les matériaux utilisés pour réaliser cette construction sont le béton armé, l'acier et le bois. Le budget alloué pour ce projet était de 300 000$ et la superficie est de 340 mètres carrés. Aussi, le projet s'est mérité le Prix d'architecture du Gouverneur général du Canada. Le dossier contient des dessins, des reprographies, des photographies, des documents textuels, des maquettes et un négatif. Description du projet par l'architecte: "En concevant la Maison Coloniale, entre autres choses qui s'y trouvent inscrites, j'ai pensé à l'état des métiers. La solidarité qui nous lie est tellement ténue, les savoir-faire se déplacent, les langages s'autonomisent. Ici la structure de béton n'aura pour but structural que de survivre à sa peine : le squelette est dehors, qu'est-ce que cela veut nous dire? Partout la division, la séparation des éléments. La juxtaposition, la superposition et la répétition forment un langage dans le langage. Tout y est contact de points et de surface, d'appuis et d'ancrages. Le squelette est dehors, le corps est dedans. Qu'est-ce que cela veut nous dire? La Maison nous dit la nature de notre côtoiement. Elle nous rappelle nos liens possibles et nous apprend qu'à force de séparation, tout s'unit. Elle nous indique la distance qu'il nous reste à franchir pour se toucher et s'émouvoir. Elle est comme vous et moi, un peu résistante et prête à tout donner. Elle nous dit la convivialité et nous rappelle nos moyens d'humains. Elle nous rappelle que c'est nous qui l'avons faite!" Jacques Rousseau, "Éthique et tact", dans Architecture, éthique et technologie, édité par Louise Pelletier et Alberto Pérez-Gómez, McGill-Queen's University Press, Montréal, 1994, p. 137-150.
People:
Date:
1986-1990
1986-1990
Title:
Maison Coloniale
Actions:
AP066.S2.D19
Description:
Le dossier documente le projet de construction de la Maison Coloniale, une habitation associée à un atelier d'architecture et un hall d'exposition, situé au 4333 avenue Coloniale, à Montréal, Québec. Les matériaux utilisés pour réaliser cette construction sont le béton armé, l'acier et le bois. Le budget alloué pour ce projet était de 300 000$ et la superficie est de 340 mètres carrés. Aussi, le projet s'est mérité le Prix d'architecture du Gouverneur général du Canada. Le dossier contient des dessins, des reprographies, des photographies, des documents textuels, des maquettes et un négatif. Description du projet par l'architecte: "En concevant la Maison Coloniale, entre autres choses qui s'y trouvent inscrites, j'ai pensé à l'état des métiers. La solidarité qui nous lie est tellement ténue, les savoir-faire se déplacent, les langages s'autonomisent. Ici la structure de béton n'aura pour but structural que de survivre à sa peine : le squelette est dehors, qu'est-ce que cela veut nous dire? Partout la division, la séparation des éléments. La juxtaposition, la superposition et la répétition forment un langage dans le langage. Tout y est contact de points et de surface, d'appuis et d'ancrages. Le squelette est dehors, le corps est dedans. Qu'est-ce que cela veut nous dire? La Maison nous dit la nature de notre côtoiement. Elle nous rappelle nos liens possibles et nous apprend qu'à force de séparation, tout s'unit. Elle nous indique la distance qu'il nous reste à franchir pour se toucher et s'émouvoir. Elle est comme vous et moi, un peu résistante et prête à tout donner. Elle nous dit la convivialité et nous rappelle nos moyens d'humains. Elle nous rappelle que c'est nous qui l'avons faite!" Jacques Rousseau, "Éthique et tact", dans Architecture, éthique et technologie, édité par Louise Pelletier et Alberto Pérez-Gómez, McGill-Queen's University Press, Montréal, 1994, p. 137-150.
Maison Coloniale
Actions:
AP066.S2.D19
Description:
Le dossier documente le projet de construction de la Maison Coloniale, une habitation associée à un atelier d'architecture et un hall d'exposition, situé au 4333 avenue Coloniale, à Montréal, Québec. Les matériaux utilisés pour réaliser cette construction sont le béton armé, l'acier et le bois. Le budget alloué pour ce projet était de 300 000$ et la superficie est de 340 mètres carrés. Aussi, le projet s'est mérité le Prix d'architecture du Gouverneur général du Canada. Le dossier contient des dessins, des reprographies, des photographies, des documents textuels, des maquettes et un négatif. Description du projet par l'architecte: "En concevant la Maison Coloniale, entre autres choses qui s'y trouvent inscrites, j'ai pensé à l'état des métiers. La solidarité qui nous lie est tellement ténue, les savoir-faire se déplacent, les langages s'autonomisent. Ici la structure de béton n'aura pour but structural que de survivre à sa peine : le squelette est dehors, qu'est-ce que cela veut nous dire? Partout la division, la séparation des éléments. La juxtaposition, la superposition et la répétition forment un langage dans le langage. Tout y est contact de points et de surface, d'appuis et d'ancrages. Le squelette est dehors, le corps est dedans. Qu'est-ce que cela veut nous dire? La Maison nous dit la nature de notre côtoiement. Elle nous rappelle nos liens possibles et nous apprend qu'à force de séparation, tout s'unit. Elle nous indique la distance qu'il nous reste à franchir pour se toucher et s'émouvoir. Elle est comme vous et moi, un peu résistante et prête à tout donner. Elle nous dit la convivialité et nous rappelle nos moyens d'humains. Elle nous rappelle que c'est nous qui l'avons faite!" Jacques Rousseau, "Éthique et tact", dans Architecture, éthique et technologie, édité par Louise Pelletier et Alberto Pérez-Gómez, McGill-Queen's University Press, Montréal, 1994, p. 137-150.
Level of archival description:
Projet
Projet
Date:
1986-1990
1986-1990
People:
