Umberto Riva, designer
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In his long career, Umberto Riva (1928-2021), one of the most original Italian architects of the last decades, has developed a personal approach to design, understood as a fundamental part of a broader research that connects painting and architecture, interiors and objects. Lamps, furniture, carpets and graphic design resonate with paintings, installations, buildings,(...)
Umberto Riva, designer
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In his long career, Umberto Riva (1928-2021), one of the most original Italian architects of the last decades, has developed a personal approach to design, understood as a fundamental part of a broader research that connects painting and architecture, interiors and objects. Lamps, furniture, carpets and graphic design resonate with paintings, installations, buildings, public spaces and domestic interiors, reworking traditional and industrial materials. To retrace this complex artistic exploration, the volume presents Riva’s work in the field of design through sketches, drawings, photographs and other documents from the architect’s archive - many of them unpublished. The result is a mosaic of references, dialogues and artistic connections that give proof of his design experimentation, moved by a restlessness that results in geometric, chromatic and spatial exceptions.
Architecture Monographs
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Most consumer products come primarily from the Pearl River Delta, the "factory of the world" with the largest industrial region on earth. The delta has attracted millions of poor rural residents to settle in factory towns in hopes for a better life. Factory Towns of South China opens a window on these walled compounds, exposing the gritty establishments, crowded(...)
Factory towns of South China: an illustrated guidebook
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Most consumer products come primarily from the Pearl River Delta, the "factory of the world" with the largest industrial region on earth. The delta has attracted millions of poor rural residents to settle in factory towns in hopes for a better life. Factory Towns of South China opens a window on these walled compounds, exposing the gritty establishments, crowded dormitories and monotonous labor carried out by workers. Some function as self-contained cities, with their own fire brigade, hospital, bank, TV station and as many as half a million workers living within the compounds. Other factories are scattered in larger villages to mask their existence and evade governmental crackdowns on the production of fake consumer goods and illegal casino machines.
Collective Housing
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Contrary to what is suggested by most historical accounts, the Second World War was a key moment in the modernisation of architectural theory and practice. Architecture in Uniform offers a new perspective on the architectural history of the war, documenting a series of episodes that took place between the bombings of Guernica in 1937 and Hiroshima in 1945, leading to(...)
Architecture in uniform: designing and building for the Second World War
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Contrary to what is suggested by most historical accounts, the Second World War was a key moment in the modernisation of architectural theory and practice. Architecture in Uniform offers a new perspective on the architectural history of the war, documenting a series of episodes that took place between the bombings of Guernica in 1937 and Hiroshima in 1945, leading to the definitive supremacy of modernism in architecture. It discusses topics such as the role of cities in the air war, the new buildings erected for industrial production, architecture's participation in actual warfare, and wartime mega-projects and post-war developments in the civilian sphere, revealing the extent of the contribution made by architects to all aspects of the mobilisation that characterised the war years.
CCA Publications
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Over the last twenty years Barcelona has reached the apex of its public appeal, and the time has come for a critical evaluation of its recent past. Barcelona is an example of how a European and Mediterranean city can be radically transformed. Starting from the 1980s, through investment in contemporary architecture, tourism, and advanced services, the city abandoned its(...)
Barcelona: city, architecture and society 1975-2015
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Over the last twenty years Barcelona has reached the apex of its public appeal, and the time has come for a critical evaluation of its recent past. Barcelona is an example of how a European and Mediterranean city can be radically transformed. Starting from the 1980s, through investment in contemporary architecture, tourism, and advanced services, the city abandoned its traditional identity as an industrial center. After 1992, following the Olympics and the international success the city enjoyed as a result, Barcelona became a "model" city, renowned for its architecture, urban projects, attention to urban morphology, and context. In this book, the author gives a critical account of the various "stages" in Barcelona’s recent history, putting them into historical context and drawing parallels with local and international currents.
Architecture since 1900, Europe
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Modernism dominated craft and design in Canada from the 1940's through the 1970's. At one time Canadian art museums encouraged industrial design and even The National Gallery of Canada presented several exhibitions meant to introduce the country to the work of Canadian designers and the modernist style. This publication outlines the modernist viewpoints held by(...)
The modern eye : craft and design in Canada, 1940-1980
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Modernism dominated craft and design in Canada from the 1940's through the 1970's. At one time Canadian art museums encouraged industrial design and even The National Gallery of Canada presented several exhibitions meant to introduce the country to the work of Canadian designers and the modernist style. This publication outlines the modernist viewpoints held by Canada's most prominent designers and craft artists working in this period. Featured are dozens of pieces of furniture, ceramics, and household items that best illustrate modernist preoccupation with form, color, texture, experimentation, functionality, and honest use of materials. Items chosen reflect an interest in new materials and techniques and an awareness of contemporary trends in abstract art and Modern architecture. Accompanied by biographies of the leading designers of the time.
Design, Periods and Styles
Tokujin Yoshioka
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Based in Tokyo, Tokujin Yoshioka has built a career using unconventional materials to create objects and spaces. Often employing paper and glass, as well as unusual elements, such as plastic drinking straws, his studio’s work has achieved a cult following among design enthusiasts. His most recent experiments transcend industrial design, occupying a space between science(...)
Tokujin Yoshioka
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Based in Tokyo, Tokujin Yoshioka has built a career using unconventional materials to create objects and spaces. Often employing paper and glass, as well as unusual elements, such as plastic drinking straws, his studio’s work has achieved a cult following among design enthusiasts. His most recent experiments transcend industrial design, occupying a space between science and art, typified by the Venus chair, where crystals were naturally grown over a fiber form immersed in a glass tank filled with a solution. Designed by Groovisions, the book includes more than three hundred sketches, concept renderings, and photographs. The projects are organized thematically, with an emphasis on materials and process, and show how Yoshioka transforms commonplace items to create objects of tensile strength and sublime beauty.
Interior Design
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Faced with questions about how to adapt and reuse a former industrial site in the center of town, an international insurance corporation, together with the Swiss city of Winterthur, held a competition among architecture and design firms to come up with an innovative, effective plan. The winning firm was the Vienna-based Architekt Krischanitz, and their submission,(...)
Superblock Winterthur: a project with architect Krischanitz
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Faced with questions about how to adapt and reuse a former industrial site in the center of town, an international insurance corporation, together with the Swiss city of Winterthur, held a competition among architecture and design firms to come up with an innovative, effective plan. The winning firm was the Vienna-based Architekt Krischanitz, and their submission, Superblock, is a striking idea given a brilliant execution: it combines a large workshop where diesel engines were assembled with newly constructed yet visually complementary buildings. This book details the project from concept to completion, using numerous photographs, plans, and visualizations to trace the history of the site, the genesis and development of the Superblock concept, and the revitalization of the neighborhood that it is expected to lead.
Architecture Monographs
books
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2 volumes ([10], 427 leaves) ; 28 cm + 6 maps
©1975.
Histoire de la ville de Maisonneuve, 1883-1918 / Paul-André Linteau.
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2 volumes ([10], 427 leaves) ; 28 cm + 6 maps
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©1975.
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x, 195 pages ; 23 cm
Bloomington : Indiana University Press, ©2011.
Gary, the most American of all American cities / S. Paul O'Hara.
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x, 195 pages ; 23 cm
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Bloomington : Indiana University Press, ©2011.
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"The Artist as Producer" reshapes our understanding of the fundamental contribution of the Russian avant-garde to the development of modernism. Focusing on the single most important hotbed of Constructivist activity in the early 1920s - the Institute of Artistic Culture (INKhUK) in Moscow - Maria Gough offers a powerful reinterpretation of the work of the first group of(...)
The artist as producer : Russian Constructivism in revolution
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"The Artist as Producer" reshapes our understanding of the fundamental contribution of the Russian avant-garde to the development of modernism. Focusing on the single most important hotbed of Constructivist activity in the early 1920s - the Institute of Artistic Culture (INKhUK) in Moscow - Maria Gough offers a powerful reinterpretation of the work of the first group of artists to call themselves Constructivists. Her lively narrative ranges from famous figures such as Aleksandr Rodchenko to others who are much less well known, such as Karl Ioganson, a key member of the state-funded INKhUK whose work paved the way for an eventual dematerialization of the integral art object. Through the mining of untapped archives and collections in Russia and Latvia and a close reading of key Constructivist works, Gough highlights fundamental differences among the Moscow group in their handling of the experimental new sculptural form - the spatial construction - and of their subsequent shift to industrial production. "The Artist as Producer" upends the standard view that the Moscow group's formalism and abstraction were incompatible with the sociopolitical imperatives of the new Communist state. It challenges the common equation of Constructivism with functionalism and utilitarianism by delineating a contrary tendency toward non-determinism and an alternate orientation to process rather than product. Finally, the book counters the popular perception that Constructivism failed in its ambition to enter production by presenting the first-ever case study of how a Constructivist could, and in fact did, operate within an industrial environment. "The Artist as Producer" offers provocative new perspectives on three critical issues - formalism, functionalism, and failure - that are of central importance to our understanding not only of the Soviet phenomenon but also of the European vanguards more generally.
Architecture since 1900, Europe