1078 Results
Level of archival description:
Project
Project
Reference number:
AP207.S1.1977.PR02
Description:
The project series documents a series of photographs entitled "Testimonianze D'Architettura" presented at the exhibition "VENEREZIA" in Venice in 1978. The photographs consist of toned and overexposed color prints of the walls of a stone quarry. The photographs are "assembled in succession, as if in a slow pan, to suggest the slow rhythm of observation and lead to the discovery of other worlds [...] arising out of the examination of the strata in a fault." [1] The project series contains eight overexposed photographs of the quarry walls. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/nat-testimony-of-architecture-1978/ (last accessed 12 November 2019)
AP207.S1.1977.PR02
Description:
The project series documents a series of photographs entitled "Testimonianze D'Architettura" presented at the exhibition "VENEREZIA" in Venice in 1978. The photographs consist of toned and overexposed color prints of the walls of a stone quarry. The photographs are "assembled in succession, as if in a slow pan, to suggest the slow rhythm of observation and lead to the discovery of other worlds [...] arising out of the examination of the strata in a fault." [1] The project series contains eight overexposed photographs of the quarry walls. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/nat-testimony-of-architecture-1978/ (last accessed 12 November 2019)
People:
Date:
circa 1977
circa 1977
Title:
Testimonianze D'Architettura [Testimony of Architecture] (1977)
Actions:
AP207.S1.1977.PR02
Description:
The project series documents a series of photographs entitled "Testimonianze D'Architettura" presented at the exhibition "VENEREZIA" in Venice in 1978. The photographs consist of toned and overexposed color prints of the walls of a stone quarry. The photographs are "assembled in succession, as if in a slow pan, to suggest the slow rhythm of observation and lead to the discovery of other worlds [...] arising out of the examination of the strata in a fault." [1] The project series contains eight overexposed photographs of the quarry walls. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/nat-testimony-of-architecture-1978/ (last accessed 12 November 2019)
Testimonianze D'Architettura [Testimony of Architecture] (1977)
Actions:
AP207.S1.1977.PR02
Description:
The project series documents a series of photographs entitled "Testimonianze D'Architettura" presented at the exhibition "VENEREZIA" in Venice in 1978. The photographs consist of toned and overexposed color prints of the walls of a stone quarry. The photographs are "assembled in succession, as if in a slow pan, to suggest the slow rhythm of observation and lead to the discovery of other worlds [...] arising out of the examination of the strata in a fault." [1] The project series contains eight overexposed photographs of the quarry walls. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/nat-testimony-of-architecture-1978/ (last accessed 12 November 2019)
Level of archival description:
Project
Project
Date:
circa 1977
circa 1977
People:
Level of archival description:
Project
Project
Title:
Architecture In Love (1997)
Architecture In Love (1997)
Actions:
Reference number:
AP207.S1.1997.PR01
Description:
The project series documents "Architecture in Love" a series of decorative rings designed by Pettena in 1997. "Rather than any decorative intent, this series of rings favors an essentially architectural approach. The object, formed of two halves that are assembled into the completeness of a whole, is in reality a disassembled and reassembled building, investigated in all its possible spatial values." [1] The project series contains sketches and design drawings showing the rings at different angles, photographs and project descriptions in Italian and in English. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/design-architectures-in-love-1997-1/ (last accessed 22 January 2020).
AP207.S1.1997.PR01
Description:
The project series documents "Architecture in Love" a series of decorative rings designed by Pettena in 1997. "Rather than any decorative intent, this series of rings favors an essentially architectural approach. The object, formed of two halves that are assembled into the completeness of a whole, is in reality a disassembled and reassembled building, investigated in all its possible spatial values." [1] The project series contains sketches and design drawings showing the rings at different angles, photographs and project descriptions in Italian and in English. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/design-architectures-in-love-1997-1/ (last accessed 22 January 2020).
People:
Date:
circa 1997-2015
circa 1997-2015
Title:
Architecture In Love (1997)
Actions:
AP207.S1.1997.PR01
Description:
The project series documents "Architecture in Love" a series of decorative rings designed by Pettena in 1997. "Rather than any decorative intent, this series of rings favors an essentially architectural approach. The object, formed of two halves that are assembled into the completeness of a whole, is in reality a disassembled and reassembled building, investigated in all its possible spatial values." [1] The project series contains sketches and design drawings showing the rings at different angles, photographs and project descriptions in Italian and in English. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/design-architectures-in-love-1997-1/ (last accessed 22 January 2020).
Architecture In Love (1997)
Actions:
AP207.S1.1997.PR01
Description:
The project series documents "Architecture in Love" a series of decorative rings designed by Pettena in 1997. "Rather than any decorative intent, this series of rings favors an essentially architectural approach. The object, formed of two halves that are assembled into the completeness of a whole, is in reality a disassembled and reassembled building, investigated in all its possible spatial values." [1] The project series contains sketches and design drawings showing the rings at different angles, photographs and project descriptions in Italian and in English. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/design-architectures-in-love-1997-1/ (last accessed 22 January 2020).
Level of archival description:
Project
Project
Date:
circa 1997-2015
circa 1997-2015
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP207.S1.2012.PR11
Description:
The project series documents "Nature vs Architecture", a series of drawings created by Pettena in 2012-2013. It consists of plans of famous buildings assembled together in six different drawings to which Pettena added topographic lines showing geological features. "A very clear symbology shows here how the artist wishes to side up, in the confrontation, with nature, because its force cannot be ignored by architecture, whether consciously or not." [1] The project series contains the six original drawings by Pettena, a montage of the drawings and a project description in Italian. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/nat-nature-vs-architecture-2013-1/ (last accessed 27 January 2020)
AP207.S1.2012.PR11
Description:
The project series documents "Nature vs Architecture", a series of drawings created by Pettena in 2012-2013. It consists of plans of famous buildings assembled together in six different drawings to which Pettena added topographic lines showing geological features. "A very clear symbology shows here how the artist wishes to side up, in the confrontation, with nature, because its force cannot be ignored by architecture, whether consciously or not." [1] The project series contains the six original drawings by Pettena, a montage of the drawings and a project description in Italian. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/nat-nature-vs-architecture-2013-1/ (last accessed 27 January 2020)
People:
Date:
2012-2015
2012-2015
Title:
Nature vs Architecture (2012-2013)
Actions:
AP207.S1.2012.PR11
Description:
The project series documents "Nature vs Architecture", a series of drawings created by Pettena in 2012-2013. It consists of plans of famous buildings assembled together in six different drawings to which Pettena added topographic lines showing geological features. "A very clear symbology shows here how the artist wishes to side up, in the confrontation, with nature, because its force cannot be ignored by architecture, whether consciously or not." [1] The project series contains the six original drawings by Pettena, a montage of the drawings and a project description in Italian. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/nat-nature-vs-architecture-2013-1/ (last accessed 27 January 2020)
Nature vs Architecture (2012-2013)
Actions:
AP207.S1.2012.PR11
Description:
The project series documents "Nature vs Architecture", a series of drawings created by Pettena in 2012-2013. It consists of plans of famous buildings assembled together in six different drawings to which Pettena added topographic lines showing geological features. "A very clear symbology shows here how the artist wishes to side up, in the confrontation, with nature, because its force cannot be ignored by architecture, whether consciously or not." [1] The project series contains the six original drawings by Pettena, a montage of the drawings and a project description in Italian. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/nat-nature-vs-architecture-2013-1/ (last accessed 27 January 2020)
Level of archival description:
Project
Project
Date:
2012-2015
2012-2015
People:
Level of archival description:
Project
Project
Reference number:
AP207.S1.1968.PR02
Description:
This project series documents Pettena's installation entitled "Carabinieri". The installation consisted of sheets of corrugated cardboard and metal stays assembled to created the three-dimensional letters of the word "Carabinieri". The final product measured about ten meters long by two meters high. It was first built in the courtyard of the Palazzo Comunale in Novara in 1968. "The construction, left out in the open, gradually degraded due to the damp and rain" [1] which made it an installation project, as well as a performance. The installation was recreated for the exhibition "Gianni Pettena. About non conscious architecture" in the Galleria Giovanni Bonelli in Milan, in 2017. This project is the first of a series of three other similar projects. The project series contains photographs of the construction of the word "Carabinieri", photographs of the final installation at the Palazzo Comunale in Novara, and one photograph of the installation at the Gallerie Giovanni Bonelli. It also inlcudes drawings, a plan of the installation, and photographs of a later model of the cardboard word. Source: [1] Marco Scotini, editor. Non-conscious architecture: Gianni Pettena, Sternberg Press, 2018, 235 pages. p. 108.
AP207.S1.1968.PR02
Description:
This project series documents Pettena's installation entitled "Carabinieri". The installation consisted of sheets of corrugated cardboard and metal stays assembled to created the three-dimensional letters of the word "Carabinieri". The final product measured about ten meters long by two meters high. It was first built in the courtyard of the Palazzo Comunale in Novara in 1968. "The construction, left out in the open, gradually degraded due to the damp and rain" [1] which made it an installation project, as well as a performance. The installation was recreated for the exhibition "Gianni Pettena. About non conscious architecture" in the Galleria Giovanni Bonelli in Milan, in 2017. This project is the first of a series of three other similar projects. The project series contains photographs of the construction of the word "Carabinieri", photographs of the final installation at the Palazzo Comunale in Novara, and one photograph of the installation at the Gallerie Giovanni Bonelli. It also inlcudes drawings, a plan of the installation, and photographs of a later model of the cardboard word. Source: [1] Marco Scotini, editor. Non-conscious architecture: Gianni Pettena, Sternberg Press, 2018, 235 pages. p. 108.
People:
Date:
circa 1968
circa 1968
Title:
Carabinieri [Carabiniers] (1968)
Actions:
AP207.S1.1968.PR02
Description:
This project series documents Pettena's installation entitled "Carabinieri". The installation consisted of sheets of corrugated cardboard and metal stays assembled to created the three-dimensional letters of the word "Carabinieri". The final product measured about ten meters long by two meters high. It was first built in the courtyard of the Palazzo Comunale in Novara in 1968. "The construction, left out in the open, gradually degraded due to the damp and rain" [1] which made it an installation project, as well as a performance. The installation was recreated for the exhibition "Gianni Pettena. About non conscious architecture" in the Galleria Giovanni Bonelli in Milan, in 2017. This project is the first of a series of three other similar projects. The project series contains photographs of the construction of the word "Carabinieri", photographs of the final installation at the Palazzo Comunale in Novara, and one photograph of the installation at the Gallerie Giovanni Bonelli. It also inlcudes drawings, a plan of the installation, and photographs of a later model of the cardboard word. Source: [1] Marco Scotini, editor. Non-conscious architecture: Gianni Pettena, Sternberg Press, 2018, 235 pages. p. 108.
Carabinieri [Carabiniers] (1968)
Actions:
AP207.S1.1968.PR02
Description:
This project series documents Pettena's installation entitled "Carabinieri". The installation consisted of sheets of corrugated cardboard and metal stays assembled to created the three-dimensional letters of the word "Carabinieri". The final product measured about ten meters long by two meters high. It was first built in the courtyard of the Palazzo Comunale in Novara in 1968. "The construction, left out in the open, gradually degraded due to the damp and rain" [1] which made it an installation project, as well as a performance. The installation was recreated for the exhibition "Gianni Pettena. About non conscious architecture" in the Galleria Giovanni Bonelli in Milan, in 2017. This project is the first of a series of three other similar projects. The project series contains photographs of the construction of the word "Carabinieri", photographs of the final installation at the Palazzo Comunale in Novara, and one photograph of the installation at the Gallerie Giovanni Bonelli. It also inlcudes drawings, a plan of the installation, and photographs of a later model of the cardboard word. Source: [1] Marco Scotini, editor. Non-conscious architecture: Gianni Pettena, Sternberg Press, 2018, 235 pages. p. 108.
Level of archival description:
Project
Project
Date:
circa 1968
circa 1968
People:
Form:
events
events
Actions:
Description:
Looking beyond North America, the series Meanwhile, in… considers the role of changed contexts in shaping postmodernisms elsewhere, by assembling case studies from other countries, with other cultural concerns and other contingencies.
Looking beyond North America, the series Meanwhile, in… considers the role of changed contexts in shaping postmodernisms elsewhere, by assembling case studies from other countries, with other cultural concerns and other contingencies.
Date:
14 March 2019, 6:30pm
14 March 2019, 6:30pm
Title:
Meanwhile, in Warsaw: With Kuba Snopek
Actions:
Description:
Looking beyond North America, the series Meanwhile, in… considers the role of changed contexts in shaping postmodernisms elsewhere, by assembling case studies from other countries, with other cultural concerns and other contingencies.
Meanwhile, in Warsaw: With Kuba Snopek
Actions:
Description:
Looking beyond North America, the series Meanwhile, in… considers the role of changed contexts in shaping postmodernisms elsewhere, by assembling case studies from other countries, with other cultural concerns and other contingencies.
Form:
events
events
Date:
14 March 2019
6:30pm
14 March 2019
6:30pm
Form:
events
events
Actions:
Description:
Looking beyond the North America, the series Meanwhile, in… considers the role of changed contexts in shaping postmodernisms elsewhere, by assembling case studies from other countries, with other cultural concerns and other contingencies.
Looking beyond the North America, the series Meanwhile, in… considers the role of changed contexts in shaping postmodernisms elsewhere, by assembling case studies from other countries, with other cultural concerns and other contingencies.
Date:
21 February 2019, 6:30pm
21 February 2019, 6:30pm
Title:
Meanwhile, in London: With Léa-Catherine Szacka
Actions:
Description:
Looking beyond the North America, the series Meanwhile, in… considers the role of changed contexts in shaping postmodernisms elsewhere, by assembling case studies from other countries, with other cultural concerns and other contingencies.
Meanwhile, in London: With Léa-Catherine Szacka
Actions:
Description:
Looking beyond the North America, the series Meanwhile, in… considers the role of changed contexts in shaping postmodernisms elsewhere, by assembling case studies from other countries, with other cultural concerns and other contingencies.
Form:
events
events
Date:
21 February 2019
6:30pm
21 February 2019
6:30pm
Form:
events
events
Actions:
Description:
Looking beyond North America, the series Meanwhile, in… considers the role of changed contexts in shaping postmodernisms elsewhere, by assembling case studies from other countries, with other cultural concerns and other contingencies.
Looking beyond North America, the series Meanwhile, in… considers the role of changed contexts in shaping postmodernisms elsewhere, by assembling case studies from other countries, with other cultural concerns and other contingencies.
Date:
4 April 2019, 6:30pm
4 April 2019, 6:30pm
Title:
Meanwhile, in Paris: With Pierre Chabard
Actions:
Description:
Looking beyond North America, the series Meanwhile, in… considers the role of changed contexts in shaping postmodernisms elsewhere, by assembling case studies from other countries, with other cultural concerns and other contingencies.
Meanwhile, in Paris: With Pierre Chabard
Actions:
Description:
Looking beyond North America, the series Meanwhile, in… considers the role of changed contexts in shaping postmodernisms elsewhere, by assembling case studies from other countries, with other cultural concerns and other contingencies.
Form:
events
events
Date:
4 April 2019
6:30pm
4 April 2019
6:30pm
Actions:
Reference number:
ARCH263942
Description:
La lettre contient une référence à l'Assemblée de Chandigarh.
ARCH263942
Description:
La lettre contient une référence à l'Assemblée de Chandigarh.
People:
Date:
11 février 1964
11 février 1964
Title:
Lettre de Pierre Jeanneret à A.R. Prabhawalkar relative à Chandigarh, Inde, ainsi qu'à la santé de Pierre Jeanneret
Actions:
ARCH263942
Description:
La lettre contient une référence à l'Assemblée de Chandigarh.
Lettre de Pierre Jeanneret à A.R. Prabhawalkar relative à Chandigarh, Inde, ainsi qu'à la santé de Pierre Jeanneret
Actions:
ARCH263942
Description:
La lettre contient une référence à l'Assemblée de Chandigarh.
Date:
11 février 1964
11 février 1964
People:
Actions:
Reference number:
ARCH264226:001
Description:
La lettre a pour sujet le siège de l'assemblée à Chandigarh.
ARCH264226:001
Description:
La lettre a pour sujet le siège de l'assemblée à Chandigarh.
People:
Date:
14 avril 1961
14 avril 1961
Title:
Lettre de Le Corbusier à G.R. Nangea relative à Chandigarh, Inde
Actions:
ARCH264226:001
Description:
La lettre a pour sujet le siège de l'assemblée à Chandigarh.
Lettre de Le Corbusier à G.R. Nangea relative à Chandigarh, Inde
Actions:
ARCH264226:001
Description:
La lettre a pour sujet le siège de l'assemblée à Chandigarh.
Date:
14 avril 1961
14 avril 1961
People:
Actions:
Reference number:
ARCH264224:018
Description:
La lettre a pour sujet la construction du siège de l'assemblée à Chandigarh.
ARCH264224:018
Description:
La lettre a pour sujet la construction du siège de l'assemblée à Chandigarh.
People:
Date:
24 juillet 1959
24 juillet 1959
Title:
Lettre de R.N. Dogra à Le Corbusier relative à Chandigarh, Inde
Actions:
ARCH264224:018
Description:
La lettre a pour sujet la construction du siège de l'assemblée à Chandigarh.
Lettre de R.N. Dogra à Le Corbusier relative à Chandigarh, Inde
Actions:
ARCH264224:018
Description:
La lettre a pour sujet la construction du siège de l'assemblée à Chandigarh.
Date:
24 juillet 1959
24 juillet 1959
People:
