12962 Results
Level of archival description:
Series
Series
Title:
Articles, 2015-2020
Articles, 2015-2020
Actions:
Reference number:
AP133.S3
Description:
This series documents Pierre du Prey's writings for articles in collaborative publications and magazine on the history of architecture. It contains documents related to the following articles: "William Chambers, John Yenn, and the Boboli Gardens transported to England's Shores" in "Rethinking Renaissance Drawings: Essays in Honour of David McTavish" edited by Una Roman d’Elia (2015); "Conviviality Versus Seclusions in Pliny’s Tuscan and Laurentine Villas" in "The Roman Villa in the Mediterranean Bassin: Late Republic to Late Antiquity" edited by Annalisa Marzano and Guy P. R. Métraux (2017); and "London, Parma, Dresden: Exposition, Competition, Exhibition" in "The Companions to the History of Architecture, Volume II: Eighteenth-Century Architecture", edited by Caroline van Eck and Sigrid de Jong (2018). It also contains material related to the article "A Serendipitous Discovery" published in "The Architectural Historian" magazine of March 2019 about a recently found drawing by Sir John Soane and small publication "Finding the 'Lost' Church of St. John the Baptist" published by Delusso Éditeur in 2020. The series contains draft and final versions of texts, and correspondence regarding each of the five articles.
AP133.S3
Description:
This series documents Pierre du Prey's writings for articles in collaborative publications and magazine on the history of architecture. It contains documents related to the following articles: "William Chambers, John Yenn, and the Boboli Gardens transported to England's Shores" in "Rethinking Renaissance Drawings: Essays in Honour of David McTavish" edited by Una Roman d’Elia (2015); "Conviviality Versus Seclusions in Pliny’s Tuscan and Laurentine Villas" in "The Roman Villa in the Mediterranean Bassin: Late Republic to Late Antiquity" edited by Annalisa Marzano and Guy P. R. Métraux (2017); and "London, Parma, Dresden: Exposition, Competition, Exhibition" in "The Companions to the History of Architecture, Volume II: Eighteenth-Century Architecture", edited by Caroline van Eck and Sigrid de Jong (2018). It also contains material related to the article "A Serendipitous Discovery" published in "The Architectural Historian" magazine of March 2019 about a recently found drawing by Sir John Soane and small publication "Finding the 'Lost' Church of St. John the Baptist" published by Delusso Éditeur in 2020. The series contains draft and final versions of texts, and correspondence regarding each of the five articles.
People:
Date:
2010-2020
2010-2020
Title:
Articles, 2015-2020
Actions:
AP133.S3
Description:
This series documents Pierre du Prey's writings for articles in collaborative publications and magazine on the history of architecture. It contains documents related to the following articles: "William Chambers, John Yenn, and the Boboli Gardens transported to England's Shores" in "Rethinking Renaissance Drawings: Essays in Honour of David McTavish" edited by Una Roman d’Elia (2015); "Conviviality Versus Seclusions in Pliny’s Tuscan and Laurentine Villas" in "The Roman Villa in the Mediterranean Bassin: Late Republic to Late Antiquity" edited by Annalisa Marzano and Guy P. R. Métraux (2017); and "London, Parma, Dresden: Exposition, Competition, Exhibition" in "The Companions to the History of Architecture, Volume II: Eighteenth-Century Architecture", edited by Caroline van Eck and Sigrid de Jong (2018). It also contains material related to the article "A Serendipitous Discovery" published in "The Architectural Historian" magazine of March 2019 about a recently found drawing by Sir John Soane and small publication "Finding the 'Lost' Church of St. John the Baptist" published by Delusso Éditeur in 2020. The series contains draft and final versions of texts, and correspondence regarding each of the five articles.
Articles, 2015-2020
Actions:
AP133.S3
Description:
This series documents Pierre du Prey's writings for articles in collaborative publications and magazine on the history of architecture. It contains documents related to the following articles: "William Chambers, John Yenn, and the Boboli Gardens transported to England's Shores" in "Rethinking Renaissance Drawings: Essays in Honour of David McTavish" edited by Una Roman d’Elia (2015); "Conviviality Versus Seclusions in Pliny’s Tuscan and Laurentine Villas" in "The Roman Villa in the Mediterranean Bassin: Late Republic to Late Antiquity" edited by Annalisa Marzano and Guy P. R. Métraux (2017); and "London, Parma, Dresden: Exposition, Competition, Exhibition" in "The Companions to the History of Architecture, Volume II: Eighteenth-Century Architecture", edited by Caroline van Eck and Sigrid de Jong (2018). It also contains material related to the article "A Serendipitous Discovery" published in "The Architectural Historian" magazine of March 2019 about a recently found drawing by Sir John Soane and small publication "Finding the 'Lost' Church of St. John the Baptist" published by Delusso Éditeur in 2020. The series contains draft and final versions of texts, and correspondence regarding each of the five articles.
Level of archival description:
Series
Series
Date:
2010-2020
2010-2020
People:
Form:
events
events
Actions:
Description:
Please join us for the launch of The Urban Unknown, a collective zine project developed by the participants of the CCA Youth Collective. Over the past months, participants aged 15 to 18 have taken part in research, editing, and publishing workshops led by the Public Programs team, with contributions from CCA Publications, Matthias Kreutzer of Our Polite Society, and(...)
Please join us for the launch of The Urban Unknown, a collective zine project developed by the participants of the CCA Youth Collective. Over the past months, participants aged 15 to 18 have taken part in research, editing, and publishing workshops led by the Public Programs team, with contributions from CCA Publications, Matthias Kreutzer of Our Polite Society, and(...)
Date:
27 November 2025, 5:30pm to 6:30pm
27 November 2025, 5:30pm to 6:30pm
Title:
Zine Launch: The Urban Unknown / CCA Youth Collective
Actions:
Description:
Please join us for the launch of The Urban Unknown, a collective zine project developed by the participants of the CCA Youth Collective. Over the past months, participants aged 15 to 18 have taken part in research, editing, and publishing workshops led by the Public Programs team, with contributions from CCA Publications, Matthias Kreutzer of Our Polite Society, and(...)
Zine Launch: The Urban Unknown / CCA Youth Collective
Actions:
Description:
Please join us for the launch of The Urban Unknown, a collective zine project developed by the participants of the CCA Youth Collective. Over the past months, participants aged 15 to 18 have taken part in research, editing, and publishing workshops led by the Public Programs team, with contributions from CCA Publications, Matthias Kreutzer of Our Polite Society, and(...)
Form:
events
events
Date:
27 November 2025
5:30pm to 6:30pm
27 November 2025
5:30pm to 6:30pm
Level of archival description:
Sub-series
Sub-series
Title:
Caribbean Orange
Caribbean Orange
Actions:
Reference number:
CP138.S9.SS3.D1
Description:
File contains of multiple copies, in various formats, of an edited 30-second, made for television film, of the building cut The Caribbean Orange (1978), commissioned by the Museum of Contemporary Art in Chicago, Illinois. File contains a DVD, film reel and videocassette.
CP138.S9.SS3.D1
Description:
File contains of multiple copies, in various formats, of an edited 30-second, made for television film, of the building cut The Caribbean Orange (1978), commissioned by the Museum of Contemporary Art in Chicago, Illinois. File contains a DVD, film reel and videocassette.
People:
Date:
1978
1978
Title:
Caribbean Orange
Actions:
CP138.S9.SS3.D1
Description:
File contains of multiple copies, in various formats, of an edited 30-second, made for television film, of the building cut The Caribbean Orange (1978), commissioned by the Museum of Contemporary Art in Chicago, Illinois. File contains a DVD, film reel and videocassette.
Caribbean Orange
Actions:
CP138.S9.SS3.D1
Description:
File contains of multiple copies, in various formats, of an edited 30-second, made for television film, of the building cut The Caribbean Orange (1978), commissioned by the Museum of Contemporary Art in Chicago, Illinois. File contains a DVD, film reel and videocassette.
Level of archival description:
File 1
File 1
Date:
1978
1978
People:
Reference number:
AP140.S2.SS7.D3.P10.10
Description:
Includes segments from the Abend Shau, 6/7, the Landes Schau, and Heute Journal. Also includes the film "Ein Stärkes Stuck" by Gisela Reich with narration by Walter Kreye. Stuttgard : Südfunks Stuttgart, 1984. First speaker: Dorothee Roth Abend Schall das Baden-Württemberg Magazin Die Neue Staatsgalerie Stuttgart Director and book: Gisela Reich Camera: Fritz Moser, Adolf Hartl, Hans Grimmelmann Sound: Lucian Dixon Editing: Dorrit Dorr Speaker: Walter Kreye A production of Südfunk Stuttgart 1984
AP140.S2.SS7.D3.P10.10
Description:
Includes segments from the Abend Shau, 6/7, the Landes Schau, and Heute Journal. Also includes the film "Ein Stärkes Stuck" by Gisela Reich with narration by Walter Kreye. Stuttgard : Südfunks Stuttgart, 1984. First speaker: Dorothee Roth Abend Schall das Baden-Württemberg Magazin Die Neue Staatsgalerie Stuttgart Director and book: Gisela Reich Camera: Fritz Moser, Adolf Hartl, Hans Grimmelmann Sound: Lucian Dixon Editing: Dorrit Dorr Speaker: Walter Kreye A production of Südfunk Stuttgart 1984
People:
Date:
1984
1984
Title:
German media coverage of the opening of the Staatsgalerie Stuttgart
Actions:
AP140.S2.SS7.D3.P10.10
Description:
Includes segments from the Abend Shau, 6/7, the Landes Schau, and Heute Journal. Also includes the film "Ein Stärkes Stuck" by Gisela Reich with narration by Walter Kreye. Stuttgard : Südfunks Stuttgart, 1984. First speaker: Dorothee Roth Abend Schall das Baden-Württemberg Magazin Die Neue Staatsgalerie Stuttgart Director and book: Gisela Reich Camera: Fritz Moser, Adolf Hartl, Hans Grimmelmann Sound: Lucian Dixon Editing: Dorrit Dorr Speaker: Walter Kreye A production of Südfunk Stuttgart 1984
German media coverage of the opening of the Staatsgalerie Stuttgart
Actions:
AP140.S2.SS7.D3.P10.10
Description:
Includes segments from the Abend Shau, 6/7, the Landes Schau, and Heute Journal. Also includes the film "Ein Stärkes Stuck" by Gisela Reich with narration by Walter Kreye. Stuttgard : Südfunks Stuttgart, 1984. First speaker: Dorothee Roth Abend Schall das Baden-Württemberg Magazin Die Neue Staatsgalerie Stuttgart Director and book: Gisela Reich Camera: Fritz Moser, Adolf Hartl, Hans Grimmelmann Sound: Lucian Dixon Editing: Dorrit Dorr Speaker: Walter Kreye A production of Südfunk Stuttgart 1984
Date:
1984
1984
People:
Level of archival description:
Sub-series
Sub-series
Title:
Compilation
Compilation
Actions:
Reference number:
AP165.S5.SS3
Description:
The Compilation sub-series, circa 1990 – 2000, consists of 13 video recordings containing selected content of projects and studio footage that has been compiled and edited for professional use by Hoberman Associates, Inc. Material consists of Betacam SP cassettes and U-matic cassettes. The majority of the records date from the mid to late 90’s to early 2000’s. Video recordings in this sub-series contain compilation footage of a selection of Hoberman's unfolding structures such as the Iris Dome and Expanding Hypar, promotional content showcasing “recent work” by Hoberman Associates, Inc., and an assemblage of studio footage. These compilations were edited by Stable Films, a film studio based out of New York, New York (no longer active).
AP165.S5.SS3
Description:
The Compilation sub-series, circa 1990 – 2000, consists of 13 video recordings containing selected content of projects and studio footage that has been compiled and edited for professional use by Hoberman Associates, Inc. Material consists of Betacam SP cassettes and U-matic cassettes. The majority of the records date from the mid to late 90’s to early 2000’s. Video recordings in this sub-series contain compilation footage of a selection of Hoberman's unfolding structures such as the Iris Dome and Expanding Hypar, promotional content showcasing “recent work” by Hoberman Associates, Inc., and an assemblage of studio footage. These compilations were edited by Stable Films, a film studio based out of New York, New York (no longer active).
People:
Date:
circa 1990-2002
circa 1990-2002
Title:
Compilation
Actions:
AP165.S5.SS3
Description:
The Compilation sub-series, circa 1990 – 2000, consists of 13 video recordings containing selected content of projects and studio footage that has been compiled and edited for professional use by Hoberman Associates, Inc. Material consists of Betacam SP cassettes and U-matic cassettes. The majority of the records date from the mid to late 90’s to early 2000’s. Video recordings in this sub-series contain compilation footage of a selection of Hoberman's unfolding structures such as the Iris Dome and Expanding Hypar, promotional content showcasing “recent work” by Hoberman Associates, Inc., and an assemblage of studio footage. These compilations were edited by Stable Films, a film studio based out of New York, New York (no longer active).
Compilation
Actions:
AP165.S5.SS3
Description:
The Compilation sub-series, circa 1990 – 2000, consists of 13 video recordings containing selected content of projects and studio footage that has been compiled and edited for professional use by Hoberman Associates, Inc. Material consists of Betacam SP cassettes and U-matic cassettes. The majority of the records date from the mid to late 90’s to early 2000’s. Video recordings in this sub-series contain compilation footage of a selection of Hoberman's unfolding structures such as the Iris Dome and Expanding Hypar, promotional content showcasing “recent work” by Hoberman Associates, Inc., and an assemblage of studio footage. These compilations were edited by Stable Films, a film studio based out of New York, New York (no longer active).
Level of archival description:
Sub-series 3
Sub-series 3
Date:
circa 1990-2002
circa 1990-2002
People:
Level of archival description:
Project
Project
Title:
Substrait
Substrait
Actions:
Reference number:
CP138.S6.D18
Description:
File consists of film originals, edited films, audio cassettes, and video transfers of Substrait, made in New York City, New York. Materials were recorded in 1976 and some were transferred to videocassette in 1992. File contains audiocassettes, audio reels, film reels and videocassettes.
CP138.S6.D18
Description:
File consists of film originals, edited films, audio cassettes, and video transfers of Substrait, made in New York City, New York. Materials were recorded in 1976 and some were transferred to videocassette in 1992. File contains audiocassettes, audio reels, film reels and videocassettes.
People:
Date:
1976
1976
Title:
Substrait
Actions:
CP138.S6.D18
Description:
File consists of film originals, edited films, audio cassettes, and video transfers of Substrait, made in New York City, New York. Materials were recorded in 1976 and some were transferred to videocassette in 1992. File contains audiocassettes, audio reels, film reels and videocassettes.
Substrait
Actions:
CP138.S6.D18
Description:
File consists of film originals, edited films, audio cassettes, and video transfers of Substrait, made in New York City, New York. Materials were recorded in 1976 and some were transferred to videocassette in 1992. File contains audiocassettes, audio reels, film reels and videocassettes.
Level of archival description:
File 18
File 18
Date:
1976
1976
People:
Level of archival description:
Sub-series
Sub-series
Reference number:
AP116.S4.SS2
Description:
Sub-series documents the steps in the publication of Kojin Karatani's Architecture as Metaphor: Language, Number, Money, translated by Sabu Kohso, edited by Michael Speaks. Material in file was produced between 1993 and 1995. Sub-series contains various editions of the text, a computer diskette, correspondence, research material and a copy of the final publication.
AP116.S4.SS2
Description:
Sub-series documents the steps in the publication of Kojin Karatani's Architecture as Metaphor: Language, Number, Money, translated by Sabu Kohso, edited by Michael Speaks. Material in file was produced between 1993 and 1995. Sub-series contains various editions of the text, a computer diskette, correspondence, research material and a copy of the final publication.
People:
Date:
1993-1995
1993-1995
Title:
Architecture as Metaphor: Language, Number, Money
Actions:
AP116.S4.SS2
Description:
Sub-series documents the steps in the publication of Kojin Karatani's Architecture as Metaphor: Language, Number, Money, translated by Sabu Kohso, edited by Michael Speaks. Material in file was produced between 1993 and 1995. Sub-series contains various editions of the text, a computer diskette, correspondence, research material and a copy of the final publication.
Architecture as Metaphor: Language, Number, Money
Actions:
AP116.S4.SS2
Description:
Sub-series documents the steps in the publication of Kojin Karatani's Architecture as Metaphor: Language, Number, Money, translated by Sabu Kohso, edited by Michael Speaks. Material in file was produced between 1993 and 1995. Sub-series contains various editions of the text, a computer diskette, correspondence, research material and a copy of the final publication.
Level of archival description:
Sub-series 2
Sub-series 2
Date:
1993-1995
1993-1995
People:
Level of archival description:
Project
Project
Title:
Food
Food
Actions:
Reference number:
CP138.S6.D10
Description:
File consists of film originals, exposed but unprocessed film footage, workprints, outtakes, edited footage, and video transfers of Food, made in New York City, New York. Materials were recorded in 1971 and possibly 1972 and some were transferred to videocassette in 2001 and other unknown dates. File contains audio reels, film reels and videocassettes.
CP138.S6.D10
Description:
File consists of film originals, exposed but unprocessed film footage, workprints, outtakes, edited footage, and video transfers of Food, made in New York City, New York. Materials were recorded in 1971 and possibly 1972 and some were transferred to videocassette in 2001 and other unknown dates. File contains audio reels, film reels and videocassettes.
People:
Date:
[1971-1972?]
[1971-1972?]
Title:
Food
Actions:
CP138.S6.D10
Description:
File consists of film originals, exposed but unprocessed film footage, workprints, outtakes, edited footage, and video transfers of Food, made in New York City, New York. Materials were recorded in 1971 and possibly 1972 and some were transferred to videocassette in 2001 and other unknown dates. File contains audio reels, film reels and videocassettes.
Food
Actions:
CP138.S6.D10
Description:
File consists of film originals, exposed but unprocessed film footage, workprints, outtakes, edited footage, and video transfers of Food, made in New York City, New York. Materials were recorded in 1971 and possibly 1972 and some were transferred to videocassette in 2001 and other unknown dates. File contains audio reels, film reels and videocassettes.
Level of archival description:
File 10
File 10
Date:
[1971-1972?]
[1971-1972?]
People:
Form:
textual records
textual records
Reference number:
AP140.S2.SS4.D1.P2
Description:
annotated drafts of introduction by John Jacobus, correspondence with John Jacobus and publisher Gerd Hatje, sketchbook with notes and sketches for book layout by James Stirling, including: folder 1/3 - letter from James Stirling to John Jacobus (28 April 1975) explaining the process of editing Jacobus' introduction, mollifying him regarding changes and noting that the text was reviewed by Ken Frampton and Kerry ? - letter from John Jacobus to James Stirling (22 May 1975?) "I'm still mad at you but that's a small thing." - 2nd draft of the introduction "approved by Jake" annotated in black and blue ink - 5th draft (June 1971) 2 photocopied copies - Draft of the introduction, inscribed "Mary" in red ink, with comments in pencil (by Mary Stirling ?) and further notes in red ink (by James Stirling ?) folder 2/3 - 5th draft (June 1971), inscribed "Jan" (struck through in red ink), "Fourth draft" (struck through in red ink and replaced with "Fifth), annotated in red ink over earlier nnotations (by James Stirling ?) - 5th draft (struck through in red ink), extensively edited and annotated in red ink by James Stirling - 5th draft, original typescript, annotated in black ink and graphite - 4th draft, inscribed "Jan 71," a photocopy of an already annotated and edited text - 4th draft, inscribed "3rd draft" (struck through in red ink), heavily edited in rd ink, graphite, green ink, including an additional 7 pages of notes "by Ken Frampton" dated "Fall of 1972 or 73" folder 3/3 - 3rd draft, original typescript, edited in black ink by James Stirling - 2nd draft, "approved by Jake," photocopy, edited in graphite over earlieer editing marks - several sets of early pages of the introduction, interspersed with accompanying letters from John Jacobus to James Stirling, all heavily annotated and struck through in red andorange marker, black ink, graphite, purple ink, yellow marker, red ink, purple pencil, with entirely new passages in black ink - 4th draft, dated "Jan 71," two photocopied copies including photocopied editing marks - final draft, inscribed "FINAL" and "Revised (in ink), to length(?) via Hatje," original typescript, edited in red ink, graphite, black ink, black marker, blue ink, green ink and strike throughs in black marker Red cloth-bound journal - 23.2 x 18.0 cm dated on inside cover "London - May - 1973" - page layouts for book - black ink, blue marker, red ink, graphite, blue ink
AP140.S2.SS4.D1.P2
Description:
annotated drafts of introduction by John Jacobus, correspondence with John Jacobus and publisher Gerd Hatje, sketchbook with notes and sketches for book layout by James Stirling, including: folder 1/3 - letter from James Stirling to John Jacobus (28 April 1975) explaining the process of editing Jacobus' introduction, mollifying him regarding changes and noting that the text was reviewed by Ken Frampton and Kerry ? - letter from John Jacobus to James Stirling (22 May 1975?) "I'm still mad at you but that's a small thing." - 2nd draft of the introduction "approved by Jake" annotated in black and blue ink - 5th draft (June 1971) 2 photocopied copies - Draft of the introduction, inscribed "Mary" in red ink, with comments in pencil (by Mary Stirling ?) and further notes in red ink (by James Stirling ?) folder 2/3 - 5th draft (June 1971), inscribed "Jan" (struck through in red ink), "Fourth draft" (struck through in red ink and replaced with "Fifth), annotated in red ink over earlier nnotations (by James Stirling ?) - 5th draft (struck through in red ink), extensively edited and annotated in red ink by James Stirling - 5th draft, original typescript, annotated in black ink and graphite - 4th draft, inscribed "Jan 71," a photocopy of an already annotated and edited text - 4th draft, inscribed "3rd draft" (struck through in red ink), heavily edited in rd ink, graphite, green ink, including an additional 7 pages of notes "by Ken Frampton" dated "Fall of 1972 or 73" folder 3/3 - 3rd draft, original typescript, edited in black ink by James Stirling - 2nd draft, "approved by Jake," photocopy, edited in graphite over earlieer editing marks - several sets of early pages of the introduction, interspersed with accompanying letters from John Jacobus to James Stirling, all heavily annotated and struck through in red andorange marker, black ink, graphite, purple ink, yellow marker, red ink, purple pencil, with entirely new passages in black ink - 4th draft, dated "Jan 71," two photocopied copies including photocopied editing marks - final draft, inscribed "FINAL" and "Revised (in ink), to length(?) via Hatje," original typescript, edited in red ink, graphite, black ink, black marker, blue ink, green ink and strike throughs in black marker Red cloth-bound journal - 23.2 x 18.0 cm dated on inside cover "London - May - 1973" - page layouts for book - black ink, blue marker, red ink, graphite, blue ink
People:
Title:
annotated drafts of introduction, correspondence, sketchbook with notes and sketches for book layout
Actions:
AP140.S2.SS4.D1.P2
Description:
annotated drafts of introduction by John Jacobus, correspondence with John Jacobus and publisher Gerd Hatje, sketchbook with notes and sketches for book layout by James Stirling, including: folder 1/3 - letter from James Stirling to John Jacobus (28 April 1975) explaining the process of editing Jacobus' introduction, mollifying him regarding changes and noting that the text was reviewed by Ken Frampton and Kerry ? - letter from John Jacobus to James Stirling (22 May 1975?) "I'm still mad at you but that's a small thing." - 2nd draft of the introduction "approved by Jake" annotated in black and blue ink - 5th draft (June 1971) 2 photocopied copies - Draft of the introduction, inscribed "Mary" in red ink, with comments in pencil (by Mary Stirling ?) and further notes in red ink (by James Stirling ?) folder 2/3 - 5th draft (June 1971), inscribed "Jan" (struck through in red ink), "Fourth draft" (struck through in red ink and replaced with "Fifth), annotated in red ink over earlier nnotations (by James Stirling ?) - 5th draft (struck through in red ink), extensively edited and annotated in red ink by James Stirling - 5th draft, original typescript, annotated in black ink and graphite - 4th draft, inscribed "Jan 71," a photocopy of an already annotated and edited text - 4th draft, inscribed "3rd draft" (struck through in red ink), heavily edited in rd ink, graphite, green ink, including an additional 7 pages of notes "by Ken Frampton" dated "Fall of 1972 or 73" folder 3/3 - 3rd draft, original typescript, edited in black ink by James Stirling - 2nd draft, "approved by Jake," photocopy, edited in graphite over earlieer editing marks - several sets of early pages of the introduction, interspersed with accompanying letters from John Jacobus to James Stirling, all heavily annotated and struck through in red andorange marker, black ink, graphite, purple ink, yellow marker, red ink, purple pencil, with entirely new passages in black ink - 4th draft, dated "Jan 71," two photocopied copies including photocopied editing marks - final draft, inscribed "FINAL" and "Revised (in ink), to length(?) via Hatje," original typescript, edited in red ink, graphite, black ink, black marker, blue ink, green ink and strike throughs in black marker Red cloth-bound journal - 23.2 x 18.0 cm dated on inside cover "London - May - 1973" - page layouts for book - black ink, blue marker, red ink, graphite, blue ink
annotated drafts of introduction, correspondence, sketchbook with notes and sketches for book layout
Actions:
AP140.S2.SS4.D1.P2
Description:
annotated drafts of introduction by John Jacobus, correspondence with John Jacobus and publisher Gerd Hatje, sketchbook with notes and sketches for book layout by James Stirling, including: folder 1/3 - letter from James Stirling to John Jacobus (28 April 1975) explaining the process of editing Jacobus' introduction, mollifying him regarding changes and noting that the text was reviewed by Ken Frampton and Kerry ? - letter from John Jacobus to James Stirling (22 May 1975?) "I'm still mad at you but that's a small thing." - 2nd draft of the introduction "approved by Jake" annotated in black and blue ink - 5th draft (June 1971) 2 photocopied copies - Draft of the introduction, inscribed "Mary" in red ink, with comments in pencil (by Mary Stirling ?) and further notes in red ink (by James Stirling ?) folder 2/3 - 5th draft (June 1971), inscribed "Jan" (struck through in red ink), "Fourth draft" (struck through in red ink and replaced with "Fifth), annotated in red ink over earlier nnotations (by James Stirling ?) - 5th draft (struck through in red ink), extensively edited and annotated in red ink by James Stirling - 5th draft, original typescript, annotated in black ink and graphite - 4th draft, inscribed "Jan 71," a photocopy of an already annotated and edited text - 4th draft, inscribed "3rd draft" (struck through in red ink), heavily edited in rd ink, graphite, green ink, including an additional 7 pages of notes "by Ken Frampton" dated "Fall of 1972 or 73" folder 3/3 - 3rd draft, original typescript, edited in black ink by James Stirling - 2nd draft, "approved by Jake," photocopy, edited in graphite over earlieer editing marks - several sets of early pages of the introduction, interspersed with accompanying letters from John Jacobus to James Stirling, all heavily annotated and struck through in red andorange marker, black ink, graphite, purple ink, yellow marker, red ink, purple pencil, with entirely new passages in black ink - 4th draft, dated "Jan 71," two photocopied copies including photocopied editing marks - final draft, inscribed "FINAL" and "Revised (in ink), to length(?) via Hatje," original typescript, edited in red ink, graphite, black ink, black marker, blue ink, green ink and strike throughs in black marker Red cloth-bound journal - 23.2 x 18.0 cm dated on inside cover "London - May - 1973" - page layouts for book - black ink, blue marker, red ink, graphite, blue ink
Form:
textual records
textual records
People:
Level of archival description:
Sub-series
Sub-series
Reference number:
AP116.S4.SS4
Description:
Sub-series documents the steps in the publication of Ignasi de Solà-Morales' Differences: Topographies of Contemporary Architecture, translated by Graham Thompson, edited by Sarah Whiting. Material in sub-series was produced between 1992 and 1996. Sub-series contains various editions of the text, correspondence, artwork, computer diskette, notes, research material, and a copy of the final publication.
AP116.S4.SS4
Description:
Sub-series documents the steps in the publication of Ignasi de Solà-Morales' Differences: Topographies of Contemporary Architecture, translated by Graham Thompson, edited by Sarah Whiting. Material in sub-series was produced between 1992 and 1996. Sub-series contains various editions of the text, correspondence, artwork, computer diskette, notes, research material, and a copy of the final publication.
People:
Date:
1992-1996
1992-1996
Title:
Differences: Topographies of Contemporary Architecture
Actions:
AP116.S4.SS4
Description:
Sub-series documents the steps in the publication of Ignasi de Solà-Morales' Differences: Topographies of Contemporary Architecture, translated by Graham Thompson, edited by Sarah Whiting. Material in sub-series was produced between 1992 and 1996. Sub-series contains various editions of the text, correspondence, artwork, computer diskette, notes, research material, and a copy of the final publication.
Differences: Topographies of Contemporary Architecture
Actions:
AP116.S4.SS4
Description:
Sub-series documents the steps in the publication of Ignasi de Solà-Morales' Differences: Topographies of Contemporary Architecture, translated by Graham Thompson, edited by Sarah Whiting. Material in sub-series was produced between 1992 and 1996. Sub-series contains various editions of the text, correspondence, artwork, computer diskette, notes, research material, and a copy of the final publication.
Level of archival description:
Sub-series 4
Sub-series 4
Date:
1992-1996
1992-1996
People:
